Comedian Claire Berger’s Newest Book Promises Laughter and Self-Reflection on the Quest for ‘Enough’

BROOKLYN, New York – In her new book releasing on June 4, 2024, acclaimed writer and comedian Claire Berger is asking out loud the question you’ve been silently pondering for years, “How Much Is Enough?” 

Claire wrote this book to start a long overdue conversation. Her innovative mashup of memoir and self-help genres invites readers to join her in the search of “enough” in all aspects of our lives. Health, money, family, success, food and sex are just a smattering of the topics up for discussion in a touching, highly relatable, often hilarious conversation that features thought-provoking questions and creative prompts for deeper personal reflection. Readers will leave with a renewed appreciation for all that they are and all that they have, which is often more than enough.

Early Praise for “How Much Is Enough?”

“As Claire asks and answers her book’s thematic question, How Much Is Enough?, I couldn’t help but examine my own—what is enough travel, childhood, friendship and work. As always, I look to Claire and am pulled to her gentle, steady example. Claire, thank you for writing this book!”

Jennifer Garner, actor, activist and entrepreneur

How Much is Enough?, Claire’s Berger’s poignant and sassy book crackles with wit and smarts. It’s a blend of deeply personal stories and provocative questions that will make you think, reflect and maybe even spit-take!”   

Nancy Giles, commentator, CBS Sunday Morning

“In a world where we are encouraged to want more, buy more, and be more, How Much is Enough? is a wonderful exploration into what truly fills us up. If you want to get to the place where you can say “I am enough, I do enough, I have enough”

 you’ve just got to read this book.”

Peggy Klaus, author of the New York Times bestseller, “BRAG! How to Toot Your Horn Without Blowing It”

“How Much is Enough?: Getting More By Living With Less”

Claire Berger | June 4, 2024 | DartFrog Books | Memoir / Self-Help 

Paperback | ISBN 978-1-961624-467 | $17.95

E-Book | ISBN 978-1-961624-474 | $5.99 

Audiobook | ISBN 978-1-961624-481 | $19.56 

About Claire Berger

For over four decades, Claire Berger has been earning a living as a comedian, improv actor and writer. She began her career in Chicago with The Second City and in local comedy clubs. She found big laughs in Los Angeles, earning acclaim as a warm-up comedian on over 65 of your favorite sitcoms, including Seinfeld, Murphy Brown and Mad About You. Claire was the first comedian HGTV hired to host a series (Fantasy Open House).

Transitioning from the sitcom soundstages to the corporate boardrooms, Claire helped businesses have fun while getting the job done with her memorable, bespoke events and her book “Funny Works: 52 Ways To Have More Fun at Work, 52 Ways To Have More Fun In Life.”

Claire finds humor in unlikely places, including Italian kitchens where she served as resident writer, ambassador and cookbook contributor for two popular culinary immersion programs, Tuscan Women Cook and Italian Culinary Adventures.

Claire began writing “How Much Is Enough?” (June 4, 2024, DartFrog Books), her interactive memoir, to give voice to the ever-present conversation we’ve all been having in our heads. How much is enough… Exercise? Religion? Sex? Shoes? Family? Food? Through 22 engaging chapters, readers are invited to explore this universal conversation. Find out more about her at www.claireberger.com.

Follow Claire Berger on social media: 

Facebook | Instagram: @4claireb | Threads: @4claireb

In an interview, Claire Berger can discuss:

  • Questioning “enough:” The concept of “enough” and exploring profound questions about various aspects of life, such as social connections, material possessions, financial stability and defining success on your own terms.
  • Personal reinvention: The origins of the idea for “How Much Is Enough?” including a pandemic-era decision to move across the country from Los Angeles to Brooklyn to completely reinvent her life in her 60s. And how this decision speaks to the courage and resilience it takes to embrace change.
  • Humor as a coping strategy: The role of humor in navigating life’s challenges.
  • Courageous storytelling: Her willingness to share difficult aspects of her life, such as divorce, health challenges and family issues.
  • Balancing personal fulfillment and societal expectations: How she stayed true to herself throughout her career in comedy, and how to prioritize what brings you genuine happiness and fulfillment, even if it diverges from conventional paths to success.
  • Community building: Her efforts to create an online community around the concept of “enough” and providing a platform for people to continue to support each other on their journeys of self-discovery.
  • Interpersonal connections: How the concept of “enough” applies to various types of relationships, from family dynamics to romantic partnerships.
  • The influence of social media: How social media can perpetuate unrealistic standards of wealth and beauty, contributing to a sense of inadequacy and the never-ending pursuit of more. Plus, how to cultivate a greater appreciation for what you have.
  • Travel as a catalyst for growth: How travel fosters personal growth and gaining perspective on one’s own life.

An Interview with

Claire Berger

What inspired you to explore the concept of “enough?”

Mid-pandemic, I decided to totally reinvent my life. I left everything familiar—my home, my steady income, and many people I loved, including my adult son, Sam—and I moved from my deeply rooted life in Los Angeles to Brooklyn with my daughter, Jenna, my son-in-law, Patrick; my granddaughter, Natalie; and their French bulldog, Bridget. It was a bold move. At 64, I had to dive into the unknown and reinvent every aspect of my personal and professional life. I found myself asking questions like, “How many new friends are enough to make me feel socially secure in my new world? How much New York square footage is enough to live in after living in spacious California homes? How much money is enough to live on?”

Why is it so difficult for so many people to appreciate what they have? Why are we always searching for more?

I think social media puts an enormous emphasis on material wealth and physical beauty, creating an unrealistic expectation of how we should look and live. One of the many gifts of age for me has been to feel more secure about all that I have and not feel driven to live anyone else’s life but my own. Feeling a sense of competition with others can be a positive motivational tool, but more often than not, it can also create an insecure sense of self; always striving for someone else’s success without stopping to appreciate your own.

How did your background in comedy and improv influence your approach to deeper topics like religion, family and money? Why was it important for you to incorporate humor while exploring life’s most baffling questions? 

Humor is a lifeforce for me. It always has been, from the time I was quite young. We moved around a lot when I was growing up and I quickly learned that humor would be my social currency with each new school I attended. I would never be the class beauty, but I had a shot at being popular as the class comedian. It’s how I moved through the world.

I am hard-wired to find humor in most things, even difficult events and tragic moments. There is a great deal of mental illness and substance abuse in my family and I believe a sense of humor has kept me healthy and wired with a positive outlook on life. 

Why did you decide to format “How Much Is Enough?” as part self-help and part memoir? How did you navigate the balance between sharing personal stories and offering self-help and guidance in your book?

I wrote this book to start a conversation. I want my readers and audiobook listeners to connect with my personal stories that explore various concepts of ‘enough.’ Infusing each chapter with questions and self-reflective exercises felt more inclusive, like I was reaching through the pages and encouraging readers to get personally involved in each topic. I am very honest, and at times quite intimate in my own stories of ‘enough.’ Hopefully readers will follow my example.

You cover a lot of ground in this book. Were any subjects particularly difficult to write about?

Yes. But I didn’t shy away from sharing difficult aspects of my life because variations of my story are shared by many. Discussing divorce, personal health obstacles and even honoring the way my father chose to end his life represents reinvention and recovery that can hopefully help others.

What role do you think humor should play in our personal growth journeys?

A sense of humor will open doors, personally and professionally. I discovered at an early age that my positive energy and outlook on life makes me a better human in all aspects of my life. My role as a daughter, a parent, a partner, a friend, and in my profession is greatly enhanced through humor. Nothing makes me happier than to hear my adult children reminisce about their childhood, fondly recalling offbeat things I initiated, like our wacky themed playdates or ‘Cuss Day.’

What do you hope readers take away from “How Much Is Enough?”

That regardless of our bank account balance, what we have is often more than enough. Even in challenging times, when we are in transition, when we are between jobs, homes or relationships, it is so important to appreciate what we have vs bemoaning what we lost.

Can you tell us about the community you’ve created on Facebook?

My hope is that my book will create community through ongoing chatter about the concept of ‘enough’ beyond the pages. I wanted to build an “enough” clubhouse where we could gather and continue to share stories.  Facebook seems to be a comfy locale. You can find the group here: https://www.facebook.com/groups/2034107663612081 

What topics does your book explore?

  • Space
  • Apparel
  • Childhood
  • Family
  • Health
  • Marriage
  • Friendship
  • Food
  • Travel
  • Work
  • Substances
  • Fun
  • Education
  • Memory
  • Love
  • Sex
  • Religion
  • Money
  • Time
  • Life

How does the concept of “enough” come into play with relationships of different types (family, parenting, romantic, friendship, etc.)? Similarly, can you also discuss how your experiences with health challenges and family illnesses influenced your perspective on what is “good enough” in terms of health?

This is such a deep question because it reinforces how often we do an emotional ‘enough’ inventory in so many of our relationships. Here are three examples I explore in depth in my book. As a child growing up with a mentally ill mother, I always thought that if I could just be a better kid, she would be able to have enough energy to focus more on herself and get better. As a parent, I was devastated when my teenage son received a grim health diagnosis. I thought I had enough resources, compassion and moxie as a parent to heal him, which wasn’t true. And, when I came to realize that my husband was an alcoholic, I was forced to acknowledge that our family wasn’t  enough of a reason for him to seek treatment. 

