Debut thriller ‘Murderabilia’ reveals long-buried secrets of a serial killer and the son hiding from his past

FOR IMMEDIATE RELEASE

SAN DIEGO — Carl Vonderau’s debut thriller tells more than a simple story: It comments on the culture surrounding the children who grow up in the shadows of serial killers. Murderabilia (July 8, 2019, Midnight Ink) carries secrets and deception, characters haunted by their mistakes of their families, and the “art” of murder.

William McNary is a private banker who keeps his clients’ secrets — and some of his own. His father is Harvey Dean Kogan, the infamous serial killer known as “The Preying Hands,” responsible for killing thirteen women who abused children in the Chicago area. He brutally butchered them and then arranged their bodies for his disturbing black and white photos. These pictures started the “murderabilia” market, which William can’t seem to escape. Thirty years later, William has carefully constructed his life to exclude his father’s name and history. But a threatening phone call from a man claiming to be his brother shatters his idyllic life and makes him fear for his family’s safety.

Carl Vonderau grew up in Cleveland in a religious family that believed that God could heal all illness. He left that behind him when he went to college at Stanford and studied economics. Somehow, after dabbling in classical guitar, he ended up in banking. Carl lived and worked in Latin America, Canada, and North Africa, and conducted business in Spanish, French and Portuguese. He also secretly wrote crime novels. Now, a full-time author, he also helps non profit organizations. He and his wife reside in San Diego, where their two sons live close by. Check out more at http://carlvonderau.com/.


MurderabiliaBookCover

“Murderabilia”
Carl Vonderau | July 8, 2019 | Midnight Ink
Paperback | 978-0738761305 | $16.99
Ebook | 978-0738761701 | $11.99
Thriller

 

 

 

 

 

 

 


 

VONDERAUAuthorPhotoIn an interview, CARL VONDERAU can discuss:
* How a whole career in banking led to writing this serial killer thriller
* His work experience in the US, Canada, Latin America and North Africa and becoming a polyglot
* How a left brained thinker showcased a creative side
* His Christian Scientist upbringing and how this religion is portrayed in Murderabilia
* The long process of writing this book and getting it published

 

 

 

 

 


 

An Interview with CARL VONDERAU

Tell us about “murderabilia.” What is it and what do you think of the institutes that purchase murderabilia for display?
Murderabilia is art and objects owned by killers, like paintings produced by John Wayne Gacy or Charlie Manson. There are murder museums in L.A. and New Orleans and online auction houses that deal in murderabilia. I find it extremely creepy. This art directly or indirectly glorifies killing and the killers. Many states have passed laws to prohibit it, but this fascination seems impossible to outlaw.

Murderabilia has an important message about children of serial killers. What do you hope readers hear from the novel? Politicians? Children in the same position?
I hope that they come to realize that these children are also victims. There are hundreds of children of killers living through post traumatic stress disorder caused by their parents’ crimes. For the rest of their lives, they must deal with terrible guilt and public shaming. I hope that anyone reading this book will empathize with their lives.

How did your work abroad impact the international aspects of Murderabilia? Was it always your intention to write international settings into the book?
Most of my banking career revolved around international work. I’ve worked for many years in Latin America and was doing business for a Canadian bank in North Africa shortly before the Iraq War. I think that international points of view are distinctive but also universal. I didn’t start out writing the book with these settings. But as I explored my protagonist’s past, the settings in Colombia and Algeria offered ways to pull him out of his world so that he could have new perspectives on his family and on love.

Can you comment on why you chose to have the protagonist of Murderabilia a photographer and how photography became therapeutic for survival?
It started with his father, the serial killer. I needed his “hobby” to be both artistic and so despicable that his family would erase him and his art from their lives. In early drafts I didn’t develop how those photographs affected his son, my protagonist. Both Jackie Mitchard, who helped edit the book, and an early agent, urged me to explore this. I realized that my character would search his father’s photographs for clues as to why he didn’t see the evil in his father, and what caused it. But no explanation was complete. He then seized his father’s art to make it his own. He shot photos to take back the narrative of his life. In color rather than black and white like his father.

You’ve expressed a strong passion for nonprofits like the YMCA and San Diego Social Venture Partners. How has your work with nonprofits made literary communities stronger?
I think one of the strong values in both nonprofits and the world of fiction is the appreciation of other points of view. With the Internet and cable news, we can tunnel into increasingly narrow perspectives. But we still crave to broaden our conceptions of life. Through a book, the reader gets into another person or culture’s shoes. Nonprofits delve into other’s lives all the time. It is how they understand people enough to help them.

Religion informs the family upbringing of your protagonist. How did his mother’s fundamentalism function in this novel?
Religion both insulates and wounds the protagonist and his sister. Their mother’s denial of the existence of evil helped enable her husband to kill. Her refusal to even talk about her husband—as if he never existed—prevents her children from processing their feelings. At the same time, her denial is a saving grace. She never lets her children consider that they might carry any part of their father. This shields them from some of the guilt they might otherwise feel, as well as from the suspicion that his murderous genes hide inside them. Denial is both a harmful and saving act.

 

 

 

#1 Denver Post Bestselling Author Samuel Marquis launches New Historical WWII Novel Telling True Story Behind The English Patient and Desert War

FOR IMMEDIATE RELEASE

DENVER, Colo. – Bestselling historical fiction author Samuel Marquis is releasing Book 4 of his World War Two Series, “Lions of the Desert: A True Story of WWII Heroes in North Africa” (Mount Sopris Publishing, February 26, 2019). The novel is the true story of the WWII 1941-1942 Desert War in North Africa and Operation Condor, a story that has captivated the minds of authors, historians, and filmmakers for three-quarters of a century. Based on detailed historical research and Marquis’s award-winning narrative style, “Lions of the Desert” is the perfect read for fans of WWII history and historical fiction.

“Marquis grabs my attention right from the beginning and never lets go.” —Gov. Roy R. Romer, 39 th Governor of Colorado


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“Lions of the Desert” is the true story of the legendary WWII “War Without Hate” in the Western Desert of North Africa and Operation Condor. The story is told through the eyes of six legendary historical figures that lived through the epic events: Scottish Colonel David Stirling, leader of the Special Air Service, a brigade of eccentric desert commandos that raided Axis airfields; German Field Marshal Rommel, commander of the Africa Corps who very nearly succeeded in driving the British out of Egypt; Egyptian Hekmat Fahmy, the famous belly dancer, regarded as a Mata-Hari-like German agent in previous accounts but in fact a far more intriguing and ambiguous character in real life; Major A.W. Sansom, head of the British Field Security unit that hunted down Axis spies in Cairo; Johannes Eppler, the notorious German spy of Operation Condor whose real story is finally told; and Colonel Bonner Fellers, the famous U.S. military attaché in Cairo. Fans of “Beneath a Scarlet Sky,” “The English Patient,” and the WWII novels of Ken Follett (“The Key to Rebecca,” “Jackdaws,” “Eye of the Needle”) will enjoy this timeless tale of WWII espionage, romance, and derring-do in the North African desert—with the knowledge that this is how it all really happened.

