Award-winning journalist pivots to urban fantasy action-adventure stories with hints of social commentary

INDIANAPOLIS, Ind. – In his fiction debut, award-winning journalist J. Michael White draws on his experience as a reporter to develop the world of his new urban fantasy novel, “Jestin Kase and the Masters of Dragon Metal” (May 3, 2022, Teer Publishing).

Mankind lost the battle for its soul without knowing. Evil won. And no Chosen Ones are coming to the rescue.

Enter Jestin Kase, a foster kid on the run in Chicago. He finds himself drawn into the underbelly of civilization, where the Three Great Schools of Magic are crippled by their own corruption and unable to push back against the Great Dark. Monsters from Babylonian myth, demons, and the enthralled thrive beneath the notice of everyone. Only one force of good remains: an ancient magic called Dragon Metal. And Jestin is determined to learn its secrets.

But how much of a difference can one person make in a world that’s already fallen?

There’s no fate.

No destiny.

Only Metal. And those brave enough to wield it.

“Jestin Kase and the Masters of Dragon Metal”
J. Michael White | May 3, 2022 | Teer Publishing | Urban Fantasy / Young Adult
Print | ISBN 979-8-9852213-0-5 | Price $14.99
E-Book | ISBN 979-8-9852213-1-2 | Price $4.99


J. MICHAEL WHITE: J. Michael White is an award-winning journalist and author of young adult urban fantasy action-adventure stories. His career as a newspaper reporter gave him deep glimpses into the challenges of the world, from the struggles of foster care to the tragedies of murder and war. His fiction often reflects these experiences. Instead of setting his stories in alternate, dystopian futures, he looks at the dystopia of the world we live in today, through the lens of urban fantasy and adventure, with a little dark humor. Like all responsible adults, he spends his time playing video games, reading books, and watching cartoons.

Follow J. Michael White on social media:
Twitter: @JMichael_White | Instagram: @thejmichaelwhite | TikTok: @the_jmichaelwhite


In an interview, J. Michael White can discuss:

  • His background as a journalist and the process of pivoting to fiction writing
  • His choice to highlight the dystopia of the world we live in today instead of creating a traditional dystopian future.
  • His choice to make his main character a foster child as an entry point into a larger conversation about the foster care system
  • The spiritual and religious undertones of his book and why he chose to incorporate that in his writing
  • His main character Jestin Kase being a part of the LGBTQ community and why the way he is portrayed is important

An Interview with J. Michael White

How did you develop the character of Jestin? Why did you give him the background of a foster kid?

I wanted a humorous, sarcastic, likeable teenager to balance the bleak background of the story. I also wanted to use Jestin as a vehicle to highlight the problems with the foster care system (my original idea for Jestin was “Oliver Twist but with demons”). Further, as a member of the LGBT community myself, I wanted the same for Jestin, but without making the story about his sexuality, something I don’t see often with LGBT representation.

Why did you set the book in Chicago?

I grew up in northwest Indiana, which is more a part of Chicago than the Hoosier state, and I’ve always loved the character of the city. It was important for me to set the story in a Midwestern city, because I wanted the story to take place in the heartland, the heart of the country.

How did you develop the idea of the Three Great Schools of Magic?

The Three Great Schools of Magic represent the state of spirituality in our world today. There are people who pervert and twist religion for greed and selfish purposes, to spread hate and to amass power. This is what the Three Great Schools represent.

You have a background in journalism — where your job is to report on reality. Was it difficult to shift your writing focus to fiction / urban fantasy? How did you go about this?

I’ve written fiction stories for my own enjoyment since I was in grade school, so the shift from journalism to fiction was pretty simple. If anything, my newspaper writing skills helped craft my fiction writing style. Also, I’ve seen some crazy things in this real world of ours, and that’s helped me build my fictional characters’ backgrounds.

This is your first novel — what inspired you to write it now?

I’ve wanted to write a book for years; I actually left the newspaper business to free up my creativity to focus on fiction. But I still never found the time to write–until the pandemic. Like many people, I’ve been working from home since COVID, and without a morning or evening commute, I have up to a couple hours of extra free time a day that I use for writing.

You make a distinction between traditional dystopian futures and the worlds you create in your writing. Can you explain what this is and why you chose this approach?

I wanted to highlight the dystopia of the world we live in today instead of creating a traditional, make-believe dystopian future. Look at the state of things in our world: class warfare, poverty, sickness, corruption, homelessness, division–one could argue we’re already living in a “dystopian future” in the real world of today.

An interview with Gina Carra of BookPeople

1. What’s your favorite area of your bookstore?

I wholly admit it’s because I helped decorate it, but I find so much peace in the second floor back corner where we have our local artists’ work displayed. The entire wall of art books is papered colorfully and it calms me down to be in that space.

2. What’s the coolest book cover that you like to have facing out on the shelves?

This question is stumping me and I think it’s because of the word ‘cool’! I face out books I’m excited to read but haven’t yet haha I essentially face out my TBR. Right now that’s Heartbreak by Florence Williams because I LOVED The Nature Fix and I’m excited to see the research and care she’s put into the study of heartbreak.

3. If you had a staff pick for a recent new release, what would it be? Backlist pick?

It’s not the MOST recent, but A Marvellous Light by Freya Marske came out in October of last year and I cannot shut up about it. I adored that the main character didn’t have a deep well of magic and had to be technically perfect while his siblings were prodigies who cast with barely a thought. I loved that the two main characters couldn’t stand each other but end up willing to die for each other. I would also die for them.

For backlist, I’m in a constant state of wanting to reread The Great Passage by Shion Miura. It’s the fictionalized making of a dictionary you didn’t know you needed. Each of the characters on this team are so captivated by words and how the way we choose to use them shapes our relationships with those around us. When the main character starts to fall in love and cross references multiple dictionaries to see how they define the word ‘love’, I melted. It’s beautifully poetic and I have all the respect in the world for the translator, Juliet Winters Carpenter, who seamlessly translated this nuanced story about words from Japanese into English.

4. Do you have a strange customer story?

Over the holidays, a customer approached me and asked what the coolest way to take a book off the shelf was. I didn’t understand at first and then they specified that they wanted to take a book in a way that would create the least amount of work for the booksellers to fix afterwards. I insisted it was fine and we were happy to tidy up, but they insisted back that they were truly curious. I was so completely endeared by this sentiment and gave them a little lesson about how taking a faceout copy with another copy behind it would disturb the shelf the least.

5. What author have you been starstruck to meet, or have you gotten to host a fun virtual event?

My first month at BookPeople in 2019 I was at the registers and looked up to see Felicia Day. I had JUST read her memoir, You’re Never Weird On the Internet (Almost), and was so inspired by it but looking her in the eye I was so startled that I could not begin to verbalize how much I enjoyed the book and I accidentally printed her receipt 15 times and had to have a manger come fix my register.

6. What are some misconceptions people have about working in a bookstore?

If you really want a breakdown of this in the funniest way possible, read Skull-Face Bookseller Honda San by Honda. I logically know it’s meant to be an exaggerated comedy, but it’s so painfully accurate that it just feels like being at work to me!

7. What is your least favorite bookstore task? Favorite part about working in a bookstore?

My least favorite thing is when we inevitably pull returns and one of the books that’s been hanging around too long is one I was really rooting for to find a home. Timing is everything and sometimes the right person just doesn’t come in at the right time. Favorite thing about working in a bookstore? I mean, it’s in the question: being in a bookstore. I love being able to just walk over and look at a book I’m curious about. I’ve read so much I wouldn’t have tried before. It’s broadened my horizons permanently and I’m so thrilled by it.

8. Can you recommend an underrated readalike book for one of the store’s top titles? (For example: If your store sells a lot of The Song of Achilles, you might recommend Tin Man.)

I spend way too much time thinking about Gideon the Ninth by Tamsyn Muir comps because it’s an impossible task. In line with the queerness so obvious the readers can see it happening though the characters don’t yet and the absolute self indulgent chaos of the story, I’d recommend The Scum Villain’s Self-Saving System by Mo Xiang Tong Xiu.

New nonfiction exposes how to live extraordinarily after 60

Self-help teaches how to invest in yourself and live a life of fulfillment in retirement

Knoxville, TN

When the honeymoon of retirement is over, many individuals accept much less than life has to offer and confuse complacency with true happiness. Diminished self-confidence wears down motivation and the potential for all that life could be is lost. The voice of a new way of living in the last third of life, Barbara Pagano developed a guide for others to create a post-midlife lifestyle of work and freedom. She uses her research and years of experience in leadership development to expose how we can reshape our life after 60. Introducing: “The 60 Something Crisis: How to Live an Extraordinary Life in Retirement” (Rowman & Littlefield, 7/19/22).

Circumvent the tired and conventional approaches of finding purpose, passion, or happiness to discover a path of fulfillment after 60 by pursuing desires, mastering risk-taking, and expanding horizons with confidence.

The crisis of unfulfilled lives unfolds gradually, often with acquiesced boredom and a flimsy search for purpose. Our relevancy comes into question, or we succumb to the idea that the future will be one of slow-moving ambition and then an even slower glide into comfort as the flush of freedom fades. We can change this outcome.

The 60-Something Crisis is the first book to circumvent the tired and conventional approaches of finding purpose, passion, or happiness. It presents a clear, practical framework through four portals—geography of place, yield, kinship, and freedom—to navigate and support future well-being and happiness. Readers will learn how to pursue desires, not roadmaps, to increase self-confidence and master risk-taking, and will discover the power and potential of investing in themselves at this time of life.