How does your book explore personal growth through travel?

I am a huge fan of travel and firmly believe that a deeper appreciation of our own lives grows from witnessing others’ lives first hand, up close. This was certainly true for my son and I when we traveled to Benin, West Africa, but you don’t have to travel around the world to discover humanity’s depth of resilience, beauty and diversity.

I also think that giving the gift of travel instead of material objects can be the most profound and enduring gift you can give. My college graduation gift to my daughter was a 10-day road trip where the two of us visited many of our country’s most spectacular national parks. It was also the most selfish gift I ever gave anyone because I had as much fun making memories as my daughter did!

You’ve had an incredible career in comedy, from Chicago’s legendary Second City to performing as a warm-up comic on Seinfeld. How have you balanced the pursuit of personal fulfillment with societal expectations of success?

In the 80’s, when I was coming up in the comedy business, the societal expectation of success meant national tours, stand-up spots on late night TV, your own comedy specials and/or being in the cast of Saturday Night Live. These are all incredibly fulfilling accomplishments and I am deeply proud of my friends who accomplished this level of success. But unlike many of my contemporaries, I married young and I wanted children. So I was open to alternate paths in comedy that wouldn’t pay as much and wouldn’t make me famous, but would make it possible for me to be home to raise my children. Being a warm-up comic was the perfect job for me. I could be with my kids during the day and work in television studios at night, in front of wonderful audiences, on hit shows with brilliant, talented people. I had a great run, working on over 65 different series as a warm-up, and then getting hired by HGTV to host a series when my kids were older.

Reflecting on your own relationship with exercise, what role do you believe physical activity plays in achieving a sense of “enough” in terms of health and well-being? 

I’m guessing my chapters exploring the concept of ‘enough’ with regards to health and exercise will be the most relatable to readers and listeners. Who hasn’t asked themselves, “Did I exercise enough today? Did I eat healthy enough today?” And, “Am I setting enough of a healthy example for my loved ones?” This sort of self-reflection is a way of taking personal inventory and can be helpful in living a healthy life, provided we don’t become obsessed or harshly judgmental. I live in a world where an invigorating, long workout can end with a chocolate almond croissant. A healthy balance is my optimum goal.

What’s next for you?

You know, if I represent anything to my friends and family it’s the power of resilience and reinvention. Change is not only possible, it’s inevitable. Staying open to new pivots is how life stays interesting. Writing “How Much is Enough” at this age and stage of my life has been an amazing experience. Sharing my stories, with the hope that I am inspiring  other people to explore their own concept of ‘enough,’ makes me feel proud, excited and happy. And that is certainly enough for me.

Download press kit and photos

 

Wounded soul encroaches in upbringing of best friend’s child

Complex intergenerational mother-daughter relationship in contemporary debut

KIRKWOOD, MOPrepare to be swept away on an emotionally charged odyssey through the heartland of America in debut author Anne Shaw Heinrich’s captivating novel, God Bless the Child (Speaking Volumes, Jun 7, 2024). Heinrich delves deep into the intricate relationship between Mary Kline, her compromised best friend, Pearl and Pearl’s daughter, Elizabeth. Through alternating perspectives, we’re invited into Mary and Elizabeth’s lives spanning from childhood to adulthood in a darkly poignant exploration of family, love, and resilience.

Anne Shaw Heinrich, a seasoned writer with over 35 years of experience as a journalist, columnist, and nonprofit communications professional, brings her wealth of expertise to this compelling narrative. Anne deftly weaves a tale of love, loss, and redemption, exploring the bonds between mothers and daughters and how Elizabeth’s upbringing with her two misfit mothers created a disturbing adulthood filled with personal traumas brought on by an early abortion, mental health battles, and motherhood. 

About the book: Mary Kline has always confronted the challenges of her obesity and infertility with unyielding determination, refusing to succumb to societal expectations. But she desires one thing above all; a child of her own. When her vulnerable friend Pearl unexpectedly finds herself pregnant, Mary steps forward as both caregiver to Pearl and guardian to her child, Elizabeth. Mary sees an opportunity in motherhood to heal the wounds of her own loveless past, but Elizabeth resents Mary, finding her repulsive and stifling her upbringing. As the years pass, Elizabeth grapples with unresolved anger and struggles with her mental health, seemingly destined to repeat the same mistakes with the family she makes for herself. Can Elizabeth break free from the pains of her adolescence finding forgiveness for her mothers’ shortcomings, in order to become the mother she’s always wanted?

God Bless the Child

Anne Shaw Heinrich | June 7, 2024

 Speaking Volumes | Contemporary Fiction 

Paperback | 9798890221438 | $17.95

eBook | 9798890221421 | $7.99

Anne Shaw Heinrich: Since she fell in love with writing in high school, Anne Shaw Heinrich has been a journalist, columnist, blogger and nonprofit communications professional.   Her first article appeared in Rockford Magazine in 1987. She’s interviewed and written features on Beverly Sills, Judy Collins, Gene Siskel, and Debbie Reynolds. Anne’s writing has been featured in The New York Times bestseller The Right Words at the Right Time, Volume 2: Your Turn (Atria 2006) and Chicken Soup for the Soul’s The Cancer Book: 101 Stories of Courage, Support and Love (2009). Anne’s debut novel, God Bless the 

Child, is the first in a three-book series, The Women of Paradise County, to be published by Speaking Volumes. She and her husband are parents to three adult children. Anne is passionate about her family, mental health advocacy and the power of storytelling. You can find her on her website anneshawheinrich.com

Follow Anne Heinrich on social media:

Facebook: Anne Shaw Heinrich | Twitter: @AnneHeinrich5 | Instagram: @anne_shaw_heinrich

In an interview, Anne Heinrich can discuss:

  • How the themes of empowerment and breaking societal norms echo throughout the narrative
  • How the themes of motherhood and abortion are not portrayed in black and white but rather in nuanced shades of gray, reflecting the multifaceted nature of real-life experiences
  • How the characters’ struggles with mental health issues are portrayed with empathy and authenticity, shedding light on important societal conversations
  • How the author spent 18 years working on this novel and how this achievement represents the triumph of perseverance and resilience, proving that dreams deferred can still come to fruition with determination and dedication
  • How the characters’ imperfections add depth and authenticity to the narrative, inviting readers to empathize with their struggles and root for their growth and redemption
  • What readers can expect in the second and third books of the series

An Interview with Anne Shaw Heinrich

1. Describe your journey of writing and publishing this book. 

I started God Bless the Child with a pencil and yellow legal pad back in 2006, while my youngest daughter attended preschool a few hours a week. It was right after I’d had an essay published in The Right Words at the Right Time, Volume 2: Your Turn (Atria 2006). The editors of that essay collection encouraged me to do more writing. I finished the first draft of the manuscript and started  pitching to agents, getting really close once. But life got in the way as I was raising a family, working. It seemed self-indulgent to pursue further when I was needed in so many other ways. It wasn’t until Summer 2023 that I decided to start writing fiction again. I reached back out to my editor, David Tabatsky, who was willing to read some of my new short stories, and encouraged me to dust off GBTC for another look. We dusted it off, did some more work on it, and saw the potential for a series. I’ve written a blog about this. The universe said “yes”! Here’s that link: https://medium.com/@annesh51/when-the-answer-is-yes-7e6248b44f08

2. How did you discover your love of writing?

I have always been entranced by the magic of storytelling. As children, my brothers and I were surrounded by good books. Our mother was a voracious reader of fiction, and Dad preferred the news and nonfiction. My first magical moment with storytelling happened when I was a very little girl, sitting in the living room with my Dad listening to Sergei Prokofiev’s “Peter and the Wolf,” together as he pointed out the characters represented by the different instruments. I spent much of my childhood with my nose in a book, often reading the same stories over and over again. It wasn’t until I was in high school, and at the encouragement of two very influential teachers, that it occurred to me that there were stories swirling around me, waiting for me to be their teller. (This has guest article potential for me, for sure.) 

3. How did you create your characters? Was it difficult to make them deeply flawed while also giving readers reasons to root for them?

Next to writing, watching and wondering about people is my favorite thing. Where have they been? What have they left behind?  Where are they going? And what have they brought with them for the next leg of their journey? I tend to lean into characters who are rough around the edges, but also vulnerable. It’s that space between the grit and the most tender spots that some of the most courageous exploration and storytelling can catch its breath. Most people I know have flaws, but they also hold potential to love and be loved.

4. Tell us about your passion for and experiences with mental health advocacy.

Mental health has taken up a lot of real estate in my life and my family’s story. Our son has battled serious mental illness for the last ten years or so, and we landed on a definitive diagnosis of schizophrenia about seven years ago. He’s such a courageous young man, who still craves connection and joy and love. The impact for families who love and support someone with a serious mental illness cannot be understated. It sets you apart, tests individual and collective spirits, and can be a dream snatcher if allowed. There are thousands of families like ours managing the full gamut of emotions and practical considerations that come with mental illness, which is not different from physical illness. (This is a big, important topic for me. I could definitely write about it and talk about it.) I’ve written a blog, too: https://medium.com/@annesh51/gravity-and-grace-ede26b294389

5. What can readers expect in the rest of the series?

Books Two and Three in The Women of Paradise County Series also have complex characters. The binding agent for all three books is that the stories take place in the same Midwest town during some of the same time periods, and a few of the characters. These stories are not linear in nature, but I’m really having fun with them. Just like God Bless the Child, Violet Is Blue and House of Teeth have some dark themes, but the characters have strong voices. They are keen observers of their worlds and looking for where they belong.