LIONS OF THE DESERT: A TRUE STORY OF WWII HEROES IN NORTH AFRICA
Samuel Marquis | February 26, 2019 | Mount Sopris Publishing
Paperback ISBN: 978-1-943593-25-5 | Ebook ASIN: 978-1-943593-26-2
Historical Fiction

 


 

MarquisAuthorPhotoABOUT THE AUTHOR

The ninth great-grandson of legendary privateer Captain William Kidd, Samuel Marquis is the bestselling, award-winning author of a WWII Series, the Nick Lassiter-Skyler International Espionage Series, and historical pirate fiction. His novels have been #1 Denver Post bestsellers, received multiple national book awards (Kirkus and Foreword Reviews Book of the Year, American Book Fest Best Book, USA Best Book, Beverly Hills, IPPY, Next Generation Indie, Colorado Book Awards), and garnered glowing reviews from #1 bestseller James Patterson, Kirkus, and Foreword Reviews (5 Stars). Book reviewers have compared Marquis’s WWII thrillers “Bodyguard of Deception,” “Altar of Resistance,” and “Spies of the Midnight Sun” to the epic historical novels of Tom Clancy, John le Carré, Ken Follett, Herman Wouk, Daniel Silva, Len Deighton, and Alan Furst. His website is www.samuelmarquisbooks.com

 


 

TALKING POINTS

  • Researching WWII history and developing a narrative recounting the real history
  • Overlooked and historically misrepresented men and women in WWII history
  • How the author learned about the real-life David Stirling, Erwin Rommel, and Hekmat Fahmy, the three main characters of the book, and decided to write about them
  • How each of Marquis’s WWII novels cover different places and time periods in war

 


 

Praise for SAMUEL MARQUIS

#1 Denver Post Bestselling Author
Kirkus Reviews Book of the Year Winner
Foreword Reviews Book of the Year Winner
Independent Publisher Book Awards Winner
Beverly Hills Books Awards Winner
Next Generation Indie Book Awards Winner
American Book Fest-USA Best Book Award-Winning Finalist
Colorado Book Awards Award-Winning Finalist

“The Coalition has a lot of good action and suspense, an unusual female assassin, and the potential to be another ‘The Day After Tomorrow’ [the runaway bestseller by Allan Folsom].” —James Patterson, #1 ‘New York Times’ Bestselling Author

“‘Spies of the Midnight Sun’ is not only a skillful, rapid-fire historical spy thriller, but also a fine source on one of the least-known and most heroic chapters of the Second World War.” —Kirkus Reviews

“Marquis is a student of history, always creative, [and] never boring….A good comparison might be Tom Clancy.”—Military.com

“‘Altar of Resistance’ is a gripping and densely packed thriller dramatizing the Allied Italian campaign…reminiscent of Herman Wouk’s ‘The Winds of War.’” —Kirkus Reviews

“In his novels ‘Blind Thrust’ and ‘Cluster of Lies,’ Samuel Marquis vividly combines the excitement of the best modern techno-thrillers, an education in geology, and a clarifying reminder that the choices each of us make have a profound impact on our precious planet.” —Ambassador Marc Grossman, Former U.S. Under Secretary of State

“‘The Coalition’ starts with a bang, revs up its engines, and never stops until the explosive ending….Perfect for fans of James Patterson, David Baldacci, and Vince Flynn.” —Foreword Reviews

“A combination of ‘The Great Escape,’ ‘Public Enemies,’ a genuine old-time Western, and a John Le Carré novel.”—BlueInk Review (for “Bodyguard of Deception,” Book 1 of WWII Series)

“A simply riveting read from beginning to end, ‘Spies of the Midnight Sun’ is impressively informed and informative, and a work of solidly researched history.” —Midwest Book Review

“Marquis writes quite well, but his real contribution with ‘Blackbeard: The Birth of America’ is historical….An engrossing and historically grounded yarn.” —Kirkus Reviews

“‘Cluster of Lies’ has a twisty plot that grabs hold from the beginning and never let’s go. A true page turner! I’m already looking forward to the next Joe Higheagle adventure.” —Robert Bailey, Author of “The Professor” and “Between Black and White”

“If you haven’t tried a Samuel Marquis novel yet, ‘The Fourth Pularchek’ is a good one to get introduced. The action is non-stop and gripping with no shortage of surprises. If you’re already a fan of the award-winning novelist, this one won’t disappoint.” —Dr. Wesley Britton, Bookpleasures.com (Crime & Mystery) – 5-Star Review

“Marquis is the new Follett, Silva, and Clancy rolled into one.”—Prof. J.R. Welch, Editor of “Dispatches from Fort Apache”

“With ‘Blind Thrust,’ ‘Cluster of Lies,’ and his other works, Samuel Marquis has written true breakout novels that compare favorably with—and even exceed—recent thrillers on the ‘New York Times’ Bestseller List.” —Pat LoBrutto, Former Editor for Stephen King and Eric Van Lustbader (Bourne Series)

“Samuel Marquis picks up his World War II trilogy with ‘Altar of Resistance,’ a well-researched and explosive ride through war-torn Rome with Nazis, booming battles, and intense cat-and-mouse chases….Grounded in historical fact but spiced up with thrilling imagination with the fate of the world in balance.” —Foreword Reviews

“Reminiscent of ‘The Day of the Jackal’…with a high level of authentic detail. Skyler is a convincing sniper, and also a nicely conflicted one.” —Donald Maass, Author of “Writing 21st Century Fiction” (for “The Coalition”)

“In the richness of the texture of his material, Marquis far exceeds the stance of a mere raconteur and entertainer of the masses—he, in fact, becomes a public historian.” —Lois C. Henderson, Bookpleasures.com (Crime & Mystery) – 5-Star Review

“Readers looking for an unapologetic historical action book should tear through this volume.”
—Kirkus Reviews (for “Bodyguard of Deception”)

“Samuel Marquis’s ‘Spies of the Midnight Sun’ weaves historical truth with masterful storytelling in an action-packed and intriguing tale of covert spy operations during World War II.” —Foreword Reviews

 



The WWII Series

spiesBookCover
SPIES OF THE MIDNIGHT SUN (May 2018)

Amazon #1 Bestseller – Historical Thriller
“‘Spies of the Midnight Sun’ is not only a skillful, rapid-fire historical spy thriller, but also a fine source on one of the least-known and most heroic chapters of the Second World War.” —Kirkus Reviews

The true story of the legendary British safecracker and spy Eddie Chapman, the British Double Cross Spy System, and courageous Norwegian female Resistance operatives Dagmar Lahlum and Annemarie Breien as they fight to defeat the Nazis. (ISBN 978-1943593231)

 

 

 

altarBookCover
ALTAR OF RESISTANCE (January 2017)

Amazon Top 20 Bestseller – Historical Thriller
Award-Winning Finalist Foreword Reviews Book of the Year
Award-Winning Finalist American Book Fest Best Book Awards
Award-Winning Finalist Beverly Hills Book Awards

The gripping story of the Italian Campaign and Nazi Occupation of Rome in 1943-1944 through the eyes of the Allies, the German Occupiers, Pope Pius XII and the Vatican, and the Roman Resistance. (ISBN 978194359303)

 

 

 