The 60-Something Crisis: How to Live an Extraordinary Life in Retirement
Barbara Pagano | Rowman & Littlefield | Nonfiction
Hardback | 978-1-5381-5575-2 | $34.00
e-book | 978-1-5381-5576-9 | $32.00

BARBARA PAGANO: Working until 85 – not 65 – is the “new retirement” for Pagano and millions of others. Volunteering, traveling just to travel, and not earning money – it doesn’t work for her and it doesn’t work for millions of others. Her previous career paths have all been about teaching and facilitating change in others. Her first company, Executive Pathways, focused on excellence in leadership and performance. Having coached over 3500 executives to higher levels of success, the speaking platform wooed her to share that information with large audiences – immensely enjoyable and sometimes daunting! You better have something smart to say to a group of successful CEOs and entrepreneurs or they will beat you with invisible sticks for wasting their time!

Follow Barbara Pagano on social media:
Facebook: @Barbara L Pagano | Twitter: @blpagano | LinkedIn: @Barbara Pagano
www.yourextraordinarylifeafterretirement.com


In an interview, Barbara Pagano can discuss:

  • The idea of “new retirement” and the pressure we put on retiring at the right age
  • Her own experiences with retirement and why it didn’t work for her
  • Life stages and how we can best support each stage
  • Mid-life crisis, why they happen, and how we can combat them
  • The framework for her approach to life after 60
  • How to ain the feeling of relevancy throughout life
  • Her extensive background and founding of Executive Pathways
  • The experience of coaching over, 3500+ execulative to high levels of success

An interview with Barbara Pagano

1. When did you first realize typical “retirement” wasn’t for you?

In over 2000 nautical miles on a sailboat with my daughter, we never got lost at sea. When there is nothing to see but water all around you, it’s easy to lose your bearings. But it turns out, I’d lose my bearings in a different way. Long after I learned the importance of waypoints and markers, long after I successfully navigated deep waters, I got lost on land.

It was a staggering surprise.

When I turned 65, I had good health and I had choices. It seemed all I had to do was figure out the rest of my life. What do I want to do now? How can I live my best life? Every morning I sat on my office couch with good intentions and a cup of coffee, and believe me, I tried hard to figure that out. Despite graduate degrees in human behavior and many successful crossings into new life stages (I even pre-planned a very successful mid-life crisis for myself in my mid-forties), everything about this age I was now didn’t fit me. Even the word “retirement”—the word we most use for a pivot, a time in life beginning when we turn 65—didn’t fit me. Did I want to keep working? Work in a different way? Find new work? Travel? Volunteer? Bike the Pyrenees? Babysit the grandkids?

It shouldn’t have been so hard, but it was. I never got depressed, but I was majorly confused about how to navigate the last third of my life. And I came to hate the question, “What’s next?”

I wasted close to three years. That’s precious time folks. In due course, I ended up in libraries, bookstores, and in classes and seminars to become a consummate learner of the current literature on aging, retirement, un-retirement, productive longevity, well-being, and happiness. I interviewed over 200 pre-retirees and retirees.

Just like on that sailing endeavor, I learned something new every day. I buckled down, found a new way to ground myself and create a life in retirement—not just a ho-hum, be-thankful-for-what-you’ve-got life, but an extraordinary one by my standards.

2. Why do you think retirement is the way it is? Can you talk about the pressure put on people to retire at a certain age?

The contribution of longevity creates a new life stage of an extra 25-30 years. Wow. How do we begin to plan a quality, satisfied, century-old life?

Truth is we are not good at living long, productive lives. Many use an old 3-stage map – education, work then retirement – that will not work anymore. We know this because the distance between happy and happier is felt by those in their 70s, 80s and 90s is evident. We have underestimated not only ourselves and our potential, but the sheer complicated force of one of the hardest transitions in life.

Sixty-year-olds facing life after career, as well as those who have already retired, often succumb to the idea that a new future will be one of slow-moving ambition and then an easy slow glide into contentment as the flush of freedom fades. This sets up a disheartening situation for a new phase that finishes a lifetime.

Retirement is not a feeling. The realness of retirement and what it means for us needs our full attention.

We can all do better.

3. Can you explain a bit about how your ideas differ about retirement?

Having it all is a concept that will mean different things to different people. In any case, one thing is certain: the person in charge of finding a new life and lifestyle will be you—not that younger 20-, 30- or 40-year-old you. But this older you. The one looking at the shorter road ahead. The one with baggage. The one with memories of high-flying moments. The one who has been let down. The one carting around potential, dormant dreams and a promise of time for the best life, better than ever imagined.

You are the only answer, and there is no shortage of advice on how to begin. The drums beat loudly for finding purpose, following passion, and seeking authenticity. What does all this mean and where does it leave us? What if we can’t find our purpose? How do we consciously come to know and understand our character, feelings, motives and desires so we can live an extraordinary last third of life?

In other words, “How do we make the most of this time ahead?” Accountability, self-awareness, imagination, and action are key features now in a life that matters. The drumbeat for purpose and passion has faded.

4. How does this method better support life after 60?

Most of us treat retirement as an event—a happening where work is over or revised. But retirement is not an event nor a feeling. Retirement is a late-in-life process that comes with an additional series of events conspiring together to give a nice, big bucking bronco ride. At no other time of life could these events happen, and their timing initiates a passage that can be chaotic, emotional and intense. These signature events are obvious because of age. They are quiet, but not soft in affect.

Transitions can be noble, beautiful or exciting. And hard. The three changes accompanying the life stage of retirement begin in your sixties.

Three Signature Events That Accompany Retirement:

  • Last Chance
  • 30-Year Bonus
  • The Young Old

5. What is the purpose of this book?

Finding your purpose and passion to help you create a life is highly overrated, conventional, and tired advice. Trying to narrow down your purpose or identify passion as a precursor to actionable living can get you nowhere.

Is there a better way? There is. Forget your purpose. Ignore the search for a passion to center your life. Don’t write a purpose statement, narrow your passions or mind-map your future life.
Instead, start with a big dose of self-awareness, add knowledge and tools, understand what’s ahead and ask, “What do I need to know and what do I need to do now?”

The triumph- an extraordinary life – can start at any age. You don’t need more therapy, more education, a new or perfect job, a spiritual advisor or a sabbatical. What is essential is to step up and give life your best shot.

This book is your guide – a practical nuts-and-bolts guide to crack open the ‘what if’s’ of your own life, under your own steam. You’ll be inspired.

Download press kit and photos

Intimate memoir reveals how a premonition of a loved one’s death led one woman to cherish their time together more fully

Joni Sensel’s true story of numinous experiences gives meaning to the unknown

SEATTLE, Washington – From nearly the start of their fairy-tale romance, Joni Sensel knew she would lose the man whose love changed her life. A dark premonition had warned her. Though she kept this secret in their short time together, upon his death she’s compelled to share it in a letter addressed to his spirit.

In “Feeling Fate” (She Writes Press, April 26, 2022) Sensel defends the insights of the heart regarding love, intuition, hints of an afterlife, and other experiences that defy logical explanation.

A grief memoir with a paranormal twist, “Feeling Fate” explores how Sensel’s dark intuition magnified her love and gratitude for her partner before her premonition came true. Torn between faith and skepticism after the loss, Sensel is nearly undone by her grief—until further uncanny experiences help her defeat despair and find meaning in the irrational insights of the heart.

An intimate and soulful read with some playful humor, Sensel proves that sharing our spiritual and intuitive experiences can lead us to a more fulfilling, joyous understanding of life and love.

“Feeling Fate: A Memoir of Love, Intuition and Spirit”
Joni Sensel | April 26, 2022 | She Writes Press | Memoir
Paperback | 978-1647423391 | $16.95


About the author…

JONI SENSEL is the author of more than a dozen nonfiction titles for adults, five novels for young readers from Macmillan imprints, and two picture books. Her fiction titles include a Junior Library Guild selection, a Center for Children’s Books “Best Book,” a Henry Bergh Honor title, and a finalist for several other awards. Her nonfiction titles have given her a dangerous level of knowledge about industries as diverse as public power, wood products, kidney disease, Lean manufacturing, recycling, and healthcare. She balances this education by avoiding any knowledge whatsoever about professional wrestling, hit TV shows, or K-pop.

Sensel holds an MFA in Writing from Vermont College of Fine Arts (2015). She previously served for four years as a co-regional advisor for one of the nation’s largest chapters of the Society of Children’s Books Writers & Illustrators (SCBWI), with more than 700 members. More recently she served as this chapter’s Creativity Liaison, among other volunteer roles.

Over the past 18 years, Sensel has taught dozens of writing workshops and seminars in locations from Alaska to Amsterdam for local, regional, and international organizations. A certified Grief Educator and First Aid Arts responder, she’s recently focused her courses and online workshops on creativity and spirituality topics.

Sensel’s adventures have taken her to the corners of 15 countries, the heights of the Cascade Mountains, the length of an Irish marathon, and the depths of love. She lives at the knees of Mt. Rainier in Washington State with a puppy whose presence in her life reflected afterlife influence.

