Worried about book industry scams? A few helpful resources

Recently Writer’s Digest ran an article I wrote to help authors avoid AI-generated Bookstagram scams.

As a former newspaper journalist, I feel so passionate about helping people discern reality from fake information.

The rise of social media has certainly played its role in causing a sincere confusion between real and fake news, though propaganda and scams are nothing new.

Many industries have their share of scammers trying to con people out of money.

Specifically in the book industry, our author clients often ask our Books Forward team if a promotional offering is worthwhile. And while it’s typically not, the real question cuts even deeper: is the opportunity even legitimate?

We’ve had the joy of representing authors and promoting their books for decades, and with that experience has come many promotional programs that make ridiculously exaggerated (sometimes flat out false) offers to our clients.

Be alert, be aware and ask questions.

Ask your author friends and industry insiders for their experiences and guidance on whether or not a promotion is credible.

And consider these helpful resources:

  1. Stay tuned to The Authors Guild Publishing Scam Alerts.
  2. Writer Beware consistently shares real scam examples and questionable trends in the industry.
  3. Author Alexa Donne released this video walk through of two real book marketing scams. 
  4. Books Forward author Dr. Seema Yasmin’s “What the Fact? Finding the Truth in All the Noise” may not be book industry focused, but there are plenty of great concrete tips and tools to lean on in considering what’s real or fake.

Happy truth hunting!

Semi-autobiographical writing exercise turned series celebrating LGBTQ+ youth

Barnes & Noble NOOK Top Indie Favorites for August and September 2024

Seattle, WA – Award-winning author Kelly Vincent re-imagines their teenage years in their empowering series “The Art of Being Ugly” — a compelling story of a teen grappling with their gender identity. The anticipated finale, “Ugliest,” (KV Books LLC, August 13, 2024) is a necessary and impactful commentary on the struggles LGBTQ+ teens face amidst a hyper-conservative landscape threatening the rights of queer people. 

Life, academics, and activism. Facing hate and bigotry, can this agender teen make a difference in LGBTQ+ rights?

About the novel: Determined to excel, seventeen-year-old Nic Summers strives to find time to survive physics, build confidence, and enter a competitive art mentorship at the local university in Oklahoma City. However, Nic’s stress skyrockets when a protest video results in them and a trans friend being forced by the school to move to the girls’ dorm. Burning with a strong sense of justice, the normally shy teenager summons the courage to speak out against damaging state legislation. But when the vision goes viral, they’re shocked when the authorities hand down an ultimatum: stop or be expelled.

Can Nic dig deep and prevail against institutional bullies ready to erase their identity?

Sharing the plight of those too often silenced, author Kelly Vincent opens the door to understanding and empathy. Through the eyes of a big-hearted main character, Vincent leads the way toward accepting and appreciating each other’s differences.

“Ugliest”

Kelly Vincent | August 13th, 2024| KV Books LLC

Young Adult | LGBTQ+ | Fiction

Paperback | 9781958342169 | $10.99

Ebook | 9781958342152 | $2.99

KELLY VINCENT (they/ them) wrangles data weekdays and spends the rest of their time playing with words. They grew up in Oklahoma but have moved around quite a bit, with Glasgow, Scotland being their favorite stop. They now live near Seattle with several cats who help them write their stories by strategically walking across the keyboard, with their first novel, “Finding Frances,” a fine example of this technique. 

Their four subsequent books, “Ugly,” “Always the New Girl,” “Binding Off,” and “Uglier,” were released in 2022 and 2023. “Finding Frances” and “Always the New Girl” won several indie awards and “Ugly” was selected as the Honor book for SCBWI’s Spark Award in the Books for Older Readers category for 2022. 

Kelly has a Master of Fine Arts in creative writing from Oklahoma City University’s Red Earth program. Learn more about Kelly on their website. 

Follow Kelly Vincent on social media:

Instagram: @kvbooks

TikTok: @kv_books

Facebook: Kelly Vincent, Young Adult Author

In an interview, Kelly Vincent can discuss:

  • How current legislation, such as the “don’t say gay” bill and attacks on gender affirming care inspired parts of the plot for “The Art of Being Ugly” series 
  • Why trans and nonbinary stories need to be showcased in the young adult genre 
  • How writing Nic’s story helped Vincent navigate their own journey with their gender identity 
  • The writing exercise that inspired the series: Vincent imagining themselves as a teenager now instead of in the 80’s and 90’s 
  • How the safety of trans and nonbinary people cannot be separated from politics
  • The importance of protecting the rights of trans and nonbinary people and how rolling back rights for LGBTQ+ folks negatively impacts everyone
  • How Vincent’s horror over the Oklahoma trans teen Nex Benedict’s real-life tragedy motivated them to expedite the release of this story well before the November US elections

Praise for “The Art of Being Ugly” Series

Barnes & Noble NOOK Top Indie Favorites for August and September 2024 

BookLife Editor’s Pick 

“A hopeful and empowering novel of teen activism.”

 –Kirkus Reviews 

“An important work of YA fiction, Vincent’s evolving storyline and mature thematic focus make this a profound work of LGBT literature.”

–SPR Reviews

“Kelly Vincent’s novel Ugliest is the earnest continuation of an agender Oklahoma teenager’s coming-of-age story.” 

–Foreword Reviews

“Empowering journey of LGBTQ teens standing up against adult judgment.” 

–BookLife Review, Editor’s Pick

Honor book in SCBWI’s 2022 Spark Award in the Books for Older Readers category

Semifinalist in the 2019 BookLife Prize for Fiction, Children’s and Young Adult category

“The compelling story will resonate with young adults going on their own difficult journeys and should help them feel less alone” —Kirkus Reviews, UGLY

“A book so obviously special and powerful that it feels like a gift” –BookLife Reviews, Editor’s Pick, UGLY 

“For readers looking for a novel that champions the underdog, offers a deep dive into the heartache and triumphs of growing up, and presents a candid look at the struggles facing LGBTQ+ youth, this novel hits all the marks and more, for a valuable addition to contemporary YA literature.” 

–Self-Publishing Review, UGLY 

Listed in Kirkus Reviews Top 100 Indie Picks for 2023 (December 15th, 2023)

Kirkus Reviews Editor’s Indie Pick (October 15th, 2023)

“Those seeking a thoughtful story about gender issues, with an endearing main character, will enjoy Ugly.” –BlueInk Reviews, UGLIER 

“An impressively honest and intimate first person POV powers this story of a young person struggling with gender and trying to find their place in a world that is seemingly determined to ‘erase’ them” 

–Kirkus Starred Review, UGLIER 

“Uglier depicts a captivating story of adolescent growth.” –BookLife Prize, UGLIER 

“Uglier is commendable for fostering increased empathy and understanding, and offering a beacon for young readers navigating the turbulent landscape of identity and acceptance” –Self-Publishing Review, UGLIER 

“Nic is still the same lovable, unwavering hero that she was in Vincent’s last book, despite the cost she suffers for simply trying to be herself… Readers will be eager for more of Nic in the future.” –BookLife Review

An Interview with Kelly Vincent

1. Tell us about the thought experiment that inspired “The Art of Being Ugly” series. 

I struggled with my gender growing up in Oklahoma in the 80s and 90s, and after I learned about the concept of gender not being a binary, I really felt like mine was a story worth sharing. That concept wasn’t in my mind when I was growing up, so I constantly felt like a girl utterly failing at being a girl and just being generally wrong. I wondered what it would be like to grow up now when those ideas are out there. I put Nic through the experiences I had been through—most of the incidents in the book Ugly really happened, although some are exaggerations and things were shifted time-wise—but also gave them Google, which made everything different. The books Uglier and Ugliest are almost all fiction, but I was still imagining myself going through those experiences, constantly asking myself, what would you have done in this situation?

2. What do you think are the biggest challenges facing trans, non-binary, and agender teens today?

I think it is fundamentally difficult to understand your gender when it feels different from what everyone else thinks it is, especially as a teenager (or an even younger kid) because you don’t have much life experience to build on. Most kids—especially those in red states—also don’t have exposure to ideas around what’s possible in terms of gender identity in a way that’s safe and fair. They often absorb the idea that deviating from the binary or what other people think makes them a “freak,” and in states where hateful politicians are creating legislation that takes away their ability to identify accurately (and giving permission to everyone else to mistreat anyone not conforming), it’s especially dangerous. People in positions of authority parrot anti-bullying talk when people are looking, and then turn around and back the bullies because the “freaks” deserve it for not conforming. This was my experience growing up and I honestly don’t think it’s changed much in school settings. 

3. How have current events impacted your writing? 

Every piece of anti-LGBTQ legislation that hate pushes through red state legislatures is distressing. So many people who don’t actually support these laws have been sitting by, electing these politicians filled with hate and thinking it doesn’t matter since it doesn’t affect them. But there have been some signs that people are waking up and it’s just so important that people are made to understand how important it is to stop letting politicians strip everyone of their basic human rights. 

Download press kit and photos

Exploring AI Part 1: changes in publishing

Content alert: the following was written by a human.