 

deceptionBookCover
BODYGUARD OF DECEPTION (March 2016)

Amazon Top 20 Bestseller – Historical Thriller
Winner Foreword Reviews Book of the Year
Award-Winning Finalist USA Best Book Awards

Can the American and British Allies stop a German spymaster and his U-boatcommander brother from warning Hitler’s High Command about the Allies’ greatest military secret? From a U-boat on the frigid North Sea to a brutal British interrogation center in heart of London to a remote German-POW camp and the world-famous Broadmoor Hotel overlooking the high plains and snow-dusted mountain peaks of Colorado, “Bodyguard of Deception” will keep you guessing until the final chapter. (ISBN 978-1943593125)

 

 

New memoir bravely illuminates lasting impact of trauma

Author and lawyer revisits 30-year-old assault that shaped her life in ways she’s still beginning to comprehend

FOR IMMEDIATE RELEASE

SAN DIEGO, California – Why does the body remember what the mind tries so desperately to forget? Author and lawyer Karen Stefano begins to answer this question in her new memoir, “What A Body Remembers” (Rare Bird Books, June 11, 2019), in which she revisits the 1984 summer night at UC Berkeley when a man follows her home and assaults her at knife point. After a soul-chilling struggle, she manages to escape –– but will she ever feel free again?

Though traumatized by her assault and the subsequent trial of her attacker, Stefano paradoxically goes on to become a criminal defense lawyer, defending those accused of crimes as heinous as the one committed against her. As more years pass, Stefano again finds herself struggling —navigating a dying marriage, devastating financial loss, and an elderly mother slipping into dementia. She becomes immersed in her own anxiety and PTSD, and this immersion prompts a delayed obsession with her assailant: What became of him? What is he doing now? “What a Body Remembers” tells the story of her quest of excavation, her determination to track him down. What she discovers is nothing short of life altering.

“What a Body Remembers” is an honest, from-the-gut account of one woman’s journey to regain her power and confidence—a journey that continues to this day.

Stefano says, “Sometimes we have to excavate the ugliest parts of our past in order to find peace, in order to finally see the beauty in today.”

KAREN STEFANO is the author of “What a Body Remembers: A Memoir of Sexual Assault And Its Aftermath” (Rare Bird Books, June 11, 2019), the short story collection “The Secret Games of Words” (1GlimpsePress, 2015), and the how-to business writing guide “Before Hitting Send” (Dearborn 2011). Her work has appeared in Ms. Magazine, California Lawyer, Psychology Today, The Rumpus, The South Carolina Review, Tampa Review, Epiphany, and elsewhere. She is also a JD/MBA with more than 20 years of complex litigation experience. To learn more about Karen Stefano and her writing, please visit http://stefanokaren.com/.

 


BookCoverRemembers

“What a Body Remembers”
Karen Stefano | June 11, 2019 | Rare Bird Books
Paperback ISBN: 978-1947856950 | $18
Memoir | True Crime | Surviving Sexual Assault

 

 

 

 

 

 

 



In an interview, Karen Stefano can discuss:

  • The everlasting effects of assault on survivors
  • Her own experience as an assault survivor within the broader context of the #MeToo movement
  • The criminal justice system’s handling of assault cases, from both a professional perspective as a criminal lawyer and a personal perspective as an assault survivor
  • Living with and managing anxiety and PTSD
  • How PTSD impacts relationships of all types, from family to friends to significant others
  • Overcoming trauma that resurfaces, even after time has passed
  • The constant struggle of women losing and regaining power in their own lives 

AuthorPhotoKarenStefanoAn Interview with Karen Stefano

“What a Body Remembers” chronicles a deeply emotional and traumatizing part of your life. How did you manage potential triggers while writing about your experience?
I engaged in what have become my standard rituals of self-care: exercise, talking to a therapist, allowing myself plenty of down time/quiet time—something I’ve come to need more and more of over the years.

But I didn’t always succeed. Walking to my office one morning (broad daylight, safe and busy street), a man was running behind me and I nearly jumped out of my skin. It was a scene way more panicked and unhinged than the scene in the book with the jogger in the park. That poor man. He apologized to me profusely (though he had done absolutely nothing wrong). The look on his face said he knew: this woman has been assaulted on the street before. This woman is a trauma survivor. There were several similar incidents during the time it took to write this book. Writing this story brought all the trauma right to the surface and I was hyper-susceptible to triggers.

Why do you feel that it is important for others to know your experience?
As I shared with more and more women what this book was about, I can’t even count how many said, “Yeah, something like that happened to me too.” And they would share their own story and that simple act of sharing would unburden them I believe. This was before the #MeToo movement began. Now this story is more relevant than ever. It’s important to speak out, to let others know they’re not alone, to let everyone know there are many ways to heal.

You discuss the frustrations of dealing with unsatisfactory legal maneuvering after your assault. Do you feel like this has improved at all in recent years? Gotten worse? Stayed the same? Given your personal experience and your professional work as a lawyer, how do you think this can be improved?
Things have improved significantly since the time of my assailant’s trial. There have been changes in the law to enhance victim’s rights and many District Attorney’s offices have a victim liaison office. But based on my experience as both a lawyer and as a victim in the criminal justice system, there is still room for improvement.

How? Start with simple communication. Most victims don’t have the first clue what to expect from the system and that alone is extremely anxiety-inducing. DAs have to view themselves as advocates for victims in the system, just as criminal defense lawyers act as advocates for their clients. Simply telling a person what to expect procedurally from the system goes a long way toward helping those individuals navigate that system—whether they are victims or persons accused of crimes.

You were a victim of a brutal crime, and yet you went on to become a criminal defense attorney, defending people accused of committing crimes as atrocious as the one committed against you? How do you reconcile this?
This is something I address directly in the book, within the full context of all of my life experiences, and when you read my story the rationale for this paradox becomes clear. It was an unexpected path and one I wouldn’t change. I will never apologize for spending eight years of my legal career defending the rights of the poorest, most damaged, most under-privileged in our society—and those were 99% of my clients.

And frankly, it’s a large part of what makes my story so interesting. The victim who goes on to become a prosecutor—that’s expected—that’s not interesting. The victim who suffers a brutal assault, who works in law enforcement, who goes on to defend persons accused of crimes, who is good at it, who sees the humanity even in her clients who have committed atrocious violent acts, who finds her own voice in doing this work—that’s a journey worth reading about.

How did you come to accept and cope with the reality that some things — even life-altering things — are outside of our control?
This is something I struggle with, and I don’t think I’m alone in this struggle. We need to plan, work hard, and take massive action to push our life in the direction we want it to go. And yet, in order to feel peace, we have to accept that so much in this world is out of our control. Those two realities are difficult to reconcile.

What advice do you have for others going through similar experiences, especially for those who are in the beginning stages of processing their assault?
Ask for help. Be kind to yourself. Watch what story you’re telling yourself internally. Don’t say, “I’m going crazy.” Adjust that self talk to, “Something terrifying happened and I am processing this and it’s going to be uncomfortable and take some time…” Or something along those lines, something that creates an internal narrative that is more compassionate toward yourself. Make necessary life adjustments. Basically do the opposite of everything I did!

