Writing a Book vs. Desiring to Sell Copies

Best Seller Books

With the explosion of indie publishing and self-publishing, there’s a conundrum that was avoided through traditional publishing because there were gate keepers. Now, indie published or self-published authors need to ask themselves the tough questions hopefully before writing, and certainly before releasing.

You have a story to tell and you can’t bear not to tell it. It’s burning inside of you and you’ve always considered yourself a pretty good writer, so why not?!

Well, what some people feel compelled to write many more people do not feel compelled to read. If you don’t want to be encumbered by any “rules” or “gatekeepers” who annoyingly want you to conform to practices that have proven successful for other books and authors, then fine. But, be aware. Be very aware. Just because you write it doesn’t necessarily mean they’ll read … and certainly doesn’t mean they’ll buy it.

Recently I’ve had conversations with several authors who are determined to write exactly the book that they want to. And those same people often are determined to sell a lot of copies. Here in lies the problem.

Consider other industries. A self-trained musician who took some music appreciation classes in college may want to write a song, or many songs. That’s fine. But what do you think the chances are that the musician, working alone in her house without the guidance of Quincy Jones or another tried and true producer of hits, making it BIG? What about a kid who plays basketball on his driveway—every day for hours—but never against anyone else on a team and without a coach. What are his chances of making it to the top of the NBA? There are flukes. But I think we all agree that someone working with a mentor who has already made it in the big leagues probably has a better shot of selling more records, or tickets to a basketball game, than someone who is going it totally alone.

I believe that there are books that people have to write. Are compelled. But, and especially when it comes to writing about personal experiences, determine why you are writing and be honest about what your goal is. If your goal is to make a permanent statement or capture a time gone by, do it! If your goal is to sell as many copies of a book as possible, consider finding a veteran mentor. Surround yourself with other people successful in the business (go to author events at your local bookstore, follow and study your favorite authors and figure out what makes them successful, find a killer editor who has had success in your genre). Just as parents encourage kids on the basketball court—“Honey, you are really great at shooting that ball!”—recognize that family and friends don’t have a financial stake in your success. They love you, so they’re going to say your book is great. I promise, I’ve seen it literally hundreds of times. I get calls, “Twenty of my friends loved my book! One said it should win a Pulitzer!” I’m much more interested in what someone who doesn’t know the writer, doesn’t care about the writer, thinks of the writing. How can you get an unbiased opinion? I loved the ingenuity of one clever author that told me she gives her manuscripts to family and friends and says, “A friend wrote this and gave this to me to read. Let me know your thoughts.”

Lots of kids play little league baseball. Fewer kids play for their high school team. Really great kids play college or farm team baseball. The minutest number of those terrific baseball players ever makes it to the big leagues. And how many baseball players playing today can you name? My point is that there is a place for everybody on that baseball scale, but very few will become famous. It’s the same odds for writing a book. There are authors who will delight their family and friends. Some will go on to make an impression in their community or field of work. The really great ones who get some breaks along the way will sell 100,000. And of the millions of people who write books each year, many less than 1 percent will become household names. In baseball, the current players don’t have to play against Babe Ruth and stars of the past. In the book world, you’re still competing for the attention and time of readers against every book ever written as well as all the new stars coming up through the ranks this year.

Set realistic goals while reaching for the stars. Understand that if you choose to go it alone, then that doesn’t mean that you also necessarily get to have the luxury of demanding that others purchase and read your book.

Whether you’ve written a book that 2,500 people buy and many hold close to their heart or you become an overnight sensation like JK Rowling (and how many have there been since her?!), celebrate what you have done. You’ve created art that has its place. If you’re determined to rise to the top, make sure you’ve got a coach and team surrounding you that gives you a pretty good chance to showcase your talent on a national stage.