In this three part series exploring AI, Books Forward is chatting with Dr. Andrew Burt, author of lots of published science fiction, including his newest novel, “Termination of Species,” for those who like AI, biotech, chess and a bit of romance.

Dr. Burt was vice president of the Science Fiction and Fantasy Writers Association for several years. He heads Critters, the first writers workshop on the web and home to other writerly resources. He runs ReAnimus Press and Hugo-winning Advent Publishers, helping award-winning and bestselling authors breathe life into great books. Outside of writing, he’s been a computer science professor (AI, networking, security, privacy and free-speech/social issues); founder of Nyx.net, the world’s first Internet Service Provider; and a technology consultant/author/speaker. For a hobby, he constructs solutions to the world’s problems. (He jokes: Fortunately, nobody listens.)

PART 1

When ebooks emerged, experts predicted “the end” of traditional book publishing. Is text generative AI “the end” of traditional book writing and promotion?

I was a fan of ebooks since the late 90s, when the very first ebook devices were coming out, and I largely only read only ebooks. As such—plus being a computer science professor and science fiction writer, inevitably peering into the future—I was indeed one of those predicting significant changes to how people read, and thus, to publishing.

However, my predictions came with a caveat, one which has not (yet) materialized: I said that when ebooks could mimic the most relevant aspects of a paper book, they would likely replace paper books. The tipping point I proposed was that when there a device that looked like a book, i.e. several hundred sheets of pages with words and images on them, bound at a spine, the “codex” format, but digital—basically a bound set of hundreds of sheets of thin digital paper, that can each act as a screen displaying whatever pixels we want—and super cheap—then there would be no real need for print books. There is something that people inherently like about these objects we call books: the shape, the multiple pages that you can riffle, that you can stick a finger in to hold a place, that you can quickly flip forward and back in, that can be dropped in a bathtub without causing (too much) emotional damage, etc. (and, as is almost invariably pointed out, “the smell”). But make the pages digital instead of static text, and wow, that would be a game changer.

Ebook devices don’t mimic that today. They display one page at a time and navigation within is cumbersome. The bound, multiple page aspect of a book is critical to its success. This “codex” format pretty much replaced “scrolls” of old. It’s a better format for humans to use. So, the market for print books still thrives.

On the publishing side, it’s not ebooks per se that have altered publishing, but the inexpensive cost of anyone being able to publish a book—both as an ebook and as a print-on-demand (POD) physical book. The one competitive advantage that traditional publishers still have that small or self publishers don’t, is the massive marketing dollars. This creates not just the ability to run ads and do all kinds of promotion to lots of eyeballs, but also the ability to print thousands or millions of copies in advance and get them on store shelves across the country and world. Thus, new authors with a traditional publisher still don’t get access to those huge advantages, and this is where publishing has changed. Now if you submit to the major publishers and get rejected, you now publish it yourself for a lower cost. It may not sell many copies, but it might. Lightning strikes. And the sheer volume of such books does, in aggregate, take readers away from books from the major publishers. A small number of readers each of millions of self-published books represents millions of readers who aren’t reading books from the majors. Readers have vastly more choice.

So—and I’m really working my way back to AI!—the new technology of ebooks, POD and free platforms like Amazon’s Kindle Direct Publishing (KDP) did change publishing, but only when they meet the needs of the consumers. Likewise with AI.

So how do you anticipate AI will affect the industry exactly?

AI is really taking off recently in terms of capabilities, mostly because the computing power has reached the point it allows the massive amounts of calculations necessary.

It’s worth briefly mentioning how these “Generative” AIs work (also called “Large Language Models”, or LLMs; because they were trained on massive amounts of text). They look at a huge amount of text (and images, etc.), mush it up into hundreds of billions of numbers, and spit out the most likely next words based on the clues it finds in a question you ask it. It’s all based on the probability of what word could come next in an answer.

What we see today is the tip of the iceberg in what these AI systems can do. But, looking at what they can already do today, we can (at last!) get to some kind of answer to the question:

When AI can do what consumers-of-writing want, and do it better than humans can do it (notably in the realm of cheaper and faster, of acceptable quality writing), then, yes, AI will be “the end” of that kind of traditional writing.

But note I put some weasel words in there: “that kind” of writing.

There are all kinds of written material out there. Science fiction novels, fantasy short stories, scripts for rom-com movies, self-help web pages, historical scholarly journal articles about the crusades, scientific papers describing experimental results in quantum physics, holiday greeting cards, ad copy for TV commercials about cat food, headline news articles, business proposals, answering support questions in a chat session, getting ideas where to visit for a road trip, job descriptions, condolence emails, instructions for assembling a bookcase… the variety of “writing” is just massive.

Generative AIs like ChatGPT, Gemini, etc., can do some of these things already to the point where paying humans isn’t needed. This of course applies beyond words, to any kind of content, images, videos, audio, etc. These are human “creative” endeavors, even if Ikea pictorial assembly instructions aren’t exactly heartwarming art. 🙂

And that’s a big divide: Content created for art’s sake vs. content for commercial purposes.

I can say with near certainty that AIs will be “the end” of many of these human content-creating endeavors as career type jobs. Chatbots are already replacing human jobs for tech support. (Maybe not well, but they’re so much cheaper that businesses can’t help themselves.) AI created artwork can already replace costly human artists. There won’t be any aspect of “writing” (or other content creation) that won’t be touched by AI in some way. It’s simple economics: When a free/cheap method of producing something is discovered that mostly gets the same job done, it mostly replaces the old more expensive method. Cars replaced horses. How often do people mail hand-written letters to each other? Or send faxes? etc.

If/when this will happen to writing (and promotion) will depend on the kind of writing and promotion we’re talking about. But there are so many kinds of content creation that people are paid for now that simply will be cheaper to replace with AI generated content.

In terms of book writing specifically, how does AI come into play?

At book length, it will take longer. AI can’t quite today write a horror novel better than Stephen King—most AI generated novels are pretty horrible—today—so Stephen King’s job is safe for a few years. Maybe 5-10? If we’re talking non-fiction, since generative AI’s are untrustworthy for factual correctness, they could maybe produce readable prose, but you’d have to carefully check every single fact. AI might be able to scrounge up some actual facts (that you verify) that you didn’t know about, since they’ve been trained on massive amounts of data, although there are a lot of older books and articles that aren’t scanned yet, thus not available to AIs and only to humans. So, I don’t foresee AI replacing book length non-fiction for some time (although it may help make it much easier/faster to write).

At short length, AIs can already create poetry that humans can read and think has deep meaning, even when the AI creating it had no such intention. For that matter, I wrote a really simple AI back in the 90s that created a particular kind of gibberish writing derived from some input text. [It’s at critters.org/bonsai.] It was only a few lines of computer code, but it produced some random, intriguing sounding output that was so odd it often seemed “deep”—simply because humans are good at finding meaning in randomness. Think of how we find animal shapes in clouds.

When we add in the concept of collaboration, where a human author uses AI as a tool to help them write a “better” book than they could have alone, that opens up even more options for AI to replace human effort. Just like spreadsheets made it possible for non-techies to do some complex tasks, people who are less capable at writing can use AI to create books or other length content, especially (non-factual) non-fiction, like a book of jokes (to the extent facts don’t play a role). An AI is suited to taking stilted, grammatically incorrect, typo-ridden prose and making it sound much better. There’s a large market for that. But this could be a double edged sword: In this case, more newbie human “authors” benefit from being able to write “better”; but flooding the market with magnitudes more competent texts means even fewer sales for authors who have the native talent for writing and don’t need AI help. This isn’t to say anyone can ask ChatGPT to “write a 300 page book on the evolution of dinosaurs” and presto! out pops a bestseller, but AI might cut down their effort by a factor of, say, ten. (And who knows, in 5-10 years…)

People write a lot of short- and mid-length reports on things, like news articles, progress reports, job descriptions, etc., where beautiful prose isn’t a goal. If factually verified, AI’s can probably take over a lot of this work. Then the human becomes mostly the creator of the prompts, provider of the data to describe (both of which can be somewhat automated as well), and (very importantly!) the fact checker for the output.

On the promotional side, AI tools will also make writing book blurbs, ad copy, etc. easier for novices. It will allow for creating more variations that can be tested, to see which of several ads sells the most.

Stay tuned for more information!

Intimate memoir recalls journey with abuse, addiction, and disordered eating

An inspiring story perfect for fans of “Drinking: A Love Story” by Caroline Knapp

BOSTON, MA – In a raw and poignant coming-of-age memoir, “Make a Home Out of You” (She Writes Press, September 3, 2024), Ginelle Testa spends her adolescence searching for a home in one destructive place after another. Grappling with addiction after addiction – to sex, love, weight loss, drugs, and alcohol – she must find a way to claw herself up from rock bottom in order to find a joyful home within herself. 

Born to an abusive mother and a drug-dealer father, Ginelle Testa is not exactly set up for success. By the end of her thirteenth year, she’s started experimenting with alcohol and drugs, has fallen prey to anorexia, and has been sexually assaulted. And that’s only the beginning of her spiral down into addiction and disordered eating.