If you have the resources, go to therapy. If your first therapist feels like a bad fit (as mine was), find someone else, but go.

Is there anything you know now that you wish you had known in the immediate aftermath of your assault?
So, so much. And “What A Body Remembers” examines this from the other side of 30 years and all of the life experience those years gave me. Primarily, I wish I’d had a better understanding of the criminal justice system that I was thrust into against my will. But how would that have even been possible? I was 19 years old, a sophomore at UC Berkeley. I had no real life experience yet. But that’s one of the undercurrents of this book: life takes us places whether we’re ready or not.

These experiences stay with us and shape us in ways we may not even understand. How did you reconcile your attacker’s impact on your life after the assault?
As chronicled in the book in the year following the assault—I didn’t. There was no reconciliation. Due to a variety of factors—being so young and naive, having little in terms of a social network, lacking financial resources, working in a police department where the social code was BE TOUGH AT ALL TIMES, my strategy was denial. My mantra, as you see early in the book, was I’m fine.

But the terror became too great. I had learned something horrifying: that I wasn’t safe, that men do jump out of darkness and attack women at knifepoint, that I’d gotten lucky, and that as bad as it was it could have been so much worse. I learned life really did change in an instant.

Eventually I did engage in acts of self care. I pulled back from patrolling the dark, crime-ridden streets of Berkeley even though doing so bruised what was left of my ego. I finally talked with my mother about what had happened.

Slowly the PTSD dissipated—on its own timeframe, not mine. It lay dormant for decades. When it started back in 2014—not coincidentally at another period in my life when things seemed to be crumbling—I finally said, okay. I’ve got to get to the bottom of this. And as readers will learn, the things I discovered from my excavation were nothing less than stunning.

Can you elaborate on your chosen book title – “What a Body Remembers?”
I believe our bodies will eventually revolt if the mind refuses to address trauma. That’s certainly what happened to me: I lied to myself and everyone around me post-assault by insisting I was fine—even as my body—in the form of panic attacks triggered by the sound of footsteps—told me otherwise.

For me, my body held the trauma inside it for 30 years and counting—even when my mind seemed to have moved on. Hence the title of the book.

For people who are not intimately familiar with post-traumatic stress disorder, or PTSD, what is it? And what role has it played in your life?
I don’t hold myself out as an authority on PTSD, but in my personal experience: it’s your body refusing to forget what your mind has worked so desperately to push down.

The American Psychiatric Association defines PTSD as a reaction to an extreme traumatic event. Psychiatrists say that when people live through trauma, memories get connected in their minds with what they saw, heard, smelled or felt at the time. Fear becomes linked to the sensations that occurred during the event. These sensations become triggers – in my case, the sound of footsteps.

As far as the role it has played in my life, it was acute in the months following my attack. Then it fell dormant for decades. Suddenly, seemingly out of the blue, it reappeared again. PTSD brings terror into everyday events: walking down the street, going for a run. It makes you feel completely out of control. It makes you feel like a crazy person. Logically you can argue why the panicked reaction makes no sense – but your body isn’t going to listen. It’s going to judge what reaction is appropriate – and that reaction is to experience terror and to demonstrate vigilance, even hyper-vigilance.

How does PTSD affect relationships with friends, family, significant others and other acquaintances?
As shown in the book, my PTSD primarily manifested in two ways: a fear of the dark (a bit of a problem when you work in law enforcement and have to put on a police uniform and patrol a sprawling campus and surrounding crime ridden streets in darkness!); and a severe trigger by the sound of footsteps behind me.

My PTSD made me clingy – nearly destroying my relationship at the time with my boyfriend. Oddly, it also made me withdrawn, furthering the cycle of depression and self-loathing I experienced. It distanced me from my own mother because I was too ashamed to tell her about my assault. I couldn’t trust even her to not say something to make it all worse.

“What’s next for you?”
I will continue writing, continue sharing my stories in the form of essays and also fiction. I’m currently at work on my next book, a novel this time. By sharing our stories we render ourselves vulnerable and I believe there’s a lot of personal power in that kind of vulnerability.

I also plan to continue my own personal journey of healing and self care and personal growth. As I share in “What A Body Remembers,” my therapist has told me I’m a “work in process.” To which I’ve replied, “Aren’t we all?”


 

Early Praise for “What A Body Remembers”

“Karen Stefano’s What A Body Remembers is a gripping, upending thing of beauty. Her memoir serves as a battle cry for our times—a voice for women who have lived through an assault—taking the reader along the jagged path to healing to the shock of tracking down the assailant to the truth her body carried all along. Profound, courageous, and deeply validating.”
— Susan Henderson, bestselling author of The Flicker of Old Dreams and Up from the Blue

 

“‘Why can’t she get over it?’ ‘Why can’t she just move on?’ Karen Stefano will make you understand exactly why. In this taut, riveting memoir Stefano brings you into the life of a woman in the wake of a violent assault. Tortured by what-ifs and the terrifying awareness of her own vulnerability, Stefano becomes obsessed with knowing all she can about the compounding forces that create her ‘habit of fear.’ Arresting, compelling, her journey culminates in an unexpected grace that strangely blooms out of that awful assault. This story is necessary and unforgettable – and arrives at just the right time.”
— Samantha Dunn, award winning author of Not By Accident: Reconstructing a Careless Life; Faith in Carlos Gomez: A Memoir of Salsa, Sex and Salvation; and Failing Paris

 

“After her superb debut story collection, The Secret Games of Words, Karen Stefano returns with What a Body Remembers—her autobiographical account of sexual assault, frustratingly unsatisfactory legal maneuvering, and a lifetime of reverberations from both—all leading to a decades later heart stopping discovery. Stefano’s writing style accessibly conveys the complex challenges in coping with trauma in her life’s journey: from victim to survivor to successful lawyer and author. Highly recommended.”
— Charles M. Sevilla, author of Wilkes on Trial and Wilkes, His Life and Crimes

 

“What A Body Remembers is a gut-wrenching walk back into a terrifying past in order to find peace with tomorrow. This is a harrowing but ultimately transformative story about reclaiming the events that have shaped our lives—even the traumatic ones. Karen Stefano writes with verve and delicacy, as well as astonishing honesty. Read this book!”
— Rene Denfeld, internationally bestselling author of The Child Finder

As suppressed memories resurface, survivor of childhood sexual abuse picks up the pieces in new memoir

Patricia Eagle’s “Being Mean” to release on June 11, 2019

FOR IMMEDIATE RELEASE

ALAMOSA, CO – Patricia Eagle was thirteen when her sexual relationship with her father – a relationship that began when she was four years old – ended. As a young woman she dreamed of love, but shame, depression, and the confusion of suppressed memories sent her careening through life, wondering how to trust others and herself. In “Being Mean: A Memoir of Sexual Abuse and Survival” (June 11, 2019, She Writes Press), Eagle shares her journey with courage and hope as she finds strength to see what was unseeable – and finally speaks the unspeakable to help herself and others.