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New book by Inside Edition executive producer honors U.S. Navy on the 80th anniversary of a mission that turned the tide of World War II

NEW YORK CITY – In “Codename Nemo” (June 4, 2024, Diversion Books), Inside Edition’s Charles Lachman masterfully transforms a pivotal moment in history into a gripping narrative, chronicling the daring exploits of American sailors who outsmarted the Nazis by capturing a U-boat and unlocking its trove of intelligence secrets. 

On June 4, 1944 — two days before D-Day — the course of World War II was forever changed. That day, a U.S. Navy task force achieved the impossible — capturing a German U-Boat, its crew, all its technology, Nazi encryption codes, and an Enigma cipher machine. Led by a nine-man boarding party and the maverick Captain Daniel Gallery, U.S. antisubmarine Task Group 22.3’s capture of U-505 in what came to be called Operation Nemo was the first seizure of an enemy ship in battle since the War of 1812, one of the greatest achievements of the U.S. Navy, and a victory that many believe shortened the duration of the war.  

Lachman’s white-knuckled war saga and thrilling cat-and-mouse game is told through the eyes of the men on both sides of Operation Nemo — German U-Boaters and American heroes like Lt. Albert David (“Mustang”), who led the boarding party that took control of U-505 and became the only sailor to be awarded the Medal of Honor in the Battle of the Atlantic; and Chief Motor Machinist Zenon Lukosius (“Zeke”), a Lithuanian immigrant’s son from Chicago who dropped out of high school to enlist in the Navy and whose quick thinking saved the day when he plugged a hole of gushing water that was threatening to sink U-505.  

Three thousand American sailors participated in this extraordinary adventure; nine ordinary American men channeling extraordinary skill and bravery finished the job; and then — like everyone involved — breathed not a word of it until after the war was over. Nothing leaked out. In Berlin, the German Kriegsmarine assumed that U-505 had been blown to bits by depth charges, with all hands lost at sea. They were unaware that the U-Boat and its secrets, to be used in cracking Nazi coded messages, were now in American hands. They were also unaware that the 59 German sailors captured on the high seas were imprisoned in a POW camp in Ruston, Louisiana, until their release in 1946 when they were permitted to return home to family and friends who thought they had perished. Following Operation Nemo step-by-step, Lachman has crafted a deeply researched, fast-paced World War II narrative for the ages.

“Codename Nemo:  The Hunt for a Nazi U-Boat and the Elusive Enigma Machine”

Charles Lachman | June 4, 2024 | Diversion Books | Nonfiction 

Hardcover | ISBN 1635768713 | $29.99 

 

Charles Lachman is the author of “Codename Nemo” (June 4, 2024, Diversion Books). His previous books include “Footsteps in the Snow,” “The Last Lincolns,” “A Secret Life,” and the crime novel, “In the Name of the Law.” He is also the executive producer of the nationally syndicated news magazine, Inside Edition. He has appeared on CNN, MSNBC, History Channel, Lifetime, C-Span and other local and national media. He lives in New York City. Find out more about him at CharlesLachman.com.

Follow Charles Lachman on Facebook: @AuthorCharlesLachman


In an interview, Charles Lachman can discuss:

  • The 80th anniversary of the capture of U-505 and the legacy of this mission as a monumental achievement in naval history
  • How a serendipitous encounter at the Museum of Science and Industry in Chicago sparked his curiosity about U-505 and led him to uncover a captivating story that deserved to be shared with the world
  • How “Codename Nemo” distinguishes itself from other accounts of WWII missions by focusing on the human experience, delving into the lives of the U.S. sailors on the boarding party and their German counterparts
  • How the seizure of this German U-boat helped expedite the end of WWII, and understanding the significance of this military mission in the broader context of WWII
  • The incredible men behind Operation Nemo, and the bravery and skill necessary to the success of this mission
  • Discovering a treasure trove of videotaped interviews with the American and German sailors involved in the raid, and how these personal anecdotes provided invaluable insights that enriched the narrative of his book
  • His writing process — including what drew him to this subject, and how he balanced a demanding work schedule while delving into dense and complex subjects for his book
  • Larger ethical discussions about warfare, espionage and the treatment of enemy combatants

Early Praise for “Codename Nemo” by Charles Lachman

“Crisp as a torpedo striking the water, ‘Codename Nemo’ pulls you along with a deeply personal account of the hunters on both sides of an amazing drama.”

—Walter R. Borneman, author of “The Admirals” and “Brothers Down”

“A relentless, pressure-packed plunge into the depths of war. ‘Codename Nemo’ is a story-telling tour-de-force—indeed, the quintessential story of the Battle of the Atlantic, rendered in taut prose, and with an immediacy and intimacy that all but makes a participant of the reader. In the wake of this story, you’ll feel a profound sense of gratitude to the men who went after U-505, and to Charles Lachman for bringing them back.”

—James Sullivan, author of “Unsinkable”

“‘Codename Nemo’ is a pulse-pounding tale of high-stakes espionage and daring courage, detailing the pursuit and capture of a German U-boat at the height of World War II. Charles Lachman masterfully builds a cast of characters, German and American, whose destinies intersect in the perilous waters of the Atlantic. The vivid description of life aboard a U-boat immerses you in the claustrophobic, terrifying world of underwater warfare. As the tension builds, with each ‘ping’ of the Sonar, the thrilling plot keeps you turning the pages. A riveting narrative combining historical research with visceral scenes, ‘Codename Nemo’ is a must-read for anyone in search of a thrilling maritime adventure.”

—Andrew Dubbins, author of “Into Enemy Waters”

“The best missions involving submarines often start with an outlandish idea, and the very best make a hell of a story. ‘Codename Nemo’ does both.”

—Sherry Sontag, co-author of the New York Times bestseller “Blind Man’s Bluff”

“What a terrific read from Charles Lachman! A suspenseful, fast-paced but little-known saga of hide-and-seek between a US ‘baby flattop’ and a German U-boat during World War II. Who can resist an Irish-American commander, nicknamed ‘Full Flaps’ by his crew—always beyond his hearing of course—because of his protruding ears, who embarks with his dog, a border collie named Flabby, instigates nail-biting nighttime takeoffs and landings on his carrier for the first time in Naval history…and if that’s not enough, then proposes some cockamamie scheme of commandeering a German sub filled with secret stuff by actually attempting to board her with a nine-man team! It’s a wild, engrossing ride from start to finish with extraordinary details and insights into daily life—clashes, arguments, even suicide—aboard both German boats and American ships during the Battle of the Atlantic. This one is a winner!”

—Carole Engle Avriett, author of “Coffin Corner Boys” and “Marine Raiders”

“Charles Lachman weaves the incredible story of the capture by American forces of a German U-boat and its secrets during World War II, an operation which allowed Allied forces to shock the German Navy. Richly detailed with undeniable suspense and action, ‘Codename Nemo’ is destined for the non-fiction best seller lists.”

—Bill O’Reilly, #1 New York Times bestselling author of the Killing Series

An Interview with

Charles Lachman

What drew you to this story, and why is this subject so important to you? 

I realized this could be the subject of a great book the moment I saw the U-505 exhibit at the Museum of Science and Industry in Chicago. I turned to my wife and said, “This is a book.” Pure curiosity drew me into the story. How was it possible that a Nazi U-boat of such immense size could be seized on the high seas? And how in the world did it end up in the basement of a museum in Chicago?  

How does “Codename Nemo” distinguish itself from other accounts of WWII missions, and what unique perspectives does it offer?

There have been a few books written about U-505, but once I dived into the subject I quickly realized that they had all missed the essence of the story. Most are “tech” books focusing on U-boat technology. But my book tells the story from the point of view of the U.S. sailors on the boarding party, and their German counterparts on the U-boat.

Did you come across any unexpected discoveries while researching this topic?

Yes. Buried in the archives of the museum were hours and hours of videotaped interviews made by the American and German sailors who were involved in the raid or served on U-505. The interviews were conducted at the museum in 1999. They were old men by then, and they knew this was probably their last opportunity to talk about what happened in 1944. It was a gold mine of material. Without it, I probably could not have written the book.

What was it like to see U-505 in person at the Museum of Science and Industry in Chicago?

Awesome. Absolutely breathtaking. I urge everyone to see the museum in person if they ever travel or live in Chicago. Stepping into the interior of the U-boat was like stepping into another era of history. The funny thing is, my wife and I were visiting Chicago to spend Thanksgiving with our daughter. Her boyfriend wanted to keep “the parents” entertained and set up the itinerary. He suggested the museum. If not for him, I would never have seen the exhibit, and “Codename Nemo” would never have been written.

How did the U.S. Navy manage to accomplish what seemed like an impossible task with the capture of U-505?

It was an achievement of the impossible. Several events had to take place for the raid to end in triumph. Captain Daniel Gallery was the innovative genius who conceived the raid. Nine brave U.S. sailors volunteered for the mission. If not for their skill and courage the U-boat would have sunk. They were all “grease monkeys” who knew their way with a tool box. And Gallery and his sailors never gave up. When Plan A didn’t work, they went to Plane B, then Plan C and down the line. But don’t ignore the value of pure luck in the equation. Add to that the dysfunctional crew of German sailors who served for the morally bankrupt Nazi regime and failed in their duty to scuttle the boat. And let me repeat – a crazy amount of good luck. 