In an interview, Joni Sensel can discuss:

  • What a numinous experience is, and why these experiences are often dismissed or treated with suspicion
  • Why she chose to share the story of her premonition
  • Why we should consider strengthening our intuition, and how we can do this
  • How creativity can soothe grief
  • How conversations surrounding death and pain will help us as a society

Joni Sensel

What is a numinous experience, and how common are they?

It’s a perception or event with emotional impact that seems outside of normal experience, provoking mystical or spiritual feelings or a sense of a larger reality we don’t understand. They’re often called “woo-woo” experiences because they’re hard to explain rationally—and Western culture prioritizes reason over all other human experience or perception.

But they’re more common than you might think—surveys suggest that half of Americans have had such an experience. Most people simply hesitate to talk about them because we’ve been trained to be suspicious of anything we can’t count or test in a lab—and to make fun of anything that smacks of the paranormal.

What’s the earliest experience you had that suggested there’s more to the world than it seems?

First, I became aware of death at an unusually young age, since I was involved in events that led to the death of my baby sister when I was three. The aftermath of her loss, in which we didn’t really speak of her but I knew she’d once existed, taught me that what can be seen or acknowledged does not necessarily reflect the whole story.

Then, when I was about four years old, I spent a year living in my grandmother’s house, which was haunted with some kind of malicious energy that was invisible but quite tangible. I had to regularly navigate this unhappy presence, which I called the stair ghost. Only once I was older did I discover that my mom and several other relatives acknowledged its reality—including an uncle who was a science teacher, so not exactly a whimsical sort. That “ghost” was a tangible force well into my adulthood, and whatever it was—energy or spirit or something else altogether—it utterly convinced me that dismissing such phenomena as imagination simply because we can’t prove or quantify it is naïve, if not willful denial.

Why are numinous experiences and intuition often treated with raised eyebrows?

Because with the ascendance of rationalism in the last few hundred years, science has tended to respond to things it can’t readily quantify or test by denying they exist at all—even though science has very little of use to say about the things most people agree make life worth living, including love, a sense of awe, and consciousness itself.

But we’re not good at admitting there are things we not only don’t know, but perhaps can’t know. It makes us feel uncomfortably out of control. This reluctance has been exacerbated by our patriarchal society, which has frequently denigrated the realm of emotions and nonrational sensations as the realm of women, and therefore less valuable than “male” rationalism. Finally, there’s a vein of intellectualism that is distinctly anti-religion, and numinous experiences often carry spiritual implications or content. As a result of these attitudes, we’re suspicious of mystical or other experiences that can’t be analyzed, and it’s emotionally easier to dismiss anyone who reports such experiences as childish, deluded, or mentally ill.

And nobody wants to be considered foolish. It’s easier to say nothing at all, which only reinforces the impression that only kooks or people with overactive imaginations have such experiences.

What can others do to sharpen their intuition?

I think the most important steps are to acknowledge that it’s real, that the voice of your heart or soul is worth paying attention to, and to turn down the noise of our busy external lives so you can actually hear the quieter impulses that rise from deeper within. There are specific techniques that can help, from taking part in rhythmic physical activities to meditating or keeping a dream journal, but none of those will matter if you don’t have an open mind about the validity of intuition. I like to think of the subconscious, and with it, intuition, as like a dog—the more positive attention you give it, the more it will offer the behavior you reward.

What do you hope readers will take away from reading about your experiences?

I’d really like this book to prompt readers who’ve had their own spiritual or numinous experiences to reflect on them and feel encouraged to share without shame or hesitation. If they haven’t ever experienced any sense of the mystical, I hope my examples might open their minds to the possibility. I also hope readers who have struggled mightily with grief or depression, like I have, will find community and feel less alone or “wrong.” And finally, if there are any readers who don’t already believe true love exists or might still be out there for them, no matter their age, I hope my example in this book will convince them.

CEO, entrepreneur offers pragmatic advice for decisiveness amid uncertainty

Everett Harper delivers a powerful and pragmatic take on problem-solving in new book

OAKLAND, California – In times of uncertainty, it can be incredibly challenging for organizations and teams to solve complex problems and find innovative solutions. In the new book, “Move to the Edge, Declare it Center,” author Everett Harper, an entrepreneur, strategist, the CEO and Co-Founder of Truss, shares effective methods for decision-making in situations where there may be a lack of complete information, ways to sustain teams during uncertain and stressful periods, and effective techniques for managing personal anxiety—a crucial leadership skill.

In “Move to the Edge, Declare it Center,” you’ll learn to discover insights quickly by experimenting, iterating, then building infrastructure to sustain your innovations in your teams and organizations. The author demonstrates a set of practices, processes, and infrastructure that addresses complex problems alongside a set of methods to systematize, scale, and share best practices throughout an organization. In the book, the author offers a new framework for leadership that’s perfectly suited to an increasingly volatile, uncertain, and unpredictable world. You’ll also get:

  • Effective ways to make decisions in situations without complete information
  • Strategies for sustaining your team through highly uncertain times
  • Techniques for managing personal anxiety—a key leadership skill for the next decade

Case studies of World Central Kitchen, COVID public health policymakers, and California wildfire responders illustrate the framework, while pragmatic playbooks about salary transparency, remote work, and diversity and inclusion will help leaders apply the framework in their own organizations. The author shares personal stories and winning strategies that help leaders maintain high performance, avoid burnout, and enable companies to thrive.

“Move to the Edge, Declare it Center” is perfect for business leaders facing complex problems that require immediate decisions in the face of uncertain outcomes. It’s also a must-read for anyone interested in modern leadership and looking for a way to help them make solid decisions with incomplete information.

“Move to the Edge, Declare it Center:
Practices and Processes for Creatively Solving Complex Problem”
Everett Harper | March 22, 2022 | Wiley | Leadership
Hardcover | ISBN 978-1119849889 | $25
Ebook | 978-1-119-84989-6 | $15

“Everett’s book “Move to the Edge, Declare it Center” captures both the spirit, practice, and aspiration of our work at CARE. We’ve evolved to be more agile, innovative, and creative to respond to the challenge of reducing global poverty amidst the complexity and uncertainty of COVID and climate change. I’m excited to share his book with our global teams, so we can continue to powerfully stand up for women and girls and families around the world.” – MICHELLE NUNN, CEO and President, CARE USA

“At World Central Kitchen, navigating through and adapting to complex environments is part of our core practice when providing nourishing meals to people around the world in times of crisis. I was excited to share our story in “Move to the Edge, Declare it Center” because Everett’s book illustrates a new practice of leadership that will be crucial and necessary in the coming decades. I think his framework has the potential to be professionally and personally transformational, so get started!” – NATE MOOK, CEO, World Central Kitchen

“Being on the edge is founder life. It takes curiosity, creativity, and persistence to define and iteratively build on that edge as a center that others cannot see. Turning that center into a sustainable company is the opportunity founders have. Everett has written about his journey on how to, “Move to the Edge, Declare it Center” I am honored to witness his growth and journey as a leader. Highly recommend it to founders and leaders in tech and beyond.” – SHAHEROSE CHARANIA, Founder, Women2.0; Nike Innovation Lab, Investor


About the Author

Everett Harper is the CEO and co-founder of Truss, a human-centered software development company, named as an Inc 5000 fastest-growing private company for 2020 and 2021. He is a rare combination of a Black entrepreneur, Silicon Valley pedigree, National Champion, and a proven record for solving complex problems with social impact.

He had the foresight to build a company that’s been remote-first since 2011, salary-transparent since 2017, anticipating the importance of hybrid work and diversity, equity and inclusion (DEI) by a decade. Before Truss, Everett was at Linden Lab, maker of Second Life, a pioneering virtual world, and Bain and Company management consultants.

Though both his parents had pioneering careers as software programmers for IBM, Everett is the first in his family to attend college, as an A.B. Duke Scholar at Duke University. While majoring in biomedical and electrical engineering at Duke, he also won a NCAA National Championship in soccer. He was inducted into the North Carolina Soccer Hall of Fame in 2019. Everett graduated with an MBA and a M.Ed in Learning, Design and Technology from Stanford University.

In his career, he’s leveraged his education and experience to help millions of others, from helping fix healthcare.gov at Truss, fighting poverty worldwide as a Board Member of CARE, and helping low- and moderate-income homebuyers while at Self-Help, a community development finance institution.

Everett’s distinctive voice and unique history makes him a sought-after speaker on leadership, remote work, DEI, and social entrepreneurship. He has been featured at conferences such as Dent, Tugboat, TechStars and Velocity, podcasts like the Commonwealth Club and AfroTech, and writing for Forbes, Thrive Global, and TechCrunch. Move to the Edge, Declare it Center is his first book, to be published by Wiley in March 2022.

Everett grew up a small town kid in New York’s Hudson Valley. He currently lives in Oakland, CA, making limoncello when life hands him lemons.

Follow Everett Harper online:
Website: EverettHarper.com | Instagram: @everettharper
Twitter: @everettharper | LinkedIn: Everett Harper


In an interview, Everett Harper can discuss:

  • His experience of creating measurable and sustainable diversity, equity and inclusion processes – and how companies can begin to adopt them to achieve their business goals.
  • The value, insights and gifts of a lifetime of being on the edge – as a Black man, championship athlete, and entrepreneur – plus his experience as a founder and CEO of a fast-growing, successful tech company.
  • Winning strategies that help leaders maintain high performance, avoid burnout, and enable their companies to thrive.
  • Implementing salary transparency to solve the enduring pay gap between men and women, BIPOC, and other underrepresented groups.
  • How witnessing leaders falter in dealing with complex problems – from COVID to George Floyd’s murder – influenced his decision to write this book.
  • How being a pioneer in remote work, starting in 2012, can help leaders and companies make important decisions about moving to remote, hybrid or in office work.
  • Navigating tragedy and the unknown in his personal life, and how leaders can apply these life lessons to their organizations.
  • What it means to Move to the Edge (being on the boundary of your knowledge and the unknown) and Declare it Center (taking new insights and building operations to systematize, scale, and share these innovations so they deliver the desired outcome).