Childhood sexual abuse is one of the most prevalent health problems that children face and is often paired with a greater risk of post traumatic stress, anxiety, depression, suicide attempts, and teenage pregnancy. Like many survivors of abuse, Eagle kept quiet for many years as she sought help for her mental health. Gradually as painful blocked memories reemerged, Eagle began disclosing her experiences to close friends and family, but the more she shared, the clearer it became that she needed to do more. Writing “Being Mean” became a necessary part of her own healing. Sharing stories from her childhood to mature years through vignettes, Eagle writes with deep sincerity, vulnerability, and most of all, strength.

“Sharing my story through this book has had plenty of challenges – shame still niggles me – but then, one of the best things is just that; I’m finally exposing what happened to me, what I’ve done, and how I now feel about my life,” Eagle says. “A consequence is that I’m finding I feel joy more than I ever have before, and I believe that is because I’m willing to not hide, to speak up, to step into the shoes of who I have been, who I am, and who I am becoming. Finding my voice has given me my life.”

 


BookCoverMean

“Being Mean: A Memoir of Sexual Abuse and Survival”
Patricia Eagle | June 11, 2019 | She Writes Press
ISBN: 978-1-63152-519-3 (paperback) | $16.95 (paperback)
ISBN: 978-1-63152-520-9 (ebook) | Price: $9.95 (ebook)
Memoir

In this richly depicted story, told in vignettes relative to markers of age and experience, Patricia Eagle reveals the heartbreak and destruction of her sexual abuse, from age four to thirteen, by her father. A victim of her father’s anger and her mother’s complacency with his abusive behavior, Eagle uses dissociation and numbing in response to the abuse, and as a way to block her own sense of self.

How does a child confused by episodes of abuse come to know what is safe or unsafe, right or wrong, normal or abnormal? How does a young woman learn the difference between real love and a desire for sexual pleasure stimulated by abusive childhood sexual experiences? Careening through life, Eagle wonders how to trust others and, most importantly, herself. As a mature woman struggling to understand and live with her past, she remains earnest in her pursuit of clarity, compassion, and trust to build a stronger life.

“Being Mean” is about blocking sexual abuse memories, having them surface, then learning how to acknowledge and live with incomprehensible experiences in the healthiest ways possible.


Patricia Eagle is the author of “Being Mean: A Memoir of Sexual Abuse and Survival.” She discovered language with her first word, “bird,” and later found great solace in nature. Six decades of journaling also served as a life buoy – tangible evidence of a life explored in earnest while being tossed by the confounding experiences of childhood sexual abuse. Her experience as a high school teacher informed her master’s research on the use of “professional reflective journaling,” a method to help educators better understand themselves and their students. A story gatherer, Eagle maintains an unyielding commitment to excavating and acknowledging what is resilient about her life and the lives of others, as an author and a Life-Cycle Celebrant. She has seven stories published in four anthologies and online with the National Home Funeral Alliance. Eagle lives amidst mountains and hot springs in the San Luis Valley in south central Colorado, where she watches the Milky Way splash across the night skies. Visit her online at https://patriciaeagle.com/.

 



In an interview, Patricia Eagle can discuss:

  • How she found the courage to share her story, and how she hopes to use her story to encourage and uplift others
  • The ways childhood sexual abuse follows a person into adulthood, and the challenges survivors continue to experience
  • Why she advocates for eliminating the shame around people receiving therapy, counseling and taking medications when recommended for mental health issues – including both child abuse survivors and perpetrators
  • Her commitment to helping our culture recognize if child sexual abuse is so prevalent, that means there are a lot of perpetrators out there who are not getting help for a serious problem with enormous consequences
  • Her commitment to sexual responsibility being equal between two partners, especially men and women. A woman shouldn’t be left solely responsible for an unintended pregnancy

AuthorPhotoEagleAn Interview with Patricia Eagle

Tell us about the title of your memoir, “Being Mean.
Being mean is what my mother called masturbation. (I had no idea of that word until high school.) I am not sure if I learned to “be mean” with my dad or my older sisters first. I remember watching my sisters hump pillows then trying it myself, and I remember rubbing on my dad’s leg to achieve the same sensation. When my mom caught me, she called it being mean. One time I heard her accusing my dad of being mean to me, so the words made sense, I just didn’t understand why she would get so angry about it, and if she didn’t want Dad and I to be mean together, why she didn’t stop him. Later, as an oversexualized person, I believed that feeling good in this way was also “being mean,” something I shamed myself for.

What motivated you to write this book, and where did you find the strength to tell your story?

Shame became too great a burden. Not speaking up added to that weight. There were too many times when I didn’t speak my truth, whether for lack of courage or thinking my story wasn’t worth being told––and my God, what would people think of me?! Sexual abuse is so prevalent—so many abused children, so many perpetrators injured in some way that leads them to inflict injury––and all this in our big world of secrets. How can anyone get help when we don’t talk about this? I decided to step into that pool of courageous survivors who have told their stories and add my own. Continuing to stay silent, I believed, would have killed me. Therapy, strong friendships, and solitary retreats in nature have also given me sufficient stability and strength to write my story.

Childhood sexual abuse survivors are at a greater risk of PTSD, depression and other mental health issues. How did your experiences with this affect your life?
Mental health issues still affect my life, but they no longer debilitate me. I believe mental health concerns are as important as any physical health concerns, even though our culture doesn’t always recognize that. I think many are afraid to hear about another’s depression. Someone getting mental health care might be shamed for not “letting things go” or not “putting one foot in front of the other and moving past the tough stuff.” I wanted help in my teens, but talking to anyone felt too risky. I learned that I needed guidance, and, luckily, I was able to find excellent counselors and therapists. Slowly I began to recognize how my sensitivities and depression help me to see the world uniquely and they keep me honing the tools of understanding and compassion.

To cope those painful experiences, you used disassociation, suppressing memories from your childhood. Can you tell us more about that?
Please know that I am not an expert of suppressed memories and can speak only about my own experience. I had forgotten what happened to me, buried memories under dreams and fantasies, numbed myself to flashbacks, and learned to dissociate like a pro with hyper-exercising: if I hadn’t, I wouldn’t have stayed alive. Either I would have killed myself or taken a risk that would have done it for me. You forget to survive. You practice keeping memories buried and ignore flashbacks in Herculean efforts to be normal.

What triggered those memories to resurface, and what was that like for you?
During a time of prolonged and perplexing depression and anxiety for me, my sister asked if I remembered any sexual abuse in our family. The day after her question, out of the blue a friend called and shared that her grandfather had sexually abused her. Something snapped in me after that phone call, and my memories began surfacing. I felt sick, crazy, nauseous, and very confused. Although things began to make sense, everything felt wrong. I knew I would never be the same, but I didn’t know if that was good or bad. I felt ashamed and questioned if I wanted to stay alive. I was trying to understand what was happening to me while trying to explain to my husband, friends, my sisters, and later my parents. I upped my therapy appointments and joined sexual abuse survival support groups. Other survival issues were also at hand at that time in my life: my marriage, our individual work worlds, and my stepson coming to live with us. Pure survival became paramount.