Could you elaborate on your writing process, particularly how you juggled your demanding role at Inside Edition with the rigorous research and attention to historical accuracy required for writing this book?

The key to writing a book when working full-time in a demanding job like mine is discipline. You have to be determined to see the project through. It’s OK to get obsessed. In fact, it’s a necessity. It’s like solving a mystery. You dig and dig until you find the answers. Let me also say that you can accomplish a lot of “side-hustle” work an hour or two every night. Working weekends is a must. It also helps to have no friends or social life – and I’m only half kidding.

What insights can today’s military and intelligence agencies glean from the capture of U-505 and its aftermath?

Maintain your intelligence activities at a top secret level. No leaks. Other than the capture itself, the most extraordinary thing to me about the “Codename Nemo” story is the fact that 3,000 U.S. sailors witnessed the capture. It wasn’t as if they heard scuttlebutt. They saw it. Yet there was not one leak. Had the Nazis learned about U-505, the entire enterprise would have been useless. In today’s era, I hope our military personnel would adhere to the same oath of allegiance. But with the ubiquitous presence of cell phones and social media, you have to wonder.

How does the U-505 mission fit into larger ethical discussions about warfare, espionage, and the treatment of enemy combatants?

Fifty-nine German sailors were taken captive in the aftermath of the seizure. They were all brought to a POW camp in Louisiana. They were not allowed to write home. Their families in Germany assumed they had been lost at sea. This was a violation of the Geneva Convention. Yet, it had to be done. It was not even a close call, in my opinion. The security of the raid had to be maintained. Otherwise, it threatened to expose one of the great secrets of the war – the Ultra Secret, which was the cracking of the Nazi code. World War II was an existential fight against the forces of Hitlerism. The war for freedom had to be won.

While this story is based on true events, “Codename Nemo” reads like an exhilarating thriller fit for the silver screen. If your book would be adapted into a movie, what actors would you like to see portray some of the key players?

The dream cast? Bradley Cooper (with a crew cut) as Capt. Dan Gallery, the mastermind behind Codename Nemo. Chris Pratt as Lt. Albert David, the commanding officer of the boarding party who died of a heart attack before he received his Medal of Honor for heroism.

For the boarding party: Austin Butler as Mac, the high school quarterback from Texas. Also Timothy Chalemett and Jeremy Allen White. And Tom Hanks playing cranky old Fleet Admiral King.  

For the captain of U-505 – Christoph Waltz. He won’t even have to imitate a German accent.

What do you hope readers take away from “Codename Nemo”?

I’d like readers who may know just a little about World War II to come away from the book with a fuller understanding about the Battle of the Atlantic and the U-boat menace and how close the Nazi submarine fleet came to strangling the Allied war effort. Another key takeaway is discovering what motivated the patriotic young American sailors who volunteered in the war and fought so valiantly. The nine members of the boarding party were mostly the sons of first generation immigrants. After the war they raised families, lived humbly, and showed a love for their country that we can all learn from.

Praise for Previous Books by Charles Lachman

“The Last Lincolns: The Rise & Fall of a Great American Family”

“This engaging book traces three generations of Abraham Lincoln’s descendants in the century following his assassination . . . notable for its liveliness.”  

—Publishers Weekly  

“An absorbing, well-researched account. . . . Compelling. . . . An important and engaging contribution not just to the burgeoning field of Lincoln studies, but to our understanding of American social history.” 

—Jean H. Baker, author of “Mary Todd Lincoln: A Biography” 

“A spellbinding account of Abraham Lincoln’s family.”  

—Frank J. Williams, Founding Chair of The Lincoln Forum and Chief Justice, Rhode Island Supreme Court 

“An intimate portrait of decline. Throughout, the contrast between the great President and his descendants—living lives of little social impact or public purpose—is crystal clear.” 

—Kenneth D. Ackerman, author of “Dark Horse: The Surprise Election and Political Murder of President James A. Garfield”

 

“Footsteps in the Snow: One Shocking Crime. Two Shattered Families. And the Coldest Case in U.S. History”

“Lachman does an outstanding job making the resolution of a horrific cold-case murder into a gripping page-turner. . . . Lachman paces it perfectly, carrying the reader along on a narrative full of twists.” 

—Publishers Weekly 

“A Secret Life: The Lies and Scandals of President Grover Cleveland”

“Delves deeply into the affair . . . in florid cinematic detail.” 

—The New York Times

“Forget Arnold Schwarzenegger or John Edwards. One of the greatest political sex scandals happened to Grover Cleveland.” 

—The Daily Beast 

“Grover Cleveland is hot! Former Post reporter Charles Lachman rips the lid off the sex scandals–and coverups–of the man who became the only president to serve two nonconsecutive terms.”  

—New York Post 

“‘A Secret Life’ is a masterfully researched biography.”  

—New York Journal of Books 

“Splendid . . . amusingly sordid.” 

—Men’s Health 

“‘A Secret Life’ is another success, a blend of sharp detective work – he even finds out what happened to Cleveland’s supposed son – and history that reads like a gripping novel.” 

—Christian Science Monitor 

“Lachman’s research and crisp, clear writing keep the reader eager to learn more about the Buffalo native who twice was elected to the nation’s highest office.”  

—The Buffalo News 

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Scholar pens atmospheric biography of African American expats, revealing nuanced Black experiences in the U.S. and abroad

New York, NY–A New York Times Book Review Editors’ Choice pick, Dr. Tamara J. Walker’s “Beyond the Shores” reveals poignant histories of a diverse group of African Americans who have left the United States over the course of the past century. Together, the interwoven stories highlight African Americans’ complicated relationship to the United States and the world at large.

Drawing on years of research, Walker takes readers from well-known capital cities to more unusual destinations like Yangiyul, Uzbekistan, and Kabondo, Kenya. She follows Florence Mills, the would-be Josephine Baker of her day, in Paris, and Richard Wright, the author turned actor and filmmaker, in Buenos Aires. Throughout “Beyond the Shores,” she relays tender stories of adventurous travelers, including a group of gifted Black crop scientists in the 1930s, a housewife searching for purpose in the 1950s, and a Peace Corps volunteer discovering his identity in the 1970s. Tying these tales together is Walker’s personal account of her family’s, and her own, experiences abroad—in France, Brazil, Argentina, Austria, and beyond.

By sharing the accounts of those who escaped the racism of the United States to try their hands at life abroad, “Beyond the Shores” shines a light on the meaning of home and the search for a better life.

“Beyond the Shores: A History of African Americans Abroad”

Tamara J. Walker | June 20, 2023 | Crown | Nonfiction, Biography, History

Hardcover | ISBN: 978-0593139059 | $28.00 

Praise for Tamara J. Walker and “Beyond the Shores”…

“Much more than a mere group biography, ‘Beyond the Shores’ is a well-researched account of how global social, cultural and political affairs shaped the conditions for African Americans to travel. Walker combines the detailed knowledge of a tour guide with storytelling flair.”

The New York Times Book Review

“Vivid . . . With each story, ‘Beyond the Shores’ builds a canon of Black creative expression that crosses both temporal and geographic barriers. . . . As others’ stories unfold, so does [Walker’s] own, giving the book the feel of a travel memoir without ever losing the gravity of a historical compendium. The interplay deepens the book’s storytelling.”

The Atlantic

“An intimate history . . . Nuanced, poignant tales that beautifully flesh out a little-known aspect of the African American experience.”

Kirkus Reviews

“Innovative . . . Walker provides a rich and nuanced portrait of an understudied aspect of African American life. It’s a unique contribution to American history.”

Publishers Weekly

About the Author…

TAMARA J. WALKER: As an Associate Professor of Africana Studies at Barnard College of Columbia University, Tamara’s teaching focuses on three interrelated areas: the history of slavery and freedom in Latin America; the process of racial formation in the region; and the ways in which gender shaped the experience of enslavement and racialization. 

As a writer, she has written commentary on fashion, pop culture, and travel, with the latter subject being particularly close to her heart. Her early exposure to international travel came while a scholarship student at a private high school. As an undergraduate at the University of Pennsylvania, she spent a semester in Buenos Aires, Argentina to conduct independent research on race and national identity in the region. Her semester abroad inspired her to pursue a PhD in Latin American History at the University of Michigan, where she was awarded a Fulbright fellowship for dissertation research in Peru. 

Tamara is a co-founder of The Wandering Scholar, a 501c3 non-profit whose mission is to make international education opportunities accessible to students from low-income backgrounds.