An Interview with Everett Harper

First thing’s first: what inspired you to write this book? Why is it so important to you?

I was moved to write in June 2020 because I saw experienced and successful leaders flummoxed by complex problems with no “right answer.” The last two years brought remote work and COVID, worldwide protests post-George Floyd, and massive wildfires accelerated by climate change. Privately, these leaders admitted feeling frozen about how to speak up, fearful of saying the wrong thing, much less what to do.

In response, my book shares the processes and methods of how companies like Truss, World Central Kitchen, fire responders and COVID policy makers navigate and overcome these complex problems. Along the way, the “Great Resignation” and burnout made it clear that there’s also an “inner practice” we’ll need to sustain ourselves – so I include these too.

Our most urgent problems are complex, and we need a new leadership and decision-making framework to respond. “Move to the Edge, Declare it Center” is my contribution to help solve these problems.

How would you describe your leadership style, and how has this evolved over time?

Adaptive: Context and situations change, and different leadership tools are necessary at different times.

Pragmatic: Outcomes and results matter, and taking action vs. talking about action is the model I strike to follow.

Pursuing Mastery: I try to lead 1% better every day.

Storyteller and Coach: Choosing the right anecdote or story to illustrate a solution or reinforce a critical value, or coach an employee about how to improve is a craft.

In general, my evolution has been learning what I’m great at, striving to improve those strengths, and building a squad around me to be great at the things that are blind spots or weak points.

Does being a Black CEO influence how you lead, solve problems and build teams?

Yes. I have developed the practice of leading “from the edge.” Most entrepreneurs have the quality of questioning assumptions, developing unique and pragmatic solutions to problems, and persevering through obstacles. I’ve developed these skills over a lifetime of being a Black person in the U.S., because those skills are literally survival skills, transformed into leadership skills.

I build diverse teams as a baseline – not just in terms of race or gender. Teams with diverse skills, personalities and backgrounds are proven to have higher rates of problem-solving, better innovations and deliver higher financial returns at the Board and Executive level. Further, I focus on creating the psychological safety for those teams so individual members can thrive and do their best work.

Tell us about the title of your book, “Move to the Edge, Declare it Center.” What does it mean?

There are two meanings to the title: as a metaphor and as a framework for making decisions.

As a metaphor, the title is an invitation to be courageous and bold in pursuing purpose-driven systemic change…and simultaneously pragmatic and methodical about solving problems so that the results – and the person – can be sustained.

It was originally inspired by the story of Andy Warhol, and how he overcame the art establishment’s bias for abstract expressionism in early 1960s New York City, but as I was writing, I found similar declarations from Toni Morrison and bell hooks, and of course, it’s the lifeblood of entrepreneurs!

As a framework for making decisions, the title summarizes two skills that are necessary to solve complex, systemic problems.

Move to the Edge is about being on the boundary of your knowledge and the unknown. Move to the Edge involves methods for discovering insights by creating experiments, iterating quickly, and identifying levers of change. It involves intersecting with other boundaries and overlapping with other people’s mental models, networks, or schools of thought. It can open up different perspectives and insights that cannot be viewed from the center.

Declare It Center is about taking new information and insights and building operations to systematize, scale, and share these innovations so that they deliver the desired outcome.

The infrastructure that supports Declare It Center enables individuals, teams, and companies to sustain their work with less individual effort.

Why is diversity, equity and inclusion important for companies? What advice would you give to companies that aren’t currently diverse, but want to start addressing the issue?

Creating a diverse and inclusive company creates value in problem-solving, innovation and market returns. These results are well-documented and repeated across many studies, reports and books like “The Business of Race” where I was a contributor.

To companies that aren’t currently diverse:

  1. Congratulations! Acknowledging you have an issue and committing to solve this issue is the most important step.
  2. The CEO or Executive Director MUST be the leader of diversity, equity, and inclusion (DEI) initiatives, and accountable for results. The organizational change that is required needs to be driven and reinforced by the leader.
  3. Connect DEI to your core business model and company values. It is an important moral issue, but you must connect it to how you operate – or else it will become a side issue that gets dropped when sales slow or budgets are tight.
  4. Start with the outcome you want to achieve, then work backwards to figure out what you can measure on a weekly or monthly basis. Make sure your measures are transparent to the company in order to hold yourself accountable for results.
  5. Engage all of your employees to contribute to the solution, but don’t make your diverse new hires shoulder the burden of the work.
  6. As a leader, you will make mistakes, say the wrong thing, feel awkward and learn how much you don’t know. Embrace it all – you are modeling for the rest of the company and the more you acknowledge your experience, the more you build trust with your employees.

How does your book relate to other current social and political issues the world is facing?

Sustainable cities. I have a chapter on Jane Jacobs, a pioneer in sustainable urban development, and how she overcame the powerful urban planner Robert Moses to save Greenwich Village from being paved over for highways. Her actions, which embody the “Move to the Edge, Declare it Center” framework, ushered in a new vision for sustainable cities. Many organizations are currently applying the same model to address the worldwide migration to urban areas around the world.

Disaster relief and humanitarian crises. My book features interviews with Nate Mook, CEO of World Central Kitchen. They are currently on the ground on the border of Ukraine providing nourishment to millions of refugees. Their model of navigating unknown, intense, and dangerous crises, and responding with systematic delivery of nourishment through a worldwide network of food providers is extraordinary – and it is a vivid example of the “Move to the Edge, Declare it Center” framework. CARE.org is another organization that delivers locally led, globally scaled humanitarian relief, and their model also embodies the core practices in the book.

How do mental health and well-being play a role in leadership?

A leadership framework is only good if the leader can implement it. Too many management and leadership books provide ABC-123 prescriptions that sound simple but ignore that leaders are human. The grief, fatigue, and depletion that most of us feel after 2+ years of COVID, and the evidence of the “Great Resignation” make it clear that leadership books must take into account the psychology and physiology of the leader.

The good news is there are abundant mental health tools, methods and resources that we all can use to practice – and the operative word is practice – to build the well-being we need to solve our urgent challenges.

You have been very ahead of the curve in quite a few ways. For example, you first did remote work a decade ago, and you also decided to make salaries transparent. How did you decide to make these moves and implement them?

We’re all aware that women and BIPOC employees are still paid less than men for the same work. This is true even for well-intentioned companies because there are several systemic, fundamental biases embedded in ordinary processes that preserve and even amplify inequality in compensation. For example, if two people are hired on the same day, but one negotiated 5% higher salary, after 5 years of equal performance increases, the salary gap increases exponentially. Now imagine the first employee learns of the difference after 5 years of high performance. Guarantee that the employee leaves, and the organization loses a valuable team member and breaks the trust of other employees.

After some research, we believed the best way to address equity in pay was to make all salaries internally transparent for all employees. We weren’t naive – we know salaries can be a hot button. So, we used a series of Move to the Edge methods, from internal surveys, retrospectives,

You write about a significant personal tragedy in 2012. Can you tell us about that briefly? Looking back, what were the seeds of this book that were planted back then?

In the first four months of 2012, I launched my first product with my company. At the same time, I got divorced, moved to a new home, became a single coparent to a 5-year-old, had my national championship ring stolen, and my father passed away of stomach cancer. I think I hit all of the five major life stressors in four months.

Ten years later, I see that experience as the seeds of how to navigate through unknowns, learning to be resilient, seeking and receiving support from others, and relying on practices like meditation to help me move through that difficult situation. In the intervening years, I built those practices into habits, encoded them in our company values, and now I’ve shared them in the book.

Thich Nhat Hahn just passed away this year, and he seems to be a significant influence on you and your leadership style. What can business leaders learn from a Vietnamese monk?

I learned about Thich Nhat Hahn, and began practicing his framework of meditation in 1993, after reading the “Miracle of Mindfulness.” I had the privilege of attending one full day silent retreat, and a five-day silent retreat with him and his team, and I feel deeply grateful that I was able to be in his presence before he died last year.

There are many things leaders can learn from Vietnamese monks.

  • Be present: The phrase “wash the dishes to wash the dishes” is an invitation to recognize mindfulness can be practiced anywhere, anytime. With this practice, leaders start to become more focused, whether it’s on a task or a person. From my experience, people feel the difference when leaders are present with them.
  • Responding is more powerful than reacting. In Thich Nhat Hahn’s teachings, a key skill is to watch your own reaction to events. Becoming aware of one’s own emotions in real time – and letting them pass – is an incredibly powerful tool when faced with adversity. It develops the confidence to “get comfortable with being uncomfortable,” and step into difficult situations with less fear and more clarity.

What are some topics you didn’t get to explore in depth in this book? In other words, what would you like to write about next?

That was one of the major challenges of this book! There’s so many wonderful writers, scholars, practitioners, and leaders whose work I uncovered during the process of writing this book. But because the challenges we face are urgent – pandemic, wildfires, and now war in Ukraine – I wanted to add this book to the conversation so people can use it and we can collectively navigate problems.