As Ginelle progresses into young adulthood, she plunges deeper into substance-related lows. In her senior year of college, after blacking out and ending up naked in her dorm’s community shower, she goes to Alcoholics Anonymous and gets sober. But steering clear of drugs and alcohol, she discovers, is not a cure-all—she still has a long way to go before she can truly heal.

Powerful and relatable, “Make a Home out of You”, is a riveting tale of making the slow, confusing, and surprisingly funny slog back from the brink—and learning to make a home in oneself instead of in substances and other people.

“A raw and honest portrait of unhealed trauma and its ripple effect on a young life. With an intense yearning for things, people, and vices, the author earned a heap of battle scars on the journey to self love and acceptance. This story reminds us that love starts at home, and that home resides within.”

–Suzanne Simonetti, USA TODAY bestselling author

“Make a Home Out of You: A Memoir”

Ginelle Testa | September 3, 2024 | She Writes Press | Memoir

Paperback| 9781647427443 | $17.95

GINELLE TESTA (she/they) is a writer originally from Hudson, NH. She has an MS in digital marketing and design from Brandeis University and a BA in sociology from Rivier University, and has been featured in Insider, Byrdie, Tiny Buddha, and other places. She’s a queer person in recovery. When she isn’t writing, she enjoys doing restorative yoga, playing video games, and thrifting eclectic clothes. Ginelle lives in Boston, MA. Find out more about them at their website.

Follow Ginelle Testa on social media:

Instagram: @ginelletesta

TikTok: @ginelletesta 

Facebook: @GinelleTestaWriter

In an interview, Ginelle Testa can discuss:

  • Ginelle’s experiences in both Alcoholics Anonymous (AA) and Sex and Love Addicts Anonymous (SLAA)
  • How Ginelle’s experience with AA and SLAA has changed since writing their memoir
  • How pursuing sobriety empowered Ginelle to boldly embrace her authentic, queer identity and become an advocate for body positivity 
  • How Ginelle’s profound drive to share their story stems from a deep-seated conviction to inspire and uplift others
  • The process of writing this memoir and how it healed trauma from her childhood

Advance Praise for “Make a Home Out of You: A Memoir”

“Raw and uncompromisingly honest, Ginelle Testa’s memoir takes readers on a whirlwind journey through her teens and early twenties in her search for love and self-acceptance. Set in rural New Hampshire and Boston, Make a Home Out of You is Ginelle’s story of addiction, recovery, and the search for her soul. Like me, you’ll cry at her failures and rejoice in her triumphs. I guarantee you won’t be able to put down this beautifully crafted memoir.”

–Susen Edwards, author of What a Trip: A Novel

“Testa’s intimate memoir is a harrowing and ultimately triumphant tale of her decades-long odyssey of self-destructive addiction… With superhuman courage and conviction, Testa transcends a life of setbacks and despair to emerge as a powerful, purposeful woman. So many will be inspired by her brave story.”      

Shary Hauer, author of Insatiable: A Memoir of Love Addiction

“Make a Home Out of You shines with honesty and introspection. Reading it feels like taking in the intimate diary of a friend as she grapples with body-shame, sexuality, and longings to feel safe and loved. At times heartbreaking, Testa’s memoir is more a story about perseverance, resiliency, and transforming trauma’s aftermath into something meaningful and brimming with hope.”

–August McLaughlin, Girl Boner podcast host and author

An Interview with

Ginelle Testa

1. Thank you for sharing this inspiring and vulnerable memoir! Why did you feel compelled to write this memoir? Has writing helped your healing journey? 

Writing this memoir healed me in a way I never could have predicted. I have found forgiveness for the broken parts of me that I have slowly put back together over the years, for the mistakes I made, and the person I was. I felt the need to share because many of us suffer in silence, and I’d like people to feel less alone. 

2. How did you stay sober during recovery? And do you have any advice you’d like to share with others who are experiencing similar struggles? 

At first, AA was immensely helpful. Now, support structures like therapy and meds, communities like writing groups and a cornhole league, and strong friends, are what keep me afloat. I recommend finding a community of some sort of sober people, hang in there, and talk about your struggles and triumphs. 

3. After writing this memoir and having reflected on your experiences, how has your relationship with 12 step programs (like Alcoholics Anonymous and Sex and Love Addicts Anonymous) changed? 

I needed these programs for almost a decade; they provided structure, healing, and support. Now, without them, I lean much more heavily on my intuition and my own experiences to inform the decisions I make and the way that I live. I still have a lot of love for SLAA & AA, but no longer feel I need them. 

4. How has your identity as a queer, non-binary person impacted your path towards self-acceptance and recovery? 

Being in recovery has helped me to embrace myself more fully. I was self-conscious of my queerness, and felt like I wasn’t queer enough in the early days. Now, I still have those moments but I have much greater acceptance and compassion that I’m allowed to be who I am, which is bisexual and a little genderqueer. 

5. What do you hope that folks reading the book take away from learning about your experiences? 

I hope they feel a sense of enoughness. Many of us spend time seeking comfort and validation in other people and in substances or behaviors, but my journey encourages people to seek enoughness inside themselves, and to build a home there. 

Download press kit and photos

Unlock your inner spy: New book exposes real-life espionage tactics and persuasion skills

NEW YORK CITY–In “Sell Like a Spy” (Diversion Books, Aug. 27, 2024), espionage expert and corporate intelligence agent Jeremy Hurewitz dives into the clandestine world of intelligence-gathering – drawing from his extensive network of former CIA, FBI, and special forces operatives – to unveil field-tested spycraft strategies.

Hurewitz knows that spies are the world’s best salespeople. He’s built his career around former CIA case officers, FBI agents, and other intelligence officers—people like Steve Romano, former Chief Negotiator at the FBI; former Director of the Secret Service Mark Sullivan; General Stanley McChrystal (Ret.), former commander of the Joint Special Operations Command; and former member of the CIA’s Senior Intelligence Service John Sipher. 

Drawing on in-depth interviews about their skillsets, stunning anecdotes from the history of espionage, and science-backed principles of emotional intelligence, Hurewitz has created a handbook of tradecraft lessons and tactics that will strengthen readers’ ability to foster better relationships, to persuade, and to sell anything—in business and everyday life.

Though a spy’s targets may be odious — terrorists, criminals, corrupt diplomats, and more — the agent’s focus is on cultivating relationships and understanding people’s motivations to better persuade them to give something up: information, hostages, money, or simply their feelings. Elicitation, Radical Empathy, Disguise, and RPM (Rationalize, Project Blame, and Minimize Fault) are just a few of the methods in Sell Like a Spy that readers can use as sales professionals or people who simply want to connect more deeply with friends and family.  

Packed with interviews and anecdotes from intelligence officers of all stripes, and with a foreword by Robert Grenier, former Director of the CIA’s Counterterrorism Center, “Sell Like a Spy” puts James Bond in its dust, offering a secret playbook of persuasion tactics from the real world of the Secret Service, special forces, law enforcement, and international espionage.

“Sell Like a Spy: The Art of Persuasion from the World of Espionage”

Jeremy Hurewitz | Aug. 27, 2024 | Diversion Books | Nonfiction 

Hardcover | ISBN: 978-1635769937 | $28.99 

About the Author

Jeremy Hurewitz spent the first decade of his career overseas building the media association Project Syndicate while based out of Prague and Shanghai. He spearheaded a business development strategy that saw the association grow from a few dozen member newspapers in mostly Eastern Europe, to a truly global association of over 300 newspapers in over 100 countries. 

During Jeremy’s time abroad he also worked as a freelance journalist writing on a variety of topics for dozens of publications around the world. Jeremy continues to write regularly with recent articles appearing in Bloomberg, USA Today, and The Hill. 

Upon returning to the U.S. after his time overseas, Jeremy settled in New York City and worked for several well-known global consulting firms in the world of corporate security. These companies are staffed by former intelligence officers and Jeremy worked closely with these former spies. He came to notice how good these individuals were at connecting with clients, how quickly they were able to establish rapport and put people at ease and get them to open up. In addition to former spies, his colleagues included former members of the FBI and the law enforcement community, the Secret Service, the military, the State Department, and other government agencies. Jeremy learned unique and impactful skills from all these former government employees, and he began utilizing the methods he picked up. He quickly noticed the tangible difference it made in his salesmanship and his ability to connect with clients. By practicing the same methods that government officials use to develop relationships and overcome a range of challenges, Jeremy was able to achieve some of the biggest and most meaningful sales of his career.  

Jeremy has synthesized these lessons from government service into the Sell Like a Spy program and works with clients to share these strategies to help them improve their ability to connect with targets, develop creative approaches to close deals, and overcome challenges. Find out more about him and his book at www.selllikeaspy.net.

Praise for Jeremy Hurewitz and “Sell Like a Spy”

“Brilliantly illuminates two misunderstood skills: spying and sales! Jeremy Hurewitz pulls back the curtain on effective spying to reveal thoughtful, empathetic people – the same kind we trust enough to buy houses, cars, and businesses from. A great guide to mastering the intensely human side of building trust that determines success or failure.” 