Tamara has written for publications such as The Root, TIME, Slate and the Guardian. She is the author of “Exquisite Slaves: Race, Clothing, and Status in Colonial Lima” (Cambridge University Press). “Beyond the Shores: A History of African Americans Abroad” is her second book, published by Crown/Penguin Random House. Learn more about Tamara at: www.tamarajwalker.com

In an interview, Tamara J. Walker can discuss:

  • How she selected the subjects for “Beyond the Shores”
  • Her own international travel stories and how they affected this book
  • How life differs for African Americans at home and abroad
  • Why she co-founded the nonprofit organization The Wandering Scholar
  • Travel tips, including how to travel like a historian, and how to travel with intention

An Interview with

Tamara J. Walker

1. What was your inspiration for writing “Beyond the Shores”? 

I’ve been carrying around the inspiration for the book ever since I was a kid, I think. Growing up in a military family with connections to various parts of the world, I grew up hearing amazing stories that I got a lot of joy and inspiration from at various points in my life. And then, the older I got, and the more members of my family began to pass away, taking their stories with them, I saw the book as a way of paying tribute. Not just to my own family but to the many families I name in its pages and those who hopefully see their own in them. And it’s a tribute to the millions of African Americans, past, present, and future, who have built this country and yet, for various reasons, found other parts of the world to call home. 

2. How did you select which subjects to include?

I wanted to tell a story that went beyond boldface names like Josephine Baker, James Baldwin and Richard Wright, and talked about African Americans’ experiences in places other than Paris. So I sought out lesser-known people in lesser-known places to showcase the expansive history of African Americans abroad, in ways that together reflected my subjects’ relationships to the United States and to the world at large. 

3. How did you approach blending memoir with narrative history?

I initially conceived of the book as a memoir and family history, but I quickly understood that we were just one small part of a much larger history. That realization became the framework for the book, in terms of taking snapshots from my and my family’s life and connecting them to the other stories I wrote about in the book. I started with my grandparents’ birth in the 1920s, which also happened to mark the beginning of the modern history of African Americans going abroad, and was able to weave my grandpa’s military service during WWII, my own early experiences of international travel, and recent family pilgrimages around Europe, to corresponding narrative chapters. 

4. What were some of your own travel memories that you explored while writing the book?

My first experience abroad was in Mexico as a teenager, and it was so formative in my life that I wanted to write about someone who traveled at a similarly young age. I found her in a pianist named Philippa Schuyler. Another formative experience was as a Fulbright fellow in Peru when I was in graduate school, both because it was around the same time that my grandfather was dying and because the Fulbright program itself has an interesting origin story in the Cold War era. I was able to explore that history and another program that emerged in the same period, the Peace Corps, by spotlighting a volunteer who served in Kenya. 

5. Can you tell us about The Wandering Scholar?

The Wandering Scholar is an organization I co-founded with Shannon Keating because we both had such life-altering experiences of studying abroad when we were young (we both coincidentally went to Mexico in high school and Argentina in college) despite coming from low-income households, that we wanted to ensure other people from similar backgrounds could experience the transformative power of international travel. Our mission is twofold: to make international education opportunities accessible to high-schoolers from underrepresented backgrounds; and to produce multimedia content that embodies our vision of engaged, globally-minded citizenship. 

6. What does intentional travel mean to you, and what advice do you have for today’s travelers?

My cofounder Shannon Keating and I came up with the concept of intentional travel to distill what we do for our students into lessons that travelers of all ages and backgrounds can apply to their own engagement with the world. We define it as the act of traveling with a meaningful purpose that centers ethical considerations, respect for host communities, sustainability, and impact. This means asking yourself a series of questions every time you travel, about why you are traveling, how host communities (including both people and environments) are affected by your decision to travel, and what story travel enables you to tell about your destination and yourself. The act of asking, we find, makes it harder to ignore the impact of individual decisions on issues like climate change and overtourism, and links travel to our everyday politics.

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Author investigates three generations of family’s arranged marriages, including her own

An intimate exploration of trauma and self-discovery in tender memoir, Afterword by Adriani Trigiani

OMAHA, NE – Peek behind the curtain of one woman’s journey across three generations of her Italian-American family in this complex story of arranged marriage, immigration, international adoption, and self-discovery in the award-winning memoir After Italy: A Family Memoir of Arranged Marriage (Bordighera Press, May 14, 2024) by Anna Monardo.

Author of The Courtyard of Dreams and Falling in Love with Natassia, Anna Monardo pivots from her career as an established fictional author to reveal the truths she discovered while investigating her family’s story. Starting in Southern Italy, 1948 leading to the U.S. and igniting a family feud so volatile it leads to separation, domestic violence, and an inescapable legacy of fractured love. At 39, caught in her own failing “marriage of convenience,” Anna looks to her family’s immigration history as she charts her personal path to self-discovery and the adoption of her son. Anna’s story speaks to those breaking the cycle of family trauma, the cultural conflicts among immigrant families, and the risks we take when going against family expectations.

About the book: Like her grandmother and mother, Anna marries quickly, knowing little about her groom. And like her maternal elders, she struggles in marriage. Determined to break the cycle of marital sadness, Anna sets out to investigate her family’s history, from their Calabrian mountain village and WWII survival, to their immigrant life in a Pittsburgh steel town, hoping to better understand the underlying forces that led to her own failure in marriage: Was it an Old World curse or a multi-generational trauma? What was gained and what was lost when the family’s Italian heritage intersected with American ideals? In time, she arrives at her own definition of domestic love by creating a path to the hopeful adoption of her son.

After Italy

Anna Monardo | May 14, 2024 | Bordighera Press | Memoir 

Paperback | 978-1-59954-216-4 | $22.00

Anna Monardo grew up in Pittsburgh, with strong ties to her Calabrian family. Her first novel, The Courtyard of Dreams (Doubleday), set largely in Southern Italy, was translated into German, Norwegian, and Danish; featured in the Selected Shorts reading series at Symphony Space in New York City; and nominated for a PEN/Hemingway Award and recommended for the National Book Critics Circle Awards. Learn more about her at her website.

Photo credit to Chris Holtmeier Foton-Foto.

 

In an interview, Anna Monardo can discuss:

  • How Anna recounts her family’s real history and the emotional journey of sharing this intimate story
  • How contemporary global migration hasn’t changed over the past 50 years and the immigration to the United States impactfully influences one family’s decisions
  • How the story of arranged marriage plays as a cautionary tale in modern society
  • How therapy plays a pivotal role in Anna’s journey of self-exploration and emotional healing
  • How Anna leverages her prowess as a fiction writer to craft a compelling and deeply personal non-fiction account

Advanced Praise for After Italy

Anna Monardo’s story is one of strength and vulnerability, the two chambers of the immigrant heart.  

  —Adriani Trigiani, The Good Left Undone and Big Stone Gap

This beautifully written story of three generations of marriage is a page-turner. Monardo’s honest and reflective memoir reveals intergenerational patterns as intricate as Italian lace. This family story has something to teach us all.

            —Mary Pipher, A Life in Light and Reviving Ophelia

As an Italian-American like Anna Monardo, I relished every detail of her family’s story from Italy to Pittsburgh. But you don’t have to share that heritage to love this exploration of love and marriage, family and motherhood. In After Italy, Monardo is a generous, wise guide into the past and into her own present.

                                           —Ann Hood, The Italian Wife and The Stolen Child

In After Italy, Monardo crafts a moving, compelling, and gorgeously written memoir that is part cultural exploration and part emotional inventory. After Italy is a kind of translation, taking big questions involving society and self and relating them in the universal language of deeply explored personal experience.  

Sue William Silverman, Acetylene Torch Songs and How to Survive Death and Other Inconveniences 

To be a woman in an Italian family,” Anna Monardo writes, “is to live in a courtyard, an enclosed world–it is safety, confinement, beauty, deprivation, fulfillment, wretched, wonderful, inescapable.” Her remarkable memoir, After Italy, is a quest to unravel a lineage of broken hearts so she might mend her own. Weaving research with dream with fine embroidered language, Monardo confronts the damage of Old World “patriarchal imperatives” upon three generations of vibrant Calabrian women, including arranged marriage, and the false narratives within the American Dream. After Italy is a story of desire, disappointment, perseverance and liberation, a reminder that love follows its own path, and may arrive unbidden on the salt ocean air, or the smile on an adopted boy’s face. Poignant. Brave. Inspiring. Brava!

— Harrison Candelaria Fletcher, Finding Querencia: Essays from In Between  

After Italy is an epic family history that spans generations, crosses oceans, and excavates layer upon layer of buried sorrows and secrets. It’s also a profoundly personal story told with intimate precision and in exquisite emotional detail. How did Anna Monardo pull off this magical double feat? By understanding that it’s all one big love story. Even when love is absent or imperfect or too lightly or tightly held, it’s always the main event. Monardo knows this intuitively and has written a beautiful and captivating book. I can’t wait to read it again.

Meghan Daum, The Unspeakable: And Other Subjects Of Discussion  

An Interview with

Anna Monardo

1. What made you decide it was time to tell the full story of your family’s experiences?

I recently found a note I wrote in my journal in 2008. My second novel, Falling In Love with Natassia, was published and I was figuring out what to focus on next: new fiction or a family memoir?  I had notes for both projects, but about the memoir, I wrote this in my journal: “That memoir is the book I’ve been afraid of all my life.” When I found that note I knew I didn’t have a choice. I had to move toward what frightened me. I had written some of my family’s immigration story in my first semi-autobiographical novel, The Courtyard of Dreams, but now it was time to write the full story— the true story—about everything I’d fictionalized in Courtyard. 