However, a few areas I’d love to have explored first.

  • Modernizing software practices or transformational change. At Truss, we continue to develop our own systems, methods and processes internally and with our clients. They’ve had tremendous impact on shifting the practices of the Dept. of Defense, for example, where we are building the system to manage the moves of servicemen and women – 15% of all United States moves – and we’re doing it using principles I describe in the book. It was a huge shift for the military, but now USTRANSCOM has officially adopted that practice. We’re really close to publishing them, but I could only include a few in the book.
  • Artificial intelligence. There are scholars like Timnit Gebru and experts featured in the Netflix show “Coded Bias” who have done amazing work to highlight how artificial intelligence is not neutral. In fact, it can replicate and amplify the bias we see in society. In the book, I briefly touched on how facial recognition systems that do not recognize dark skin can be lethal. But they have explored that in greater depth and I would love to engage with their work.
  • Humanitarian development and sustainability have incredible opportunities for greater study. I was able to interview World Central Kitchen, which is now on the ground in Ukraine. But organizations like CARE.org have demonstrated how large organizations can innovate, shift to being locally led and globally scaled. That means there’s a diversity of thought and experimentation (Move to the Edge) and the most useful of those experiments can be globally scaled (Declare it Center). I’m particularly curious about the analogy between government procurement and humanitarian funding. Rigid procurement systems were no match for a complex problem like Healthcare.gov, and reforming it has unleashed a transformation in government technology practices. Reforming rigid funding cycles for humanitarian aid and economic development may have similar transformational potential for delivering timely aid in the regions that need it most.
  • Learning from the body in decision making. As an athlete, I understand how much my body can be a guide for good decision making as my cognition. There is a deep body of work by scholars in neuroscience, physiology, as well as with practitioners like NASA, NAVY Seals and top athletes that can be applied to everyday decision making – especially under stress, uncertainty and unknowns.
  • The Gift of Being on the Edge. A major discovery for me is how the title evokes strong response from some readers. In particular, that “Move to the Edge, Declare it Center” creates a valuable space for people who are on the edge without “othering” them. There’s a body of work, from Toni Morrison, bell hooks to BIPOC, Latina/o/x and South Asian entrepreneurs that reflect the valuable insights, perspective and skill that come from being on the edge. Instead of the words “marginalized” or “underrepresented,” I’d like to explore this aspect of leadership.

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An interview with Chelsea Bauer of Union Ave. Books

What’s your favorite area of the bookstore?

My favorite area of Union Ave Books is the building. We are in a TVA building from the 1920s so we have big, beautiful windows and interesting architectural details throughout. I think Union Ave is the most beautiful street in Knoxville and it’s a real thrill to walk down it every day.

What’s the coolest book cover that you like to have facing out on the shelves?

I am a big fan of the new Octavia E. Butler re-issues that have been coming out from Hachette. We often have a full shelf of face-out Butler’s in the Science Fiction/Fantasy section.

If you had a staff pick for a recent new release, what would it be? Backlist pick?

GREAT CIRCLE by Maggie Shipstead was my favorite book of 2021. I thought it was just stunning. One of the few dual-timeline books that I didn’t much, much prefer one timeline over the other. It follows an infamous female aviatrix in the early part of the 20th century and an actress playing her in a contemporary film adaptation of her life. It was sweeping and epic and all of my favorite descriptive words for books. I would have happily read 500 more pages.

THREE MEN IN A BOAT (TO SAY NOTHING OF THE DOG) by Jerome K. Jerome is a go-to backlist rec for me. One of the few books that made me laugh in public. It’s three doofuses (and their dog) in a boat on the Thames river in the late 1800s. When you find someone else who has read it, you are instantly bonded, like a secret society that is both slightly selective and extremely silly.

Do you have a strange customer story?

Just today, actually, a man came in straight from 1998 and asked if we had a book about the value of Beanie Babies. He was taken aback when I said we did not.

What author have you been starstruck to meet, or have you gotten to host a fun virtual event?

David Sedaris comes through town about once a year so every time I see him I feel more comfortable giving an opinion on his jacket/culottes combination. I’m currently trying to convince myself that I can keep my cool in front of Hanif Abdurraqib (whom I love) when he’s in town for the music festival Big Ears at the end of March. We are selling books for the literary portion which includes him, Kim Gordon, Saul Williams, Nikki Giovanni, and Patti Smith. Everyone is very excited and overwhelmed!

What are some misconceptions people have about working in a bookstore?

I think people sometimes assume that working in a bookstore is just a hobby. Or that we sit around reading books all day. In reality, a bookstore is a business that has to be run and I’m usually flying around trying to find a computer that isn’t being used so I can throw something on a backlist, finalize a frontlist order, or check in the shipment from UPS.

What is your least favorite bookstore task? Favorite part about working in a bookstore?

I do a lot of the buying and it is so fun trying to guess what is going to sell. I really love finding off-beat publishers or translated fiction to bring in and it’s always a joy when someone takes a chance on something they haven’t heard of before. I also love when a bookish kid comes in that has read everything, it’s such a challenge to find the perfect book for kids that are voracious and it is so satisfying when you do.

Can you recommend an underrated readalike book for one of the store’s top titles?

Anytime anyone picks up one of the regency romances that are so popular right now I always want to shove Georgette Heyer into their hands. They are not steamy, but more than make up for it with witty dialogue and spectacularly sarcastic (and always grey-eyed) love interests. I always warn that they are of their time (mid 20th century) and she’s managed to completely ruin a few absolutely delightful books with her period-typical ignorance. My favorite is FREDERICA: truly well-written children, an older and incredibly grumpy Earl who is always ready with a zinger, and a heroine who blithely ignores everyone and does exactly what she wants. Oh, and there’s a hot air balloon accident. What more could you want?

Chelsea Bauer is Buyer and a bookseller at Union Ave. Books in Knoxville, Tennessee.

‘Xena’ writer pens fresh spin on the female action duo with epic YA space opera

LOS ANGELES – Among the ancient ruins of a distant planet lies a girl’s diary, the first entry a warning: If you’re reading this and I’m not dead, then get out of my stuff. With that brusque alert, begins the epic adventure in R.S. Mellette’s space opera, “Kiya and the Morian Treasure” (April 26, Elephant’s Bookshelf Press). Mellette, who worked on “Xena: Warrior Princess,” took his experience in the television and film industries to craft a female-led YA sci-fi novel that will captivate readers of all ages and genders.

The aforementioned diary belongs to Nadir, the daughter of a peacemaker and diplomat, who has lost her mother, and whose father, Janus, is quickly dying of a space plague ravaging the universe. Janus hires freelance space pirate Kiya to arrange safe passage back to their homeland and plans to turn himself over to Admiral Ghan, leader of the council of pirates, in the name of peace. But all does not go according to plan. Kiya’s ship is attacked by fellow pirate and Kiya’s Ex, Derek, who’s looking to collect the bounty on Janus himself. With Janus’ capture, Nadir and Kiya are left to fend for themselves all while Kiya seeks to recover the memories erased by her father, which she’s convinced hold the key to finding the mysterious Morian Treasure.

Action-packed and quick-witted, “Kiya and the Morian Treasure” is a journey through the galaxy like readers have never seen before — and the ending is sure to astonish all those who venture into this exciting new universe.

“Stirring and deft curtain raiser to a mayhem-filled, girl-powered YA/SF saga that doesn’t talk down to readers.” — Kirkus Reviews

“Kiya and the Morian Treasure”
R.S. Mellette | April 26, 2022 | Elephant’s Bookshelf Press | YA Sci-Fi/Space Opera
Paperback, 9781940180267, $14.99 | Ebook, 9781940180250


R.S. MELLETTE, originally from Winston-Salem, North Carolina, now lives in San Clemente, California, where he toils away at turning his imaginary friends into real ones. While working on “Xena: Warrior Princess,” he created and wrote “The Xena Scrolls” for Universal’s New Media department and was part of the team that won a Golden Reel Award for ADR editing. When an episode aired based on his “Xena Scrolls’” characters, it became the first intellectual property to move from the internet to television. Mellette has worked and blogged for the film festival Dances With Films as well as the novelist collective, From The Write Angle, and he is on the board of the L.A. region of the Society of Children’s Book Writers & Illustrators.

Follow R.S. Mellette:
Facebook, Twitter, and Instagram: @rsmellette | Website: RSMellette.com

In an interview, R.S. Mellette can discuss:

His experience as a writer on the “Xena: Warrior Princess” television series
His background in film and television and how it’s influenced his writing
How his 80-year-old novelist father helped him hone his writing craft
The importance of writing female protagonists in a genre often led by men
His unique audiobook distribution plan to create access for more readers
Being a dyslexic writer and the importance of authoring accessible books


An interview with R.S. Mellette

You previously worked on the popular television program, “Xena: Warrior Princess.” How did that come about and what was your job with the show?

In short, a fax came to the wrong number. I was temping on the lot at Universal in the studio rental department — aka, the least Hollywood place in Hollywood — and someone handed me a fax. “Here, this came to the wrong number. Throw it away, would you?” I looked at it and saw it was a note from Eric Gruendemann, the line producer for “Hercules.” It said, “Since we’ve gotten the green light, I guess we have to do it for this.” A general episode budget for “Xena: Warrior Princess” was attached.