Gen. Stanley McChrystal, former commander of U.S and International Security Assistance Forces (ISAF) Afghanistan and former commander of the nation’s premier military counter-terrorism force, Joint Special Operations Command (JSOC)

“Part memoir, part practical guide, Jeremy Hurewitz’s “Sell Like a Spy” brings together lessons from the world’s most elite information gatherers and people influencers, distilling the spymaster untrained readers can apply to succeed in business. Hurewitz draws on decades of experience as an investigative journalist turned jet-setting corporate security expert, as well as interviews with intelligence agents, law enforcement officials, hostage negotiators, special forces, and more, to ground his writing in real-life case studies. An essential read for anyone interested in becoming a better salesperson – or a half-decent spook!”

Ian Bremmer, President, Eurasia Group

“Popular culture portrays salesmen and spies as transactional and inauthentic. Jeremy Hurewitz knows what the best sales and intelligence professionals understand: espionage and business are about relationships, and the secret sauce of success is the ability to seek connection and develop purposeful and authentic relationships. In ‘Sell Like a Spy’ Hurewitz illustrates with stories and examples that persuasion is not the ability to find the right words, but the ability to build real relationships of trust and empathy, and even share vulnerability. ‘Sell Like a Spy’ is a fun primer on the skills, traits and professional discipline to succeed in business.” 

John Sipher, founder of Spycraft Entertainment, previously a member of the CIA’s clandestine service for 28 years

“Reading ‘Sell Like a Spy’ is time well-spent for anyone, whether you’re a salesperson or just someone who wants to get along with people in your everyday life. Jeremy Hurewitz brings his real-world experience and provides readily usable techniques that are easy to assimilate. From the streets of Pakistan to the boardrooms of New York City, ‘Sell Like a Spy’ will help you listen, connect, and influence.”

Stephen J. Romano, former FBI Chief Hostage Negotiator

“The lessons of espionage directly relate to sales – it all comes down to the art of human persuasion.  That’s why this book is so useful and fascinating – because modern sales teams can adopt practices that have been employed by governments for years.  And not in a nefarious way but in a way that actually builds trust.  This is a great read and a lot of fun!”

Sam Jacobs, CEO & Founder, Pavilion

More praise for “Sell Like a Spy” HERE

In an interview, Jeremy Hurewitz can discuss:

  • The riveting world of espionage through his unique journey from journalist to corporate intelligence operative
  • The fascinating psychology behind spycraft tactics, why they are so effective, and how they can be applied to elevate your game in business and everyday scenarios
  • Intelligence insights from his extensive network of former CIA, FBI and counterterrorism operatives (including former FBI chief hostage negotiator Gary Noesner, former head of the CIA’s Counterterrorism Center Bob Grenier, and Gen. Stanley McChrystal)
  • Cultivating relationships by having a better understanding of persuasion and human motivations
  • The role of emotional intelligence in both spycraft and everyday interactions with others, whether work or personal
  • The art of negotiation, from sealing high-stakes business deals to convincing your teenager to do their homework
  • How to detect deception and read body language to understand your counterparty better
  • How to overcome challenging situations through insights from elite law enforcement agents
  • Agent development methods that bridge the worlds of sales and everyday relationships, unlocking your full potential in both realms
  • Moving beyond the theoretical and curating a handbook-like approach to “Sell Like a Spy” – including field-tested strategies and government tactics

An Interview with

Jeremy Hurewitz

Can you share a bit about your professional background and how it led you to explore the intersection of sales and espionage in your work?

I crossed paths with spies when I was a journalist overseas and I reported on intelligence matters, all of which increased my interest in this world. Returning to the U.S. I jumped at the chance to work directly with them in the corporate security world, and I soaked up lessons from these individuals. At the same time, I was in a new position of cultivating relationships with clients, so I was immediately putting these lessons to work and seeing results. As I continued in this industry I came to learn from other former government officials – FBI agents, military negotiators, secret service agents, members of the special forces and others – and I applied lessons from these amazing individuals as well. 

“Sell Like a Spy” draws heavily from your network of former CIA, FBI, and counterterrorism agents. What inspired you to tap into these connections, and what unique insights did they bring to the table?

Even though I never served in the military or government, I’ve always admired those who have, and that admiration drew me to these people, and I’ve wanted to learn more about them and how they do their often dangerous work. Because the work they were involved in was so high stakes, they had unique experience and skill-sets that they applied to these situations. Applying radical empathy, for instance, in order to really find a way to connect with and recruit a potential agent who might be a terrible person that they would otherwise someone they would want nothing to do with is an example, and one with an application to the world of sales, where salespeople often have to sell to people who they don’t like. Or negotiating like an FBI agent needing to understand whether the hostage-taker is motivated by an instrumental or expressive need, where there is also a direct application to the business world. 

Why are spies the best salespeople?

Spies are often recruited into the intelligence world because of their unique personality gifts and emotional IQ. They cultivate these instincts and refine them to become masters of connecting deeply with their targets, no matter how sketchy those individuals may be. I believe that convincing someone to commit treason against their country or organization is the hardest sale to make, and one that spies are experts at. They apply battle-tested methods of emotional engagement, an understanding of body language and the role it plays in rapport building, along with cultural smarts to become masters of the art of sales. 

Your book emphasizes the application of spycraft tactics in both business and everyday life. How can these strategies be implemented in different contexts?

Anyone in business should first start practicing the techniques in the book in their everyday life, which offers low-stakes chances to try new rapport-building methods with friends and family. Skills like mirroring (both physical and verbal) can be tricky to get used to and can be easily seen if done poorly, so practicing is a good idea. But that practice in everyday life is a good example of the universal aspect of these techniques. Practicing empathy, being a good active listener and paying attention to body language are not just skills that can help someone make a sale or recruit a foreign agent to conduct espionage – they are methods that can bring us closer to people in any circumstance. 

What do you hope readers will take away from “Sell Like a Spy?”

I hope it will bring more fun and intellectual satisfaction to their work and help make people more successful. I write about people leaning in their passions, cultivating those passions, and how doing so can open up hidden doors to success – I also hope that by doing that people will lead richer lives. I hope readers will have better conversations, learn the value of listening, and that in doing so we might foster a bit more societal amity than what we have in the divisive age we’re living through. 

What roles do empathy, vulnerability, intellectual curiosity and cultural awareness play in forging meaningful connections in espionage and the business world alike?

These are essential traits in the most successful spies and salespeople. The idea of vulnerability is personal to me, and I share how I lost half my hearing and how that misfortune has had the silver lining of helping to draw people close to me when I share what I went through. Not all of us experience tragedy, but we all experience misfortune and commune together when we share these experiences – people almost automatically respond in-kind when you do so and it will draw you closer. Cultural awareness – whether it’s at the level of different countries or just different subgroups within an organization – can give you an advantage when seeking to cultivate someone. 

In “Sell Like a Spy,” you discuss the importance of cultivating relationships and understanding people’s motivations. Could you elaborate on how these principles from the world of espionage translate into effective sales strategies?

Spies and the support groups around them invest tremendous efforts in ascertaining what might motivate a potential agent to spy for their government. For instance, if they find out a diplomat has a child that can’t get the medical care they need in their impoverished autocratic country, they might consider the right overtures from a spy to work for them. In the sales world, not enough is done to understand a prospects’ motivation – salespeople think they are charming and their product or service is compelling and that’s enough. But if you know a bit more about what is going on with that company (is it struggling or thriving?) or more about your target’s career and life you might be able to subtly push different buttons in your pitch to connect with them. This is just one example. 

Salespeople, despite their charisma and expertise, often struggle with active listening, missing out on crucial client engagement. Why is this such a challenge? What successful techniques do spies use to be better listeners?

The answer resides in our evolution. When archaic man was wandering the plains language developed in short, clipped phrases so they could keep an eye out for opportunities and dangers. The mind still works in this way, processing small bits of information and then retreating internally to assess how this fits into our world. Our minds then work to think of a similar anecdote, or a contradictory opinion, rather than really taking in what the other side is saying. But if you can steady your mind to really focus on the individual you’re speaking with and what they are saying, and if you ask clarifying questions, your conversational counterpart will feel seen and respected and think highly of you. 

What is it like to be a spy? Is it anything like we see in the movies?

I’ve only been a corporate spy, not working for any government. When I do the work I do I need to get people to open up to me quickly and share their point of view, and that’s part of what’s in the book. But I do know a good bit about government-sponsored espionage and I write in the book about how it is quite far from what you see in the movies. I think a better analogy would be making friends with someone and then being there for them during some difficult times. Most spies agree that their job is closer to that of a therapist than Jason Bourne. 

What are defusion skills, and how do spies use them? How can we use them in a business setting?

It’s more about how FBI and other law enforcement use them, that’s what I write about in the book. FBI hostage negotiators, for instance, are experts at maintaining a slow, calm speaking voice because people tend to revert to the social mean that someone is insisting upon. So a quick lesson from that is if you’re in a meeting and someone gets angry and raises their voice, don’t raise your voice as well, continue to speak calmly and somewhat slowly and hopefully they calm down. Also, remain seated if you can, invite that person to sit, because if you stand up it will raise the temperature of the encounter. 