When my mother read Courtyard, she said, “You killed the mother.” And, in fact, the fictionalized mother does die “off-stage.” Within the plotline, her daughter and husband grieve for the mother, but the main conflict is the volatile relationship between daughter and father. With the mother “off-stage,” I didn’t have to write much about the parents’ marriage. In our family, there were aspects of my parents’ and grandparents’ relationships that were never discussed, and fiction allowed me to avoid digging in. As a daughter, I felt I was respecting my family’s privacy, but as a writer, I was being cowardly. Now, it was time for me to step up.             

2. What kind of research and interviews did you do to gather information for your memoir?

 After our father died, my brother and I found a trove of his Italian documents: birth certificate, passport, and even his elementary-school report cards—pagelle—which were little booklets. His 2nd– and 3rd-grade pagelle were made of heavy, cream-colored stock and the covers were embossed with the blue-and-red insignia for the Kingdom of Italy. The 4th-grade report card was made of a lesser stock, and it didn’t feel as good in my hands. The cover was red, with artwork depicting a rising block of interconnected towers—nationalistic. Fasces. No more Kingdom of Italy! The 4th-grade report card was issued by the Ministry of National Education, and printed on the cover in thick letters was Opera Nazionale Balilla, the Fascist Youth organization. 

In my right hand I was holding the Kingdom of Italy report cards, and in my left, the Fascist-era card. I looked from one hand to the other, and realized that within the course of one summer break, from my dad’s 3rd grade to 4th, the dictatorship moved in. Less than ten years later, he was drafted into Mussolini’s army. 

For my mother’s story, I filled a suitcase with her old photographs and went to Pittsburgh, where three of the cousins she’d grown up with went through the pictures with me, identifying people and places I didn’t recognize. We talked for hours. Two of the cousins were okay with the idea of my writing this memoir, but one cousin was not. “Your grandmother always told us you don’t go around talking about family stuff.”  I was grateful for her honest reaction. It forced me to rigorously question myself about whether or not it was necessary to publish our story. Obviously, I decided to publish it, but I needed to examine that decision closely. 

3. How does “After Italy” compare to your previous novels? How was the writing process different?

The novels and the memoir are similar in that they are all narratives built scene by scene. One difference is with dialogue—in memoir, the quotations are remembered; in fiction, they are created. For the memoir, the challenge was to craft dialogue that sounded like the specific voices of people I knew well. Writing fiction, I’m literally putting words into my characters’ mouths. Beyond that, writing the memoir was similar to writing fiction in that, with both, I’m trying to excavate whatever is going on in my heart. The challenge, when writing to explore emotion, is to make each character’s inner life accessible to the reader. 

4. What kind of impact has your Italian-American heritage had on your life?

Though my Italian-American heritage isn’t my only heritage, it’s probably the most significant one. My Italian ancestry is so pervasive within me, I don’t even see it; it just is. But I was also shaped largely by the late 1960s and early 1970s, when I was an adolescent, just beginning to pay attention to the news and the world outside our home. Vietnam, MLK’s assassination, Kent State, Woodstock. The call for protest against injustice was powerful—and it was the opposite of the silent bella figura that a well-brought-up Italian American girl was supposed to emulate. The call for personal freedom was in the music, language, clothes, and I embraced that, too. It was thrilling. I was becoming an individual defined by forces beyond my family; and yet, the times assured me I was correct in doing so. 

5. How has your life changed since the events of your book?

Having After Italy accepted for publication by Bordighera Press, which publishes literature and scholarship of the Italian diaspora, means a great deal to me. Writing this book, telling my family’s true story—the darkness and the light—was lonely at times, but with publication, so many beautiful connections have come about. Readers are prompted to tell me their own family stories, and it’s a privilege to hear them. Through Bordighera, I’m connecting with other Italian American writers and their amazing books. My father used to say, “Tutto il mondo `e paese.” All the world is one big village. I feel that now, more than ever.  

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Debut historical fiction novel chronicles change and resilience among the tobacco fields of 1950s North Carolina

RALEIGH, North Carolina – Leo Daughtry’s debut novel, “Talmadge Farm,” transports readers to the tobacco fields of 1950s North Carolina. “Talmadge Farm” (Story Merchant Books, June 4, 2024) reflects on the dreams and struggles of the American South, made more poignant by the author’s personal experiences growing up among the tobacco fields of Sampson County, North Carolina, during periods of turbulent societal change.

It’s 1957, and tobacco is king. Wealthy landowner Gordon Talmadge enjoys the lavish lifestyle he inherited but doesn’t like getting his hands dirty; he leaves that to the two sharecroppers – one white, one Black – who farm his tobacco but have bigger dreams for their own children. While Gordon takes no interest in the lives of his tenant farmers, a brutal attack between his son and the sharecropper children sets off a chain of events that leaves no one unscathed. Over the span of a decade, Gordon struggles to hold on to his family’s legacy as the old order makes way for a New South.

“Talmadge Farm” is a sweeping drama that follows three unforgettable families navigating the changing culture of North Carolina at a pivotal moment in history. A love letter to the American South, the novel is a story of resilience, hope, and family – both lost and found.

“Talmadge Farm”

Leo Daughtry | June 4, 2024 | Story Merchant Books | Historical Fiction/Southern Fiction

Paperback | ISBN 978-1-970157-43-7 | $14.99

Also available as an ebook 

About The Author

Leo Daughtry is a life-long resident of North Carolina. He grew up among the tobacco fields of Sampson County which served as inspiration for his debut novel, “Talmadge Farm.” After graduating from Wake Forest University and its School of Law, he established a private law practice in Smithfield, N.C. He was a member of the N.C. House and Senate for 28 years, including serving as House Majority Leader and House Minority Leader. When not practicing law, Leo enjoys spending time in Atlantic Beach with his wife and daughters. 

 

 

Praise for “Talmadge Farm”

“Set in North Carolina in the 1950s and 60s, Leo Daughtry’s story gives readers a cast of flawed characters that elicit sympathy, anger, love and hate. The Talmadges, landed gentry, and their two sharecropper families try to adjust to the changing political, economic and social landscape of the decade. Gordon Talmadge commits one mistake after another, ultimately destroying the legacy handed to him, as his loyal wife Claire stands by his side while the sharecropper families – one black, one white – are ultimately driven off the farm for better and for worse.  A page turner.” — George Kolber, author of Thrown Upon the World, and writer/producer of Miranda’s Victim

In this stirring novel, Leo Daughtry creates a big, complicated portrait of family, place, race, class, and greed. Set in North Carolina, Talmadge Farm tells the story of three intertwined families. Daughtry delves deep into the heart of his characters. You’ll almost forget that you don’t know them personally; this story feels that real.” — Judy Goldman, author of Child: A Memoir and Together: A Memoir of a Marriage and a Medical Mishap

“Talmadge Farm is a classic. Through the lives of a farm owner’s family and their sharecropping tenants, Leo Daughtry weaves a story about the emerging South. This is a story of triumph and tragedy, of good and evil, and finally reconciliation. A true morality play.” — Gene Hoots, former tobacco executive and author of Going Down Tobacco Road

In an interview, Leo Daughtry can discuss:

  • How his experiences growing up on a tobacco farm in North Carolina during the transformative 1950s and ‘60s shaped elements of his debut novel, “Talmadge Farm”
  • The evolution of societal norms, like segregation, women’s liberation and the decline of sharecropping, and how he incorporated these important shifts into the story
  • His deep-rooted connections to the region and how his novel serves as a love letter to the American South
  • The evolving landscape of tobacco farming methodologies during the 1950s and beyond — including the consolidation of small farms, the introduction of new technology and the increased use of migrant workers 
  • The 60th anniversary of the Surgeon General’s report on the harmfulness of smoking and witnessing the report’s impact firsthand 
  • Navigating sensitive topics like privilege, racial injustice and autonomy while crafting the storyline with empathy and humanity
  • His transition from successful careers in law and the military to fiction writing

An Interview with

Leo Daughtry

What inspired you to write “Talmadge Farm?” 

I lived through changing times, particularly the 1950s when there was nearly complete segregation in the South, especially in rural areas. Sharecropping was common, and women did not divorce in those times because it was considered demeaning, a failure. Then in the 1960s, everything began to change. Sharecropping disappeared, birth control entered the picture, and women could live life with more freedom and less dependence on men.

Can you tell us more about your family history and its connection to North Carolina and tobacco? How did this environment influence your writing? Beyond the direct associations with tobacco and North Carolina, are there more subtle aspects of your upbringing and family history that influenced your writing? 

Tobacco was king in North Carolina. People practically worshiped it. Where I grew up, it put food on the table. Cotton was more up and down, but tobacco provided financial stability, not just for farmers but for the whole community. My family grew tobacco, sold fertilizer and seed, and managed a tobacco auction. It was our whole world.

You have had a successful career as a lawyer and an Air Force Captain before that. What prompted you to pursue writing fiction? 

I always had the idea for this particular story in my head. The 1950s and 1960s were two decades that changed the world, and a farm with sharecroppers is a bit of a pressure cooker environment. You have the farmowner’s family – in many cases people of wealth and entitlement – living just down the driveway from the sharecropping families. The sharecroppers were poor and had limited options, so they felt stuck living on a farm that didn’t belong to them doing backbreaking work with no way out. It’s a situation that lends itself to drama: families with major differences in class/race/socioeconomic status living in such close proximity to one another.

How has the landscape of tobacco farming changed, and how did you incorporate those changes into the plot of “Talmadge Farm?”  