Instead of throwing it away, I called Renaissance Pictures and asked, “Are you waiting on a fax from New Zealand?”

“YES!”

I wrote on the cover, “If you need a script coordinator or writer’s assistant let me know,” with my phone number and forwarded it along.

A couple of week’s later, Rob Tapert’s assistant hired me to work for head writer, R.J. Stewart. Besides typical assistant stuff in the writer’s office, I also wrote the ADR — dialogue that’s recorded after picture has been locked — created and wrote “The Xena Scrolls” for a brand new thing called a webpage and unofficially moderated the netforum as user “XenaStaff.” We won a Golden Reel for ADR editing when I was writing it. I remember calling Bernie Joyce, the post-production producer, to congratulate her. She said she’d rather win that than an Emmy and told me part of the award was mine for the writing. I’m proud to have been a part of that.

How has writing novels differed from writing for film and television? Are there any similarities that surprised you?

Every screenwriter-turned-novelist — and there are a few of us, some better than others — has screamed at the top of their lungs, “Where’s the art department?! Where is wardrobe!?” Writing a screenplay is like writing a symphony, the only people who read it are professionals who all speak the same language. Writing a novel is like playing a symphony all by yourself. There’s nothing between you and the audience. That’s not quite true of course. We depend on writer’s groups, friends, editors, agents, etc. to help, but in the end, every scribble has to be ours.

Your father is a novelist as well. Can you tell us a bit about how he’s helped you with your own writing career?

As a kid, I remember falling asleep to the sound of my dad tapping away on his Selectric typewriter working on manuscript after manuscript. Packing them in boxes with carefully constructed query letters and return postage to be sent to agents. I remember his down, melancholy persona when they came back in the mail. This went on for years. He finally did get an agent, which 98 percent of novelists never achieve, but wasn’t traditionally published.

“Kiya And The Morian Treasure” started as a screenplay titled “My Adventures With Hannah In Space.” (Before Hannah Montana and every other character named Hannah). When I finally caved into my Hollywood friends telling me it should be a novel, I knew it wouldn’t be a cakewalk. Being a novelist is no one’s stepping stone. I had to respect the medium, so I turned to my dad for help. He did a deep dive on editing every sentence. Teaching me about active voice, syncopating dialogue tags, cutting adverbs, etc. Finding my voice. This book would not exist without his help.

There are quite a few popular sci-fi stories out there — “Star Wars,” “Dune,” just to name a couple. Why was it so important to you for your story to have a female heroine?

“I like hot chicks kicking ass” probably isn’t an appropriate answer, huh? Back in 1996, when I first decided to write this, all of the hero’s journey adventures were male-oriented. I thought twisting those archetypal stories for female heroes was the gold mine “Xena” hit on, so why not do what George Lucas did and move it into space? Plus, it seemed like it’d be a lot of fun.

What makes your character Kiya different from Rey or Jyn Eros in the “Star Wars” sagas?

Well, one, I wrote mine first. And two, Nadir, Kiya’s sidekick. Those “ ‘Star Wars’ heroines” — and don’t get me wrong, I love me some Star Wars — all had a man. Kiya has just gotten free from an abusive man and is starting to learn from Nadir that there is a different kind of life out there. Over the arch of the series of books, Kiya is going to learn her own value, what she brings to the table.

Going back to the female heroes of the past up until “Xena,” female heroes have been created under the insane morals and mores of Western culture that preached women as the weaker sex, or somehow inferior to men. I’ve always felt that we are one species, and so each of us are equal — in good and bad ways. Nadir helps Kiya see the good ways to be strong.

You’re planning to release the first half of the audiobook via podcast. How are you looking to provide more audiobook access for readers with this rollout?

I’m a huge fan of the Dumas books — “Count of Monte Cristo,” “The Three Musketeers” etc. — as well as Dickens’ “A Christmas Carol” (I played Marley’s Ghost in a national tour) which were all published serially. When the internet was young and Stephen King and (I think) Neil Gaiman were playing around with serial releases online, I thought that would be a good outlet for my story. Once I knew I’d have an audio book, it wasn’t a big leap from a serial book to a podcast audio book. The first half will be released as a free podcast — one chapter a week for nine weeks — as a promotion. After that, the whole audio book will be for sale, since, you know, I’ve got bills to pay.

With the Society of Children’s Book Writers and Illustrators in L.A., you’ve been working to facilitate communication between publishing and the entertainment Industry, can you tell us more about that?

This might get a little bit inside baseball, but…

In the spring of 2019, pre-COVID, I put together a meet and greet with traditionally published SCBWI members and various working executives from the screen industries. There were no rules. I had no plan. I just kept inviting people and they kept saying “yes.” Folks from several branches of Disney, Paramount Animation, The Gotham Group, The Jim Henson Company, Universal, down to independent producers and a woman’s theater company. The authors and artists had a similar range of experience and properties. Results were mixed. One poor Disney executive was followed around like Scarlett Johansson at a frat party. While I don’t think the majors got anything from it, the smaller production companies made some deals.

We were going to do it again the next year, but … 2020. We plan to put the band back together — this time with a little more structure — as soon as it’s feasible for a bunch of people to hang out and talk again.

How did this come about? I’ve worked on both the print and screen sides of the entertainment industry. From my somewhat unique vantage point, I’ve been able to see into the blindspots of both. It was/is my hope that, using my position on the board of directors of the L.A. region of SCBWI, I can facilitate an education and networking program for professionals on both sides.

The major studios and production companies know all about the Big 5 publishers and their authors. In most cases, they’re owned by the same corporations.They read the same trade magazines and are all fighting for the same intellectual properties. But where does that leave smaller production companies? The up-&-coming A24’s or pre-Twilight Temple Hills of the world have about as much chance of getting the rights to the next Dan Brown or Stephen King property as any of us have at winning the lottery. And what about the young novelist whose only work is published by a company specializing in auto repair manuals? How are they supposed to navigate Hollywood? There are filmmakers who don’t have their own stories to tell. They just want to make movies. There are novelists who desperately want more people to experience their stories. It just seemed like a good idea to put them together.

Who, or what, are your influences?

You mean who else am I stealing from? “Doctor Who” is a favorite. An anime TV series from the ’70s called “Star Blazers.” “Robin Hood” — the Errol Flynn version, “Xena,” of course, “Star Trek,” “Dune.” All of the great sci-fi from Larry Niven that got me through high school.

If you actually mean who are my influences, that’s more subtle. There was an acting teacher my freshman year at UNC-Charlotte. Her name escapes me, but I had a crush on her, so I asked her for some advice on writing a play. She said, “I don’t know anything about writing, but I do know that a Broadway ticket costs $75. You have to write a story that’s worth $75 to someone who works for a living.” That’s always stuck with me. Any art I’m involved with, I try to make it worth what the consumer pays for it, or maybe a little more.

There are others, of course — like my three best friends in high school, Hilton, Richard and Jeff. You know, the same kind of people everyone has in their lives, who shape us in ways we probably don’t even notice. They are our real heroes.

Why is this book so important to you personally?

When I first wrote it in 1996, I was trying to sell out. Many people had tried to copy what made “Xena” a success, but they were getting it wrong, going for the gimmicks. I figured I’d had a good inside look and I could repeat it. I’ve failed miserably at selling out. It’s harder than you might think. I’ve also fallen in love with the characters and the world they inhabit. Like a cook who has just made something new, I want to run up to everyone and say, “Taste this. I made it!” I started out to prove that taking an action story with a strong, silent-type, female hero and her female sidekick/narrator — and not making an issue of their gender — can work in pop culture. Now it’s time to find out if I’m right.

What do you hope readers take away from the book?

Just. Pure. Fun.

Psychiatrist’s WWII-era novel follows a battlefront surgeon’s path to recovering from war-related trauma

A compelling love story underscores Bruce Duncan’s journey to healing

LOUISVILLE, KY –Internationally recognized psychiatrist Jess Wright has penned his first book of fiction, “A Stream to Follow” (SparkPress, April 2022), a thrilling and heartwarming tale of healing from post-war trauma.

When Bruce Duncan, a battlefront surgeon, returns after WWII to a small town in Pennsylvania to open a general practice, the ravages of his war aren’t over. Haunted by images of soldiers he tried to save, his own near-death experiences, and a lost love, Bruce has little respite before new battles grip him. Bruce’s brother, a decorated fighter pilot, is facing his own trauma, and refuses to accept help. A former friend wages a vicious campaign to stop Bruce from uncovering the dangers that could shutter a local industry where silicosis is killing the workers. And Bruce must decide between the slim prospect of reuniting with the Englishwoman who chose her family over him and a growing attraction to a trail-blazing woman doctor.

With a story that moves from post-war America back to the killing fields of Alsace and to England under the siege of German rockets, “A Stream to Follow” gives fresh vision for paths to healing. Plunging deep into the crucible of trauma, it’s an uplifting tale of valor, resilience, and the search for enduring love.

“A Stream to Follow”
Jess Wright | April 19, 2022 | SparkPress | Historical Fiction
Paperback | ISBN: 978-1-68463-121-6 | $16.95


About the author…

JESS WRIGHT: Jess Wright is an internationally recognized psychiatrist who is the Kolb Endowed Professor of Psychiatry at the University of Louisville. “Breaking Free from Depression,” one of his self-help books, has been called a “must-have for finding a way through the pain of depression.” “Good Days Ahead,” his scientifically tested online program for depression and anxiety, has helped many thousands on their path to recovery.