What is mirroring?

Mirroring is a short-cut to rapport building using human psychology. We are programmed to mirror – it’s one of the first things we do as infants looking up at people around us to mirror their behavior and observe how to act like a human being. It has been shown to have a physiological explanation rooted in the neurons of the human brain. When you combine physical mirroring with verbal mirroring – which is a key tool in the tool-kit of FBI hostage negotiators – you can powerfully augment your process of connecting with someone. 

What can we learn from how spies navigate cultural differences and build trust in high-stakes situations?

You need to get outside yourself and your particular cultural experiences and how you view the world and allow yourself to not pass judgment. Spies are deeply mindful of being sensitive to who they are talking to and where they might be coming from, and we can all do that to foster great connections. Whether you’re a New Yorker dealing with someone from the midwest or you’re from Texas and talking to someone from China, being empathetic and sensitive to cultural differences, and trying to understand them, can distinguish you from others. 

How does your book address detecting deception, particularly in corporate environments?

It references how the FBI and other law enforcement agencies use verbal and nonverbal clues to try to understand whether someone is not fully telling the truth. I don’t believe that anyone can be “a human lie detector” despite what some claim; humans are simply too complex. But there are some very strong methods you can utilize to see a red flag in someone’s behavior – whether it’s their failure to answer a question directly or being cold in a room where the temperature is comfortable – to make better decisions about whether someone is being deceptive. 

What’s next for you?

I’m focused on this book reaching as wide an audience as possible. While the methods in this book are great for corporate sales, I highlight whenever I can that there are “skills for everyday life,” and I have a strong desire to promote that because I want people to have better conversations, to connect more deeply, especially because of how highly polarized society is at the moment. I want to help people to lean into their passions and interests, to develop new ones, because it can open hidden doors to success and lead to a more enriching life. And I want to highlight the world intelligence professionals, the real work, not the Hollywood version, because I deeply admire their skills, experience, and public service.

Download press kit and photos

Maximize the power of your author email list

Authors often ask the Books Forward team: How important is it to have an email newsletter? Do I really need one? I don’t even know where to start! How do I build my email list subscribers? What do I use an email newsletter for exactly? What should my newsletter look like?

As you grow your author brand, build your backlist and plan upcoming book releases, having an email list is helpful to give you direct access to your most loyal readers and personal contacts. An engaged email list helps you effectively promote upcoming books/projects, events, special pricing and any other reader incentives.

But as with anything in book promotion, it can feel overwhelming to dive into something from scratch. And it’s important to give yourself time to learn and the space to be yourself and true to your own author voice.

Here are some basic tips to help you get started if you’re considering an email list:

Sign up for other email lists

Before you even dive into planning your own newsletter, pick three authors in your genre and sign up for theirs. Give yourself time to monitor what they are doing and the types of things they announce. Just observe for a while and don’t put pressure on yourself to do anything yet. Or if for example you are focused on raising awareness around a particular topic, consider if there are other activists and thought leaders in your space to follow and get a feel for what they are doing.

Plan your reader magnet

Think about some sort of incentive you can provide for an interested reader who signs up for your email list. Do you have any extra freebie content? A deleted chapter from a previously published book, a related short story or something else? Or maybe you have a list of helpful resources by state for people interested in becoming more active in the conversation around your topic of choice? This will give readers a taste of your writing style and what they can expect from your books. Be sure it’s more than is offered with the free sample on Amazon. Or you could consider doing drawings for bookstore gift card giveaways of your book or other prizes related to your book!

Consider your logistics

We do recommend the paid version of Mailchimp as it’s rather intuitive and user friendly, and Substack is having its moment. There’s also MailerLite and other email providers out there like Constant Contact and Active campaign. And also check out Book Funnel; recommend either the Mid-List Author plan or the Bestseller plan. The differences between the two aside from price is the mailing list integration. With the Bestseller plan, Book Funnel will integrate your subscribers directly into your email provider account like Mailchimp, MailerLite and others. It’s pretty simple to navigate and offers many features.

Create your email list template

You’ve already signed up for comparable author newsletters to get a feel for what others do. This will help as you start envisioning what your newsletter could include. Take these other steps when you’re working on crafting your template:

  1. Draft a friendly automated welcome message for anyone who signs for your newsletter. This can be thanking new subscribers for signing up and gifting them with their free content — so they hear something from you immediately after submitting their email address. It’s a great opportunity to plug your book! You can add even more emails to an automation sequence, another to go out a week later, a month later, etc. But remember: You are starting fresh and just dipping your toes in. Start with something realistic and manageable.
  2. Don’t worry about immediately committing yourself to monthly newsletters or some strict schedule. Focus first on when you have bigger news to announce like an early sneak peek of your forthcoming book, the cover reveal, the opportunity for subscribers to receive an ARC in exchange for review, etc.
  3. In terms of content strategy, always stay authentic to yourself and your author voice. Glean inspiration from others, but don’t try to fit a formula someone else is doing. Remember your readers want to know you. Sprinkle in some behind the scenes looks at your publishing journey and writing process. We live in a day and age of social media, and people like to know the artist behind the art. Give readers a peek into who is behind the book.

Sign up for email list building promos

Consider sites like BookSweeps, which has an email list builder ad option for a more nominal cost, and Crave Books. Also look into the Independent Book Publishers Association’s eblast option focused on reaching librarians. There are other ways to drive more traffic to your website and newsletter via paid advertising, but these are good ways to jumpstart things. More organic subscriber growth takes time, but it’s also the most worthwhile way to build up a loyal, engaged audience!

Collaborate with others

Consider featuring comparable authors, activists, influencers or related voices in your newsletter. There’s a good chance they will share the Q&A on their own website, blog or social media platforms and give you and your book some exposure to the people who follow them. Or consider your goals: Are you looking to make connections with librarians? Interview and feature librarians in your newsletter! This is a great way to personally connect with librarians and other industry insiders all over the country and in turn have them learn about you and your book.

Keep plugging content

As media coverage, reviews and accolades begging appearing online for your book, you’ll be able to share those reviews, interviews excerpts, guest articles and other features in your newsletter.

In addition to adding your email list sign-up to your website, add it to your LinkTree, social media bios and even your email signature. Announce your newsletter on your social media channels, inviting your supporters to join you there for more on this literary journey, exclusive content, etc. And don’t forget to have sign up sheets at in-person events.

New urban fantasy takes readers on thrilling journey into Bay Area’s supernatural underbelly

SAN FRANCISCO – In the pulsating heart of San Francisco lies a world hidden from ordinary eyes, a realm where supernatural forces shape the fate of humanity. This is the captivating backdrop of “The Others,” (September 2024, SparkPress) a spellbinding urban fantasy novel by acclaimed author Evette Davis, which is set to enthrall readers with its potent blend of mystery, romance and magic.

Olivia Shepherd is a political consultant with a secret: She possesses empathic abilities, the power to sense the emotions of those around her. Keen to keep her supernatural gifts hidden, Olivia’s world is upended when Elsa, an ancient time-walker, appears in her kitchen, unveiling a destiny she never knew she had. As Olivia delves deeper into the hidden world of the “Others” who lurk beneath San Francisco’s foggy streets, she finds herself drawn into the clandestine organization, the Council, and Gabriel Laurent, the enigmatic leader of a realm where vampires, witches, fairies and demons navigate a delicate balance of power. Caught between her burgeoning abilities, her new role within the Council, and her blossoming romance with the centuries-old vampire William, Olivia must confront shocking revelations about her own past and embrace the true extent of her powers. 

“The Others” is a tour de force, weaving together themes of self-discovery, empowerment and the timely issue of the dangers of political extremism. With its richly drawn characters, pulse-pounding plot twists, and atmospheric San Francisco setting, the novel promises a gripping ride from start to finish. With its darkly seductive tone, sophisticated storytelling, and cliffhanger ending, fans of urban fantasy and paranormal romance will be captivated and left eagerly awaiting the next installment.

“A rollicking supernatural jaunt through time that leaps out of the famous San Francisco fog and right onto our latest news pages. Davis combines her inside knowledge of Bay Area politics with a gripping tale of vampires and shape-shifters that leave us never quite looking at the city the same way again.”
— David Callaway, former editor in chief, USA Today

“The Others: Book 1 in The Council Trilogy”

Evette Davis | Sept. 17, 2024 | SparkPress | Urban Fantasy 

Paperback, 9781684632701, $17.95

Also by Evette Davis

“48 States”

June 21, 2022 | Flesh & Bone | Science-Fiction
Paperback, 979-8985813302, $14.99

What if trusting a stranger is the only way to save your life?

Widow, single mother, and Army veteran Jennifer “River” Petersen works as a truck driver in Energy Territory No. 1, formerly known as North Dakota. Forced to enlist after her father’s death, the lines of River’s life have been redrawn, much like the United States’ map has changed. Living in a motel room with nothing but her books and a Glock handgun for company, River is weeks away from returning home when an injured man standing in the middle of the highway upends her plans. From the moment he encounters River, Finn Cunningham knows he must conceal his identity or be left for dead. His deception draws them into a megalomaniac’s deadly conspiracy to ignite a civil war and overthrow the government. If River and Finn want to survive, they’ll have to learn to trust one another and themselves.