You were 4 years old when the abuse started. How can you know what you say happened really happened, especially when you were so young?
One of the most difficult parts of this journey has been when I’ve doubted myself and asked that very question. Before my memories surfaced, I had scenes flash in my head, often triggered by a crisis, a smell, sound, how something felt. I began to think I was crazy. I couldn’t control my feelings well or the images that flashed through my head. Things I remembered from my earliest years are still like a bubble of sensations: a shower curtain being pulled back, a scratchy feeling, a bitter taste, the smell of soap. I can’t explain how things get buried and resurface. But they get buried for good reason. Therapy and lifelong journaling (and a teacher who taught that when we tell the truth, our life is transformed) helped me learn to trust myself and my memories.

Have attitudes about addressing childhood sexual abuse changed? What can we do to erase the stigmas about openly discussing these issues?
I think attitudes are changing, but slowly. There are still stigmas around bringing up sexual abuse. Many times people who finally gather the courage to tell their stories are not believed, and sometimes belittled. We must encourage others to speak up, listen carefully, and not shame anyone for what they have experienced. It is not a child’s fault when this happens, and their ability to learn to trust another or themselves can become irrevocably damaged. And somewhere in this equation of sexual abuse, stigma, and survivors, is the perpetrator. We have to figure out how to identify, talk to and help perpetrators.

How can we protect children from sexual abuse? Are there signs to watch out for?
Stop It Now, an organization that provides help to individuals with questions or concerns about child sexual abuse, teaches how to talk and listen to children and what clues to look for that might point to sexual abuse. For a kid, sensing that something is not right, but not knowing how to know, is a complicated place to be. We must help these kids trust their feelings and, when possible, have the courage to speak up when something feels confusing or wrong to them. Signs to watch out for vary, but staying aware of the comfort of your child around others and listening for anything like your child telling you someone has a touching problem, or likes to take his clothes off. Stay watchful so you notice a person your child is around who doesn’t respect boundaries (tickles too much) or doesn’t accept when a child says no (“Stop!”).

How can our culture help perpetrators understand the harm they cause and get the help they need?
The harm caused is extensive. Children who are sexually abused are at significantly greater risk for later post traumatic stress and other anxiety symptoms, depression, and twice as likely to attempt suicide. Adult women who were sexually abused as children are more than twice as likely to suffer from depression as women who were not sexually abused. Another common consequence of child sexual abuse is over-sexualized behavior which leads to an increased risk for pregnancy at a young age. Will perpetrators care about any of this? My dad expressed regrets to me once; maybe if he had had some help, something would have changed. It’s hard to know how, but it’s absolutely necessary to consider ways to successfully help perpetrators understand the damage they cause and how they can change.

What are your thoughts on using the word “survivor” rather than “victim” to describe those who have experienced abuse?
I think it’s up to each individual to consider what label they prefer. Survivor feels better to me than victim, but neither feels wrong. People’s abuse experiences vary so much, and sometimes it can take a while before someone feels like they will survive. Perhaps it could be more important that we say the word “perpetrator” more often so that those who are sexually abusing children hear us saying what they are and know we are looking for them and want to help them.

What’s the story behind the photo on your book cover? Is that you as a child?
Yes, that is me around age 5. I often wore that expression, per photos and family lore. What you might note in that old photo is, except for my expression, how perfect I look: bow in my curled hair, necklace, pressed dress. My mom would have us all dressed up to “look right,” something we learned early on, even if my scowl revealed a different perspective. Gradually I started smiling more after I realized others would leave me alone and quit taunting to get me to smile. Smiling became an essential cover-up. The scowl was real.

What was your relationship like with your abusers – your mother and father – after you entered adulthood? What was it like to live with and care for them when they were at the ends of their lives?
My parents and I didn’t talk for many years, then agreed to be in touch again though no one recanted accusations or denials. Living with them and being a caretaker at the ends of their lives was much harder than expected. But one reason I had chosen to do this was because I saw it as an opportunity to tunnel through my story and begin writing. I knew moving to Texas and living with them was going to be difficult, but I thought I was pretty empowered after all the work I had done on myself by that point. My husband, Bill, reminded me one night what Ram Dass once said, “If you think you’re enlightened, go spend a week with your parents.” Bill and I discovered really fast how much work we had to do to be the loving, compassionate people we imagined ourselves to be. The complexity of the arrangement was often overwhelming for each of us, but the underlying fear, confusion, and shame that surfaced, demanded attention in a way that later allowed us to see how the entire experience was a gift. And I started writing this book.

Did your parents eventually confess to their abuse?
No, they did not. At one point in my late 20s when I went home to visit my parents, my dad was on the couch crying and said he was sorry for all he had done, that he hadn’t meant to hurt anyone. My memories were still buried at this point, and I had never seen my dad cry. I wasn’t sure what he was talking about and I left. About eight years later after I had voiced my accusations to him, my dad told me that he didn’t know what I was talking about and he recounted an incredibly bucolic life that he said we had had. My mom made it clear I was wrong about any kind of potential abuse when she slapped me at 15 years old, then from 38 years old on held the stance that I was crazy.

Have you forgiven your abusers?
One of the survivors from the documentary “Leaving Neverland” said, “Forgiveness isn’t a line you cross. It’s a road you take.” I understand that. What has been the most useful for me has been developing compassion for my parents and myself. My mom and dad each had their own story and struggles. That’s not to say they weren’t responsible for what happened; they were. I think they were prisoners of their own realities. I gradually came to feel sorry for them––for what they endured for self-preservation––but not forgive them. The biggest hurdle has been forgiving myself and learning self-compassion instead of blaming and shaming myself. It’s a life-long journey.

Should sexual responsibility be equal among men and women?
Yep, just as pay should be equal. It still mystifies me how often only women are held accountable for sexual interactions while men are rarely even asked to speak up. Women don’t get pregnant alone. The responsibility a woman assumes after pregnancy is life-altering, whether through an abortion, adoption, or becoming a mother––possibly a single one. Why does our culture still allow an easier out for men, piling the responsibility for every step of becoming pregnant and being pregnant onto a woman? And the possibility for preventing unintended pregnancy is largely up to a woman, who still has more possible methods of birth control than a man.

How has journaling played an important role in your life, including your journey to healing?
My first writing was at 8 years old, when I kept a diary for my dog, Dabb. I wrote about his friends, his favorite toys, and things we did together. It was an innocent way to enter a diary habit that was acceptable by my mother. Later I had to have a wooden box with a lock on it to protect my diaries from her. By my 20s, I was journaling regularly, as I still do today––almost seven decades of keeping some kind of diary or journal. Journaling has been my go-to place for reflection on the past, present, and future. Believe me, my journals are not literary works, rather a place where I process, pray, plan, and ponder. And, yes, journaling continues to play a critical role in my healing and my writing.

Have dogs always been a significant part of your life? Do you have any pets now?
Dogs have saved my life. My dog, Dabb, was my first best friend, and our hearts supported one another into adolescence and my early teens. I am now owned by the ninth dog in my life. I’m personally a healthier and a better human for having dogs––I laugh and play more, I calm more easily, and I learn more about human behavior by observing them. My dog now, Mercy Mercy Me, comes with me to some of my readings as an emotional therapy dog, and boy does she do her job well.