A leading expert in cognitive-behavior therapy, Jess Wright is the first author of a trilogy of award-winning and best-selling nonfiction books that integrate text and video to help readers learn the key methods of this effective treatment. He has lectured widely in Europe, Asia, South America, and the United States.

“A Stream to Follow” is Jess Wright’s first novel. For more information, please visit: https://jesswrightmd.com/

Follow Jess Wright on social media:
Facebook: @jesswrightauthor | Twitter: @jesswrightmd | Instagram: @jesswrightmd


In an interview, Jess Wright can discuss:

  • What inspired him to start a new chapter as a fiction writer, after penning many successful nonfiction books
  • How his experience as a psychiatrist helped him write a story of PTSD, and what contemporary readers can take away from the novel regarding trauma, resilience and recovery
  • The tendency in men to bury their feelings, and why opening up is crucial
  • The research he conducted for the novel, especially surrounding the work of battlefront surgeons and the dangers of silicosis
  • Why he chose to include a love story between Bruce and Amelia, and his thoughts on how relationships contribute to healing

An Interview with Jess Wright

How were your experiences as a psychiatrist helpful to you when writing this book? Did you draw from any other experiences in your life when writing Bruce Duncan’s story?

In my work as a psychiatrist, I’ve listened to the intimate and searing details of traumas and the struggles that sufferers have had in trying to overcome PTSD. And I’ve had first-hand experience with personal and family trauma. These experiences helped me infuse Bruce Duncan’s story with deep emotion and realism.

How did you learn about the experiences of battlefront surgeons during WWII?

My research on battlefront surgery during WWII had some shocking results. I wasn’t fully aware of the grave danger the doctors and other medical personnel faced at battlefield aid stations on the frontline. In The Other Side of Time, Brendan Phibbs, M.D., told the real-life story of the vicious action he saw in the winter of 1944-45 when the Germans fired with little or no restraint on field hospitals and ambulances. A number of other books helped me learn about and describe the gritty and often perilous conditions at battlefront aid stations.

Post-war, Bruce Duncan sets his sights on helping workers at a silica plant. How did you know about silicosis and the dangers the men faced? Is silicosis still a problem?

When I was a college student I spent my summers working at a silica plant where men who were only in their 40’s or early 50’s were afflicted by the ravages of silicosis. It was a tough environment, but the plant was a cornerstone of the local economy and an essential part of the industrial production of the country. Silicosis is still a common life-threatening illness in miners and workers in industries that process silica-laden products.

Bruce Duncan appears to have PTSD. How is PTSD treated, and how does Bruce try to overcome the weight of trauma? Are there any lessons in your novel for people living with trauma today?

Bruce Duncan has terrifying flashbacks and nightmares of his near-death experiences in WWII. And he has to fight the tendency to bury his thoughts and emotions and avoid triggers for the haunting memories. Very little was known about PTSD or how to treat it successfully in the 1940s when this novel takes place. However, Bruce is determined to heal his emotional wounds and has the common sense to confront them. The current treatments for PTSD use medications and principles of cognitive-behavior therapy, including exposure to the memories of trauma until they lose their terrifying impact. Readers can learn from Bruce’s story that a determined effort to confront one’s fears, and to do it over and over, is one of the most potent healing forces.

Bruce and Amelia face very long odds to make their relationship work. Do you think that loving relationships can help heal trauma? As the novel ended, did you forecast there would be further healing?

Loving relationships can provide a crucial foundation for the healing process. Without such relationships, sufferers of PTSD may feel unsupported, alone, and adrift. In A Stream to Follow, Bruce has the advantage of a loving family but aching grief at the loss of Amelia. As the novel unfolds, his struggle to reconnect with Amelia becomes a centerpiece of the healing process. When I wrote A Stream to Follow, I envisioned a series where Bruce and Amelia face future challenges. Let’s see what happens.

Third book in the 50 Lessons for Lawyers series focuses on science-backed strategies to help lawyers live happier, healthier, more resilient lives

Following the success of her first two books, 50 Lessons for Lawyers: Earn More – Stress Less – Be Awesome and 50 Lessons for Women Lawyers – From Women Lawyers, law firm coach and author Nora Riva Bergman is returning with a new installment, 50 Lessons for Happy Lawyers: Research-based strategies to increase your personal and professional happiness. For this book Bergman has teamed up with Chelsy A. Castro, CEO and Founder of Castro Jacobs Psychotherapy and Consulting (CJPC), a firm specializing in lawyer well-being. An attorney turned psychotherapist and performance coach, Castro counsels individuals and the organizations they work for on how to achieve their goals in healthy and productive ways.

Bergman and Castro combine their own expert knowledge and share science-based strategies to help you live a happier, healthier, more resilient life. The authors have come to realize that, like the law, happiness is a practice. It is something we can build – little by little – bit by bit – every day. While we cannot merely flip a switch and become happy, we can cultivate happiness. We can practice happiness. Their book gives you the science-backed tools to do just that.

Like the first two books in the 50 Lessons for Lawyers series, 50 Lessons for Happy Lawyers is designed so that readers can choose to read from beginning to end or skip around to find the lessons most relevant to them – regardless of where they are in their careers or lives. They also include a section at the end of each lesson with tips to help you Live the Lesson and put the lesson to work for you.

50 Lessons for Happy Lawyers is expansive in its scope, covering topics from how to identify and beat burnout to why resilience is so important to the positive impact that exercise, sleep, recovery, laughing, crying, nature, beauty, volunteering, and even daydreaming can have on the happiness you experience in life. Bergman and Castro remain practical in their advice. Their book is timely and centered around the idea that there are specific things you can do every day to live a happier life. Yes, you can!

50 Lessons for Happy Lawyers: Research-based strategies to increase your personal and professional happiness.
Nora Riva Bergman, J.D. and Chelsy A. Castro, J.D., M.A., A.M., LCSW | May 26, 2022
Berroco Canyon Publishing | Nonfiction / Self-Help
Paperback | ISBN: 978-0-9972637-4-9 | $24.99
E-Book | ISBN: 978-0-9972637-5-6 | $9.99

“As a lawyer and now as the Executive Director of ADAA, I think about happiness and purpose daily. I found many of the suggestions in 50 Lessons for Happy Lawyers both insightful and practical. I will be sharing the book with my lawyer friends as well as those who may be considering becoming a lawyer. We lawyers need a book like this. Thank you.”
Susan K. Gurley, Executive Director, Anxiety and Depression Association of America


About the Authors

Nora Riva Bergman is a law firm coach, author, and certified Atticus Practice Advisor. As a licensed attorney, Nora has coached lawyers across the country for over 15 years and brings a deep understanding of the practice and business of law to her work with lawyers, law firms, and bar associations. She is the author of 50 Lessons for Lawyers: Earn More – Stress Less – Be Awesome and 50 Lessons for Women Lawyers – From Women Lawyers. She is a graduate of the Leadership Development Institute at Eckerd College and is certified in the Conflict Dynamics Profile® developed by the Center for Conflict Dynamics at Eckerd College to help individuals and organizations deal constructively with conflict. Nora is also a graduate of Villanova University’s Lean Six Sigma Program and is certified in both DISC and EQ through Target Training International. Find out more about her at reallifepractice.com.

Follow Nora Riva Bergman: Twitter: @lawfirmcoach | Instagram: @norarivabergman

Chelsy A. Castro is CEO and Founder of Castro Jacobs Psychotherapy and Consulting (CJPC), a firm specializing in lawyer well-being. An attorney turned psychotherapist and performance coach, Chelsy counsels individuals and the organizations they work for on how to achieve their goals in healthy and productive ways. Chelsy’s publications and trainings focus on science-based skills and strategies for improving performance and increasing well-being in high-pressure professions. After practicing law as a multilingual attorney in the field of international regulatory compliance, Chelsy later earned her clinical degree at the University of Chicago and shifted her focus to lawyer well-being. Prior to launching CJPC, Chelsy designed, developed, and managed clinical programs for the legal profession, and provided evidence-based psychotherapy and training for lawyers, judges, and law students. Find out more about her at castrojacobs.com.

Follow Chelsy A. Castro: LinkedIn: https://www.linkedin.com/in/chelsycastro/
Instagram: @chelsycastrojacobs

For more information, visit 50LessonsForHappyLawyers.com


In an interview, Nora Riva Bergman and Chelsy A. Castro can discuss:

  • The unique challenges to happiness and wellbeing that lawyers face
  • Statistics regarding mental health and wellness in the legal profession
  • How to help “high achievers” reach their goals in healthier ways
  • Common traits among lawyers that can make them a vulnerable population
  • How lawyers can effectively address compassion fatigue at work
  • Examples of self-care for lawyers and why this is essential for them to avoid burnout
  • Warning signs of burnout
  • What lawyers can do for themselves each day to live happier lives

An Interview with Nora Riva Bergman and Chelsy A. Castro

How did you two come to work together on “50 Lessons for Happy Lawyers?”

Nora: In 2021, I attended a webinar Chelsy presented on burnout. I was so impressed I reached out to see if I could interview her for the book. I felt like we really hit it off during the interview. I heard Chelsy saying to me the same things I say to my clients. I knew I wanted to work with her, so after a few conversations we agreed to do some writing together. That led to us working together on the book. I can honestly say, it’s been a very happy collaboration.