Perfect for readers who loved “Station Eleven,” “California,” and “Gold Fame Citrus,” “48 States” is a one-of-a-kind dystopian thriller about the dangers of extremism and the power of love and forgiveness. 

About the Author

Evette Davis is a science-fiction and fantasy writer. She is most recently the author of “48 States,” which Kirkus named one of the Best Indie Books of 2022. The book was also a quarter-finalist for the BookLife Prize 2023 and longlisted in the 2023 Indie Book Awards.  

Davis is also the author of “The Others,” the first installment of The Council Trilogy, which will be released in September 2024 by Spark Press. 

Davis is a member of the Board of Directors for Litquake, San Francisco’s annual literary festival. In 2023 and 2017, Friends of the San Francisco Public Library honored Davis as a Library Laureate. Her work has also been published in the San Francisco Chronicle.

When she’s not writing novels, Davis advises some of the country’s largest corporations, nonprofits and institutions as a consultant and co-owner of BergDavis Public Affairs, an award-winning San Francisco-based consulting firm. Before establishing her firm, Davis worked in Washington as a press secretary for a member of Congress. She previously was a reporter for daily newspapers in the San Francisco Bay Area.

Davis splits her time between San Francisco and Sun Valley, Idaho. For more information or to sign up for her newsletter, visit www.evettedavis.com.

Follow Evette Davis on social media:

Facebook: @evette1364 | Twitter: @SFEvette | Instagram: @evettedavis.author

In an interview, Evette Davis can discuss:

  • Timely themes of fascism, xenophobia and political unrest: As echo chambers across the internet create increasingly polarized communities politically, the book examines how extremist values can harm the creation and functioning of communities.
  • The book’s empowering protagonist: Olivia Shepherd is not your typical heroine. As a political consultant with empathic abilities, she grapples with her newfound powers while navigating the complexities of her own past. Olivia’s journey of self-discovery and empowerment resonates with readers seeking strong, multifaceted female characters — particularly with Gen X, millennial and Gen Z women.
  • The novel’s richly imagined world: “The Others” transports readers into a vividly realized world where supernatural forces lurk beneath the surface of San Francisco. From hidden magical realms to secret organizations, the novel offers a captivating blend of fantasy and reality.
  • The series’ intriguing mythology: Readers are introduced to a rich tapestry of supernatural lore. The novel explores the intricate relationships between beings such as vampires and witches and the delicate balance of power that governs their existence.
  • All the romance and suspense: At its core, the novel is a gripping tale of romance and suspense. The burgeoning relationship between Olivia and William adds an extra layer of intrigue to the story. The author can also discuss plans to explore different types of relationships — including polyamory — in future installments.
  • Exploring themes of identity and acceptance: As Olivia grapples with her heritage and the truth about her family, the book delves into themes of identity and acceptance. Through Olivia’s journey, readers are invited to explore their own sense of self and the importance of embracing one’s true nature.
  • The novel’s appeal to fans of urban fantasy: “The Others” offers a fresh and compelling take on the genre. Its blend of magic, mystery and romance makes it a must-read for readers craving an immersive and thrilling literary escape.
  • Where the author gets her inspiration: Davis draws inspiration from the vibrant city of San Francisco, where she’s a resident, and a lifelong fascination with the supernatural. She can also discuss real-life locations that are featured in the book, as well as additional Easter eggs that those familiar with the Bay Area can expect to find in the story.

An interview with Evette Davis

1.What different mythologies did you draw on when deciding what supernatural creatures to include in the book? Did you have to conduct any special research to help you write these characters?  

I have a robust collection of encyclopedias and anthologies about supernatural creatures that inspired my thinking. First and foremost though, I read a lot about ancient women leaders, from Hecate to Boudicca. I was looking at traditions that place women at the center of a culture for their gifts as healers and seers. At its core, “The Others” is a meditation on women finding their power and making peace with it. I also have an impressive library of books about poisonous plants and weapons. 

2. Are any of your characters inspired by people you have known in real life? 

As some of them are still alive, I will say yes, but offer the caveat that I am a lifelong observer of people and a notorious eavesdropper. I collect a lot of data in my head about human behavior and use it to shape characters. What partially inspired this story is my experience co-managing a PR firm for 25 years.  I remember vividly being worried about the competition in the early years. 

3. How have your own political ideologies, as well as your work in politics and with governments, shaped this series? 

I dislike extremists in all forms. When I first began my career, there was no email, no social media and cable TV was nascent. The ability to say anything you like, to anybody, at any time, with no way to reflect on it, is not a net positive for society. The chaos creates an atmosphere and the people who thrive, are often the ones who can survive the toxicity. In politics, that brings out interesting personalities. 

4. What’s the process like for a writer sitting down and creating scenes that are more romantic or erotic? Are those more or less difficult for you? 

I love writing sex scenes. It’s so difficult because you have to find a way to engage people without being cliche — at least I do. I often prefer the flirty banter more than the actual mechanics of who does what to whom. I read a lot of other sexy paranormal books, so I get good inspiration.

5. Can you talk a bit about your history with San Francisco and why you set the first book of the series there? 

I’ve lived in San Francisco for 20-plus years. My husband and I raised our daughter here and have lived in the city near Golden Gate Park for most of that time. I grew up in Los Angeles but visited San Francisco with friends when I was in high school and decided it was going to be my home one day. There is really no other city in the world where I want to live. Its combination of natural beauty, proximity to the outdoors and cool-ass residents makes it home for me. You have to be here to understand — even more so after the whole doomloop thing, which only made us more resolute to stay. It seemed like a no brainer to base my characters here. 

6. You’ve dipped your toes into speculative fiction already with “48 States.” How does this book differ from your previous work? 

It’s a bit lighter in terms of the characters and subject matter, but it’s still toying with the same themes of the danger of extremism and women leaders finding their way. Although I should say, the third book in the trilogy, “The Campaign,” which comes out in September 2025, is very dark and will feel similar to “48 States.”

7. You own a public affairs firm — how do you manage to successfully run a business while also writing? 

I would say some days I’m successful and some days I’m not. I love writing; it’s an essential part of what makes me feel like me. So I forgo other things to make time to write, and I’m grateful my family over the years has supported me. 

8. Why is this story important to you personally? 

I am interested in how women become leaders. How they find their power, how they express it and what that journey looks like. I’m on the same journey of self-discovery, and it’s fraught at times, especially with social media and the false realities it lays out for us about what success looks like. 

9. What do you hope readers gain from this book or the series as a whole?

First and foremost I hope they are entertained and enjoy digging into a heart-bounding series full of danger, adventure and love. I also hope they enjoy Olivia’s journey to become a leader and have confidence in herself, which is something I think everyone can relate to. 

10. No spoilers! But what’s next for the series?

Josef is going to run his own detective agency and investigate missing or lost magical objects that may or may not affect the fate of humanity. Readers can expect the characters of The Council Trilogy to continue on, albeit in a slightly different way. 

Download press kit and photos

Industry Interview with Sensitivity Reader Sachiko Suzuki

For our 2024 blog series, we’re highlighting industry professionals to find out more about their time in the book world. Follow along for insight on what catches a reviewer’s interest, things to avoid when pitching a media outlet, what librarians are searching for and more. 

Today, we’re chatting with Sachiko Suzuki, the sensitivity reader chair at Salt and Sage Books and project manager of their Incomplete Guides (more on this in a moment)!

Sachiko is a Japanese-American with an insatiable appetite for a good story. She’s worked as a sensitivity reader with multiple authors, illustrators and game designers, including Penguin, Asmodee, Abrams Books, Choice of Games and Harper Collins.

If she’s not reading or writing, Sachiko is probably quilting or fostering kittens and forgetting to give them away. Sachiko has yet to meet a genre she didn’t like, and she will absolutely make you katsu if your story has Pleistocene megafauna. Learn more from Sachiko in these online course offerings.

At what point in the writing process should authors consider engaging a sensitivity reader?

This is a question that I am always hoping people will ask! The short answer: the sooner, the better. Sensitivity reading addresses potential issues from the micro (proper terms and phrases) to the macro (themes and character motivations). The greatest frustration I see in clients comes from hiring a reader too late in the process to change anything, or when a great deal of investment has already been made in a direction that the author now would rather change. Since sensitivity readers work on a per-word rate, it’s relatively inexpensive to have one put eyes on a story in the outline phase, just to see if the story is headed in the right direction.

How can authors ensure they find the right sensitivity reader for their particular project?

This one can be challenging, both because many authors find it difficult to find and connect with sensitivity readers—some people end up broadcasting a call on social media—and also because each sensitivity reader speaks from individual experience and cannot speak for everyone. We sensitivity readers are not gatekeepers or permission-slip dispensaries.
My advice to an author looking for a sensitivity reader would be this: Look for someone whose lived experience most closely matches the character experiences in your story. You may not find a perfect match, but it’s good to try to get close. If you’re not sure, ask.
Also, look for readers who are familiar with publishing and genre expectations. SR feedback is something an author is purchasing, and it should be something useful for revision.