What’s next for you?
I’m so caught up in this journey it’s tricky to start the next. I want to continue to learn more about what’s being done to help victims, survivors, and perpetrators of sexual abuse. I’m also interested in other women’s stories of resilience, and not just from sexual abuse experiences. I especially want young women to hear and read about resilient women who have gained wisdom for multiple reasons: poverty, illness, or even ranching or teaching. I want to write women’s real stories, about women who bravely wear the lives they’ve lived.


 

Early Praise for “Being Mean”

“Not since Alice Sebold’s ‘Lucky’ have I read a memoir that leans into the soul-shattering experience of early sexual trauma with such courage and intelligence. Patricia Eagle elevates the difficulty of her subject matter through her clear prose and a cohesive narrative that weaves recurring themes of betrayal, devotion, the secrets that keep us, and the redemptive wisdom of love. I wept real tears at the complexity and beauty of the healing. This book will rinse you clean.”
— Kathleen Adams, LPC, author of “Journal to the Self” and “Expressive Writing: Foundations of Practice” and founder/director of Center for Journal Therapy Inc.

“Patricia Eagle’s extraordinary memoir, ‘Being Mean,’ is a testament to the power of the human spirit to prevail over childhood sexual trauma, heal itself in the act of truth-telling, and emerge from the depths of confusion with survivor’s wisdom and an open, generous heart. Eagle’s humor, candor, and determination to bring compassionate understanding to the darkest of crimes separates this book from the majority of abuse memoirs; so does her spirited refusal to sacrifice sexual freedom and pleasure to the fire of childhood incest. Daring, beautifully written, and filled with unforgettable moments, ‘Being Mean’ is one brave woman’s story of soul retrieval and finding her way through the mysteries of love. It deserves a place on your bookshelf next to Kathryn Harrison’s ‘The Kiss,’ Eve Ensler’s ‘The Vagina Monologues,’ and Bass-Davis’s ‘The Courage to Heal.’ I could not recommend it more highly.”
— Mark Matousek, author of “The Boy He Left Behind” and When You’re Falling, Dive”

“When I first began speaking of my sexual abuse, I looked for just one woman who had relived her experiences and her feelings, and who had survived and thrived. I became that woman whom I was looking for, and Patricia Eagle can now count as another.”
— Marilyn Van Derbur, author of ‘Miss America by Day’

Psychotherapists Discuss Benefits of Buddhism

FOR IMMEDIATE RELEASE

Nashville, Tn – In Prescribing the Dharma (University of North Carolina Press, March 18, 2019), Dr. Ira Helderman highlights the ways in which psychotherapists integrate Buddhist practices into their treatment plans. Through extensive fieldwork and in-depth interviews with clinicians, Helderman gives voice to the psychotherapists themselves, providing comprehensive insight into the diverse ways practitioners relate to Buddhist traditions––some draw a hard line between religion and psychotherapy while others aim to disrupt that separation.

Ira Helderman: Scholar, published author, screenwriter and commentator, Ira Helderman holds a PhD in Religion, Psychology and Culture from Vanderbilt University and a BFA in screenwriting from New York University. A licensed professional counselor, he began working in the mental health field in 2001 and has a private psychotherapy practice in Nashville. Ira’s research examines how psychotherapists and psychotherapeutic ideas shape the way that people are religious in America. You can find more information at www.irahelderman.com and on Facebook and Twitter at @DrIraHelderman

 


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Prescribing the Dharma: Psychotherapists, Buddhist Traditions, and Defining Religion
Ira Helderman | March 18, 2019 | University of North Carolina Press
Paperback ISBN: 978-1469648521 | Price: $28.95
Historical/Non-Fiction

 


HeldermanIn an interview, Ira Helderman can discuss:

  • 5 common American misconceptions about the intersection of Buddhism and psychotherapy
  • How mindfulness practices are actually only the tip of the iceberg for how Buddhism is used in clinical practice; clinicians use a wide variety of Buddhist teachings and practices and in surprisingly diverse ways
  • Historical prescriptive mindfulness and meditation in psychotherapy (dates back 100+ years)
  • Whether or not mindfulness must be correlated to Buddhism and how the science of the mind and historical Eastern spirituality cross paths
  • Whether or not mindfulness and yoga should be used in public schools or hospitals: can you call them religious, and do they violate the separation between church and state?

 

 

 

 

 

 

‘The Night Visitors’ is a genre-bending thriller with smart commentary on abusive relationships and family trauma

FOR IMMEDIATE RELEASE

GRED HOOD, NY –The latest thriller from the internationally bestselling author of The Lake of Dead Languages and The Other Mother is a story of mistaken identities, missed chances, forgiveness, and vengeance.

Alice is fleeing an abusive relationship and desperate to protect ten-year-old Oren when she finds herself stepping off a bus in the middle of a snowstorm in Delphi, NY. Though Alice is wary, Oren bonds nearly instantly with Mattie, a social worker in her fifties who lives in an enormous run-down house in the middle of the woods.

According to protocol Mattie should take Alice and Oren to a local shelter, but she brings them home for the night instead. She has plenty of room, she says. What she doesn’t say is that Oren reminds her of her little brother, who died thirty years ago at the age of ten.

Alice is keeping her own secrets. And as the snowstorm worsens around them, each woman’s past will prove itself unburied, stirring up threats both within and without.

CAROL GOODMAN graduated from Vassar College, where she majored in Latin. After teaching Latin for several years, she studied for an MFA in Fiction. She is the author of twenty novels, including The Lake of Dead Languages and The Seduction of Water, which won the 2003 Hammett Prize. Her 2017 thriller The Widow’s House won the Mary Higgins Clark Award. Her books have been translated into sixteen languages. She lives in the Hudson Valley with her family and teaches writing and literature at The New School and SUNY New Paltz.

 


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The Night Visitors
“Goodman provides readers with that delicious frisson that comes from not knowing what will happen next.” – Publishers Weekly

Carol Goodman | March 26, 2019 | William Morrow
Paperback | 9780062852007 | $15.99
Ebook | B07B7L2RZJ | $10.99
Mystery/ Suspense

 

 

 


In an interview, Carol Goodman can discuss:

  • Her experience working as a volunteer on a hotline for domestic abuse victims and how this impacted the writing of the book
  • How to continue to find inspiration after writing so many books, each with their own unique story to tell and characters to tell it
  • Her varying experiences writing in different genres

carolgoodmanAuthorPhotoAn Interview with Carol Goodman

After nearly 20 books, what made you decide to write a book with a focus on domestic violence?
According to the CDC, nearly 1 in 4 adult women and approximately 1 in 7 men report having experienced physical violence from an intimate partner during their lifetime. That would be reason enough. It is a subject that I have always been concerned about, but when a student told me about her own experiences I was reminded of how important it was. My first reaction was to volunteer at a crisis center; my second was to address the issue in my next book.


Your experience volunteering for the domestic abuse hotline plays out in Mattie’s job as a social worker. Can you talk about your research for The Night Visitors?

I did the training at Family of Woodstock primarily because I wanted to know how to help victims of domestic violence, but I knew I’d also want to use the material in a novel. The training gave me a visceral sense of how a crisis center deals with a call from a victim of domestic violence: I learned the protocol, the statistics, and the resources we could offer a caller. What moved me the most was the dedication and generosity of the social workers and volunteers who take these calls day in and day out, offering a lifeline to people in need. I wanted to create characters who embodied those qualities while also exploring the emotional costs of confronting these issues.