Chelsy: Nora’s answer made me smile, and I couldn’t have said it better myself. I remember thinking when we first met, “Wow, she is writing about the very same thing I am working for. Feels like we would be great friends and would work really well together.” And here we are.

What unique challenges do lawyers face when it comes to happiness and wellbeing?

Nora: It is very hard for most lawyers to disconnect from the practice and the challenges their clients face. Far too many lawyers suffer from compassion fatigue. Prior to the global pandemic of COVID-19, the 2016 study by the Hazelden Betty For Foundation and the American Bar Association Commission on Lawyer Assistance Programs, the first of its kind in decades, found that “21 percent of licensed, employed attorneys qualify as problem drinkers, 28 percent struggle with some level of depression and 19 percent demonstrate symptoms of anxiety.” The 2018 Legal Trends Report found that “75% of lawyers report frequently or always working outside of regular business hours, and that 39% of lawyers say these long hours negatively affect their personal lives.”

Chelsy: Also at play are traits shared by many lawyers, making them a population that is vulnerable to disproportionately high levels of depression, anxiety, burnout, and substance abuse. Traits such as perfectionism; pessimism; the adversarial and zero-sum-game nature of most legal work; the legal culture’s typical definition of success (i.e. money, status, power, etc. a.k.a. External points of validation), to the exclusion of internal points of validation such as personal values, authenticity, meaningful relationships, and a sense of purpose; “wellness-washing” (the term I use when an employer advertises that lawyer well-being is a priority and highlights policies such as parental leave, yoga classes, and unlimited vacation, but does legitimize lawyers actually using such benefits).

What are some of your favorite self-care activities that uplift you on a particularly rough day?

Nora: For me it is three things every day: 1. Meditation, 2. Exercise, 3. Sleep – good sleep. We write about 50 different strategies, but those three are part of my must haves!

Chelsy: For a boost, I can always count on movement to help, whether it be stretching, exercise, or dancing. I also find that taking pen to paper and revisiting my “why’s” is a grounding activity that I happily and repeatedly return to. All three are strategies we discuss in the book. The lessons are not just backed up by hard science; they are also tried and tested by ourselves and our clients.

Why are lawyers prone to burnout?

Nora: Most lawyers are high achievers, type A personalities. They have real difficulty with the concept of recovery. By recovery, we mean the type of recovery that is important to an athlete’s performance. Top athletes cannot – and do not – train hard every single day. That is a recipe for burnout, a plateau in performance, and possible injury. Lawyers live in a culture that says work hard; work long hours; work on the weekends. It’s a badge of honor for a lawyer to be the first one in the office and the last to leave. They actually brag about it. That mentality will take its toll on you.

Chelsy: Burnout is a combination of life, organizational and individual factors. To start, we do not cease to be human just because we are lawyers. We still need to deal with all the challenges that daily life throws at us (i.e., health concerns, family issues, financial worries, etc.) while addressing the consistently strenuous work of a legal practice. The organizational factors such as client expectations, high billable hour goals, and the adversarial nature of the legal system are also significant stressors. Finally, lawyers tend to be perfectionists and pessimists. While these traits can result in high quality work product, they also carry the risk of missed opportunities and feelings of overwhelm.

How can “high achievers” reach their goals in healthier ways? What are some unhealthy habits they should watch out for?

Nora: Unhealthy habits are the same for lawyers as they are for everyone. They are human, after all! One important thing they should be on the lookout for is what they stop doing. When people stop doing those things that they enjoy because they feel so pressured to work, that is a huge red flag. These can be little things like skipping lunch, not taking breaks throughout the day, working an extra 10, 15, 30 minutes each day. They can also be big things: not exercising like you used to, missing family meals, not taking vacations, not sleeping. Sadly, I think we’ve all experienced these things. We need to pay attention and notice when these things start happening, then make small changes to course correct.

Chelsy: For high achievers, the goal is often so important that the process gets overlooked. It’s the process that impacts the health and sustainability of pursuing our goals. You cannot expect to run a full marathon if you have never trained, and you also cannot expect to run a full marathon after you have just completed five. The goal of running a marathon is the same in both scenarios, and, while the processes of reaching the goal differ wildly, both are unhealthy and unrealistic. It is key that high achievers consider the sustainability of the process when setting and pursuing goals. Going beyond timelines, we need to consider how restorative practices need to play a role in helping us perform better.

It is also critical that high achievers check in with themselves periodically on how not just the goal, but the process aligns with their values. As Nora said, what you stop doing is just as important as what you are doing. If the pursuit of a goal has you compromising some very important things in life, it’s time to reassess the process of pursuit.

Did you have your own mentors who helped you along your journey to success?

Nora: My wife, Jan, is my mentor, my coach, my biggest cheerleader. I also hear my mom and dad’s voices in my head nearly every day. Also, my Aunt Riva, who I’m named after. I wrote about her in the first 50 Lessons for Lawyers book. She was one of the most positive and inspirational people I’ve ever known.

Chelsy: My parents, grandparents and great-grandparents. They have perhaps served more as inspiration than as mentors, but the impact of their experiences has been a powerful force in my life and career. As Cuban refugees who lost everything and had to start over with nothing in a country where they did not speak the language, my parents and grandparents instilled in me the hunger to achieve, but with a caveat; striving must always be accompanied by the knowledge that the external measures of success can be destroyed by independent factors, so it is imperative that you not lose yourself in the striving. You exist well beyond the measure of your achievements and your identity is not your work (that last one is really tough for lawyers). My great-grandparents immigrated from Spain to Cuba sacrificing for a better life. From their stories I learned early on that it is never too late to change. You can always influence your story, your life, for the better, and that the responsibility is yours.

Tell us about the previous books in this series.

Nora: The first 50 Lessons for Lawyers book focuses on how to create a law practice that serves your life rather than living a life that serves your practice – which is what so many lawyers do. Its focus is on foundational concepts of business effectiveness – time management, client development, building the right team. It also touches on some of the concepts we explore much more fully in this book. 50 Lessons for Women Lawyers – From Women Lawyers was a compilation of career and life lessons for women lawyers at every stage of their career. Our contributors included women from all types of practices – including women in private and public practice, current and former national, state, and local bar association presidents, judges, law school faculty, entrepreneurs, and other published authors.

Download press kit and photos

An interview with Sarah Arnold of Parnassus Books

What’s your favorite area of the bookstore?

Wherever our shop dogs happen to be at any given moment! We have 5 shop dogs: Sparky, Opie, Lavinia, Marlee, and Barnabus, plus a new shop-dog-in-training, Roxy. I can’t imagine the bookstore without them!

What’s the coolest book cover that you like to have facing out on the shelves?

Destiny Birdsong’s Nobody’s Magic has a gorgeous cover. I feel myself drawn to it every time I see it. Bookseller Ben beat me to picking it as a staff rec, but you can read what he said about it on Musing, our online literary magazine.

If you had a staff pick for a recent new release, what would it be? Backlist pick?

I LOVED The Verifiers by Jane Pek! It’s both a twisting locked-room mystery and an insightful social commentary on the complexities of our data-driven world. I was completely captivated.

I have so many backlist favorites, but one of the books I like to handsell most is Jane, Unlimited by Kristin Cashore. It’s a bizarre, unpredictable read, full of magical realism and explorations of parallel realities. The first part of the book brings Jane to a seemingly unimportant decision, and the five stories that follow detail what would happen if she picked each of the five available options. It’s weird and wonderful, and I’ve never read anything else like it.

Do you have a strange customer story?

Truly so many. Interacting with the public inevitably results in some odd situations. I once had a customer ask me for a nonfiction book about dragons. I asked if she meant a book about mythology and the history of dragon lore. When she said no, I asked if perhaps a book Komodo dragons or lizards was what she was after, but that wasn’t it either. My last-ditch attempt was a couple of guide books to the dragons that appear in fictional series, like Eragon and Harry Potter. She said, “No, real dragons.” I had to give up at that point.

What author have you been starstruck to meet, or have you gotten to host a fun virtual event?

Dolly Parton, without a doubt. She and James Patterson shot a segment about their new book, Run, Rose, Run, for CBS Sunday Morning at Parnassus, and she was absolutely wonderful. Hilarious, kind, charming, everything you’d want her to be and more.

What are some misconceptions people have about working in a bookstore?

Believe it or not, we don’t get to read all day! There’s a lot that goes into working at a bookstore that folks might not realize. From helping customers on the floor, to stocking inventory, to creating social media content, to scheduling events, our staff in the front of the store and in the back office are always busy making sure that our customers have the best experience possible.

What is your least favorite bookstore task? Favorite part about working in a bookstore?

My least favorite task is probably doing inventory. Counting all of those books takes a LONG time. Luckily, we only have to do it once a year! My favorite part is being surrounded by book people all day. Everyone on staff has a unique reading taste, and I love hearing their thoughts on what they’re reading. Our customers are so interesting, and I end up learning just as much from them as I do from my own reading.

Can you recommend an underrated readalike book for one of the store’s top titles?

Ann Patchett co-owns Parnassus, so many of our top titles tend to be hers. A great readalike for Ann’s The Patron Saint of Liars is Agatha of Little Neon by Claire Luchette. Who doesn’t love a good story about nuns?

Sarah Arnold is the Marketing and Communications Manager at Parnassus Books in Nashville.