Probably the biggest change was the shift from sharecropping to migrant workers. Today, tobacco farmers are large corporations that use migrant workers as laborers. But in the 1950s, farming relied almost completely on sharecropping, which was a hard life. Tobacco farming is physically demanding work, and sharecroppers needed the help of all family members to complete the various steps – planting, seeding, suckering, priming, worming, and cropping – of harvesting the crop. Sharecroppers at one farm would help sharecroppers at the neighboring farm because they did not have the resources to hire extra people. In the 1950s, sharecroppers were unable to get credit anywhere but at the general store and maybe the feed store. They truly lived hand to mouth all the time, only able to pay their debts after the tobacco auction in the fall. Hence the phrase “sold my soul to the company store.” Sharecroppers often turned to moonshining as a way to make extra money.

As I describe in the novel, sharecropping began to disappear in the 1960s as children of sharecroppers started taking advantage of new opportunities that the changing society offered. Migrant workers took over the labor of farming. In addition to labor changes, new machinery improved the industry. N.C. State was instrumental in developing advances in the farming world. Legislation changed and farmers were allowed to have acreage allotments outside of the land they owned. I touch on all of these changes in the novel.

Are any of the characters in your book based on real people? 

Not really. The closest characters to real people in my life are the characters of Jake and Bobby Lee. Jake is a Black teenager who wants to escape farm life and ends up running away to Philadelphia to become a success. Bobby Lee is a young Black soldier stationed at Fort Bragg. On the farm where I grew up, there was a Black sharecropping family with four sons, the youngest of whom was my age. We were very good friends. All of the boys were bright and athletic, could fix anything, yet were limited in their opportunities. They didn’t have a school to go to or a job to look forward to. Their only options were to stay on the farm or join the army. The character of Gordon, while not based on any one person, reminds me of a lot of men I knew who did not treat women well, who were racist, who enjoyed the status quo and were resistant to anything that threatened their way of life.

In addition to the changing tobacco farming methodologies, the 1950s ushered in a period of profound social change, marked notably by the introduction of credit cards. How did these outside factors impact farming, and in what ways did they inform the development of the plot in “Talmadge Farm?”

In the novel, Gordon is the president of the local bank, yet he resists the advances in the banking industry, including credit cards and car loans and the incursion of national banks into rural communities. Gordon’s father, who founded the bank, was a brilliant man adept at navigating the bank through changing times, but Gordon simply doesn’t have the smarts to see what’s coming, and no one can get through to him. He’d rather play a round of golf than look at the balance sheet. So between the changing farming landscape and the evolution of new banking practices, Gordon is getting squeezed from both sides of the ledger as it were. It proves to be his downfall. I think that’s one of the great strengths of the plot – how everything is tied to everything else.

How did other social changes – including race relations – impact the tobacco industry and your writing?

In the 1960s, the minority labor pool available to farm tobacco began to dry up as kids started moving up north or joining the army. We see this in the novel through the characters of Jake and Bobby Lee. Ella is another example. She’s the Black teenage daughter of a sharecropping family, and she hates farm work. She ends up enrolling in a secretarial program and getting a job at the county clerk’s office, opportunities that were unheard of in the 1950s.

The Surgeon General issued a groundbreaking report 60 years ago on the harmful effects of smoking. How did this pivotal moment influence your approach to writing? What firsthand impacts did you observe while coming of age among the tobacco farms of North Carolina? 

Most people where I lived didn’t believe the Surgeon General was accurate in that report. Most everyone smoked. People viewed it as the government coming in and trying to tell us what to do. A prevailing theme was that the government was trying to get rid of tobacco but wasn’t doing anything about alcohol. One notable exception I remember is that good athletes in the 1950s were discouraged from smoking, so maybe the coaches were on to something that the rest of us weren’t ready to hear yet. In the novel, we see Gordon’s constant frustration at what he views as interference from the government, while other characters, mostly ones involved in the medical community, begin to appreciate that smoking was bad for one’s health.

How did you address the plight of women in the novel? 

In the 1950s, women were very limited in their opportunities. There were very few professional opportunities for women outside of teaching, nursing, and working as a secretary. Divorce was scandalous and unheard of in those days. We see lots of examples of this in the novel. But of all the characters, it’s two of the women who have the clearest moral compasses: Claire, Gordon’s wife, and Ivy, the Talmadges’ maid. Both of them see more clearly than anyone else where Gordon is going off the deep end, but they are nearly powerless to do anything about it.

The novel touches on themes of privilege, racial injustice, and the struggle for autonomy and dignity. How did you navigate these sensitive topics while crafting the narrative, and what challenges did you encounter along the way? 

I lived through this time, and I witnessed first-hand people who enjoyed privilege that was unearned as well as racial injustices that denied Black people access to the same opportunities as white people. And yet most people – white and Black – were simply striving to make a better life in an honorable way.  I tried to infuse all of the characters in “Talmadge Farm” with dignity and humanity, even Gordon, who finally gets his comeuppance in the end.

The novel is described as a “love letter to the American South.” Can you expand on this sentiment?

As I look back on my childhood, in many ways it was a wonderful time to grow up. It was safe. We never locked our doors. Our whole life existed just in that area; it was a long trip traveling to Raleigh, which was only 60 minutes away. There was a strong sense of community, of church, of taking care of each other.

Ultimately, what do you hope readers will take away from “Talmadge Farm?” 

I mainly hope they will be entertained by a great story about three families who called Talmadge Farm home during the tumultuous times of the 1950s-1960s.

What impact do you aspire for the book to have on discussions about history, identity, and resilience in the American South? 

We have now moved on from the post-Civil War time and the Jim Crow period to a place where we’re beginning to find our identity as a state and region. In the 1950s, North Carolina was one of the poorest states in the country. Our economy was dependent primarily on tobacco farming but also textiles and furniture making, none of which paid a living wage. Segregation was rampant, and minorities had few opportunities to improve their lot in life. Our university graduates who studied computer science and technology ended up leaving the state to find jobs in those industries. That all began to change in the 1960s with the enforcement of desegregation, the advent of birth control, and changes in farming regulations and methods. Another major turning point in our state’s economy was when Governor Hodges convinced IBM to move from New York to North Carolina as part of the development of the Research Triangle Park. A large number of technology and pharmaceutical companies followed suit, and there was a ripple effect that extended across the state, even to areas like Hobbsfield, our fictional town in “Talmadge Farm.” My hope is that reading this novel will help people understand how we got to where we are today.

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Experienced psychologist’s guide prioritizes healthy development, satisfying children’s emotional hunger

Evidence-based book, workbook give parents resource for responsive care

PHOENIX After running a private practice for forty-eight years, psychologist Dr. Ronald Ruff has created an essential resource for parents who are searching for evidence-based, best practice models to help them raise happy, kind and self-aware kids. “Raising Children to Thrive: Affect Hunger & Responsive, Sensitive Parenting” (June 11, 2024) is an evidence-based guide to help parents bring up their children to thrive socially and emotionally during all phases of life.

In this world of information overload and constant distraction, parents are experiencing an urgent need for direction on how to raise their children based on the cutting-edge science of child development. New research shows that infants possess considerable social and emotional capacity to engage their parents in ways that run far deeper than ever before realized. 
Throughout Dr. Ron Ruff’s nearly fifty years of clinical practice as a psychologist, he encountered thousands of parents with only good intentions to help their children. Unfortunately, many did not know where to turn for information, support, and answers related to raising their children to become emotionally healthy adults. In “Raising Children to Thrive,” Ruff explores affect hunger, an emotional craving for maternal love, protection and care, and how this longing can be used to create a strong nurturing relationship.
Responsive, sensitive parenting is more than just a goal — it is a framework for parents who are ready to reimagine the nature of the parent-infant relationship, significantly boost their children’s social and emotional development, and raise their children to thrive.

“If you are studying or working with children or adults that have
psychological issues, get this book as quickly as possible.”

– Gale Roid, PhD, former SMU department of education chairman
and author of Stanford-Binet Intelligence Scales, 5th & 6th ed.  

“Raising Children to Thrive:
Affect Hunger and Responsive, Sensitive Parenting”

Dr. Ronald Ruff | June 11, 2024  

Hardcover | 978-1-960378-17-0 | $29.99

Paperback | 978-1-960378-18-7 | $19.99

Ebook | 978-1-960378-20-0 | $9.99

Parenting/Child Psychology

“Raising Children to Thrive:
A Workbook and Guide for 

Responsive, Sensitive Parenting” 

978-1-960378-20-0 | $29.99

In an interview, Dr. Ronald Ruff can discuss:

  • His professional and personal background with decades of experience working with diverse groups of parents and children
  • His passion for teaching parents how to use evidence-based practice models to raise emotionally and psychologically healthy children
  • The critical and evolutionary concept of “affect hunger” 
  • The revolutionary discovery that the human infant is motivated and capable at birth to engage in social interaction, emotional responsivity and communication
  • The four key pillars for effective parenting practices: relational, accepting, energetic and attuned mindsets
  • His personal experiences as a father and grandfather
  • What he learned consulting with school districts, the state government department of child and family services, and serving as expert witness in court for child and adult cases of murder and child custody
  • The research and personal experience that he has included in his groundbreaking book

More about Dr. Ronald Ruff

Ronald Ruff, Ph.D. received a B.A. in Psychology with French studies from Oberlin College, an M.S. in Counseling Psychology from George Williams College, and a Ph.D. in Clinical Psychology from Illinois Institute of Technology. He began working with children and parents in 1969, started his private practice in 1974, and continued until 2017. 