What inspires you to incorporate social issues into the your writing?
I think I’ve always wanted to show strong women coping with the challenges of modern life, but I was also a little wary of being too didactic or preachy in my writing. About five years ago, though, I started teaching a class called “Contemporary Issues in Literature” in which we read “social issue” books and talked about how authors handled that challenge. The example of these writers–Margaret Atwood, Octavia Butler, Louise Erdrich, to name a few–and the response my students had to their work inspired me to be more daring in my own work.

Why did you decide to donate proceeds from the book to Family of Woodstock?
That seemed only fair since I could not have written the book without them.

Did your writing process for The Night Visitors differ from your first books?
It’s the first book I’ve written that uses shifting point of view between two female narrators. I loved the juxtaposition of Alice’s and Mattie’s voices.

What are you working on now?
I have just finished a book called The Ice Virgin about a teacher at a boarding school in Coastal Maine whose teenaged son is implicated in the death of a young woman. It contains all my maternal anxieties AND my love of Maine!

AWARD-WINNING PLAYWRIGHT AND AUTHOR TELLS STORY OF SHOELESS JOE 100 YEARS LATER

FOR IMMEDIATE RELEASE

GREENWICH, CT – EMMY-nominated playwright and author Granville Wyche Burgess is releasing his latest title, “The Last At-Bat of Shoeless Joe” (May 1, 2019, Chickadee Prince Books). Set to release in time for the 100th anniversary of the Black Sox Scandal which ended Shoeless Joe’s professional baseball career in disgrace, Burgess imagines another chance for Shoeless Joe to make sports history.

In the small town of Greenville, South Carolina, Jimmy Roberts realizes his only chance at escaping his grueling job at a textile mill is to become a better baseball player in hopes of making it to the major leagues. Desperate for help, Jimmy turns to Shoeless Joe Jackson, offering the infamous player a shot at redemption. Good and evil collide in the world of sports as Burgess explores themes of injustice, family, and second chances.

Granville Wyche Burgess is the author of the acclaimed Rebecca Zook series of novels. He has also received awards from the CBS/Foundation for the Dramatist Guild, the National Endowment for the Humanities, and the Pennsylvania Council on the Arts. His plays and musicals have been performed throughout the United States, including his musical, Conrack, which had a sold-out run at Ford’s Theatre and was attended by President George H.W. Bush and the first lady, Barbara Bush, and Common Ground, a musical about Frederick Douglass and Abraham Lincoln, which was a finalist in the New York New Works Theatre Festival. He is CEO of Quill Entertainment Company, a charitable company whose mission is “Teaching America’s Heritage Through Story and Song.”

 


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“[Jackson] is now the subject of a remarkable new novel by Granville Wyche Burgess. With a grand slam plot wrapped in lyrical and whimsical prose, Burgess gives us the grit and glory of old time baseball, poignantly reviving the spirit of a fallen hero.”
— Raymond Arsenault, author of Arthur Ashe, a Life

“In Granville Wyche Burgess’ new novel, Shoeless Joe Jackson of Black Sox fame comes alive in a most ingenious way. He becomes involved in a struggle between good and evil, and in the end you root for him to become the hero he might have become had dark forces not ended his baseball career. If you love baseball, you’ll love this book.”
— New York Times bestselling author Peter Golenbock

 

 

“The Last At-Bat of Shoeless Joe: A Novel”
Granville Wyche Burgess | May 1, 2019 | Chickadee Prince Books
Paperback | 9781732913912 | Price: $12.99
Ebook | 9781732913912 | Price: $6.99
Historical Fiction

 


In an interview, Sande Boritz Berger can discuss:

  • The Black Sox Scandal and why he believes Shoeless Joe Jackson was wrongly accused
  • His experience writing EMMY nominated soap opera Capitol and what inspired him to start the nonprofit Quill Entertainment Company
  • His career as an author writing plays, acclaimed Amish fiction series Rebecca Zook, and now historical fiction

BurgessAuthorPhotoAn Interview with Granville Wyche Burgess

What inspired you to write his story and why now?
When I played baseball as a youth in 1950’s Greenville, SC, nobody ever mentioned that Joe Jackson, whom some considered the “greatest natural hitter of all time,” lived in my hometown! Such was animus towards Shoeless Joe because of the Black Sox scandal. I think Joe himself wanted to keep a low profile. Years later, when I read about the scandal, I became convinced of Joe’s innocence and wanted to put the truth, as I saw it, out into the world. An added plus: I love baseball, I think it’s a great game! As to why now, what better way to commemorate the 100th Anniversary of the Black Sox scandal than to publish a novel about it?

You believe that Shoeless Joe is innocent in the Black Sox Scandal. What makes you draw this conclusion?
First of all, we have Joe’s word, and there is nothing I have read about this Christian man that would lead me to believe he is a liar. Joe went to his grave believing “The Supreme Being will be my judge.” He says he told Comiskey about the fix and Comiskey ignored him—and plenty of what I have read about Comiskey would lead me to believe he was primarily interested in protecting his reputation and his money. As someone who could neither read nor write, I believe Comiskey’s lawyer, Alfred Austrian, tricked Joe into testifying the way he did. He certainly got him to sign a waiver of immunity that he could not read. What many people do not remember is that in a 1924 trial where Joe sued Comiskey for back pay, a jury believed him and awarded him the money. Then the judge, noting discrepancies in Joe’s 1920 testimony and his 1924 testimony, overturned the decision. What is indisputable is that Joe Jackson played his heart out in that World Series: no errors, the only home run, a .375 batting average, and 12 hits, which stood as the record until 1964.

Growing up in times of segregation, what draws you to stories about injustice, specifically this one?
Growing up, I saw the injustice of segregation all around me, from Whites Only drinking fountains to the squalid housing of what was euphemistically called “Nickletown.” Also, I was familiar with the ethos of the people who, like Joe, worked in a textile mill: they worked hard hours, loved their families and their communities, and were very religious. I was drawn to this story not only because I think Joe is innocent, but also because I think his hometown should celebrate, not ignore, this iconic baseball player. Happily, they now have. There is a Shoeless Joe statue in downtown Greenville and a Joe Jackson museum across from the minor-league ballpark.

What are some similarities and differences you find between writing plays and novels?
For me, the main similarity between writing plays and writing novels is story, story, story! I love a good story and try to write something that has people constantly wondering “What happens next?” As a playwright, I tell the whole story in dialogue, and dialogue is an important part of my novel-writing. I believe it is harder to depict character in playwriting because action is the best means of depicting character, and action in the theatre is limited. I can’t have a baseball game onstage—or at least only in a very limited way. I can’t do a scene sliding down a rocky river, as I do in the novel. Finally, the sheer number of words you can use writing a novel makes it a form in which one can more easily expand upon ideas and where one can spend time describing scenes and, especially, the inner emotional life of a character than one can in playwriting. I find the restrictions inherent in dramatic writing make it a much more difficult genre, for me, than narrative fiction, where I can let the words more easily flow.