 

You’ve GOT to budget for publicity

Publicity Budgeting

So often we hear from authors who are interested in publicity but are also cash-strapped from having already spent vast resources on preparing their books for publishing. Self-publishing is especially expensive and authors have to make huge upfront investments before their books even see the light of day.

Indie authors have the extra expenses of publishing their book that a traditionally published author does not incur. It’s important to budget for publicity for a book just as you would budget for a book cover, editing, formatting, distribution and all other aspects of publishing – no matter if you hire a publicist or choose to do your own promotion.

Unfortunately self-publishing has such an expense tied to it that a lot of people budget for everything to create the book and nothing to get the word out that it even exists. Kind of like the old saying, “If a tree falls in a forest and no one is around to hear it, does it make a sound?”

It’s scary to commit to the unknown. I get it. As a former journalist, I was very skeptical of publicity and if it actually made any sort of difference. After more than seven years as a book publicist, I can without a doubt say it does. Just at JKS Communications alone we have seen indie authors hit bestseller lists, become the go-to expert interviews for major mainstream media, receive daily book club requests, start movements, and even land six-figure publishing deals.

Every publicity campaign will differ in scope depending on the book, genre, author, messaging, budget and other factors. But one thing is for sure – without any publicity, your book will get lost among the millions published each year.

I wish for authors that writing the book would be the end of their hard work. That on its own is an incredible feat. But book publicity has become increasingly important over the last decade especially with the ever-changing publishing industry.

So regardless of whether you hire a publicist or not, treat publicity just as you would any part of publishing your book. Publicity is just as important as your cover, your content, your distribution, your editing and everything else that goes into not only making the book, but making it known.

Cover-to-Cover

Book Cover

“According to Hubspot, 90% of the information transmitted to the brain is visual, and visuals are processed 60,000 times faster in the brain than text.”[1] This is brain language for Your Cover Matters. More than your title. Maybe more (initially) than your content. People really do judge books by their covers. At the very least, they often decide to purchase a book based on cover.

So, if you are self-publishing, what can you do to make sure that your book cover is transmitting the “Buy me. Buy me,” message?

Here are 3 tips you might not have considered:

  1. Don’t just think about your target audience. Consider your target generation.

According to Stauss and Howe, who coined the theory on generations[2], here are the current generations in the United States:

  • Greatest Generation – 1930-1946
  • Baby Boomers – 1946-1964
  • Generation X – 1965-1984
  • Generation Y/Millennials – 1982-2004
  • Generation Z- 2004 – Current

If you take time to familiarize yourself and research your target generation prior to designing your cover, you will notice facts about what each generation prizes, things they buy/don’t buy, causes they care about, images they appreciate, etc. Applying this information to your cover might auto-attract your consumer.

  1. Your book cover is your handshake with the consumer.

Consider an image that represents your overall content, but does not feel like an inside joke to your potential reader. i.e. My working title for Faking Normal was once 23. While 23 was a powerful metaphor within the book, it was ultimately one that you had to read the book to understand. Faking Normal was a much broader invitation that made people say, “Faking Normal, I do that everyday. I wonder …” 23 wasn’t an invitation; it was a middle school clique that excluded the consumer. Covers can’t afford to be middle school cliques either. They must invite the consumer into the work from across the room.

  1. Ask yourself “What cover would make me buy my own book?”

I suggest you try this exercise: Go to a bookstore. Imagine you’re going to beach or getting on an airplane and you need to find something to read. Go pick up ten titles based on the covers. Lay them out and snap a photo of them with your phone. (Return or buy the books.) Go home and analyze that photo. What are you attracted to about those books? What made you pick them up? You can’t steal those book covers, but you can look for markers among them to include in your cover.


 

[1] http://commerce-futures.com/ecommerce/blog/the-visual-generation–the-ecommerce-revolution-tips–technologies-for-victory.html

[2]https://en.wikipedia.org/wiki/Strauss%E2%80%93Howe_generational_theory#Generations:_The_History_of_America.27s_Future.2C_1584_to_2069