Salt and Sage offers a sort of one-stop-shop for authors looking for SRs from different backgrounds, many of whom have a lot of experience working with publishers or game developers.

Can you share an example of a positive outcome resulting from the input of a sensitivity read?

I’d love to! I can’t add identifying details, because part of the benefit of any edit is that it’s confidential, but I’ll do my best to describe it in general terms.

The author and I were working on a piece where I noted that this draft’s character motivation boiled down to “because she is Japanese”. This motivation, by definition, relies on stereotypes about Japanese culture and women.

The author took my feedback and used it to move forward into a new idea that not only didn’t rely on the common stereotypes, but also elevated the character and her series arc. The whole story was tighter and the character more relatable as a result. When the author contacted me with their new ideas, I was delighted to see how much better they’d made their book.

Sensitivity issues can often be identity-related craft issues. When an editor like me notes these issues, I’m not calling my client racist, sexist or anything else, and I’m also not calling them a bad writer. We writers know that we all need other people’s eye on our work to catch what we’ve missed!

This just means that an edit that focuses on authentic identity, and experience often uncovers places where the grammar is great but the narrative needs work. Stronger craft nearly always fixes the problem.

In my experience, once a good author knows why something story-related can hurt people, they are brilliant in changing the how.

I want to add that this effort between sensitivity readers and authors to find solutions is often collaborative and, to me, that’s another positive effect. I know people who started out as my clients and are now my friends. Sensitivity reading can be a great way to support other authors in the publishing industry.

What are some common misunderstandings surrounding the role of sensitivity reads?

We’re not censors. I’m laughing ruefully as I say this. This one comes up a lot!

Censors: 

  • Gatekeepers
  • Speak from power
  • Use their authority to control book access and content
  • Remove content
  • Override the will of authors being censored
  • Work in the public eye
  • Benefit those with power and authority
  • Require permission slips

Sensitivity readers:

  • Not gatekeepers, but guides
  • Speak from experience
  • Offer feedback as an invited editor
  • Add feedback and information
  • Collaborate with authors
  • Work in private consultation
  • Help authors match intent with impact on marginalized communities
  • Cannot write permission slips

Sensitivity reading isn’t an unwanted and offensive act done to authors any more than line editing is; it’s a professional service intended to help.

The vast majority of clients that I’ve worked with are eager to get another perspective on their story because audience connection is the key to commercial success.

Is it necessary for sensitivity readers to review the entire manuscript, or can authors request feedback on specific sections?

Great question! I’ve seen a split on manuscript selections among SRs, and I think both the For and Against folks have great points.

Many SRs are reluctant to read selections because it’s like asking a writer to identify all their line-edit errors in a manuscript. SRs strive to identify possible pain points and inaccuracies, which are there precisely because they may escape the best-intentioned notice of the author. How can an author know their piece’s greatest struggles—isn’t that why they’re hiring a SR?

Many SRs feel a degree of responsibility for the finished manuscript and don’t feel they can ethically consent to or sign off on a piece that they haven’t vetted.

Another reason some SRs avoid selections is that most of us are freelancers just trying to pay the electric bill, and selections require the same amount of admin and project structure as longer, more profitable projects.

On the other hand, many SRs are happy to read handpicked selections. I’m part of this group. I love selections because they maintain market rate payment for SRs, while also maintaining affordability and accessibility for authors. An author can pay a fair wage while still staying within budget!

My approach is that the author is always responsible for their story. I am an interested advisor, and hope for the best for both clients and readers, but I’m not a body shield and not culpable for anything harmful that remains in the story, especially if it’s something I didn’t see.

My advice to authors is to ask potential SRs if they’re willing to read selections, and see if their approach will be a good fit for your needs.

Are there specific terms or themes sensitivity readers consistently advise against including?

I love this question, because don’t we all want clear expectations?

The short answer is: Sort of.

It’s hard to create a list of DOs and DON’Ts, because so much of what makes a phrase or concept harmful is its context and application. That’s why a SR is so useful in the first place: we can view these ideas in their natural habitat of story, assess potential issues and be able to tell our clients which ones might maul paying visitors, so to speak.

That said, every SR I know has a running list of issues that they encounter repeatedly within their own frame of reference.

Salt and Sage Books has started compiling these common issues into books called the Incomplete Guides. Each guide names some of the top issues that we’ve seen pop up, explains why they’re harmful and then offers practical suggestions on what an author might try instead.

What I love about these Guides is that they’re short, easy to read, written by #ownvoices and cost the same as a fancy coffee. You don’t even have to be an author to find them useful. They’re not an exhaustive list—that’s not really possible—but they can be an easy place to start!

Should authors provide content warnings when handling sensitive topics or language?

Yes, please! It’s not only a kindness, it’s also a great way for authors and editors to get (forgive the pun) on the same page for what a work has and needs help with.

Salt and Sage Books editors are pretty up-front about the topics that they prefer or avoid. This makes it a lot easier for authors to find editors that are a good fit.

Are there additional insights or considerations authors should keep in mind when seeking out a sensitivity read?

The number one thing an author can do to get the most out of a sensitivity read is this:

Write a short note to the sensitivity reader.

It doesn’t have to be fancy, but it does need to be specific. The best notes go beyond content warnings and include these bits of information:

  1. Author level of personal experience with the subject
  2. Which story elements and genre expectations the piece contains
  3. Author’s specific concerns

For example: “Hi! I love Kurosawa movies, I visited Japan, but I don’t know any Japanese-Americans. I wanted to write a fun action novel, and I want to make sure my portrayal of the Japanese-American romantic lead is okay.”

Great! Now, as my client’s SR, I know which things to look for, how to have a conversation with them via my edit letter about what’s working, what isn’t, why it isn’t and any additional thoughts or encouragement I can offer towards those goals. If an author has more concerns, by all means, please list them.

I get excited when I see a client note like these, because they allow me to be that much more specifically helpful in helping the author meet their goals for the project.

I want to end with this thought to authors, given with my warmest heart: Sensitivity readers want you to succeed.

Every time I work with a client, I’m hoping for a book that says something true about my experience, so that I can recommend it to other people in my community and share copies with my kids. We’re usually fellow authors and creatives, and we know how hard it is to write and how vulnerable an edit can feel. Sensitivity readers are here to help you make your book better.

Snatched from her family at 4 years old, childhood abuse and adult cult survivor shares story

Mill Valley, California Penny’s life was like a fairy tale–the terrible kind. Penny Lane was four years old when she was snatched from her home. The strange man’s foreign accent was as rough as his kisses; her beloved Aunt Charlotte introduced him as Penny’s father. As the girl and her suitcase were bundled into a car, Aunt Charlotte revealed a horrifying truth: Penny’s mother died when she was a baby, and her Hungarian father had suddenly claimed her. Her illusion of family shattered, from that moment Penny’s uprooted life became an exercise in survival. 

The abuse started quickly: Her new stepmother beat her bloody for eating a slice of bread without asking, beat her for lies she never told, beat her without excuse. As she grew into a young adult, Penny’s boyfriend introduced her to church. But instead of finding solace, she was sucked into a too-familiar cycle of manipulation as the charismatic leaders exerted cult-like control. After being pressured into marriage and enduring years of forced confessions, Salem-style accusations, secretive disciplinary actions, and ostracization, Penny reaches her breaking point. Could she leave the church and her husband–and confront her abusers–and finally navigate life on her own terms?

A harrowing story of survival, this deeply poignant narrative explores learning to give yourself what others have denied you. 

“Redeemed: A Memoir of a Stolen Childhood”

Penny Lane | June 25, 2024 | She Writes Press | Memoir 

Paperback | 978-1-64742-700-9 | $17.95 

Penny Lane is a writer, wife and mother with an insatiable passion for life and books. Originally from Jackson Heights, Queens, she loves being outdoors-cycling, hiking, traveling, and connecting to, and inspiring people. She has a BS in business and management from the University of Phoenix and an MA in industrial/organizational psychology from Golden Gate University. In her spare time, she helps underserved youth learn to read, apply to college, and find jobs once they graduate, and in food pantries and other non-profits near her home in Mill Valley, California. Find out more at her website here.

 

Follow Penny Lane on social media: 

Facebook: @pennylanewriter | Instagram: @pennylane_writer | TikTok: @writerpennylane 

In an interview, Penny Lane can discuss:

  • Navigating the turbulent waters of enduring abuse amidst the weighty burdens of societal expectations and the rigid constraints of religious pressures
  • Empowering individuals to bravely sever ties with detrimental religious doctrines and toxic familial environments, igniting a journey towards freedom and self-discovery
  • Embarking on her writing journey, particularly when revisiting the terrain of childhood trauma, is akin to navigating through a labyrinth of emotions and memories, where each step is a courageous act of self-discovery and healing, unraveling the intricate layers of her past to unveil the resilience that lies within her narrative
  • The effects of childhood trauma on us as adults, how to navigate it, and how to be a better person for it
  • A path toward healing,overcoming and thriving

An Interview with

Penny Lane

1.Thank you so much for sharing your vulnerable story with the world. Why do you feel it’s important for you to speak out about your abuse and write this memoir?

I felt compelled to write this book- people have told me for 30 years that I need to write. When we are abused, we are also silenced. Writing about it is a way to say, no! I won’t be threatened anymore. I will speak the truth because truth heals. When I was finally strong enough to deal with my abuse at age 30, there were very few books about people surviving or living after abuse. We (abused) are damaged people, and tend to hide our abuse; we’re ashamed of it. I was taught to hide it, and not talk about it. I wrote this book to inspire others to speak out, get help and know that by being open about it instead of hiding it, they will find kinship, connection, and healing.

2. Do you feel you were able to capture the depth of your pain and abuse and your abuser’s malice? Why or why not?

I was not a writer, so this was my first attempt at writing anything. I simply did not have the language, or the ability to convey how ongoing, all-consuming, and constant my pain and mistreatment was. Also, when I learned to write memoir, I was told no one wanted to read a “misery-memoir.” Also, Mary Karr said in her famous book “The Art of Memoir” to try to be as kind as we can to our enemies, so I was. When I worked with my editor- who was wonderful- he said, “enough; we get it, you were abused. We can’t keep listing your abuse- people can’t take it. So, I let it go, but it was much worse than I could convey.

3. How did your trauma affect you after you left, or as an adult?

When I first left, at 16, I had no idea how traumatized I was-or that my abuse would affected me even though I had left home. When I joined the church at 17, they would not discuss any type of trauma, or mental health issues because anything that happened was “God’s will,” therefore no need to discuss it. As I started dealing with my trauma, I started to see that it affects every part of my life, some for better, some for worse. For example, most of my decisions are motivated by fear- or insecurity- fear of failure, of being poor, or unloved, or being a bad mother, or alone. I can be distrusting, nervous, fearful. On the positive side, I always root for the underdogs, and help people who are hurting or suffering as much as I can. It’s made me a better person, but also a more fearful person.

4. How do you avoid bitterness and anger and focus on working hard and being kind after such horrible treatment?

What I wanted more than anything else was to be treated fairly, to be loved and to be happy. You can’t be happy and bitter at the same time. Also, in my family and in the church, I was always accused of being “bad,” or a liar; I was always in the wrong, they were always right, so when I finally left, I worked really hard to make sure I didn’t do anything wrong, so no one could accuse me of doing anything wrong. I became an overachiever, the doer. Healing is not linear- just because you know intellectually it wasn’t your fault- doesn’t mean you always know how to live that way. You keep working on it every day.

5. Who did you look to for inspiration to get through your abuse? Who did you look to for inspiration as a first time writer?

In the ‘90’s when I was in my 30’s, I read the Bastard out of Carolina by Dorothy Allison, when I first realized there are other people like me in the world. For the first time, I realized I was not alone. Then I met a very good friend who was in recovery, and because she shared her dysfunctional upbring with me- I was able to confide in her, and it was a huge release. She made me to go to Al-Anon meetings. I went to therapy. I started reading psychology books like Trauma and Recovery by Judith Herman. As a first-time writer, I looked to Jeannette Walls, Anne Lamont and Mary Karr.

6. Is there anything you would like to share or say to people who have gone through similar childhood abuse?

I’d say, please know that you don’t have to hide anymore. People are more open to talking about our mental health today- because that is what this is- our mental health. Talking about your abuse – to a friend, therapist, or partner, will start to heal you. The abuse was never about you- it was about your abusers’ issues- yet it’s up to us to decide to heal. To decide to be happy. To decide not to let anyone or anything stop you from finding that release, validation, and freedom from those chains. It won’t be easy- but it is very rewarding. Standing up to your truth is very empowering. You are not alone- in sharing, you will find kindred souls to share the journey.

Download press kit and photos

Award-winning authors team up on middle-grade mystery

Best friend duo works to solve baking competition puzzle in charming story

The Great British Bake Off meets a tween-friendly Knives Out in this fun and propulsive middle grade novel following two best friends who must solve the mystery behind a baking competition gone awry.

This sweet treat early readers are calling “completely sublime” comes from author buddies and Middle Grade favorites Alechia Dow, an American Library Association notable and Indie Next Kids pick novelist, and Tracy Badua, a Society of Children’s Book Writers and Illustrators’ multi-award winner.

Laila gave Lucy a cupcake on the second day of kindergarten, and they’ve been inseparable ever since. But the summer before eighth grade, they find out that since they live on opposite sides of town, they’ll go to different high schools. Yuck!

Then Laila’s invited to compete at the Golden Cookie competition, which awards its winner admission and a full ride to the prestigious Sunderland boarding school, and  
  it’s the perfect opportunity. Sunderland doesn’t just have an elite culinary program;
it’s also home to an elite journalism track, if only newscaster-hopeful Lucy could build up a strong enough portfolio to impress the scholarship committee.

But when one of the celebrity judges collapses after sampling Laila’s showpiece, rumors of foul play swirl, with Laila rising to the top of the suspect list. Even worse, a major storm has effectively cut off all access to the outside world. Can the girls find the real culprit and clear Laila’s name before it’s too late?

“The Cookie Crumbles”

Tracy Badua and Alechia Dow | June 11, 2024 | Quill Tree Books (Harper Collins)

Middle grade/mystery

Hardcover | 978-0063254589 | $19.99

Ebook | B0CHW5X621 | $9.99

Audiobook | B0CJ5V5J9F | $14.95 

More about the authors

Alechia Dow is a former pastry chef, a librarian, and an award-winning author of acclaimed young adult sci-fi fantasies, several short anthology pieces, and magical (sometimes mysterious) middle grade stories. When not writing, you can find her having epic dance parties with her family, baking, reading, taking teeny adventures, and exploring her local food scene.

More from Alechia:

Instagram: @alechiadow | https://www.alechiadow.com/ 

 

 

Tracy Badua is an award-winning Filipino American author of books about young people with sunny hearts in a sometimes stormy world. By day, she is an attorney who works in national housing policy, and by night, she squeezes in writing, family time, and bites of her secret candy stash. She lives in San Diego, California, with her family.

More from Tracy:

TikTok: @tracybwrites | Instagram: @tracybaduawrites | Facebook: @tracybwrites | Twitter: @tracybwrites

https://tracybadua.com/

An Interview with

Alechia Dow and Tracy Badua

1. How did you decide to write a book together? What was that process like? 

Alechia: Tracy and I have been writing buddies for eight years, so we understand each other’s style and how to work together to tell the best story possible. As for the process, we communicated the entire time and kept finding ways to have fun. There was a lot of laughter involved and so many cookies! 

2. Alechia, can you tell us a bit about your background in food and how you incorporated that into the book?

Alechia: So as you might’ve read, I am a former professional pastry chef with my Bachelor’s of Science Degree in Baking & Pastry Arts and a concentration in food writing–which means I LOVE writing about food. When it came to The Cookie Crumbles, I finally got the chance to deep-dive into a school kitchen and describe all the intensity (and hot tempers) that comes with competing in such a creative environment!

3. Tracy, what’s something you do differently when writing middle grade instead of young adult?

Tracy: When figuring out what my character will do next, it matters whether it’s a middle grade book or a young adult book. Middle grade book characters like Lucy in The Cookie Crumbles might hit an obstacle and seek adult input (and hello, there is a possible murderer running around this baking competition, so I’d hope young folks would get more people involved). In contrast, an older teen character may feel more confident in their abilities to problem solve and handle tough situations themselves, and they may then take slightly different approaches than a younger character would–though, again, I hope everyone of all ages seeks appropriate assistance when attempted murder is involved. 

4. What do you enjoy most about writing books for children?

Alechia: I enjoy exploring themes that I know children can relate to; friendship, compassion, growing up, family, and learning to stand up in a world that sometimes makes you feel small. I want kids to read this and feel empowered!

Tracy: Not only are the readers wonderful, but writing for kids is far more fun than legal writing for adults. 

5. Why is it important to you to include loving representations of marginalized identities?

Alechia: It’s so important––and impactful––to not only represent characters from marginalized identities as the main characters: when they see someone like themselves having a blast, going on adventures, exploring new spaces, solving mysteries, they know they can do all of that too. They feel seen and for readers outside of marginalized identities, they can learn to empathize and relate. 

6. How do you craft a mystery? Did you know whodunnit from the beginning?

Alechia: Writing a mystery with your favorite writing friend has been a highlight of my career! Crafting this story together meant we had to know the who and how in our whodunnit from the beginning. From there, we just had to explain the why of it, and let me say, we spent so much time getting creative with the red herrings and trying to figure these characters out.  

Tracy: This was the first mystery book I’d written, and I was so lucky to have Alechia as a partner in this. In addition to the work we did together, I immersed myself in the genre to make sure I was getting it right. This meant not only reading a lot of other mystery books for kids, but also watching a ton of mystery movies and television shows. My daughter was a teensy bit annoyed at how often I suggested we spend our screen time on the latest Scooby Doo animated series.

Download press kit and photos