During his 48 years of practice, he has had extensive experience in psychological treatment, assessment, and consultation in health care, education, government, judicial systems, training, teaching, and research. He has worked with all age groups and diagnostic classifications throughout his career. Ruff has conducted individual, group, family, and marital therapy and psychological evaluations within outpatient and inpatient psychiatric hospital settings. He has consulted with many school districts and the state department of welfare, and was psychologist for a juvenile court, community mental health center, and juvenile detention center. He has served as an expert witness in many cases involving the personality functioning of children, adolescents, and adults. 

Ruff was awarded a fellowship to the Harvard Medical School Department of Psychiatry and Cambridge Hospital, Center for Addictive Studies. He was clinical director of a residential treatment center for children, director of Clinical Internship Training, and an adjunct instructor who taught psychology doctoral students the core sequence of objective and personality testing, report writing and psychotherapy. Ruff has considerable experience working with culturally, racially, educationally and socioeconomically diverse populations. 

He has been married for 53 years and has three daughters and four grandchildren. Learn more about him at his website: ronaldruff.com.

An Interview with

Dr. Ronald Ruff

1. Why are you so passionate about sharing evidence-based practices and models with parents? 

I am passionate for parents to understand that responsive, sensitive parenting is the best evidence-based and practice-based model to help them raise their children to thrive. This model significantly increases your child’s potential for healthy social, emotional, and overall healthy psychological development. Responsive, sensitive parenting fosters the genuine, mutual, collaborative, nurturing relationship between parent and child, which creates the essential attachment bond.

2. What inspired you to write this book?

I was inspired by groundbreaking research in developmental psychology and affective neuroscience.  These studies focus on innate infant brain architecture and responsive, sensitive care that enables newborns to engage in social interactions shortly after birth and during the developmental years to come. I was also inspired by the concept of affect hunger.  

3. What does the term “affect hunger” mean, and how do you study that topic in the book?

Early in an infant’s life, physical contact between infant and caregiver is crucial for laying down a basic sense of security at a time when the child is not yet able to articulate and express his or her own needs. David Levy, MD, a leading child psychiatrist and advocate of the Rorschach test, wrote a classic paper in 1937 entitled, “Primary Affect Hunger.” He studied children rejected by their parents who lacked attachments and wrote: 

The term, affect hunger, is used to mean an emotional hunger for maternal love and those other feelings of protection and care implied in the mother-child relationship. The term has been utilized to indicate a state of privation due primarily to a lack of maternal affection, with a resulting need, as of food in a state of starvation…

Affect hunger is an evolutionary, innate need.  A newborn expects and requires satiation of his or her affect hunger to achieve healthy psychological development.

I study the topic of affect hunger by presenting actual case studies and discussions which reveal the negative effects on a child’s psychological development due to severe parental neglect and rejection at birth and during the formative first years of a child’s life. Additionally, I draw on evidence-based findings from my psychological evaluations which reveal highly consistent, positive correlation between affect hunger and impaired psychological functioning and disorders.

4. How did you incorporate both research and your personal experiences into your writing?

I present pioneering research findings along with my actual anecdotal or case material. I want the reader to become aware of key research regarding responsive, sensitive parenting. I also present examples revealing how my patients felt and behaved when their needs for nurturance, safety, warmth, and attachment were not met.

5. How did your extensive professional experiences influence this book?

My extensive, broad-based professional experiences in both treatment and psychological assessment give me a clear understanding of what children require for healthy development. My evidence-based practice and psychological evaluations consistently revealed high, positive correlation between poor psychological development and neglectful, rejecting parents. In short, I have a clear understanding of what children require based both on scientific research and my extensive clinical experience.

6. What makes “Raising Children to Thrive” different from other parenting books?

The book presents the new science of child development and the revolutionary discovery that the human infant is a pre-wired intersubjective self, motivated and capable at birth to engage in social interaction, emotional responsivity, and communication. It contains in-depth discussions of cutting-edge scientific discoveries that will be of interest to anyone who cares about raising happy, psychologically well-functioning, and self-fulfilled children.

7. How does neglect impact a child’s development?

Severe neglect results in impaired social, emotional, and cognitive development. Persistent parental rejection and physical and/or emotional absence is a primary factor in the occurrence of psychological disorders and poor resilience. Neglect of a child’s needs prevents satiation of his or her innate, expected hunger for affect, emotions, nurturance, safety, brain stimulation and vital maternal attachment. Severe parental neglect also results in a child’s inability to gain the necessary psychological resources—including a conscience, empathy, a sense of play, verbal stimulation, social skills, and reading.

8. What do you hope to accomplish with this book and workbook?

I want parents to understand the core features of responsive, sensitive parenting and become confident in applying them in their daily interactions with the child in their life. I want to take the science out of baby labs and journals and bring it into the hearts and minds of parents. Using groundbreaking scientific findings and best practice models, I hope that parents will become experts in truly knowing the unique nature of their child’s mind. In so doing, they have a significantly higher potential to raise socially, emotionally, and overall psychologically happy children. We are living in the age of intersubjectivity. We can understand the minds of others. It is only within genuine, mutual, I-Thou relationships that we can help our children, and likewise ourselves, to grow and thrive as happy, whole, self-fulfilled human beings.

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Cracking the immigration impasse: Author-educator weaves tales of humanity to expose the real “crisis” at the U.S.-Mexico border

“We all deserve a narrative with clarity, and Towle’s has delivered. Spectacular!” 

–Ken Burns, renowned filmmaker

It was family separation and “kids in cages” that drove Sarah Towle to the U.S. southern border. On discovering the many-headed hydra that is the U.S. immigration system–and the heroic determination of those caught under its knee–she could never look away again. “Crossing the Line: Finding America in the Borderlands” (She Writes Press, June 18, 2024) charts Sarah’s journey from outrage to activism to abolition as she exposes, layer by “broken” layer, the global deterrence to detention to deportation complex that is failing everyone–save the profiteers and demagogues who benefit from it. 

Deftly weaving together oral storytelling, history, and memoir, Sarah illustrates how the U.S. has led the retreat from post-WWII commitments to protecting human rights. Yet within the web of normalized cruelty, she finds hope and inspiration in the extraordinary acts of ordinary people who prove, every day, there is a better way. By amplifying their voices and celebrating their efforts, Sarah reveals that we can welcome with dignity those most in need of safety and compassion. In unmasking the real root causes of the so-called “crisis” in human migration, she urges us to act before we travel much farther down our current course — one which history will not soon forgive, or forget.

Renowned filmmaker, storyteller, and historian Ken Burns praised Towle’s work, saying: “Sarah Towle has obliterated today’s dead-end arguments about immigration and transformed them into riveting, human stories. We forget that ideas—good and bad—have always crossed our borderlines; only human beings need a piece of paper. We all deserve a narrative with clarity, and Towle’s has delivered. Spectacular!”

“Crossing the Line:

Finding America in the Borderlands”

Sarah Towle | June 18, 2024 | She Writes Press  

Creative Nonfiction / Memoir / History 

Paperback | 978-1647425791 | $17.95

Ebook | 978-1-64742-580-7 | $9.95

About The Author

Sarah Towle is an educator, researcher, and writer; a human rights defender, nature lover, and choral soprano. She resides in an ephemeral borderlands, buffeted and buoyed by a diversity of languages, cultures, landscapes, and creeds. She has taught English language literacy, cross-cultural communication and conflict resolution skills, and the writing craft for three decades across four continents in myriad classroom contexts, including under the trees in refugee settings. An award-winning children’s author, Sarah has earned accolades for her interactive tales for educational tourism. “Crossing the Line: Finding America in the Borderlands” is her debut full-length book. 

Sarah is the proud mother of a powerful, confident adult woman. She is grateful to have found her soulmate, who triples as her editor and personal chef. She and her family share a home in London with their rescue hound, Gryffindog, who keeps everyone laughing and gets Sarah away from her desk and walking (when she’s not crossing borders). In addition to getting “Crossing the Line” across the line, Sarah publishes opinions, stories, and audio-tales regularly on Substack: Tales of Humanity. Find her podcast, From the Borderlands, wherever you listen. Learn out more about Sarah at sarahtowle.com.

Follow Sarah Towle on social media: 

Facebook: @sarah.towle | Instagram: @sarahtowle_author | LinkedIn: @sarah-towle

Praise for “Crossing the Line” by Sarah Towle

“Simultaneously a searing indictment of inhumane immigration policies and a moving testament to the resilience of the human spirit, Sarah Towle’s Crossing the Line is public-interest storytelling at its finest. A brilliant, engaging, and essential read for anyone seeking a true understanding of America’s borderlands.” 

—Toluse Olorunnipa, Pulitzer Prize-winning author of His Name Is George Floyd: One Man’s Life and the Struggle for Racial Justice

“With Crossing the Line Sarah Towle exposes the relentlessly cruel US immigration system, while restoring the human faces to an issue that is so often lost in a blizzard of polarizing ideology and hate. She makes it clear that what is unfolding now is not just Trump-era politics—it’s rooted in more than a century of American exploitation of our southern neighbors. For anyone who wants to understand the reality of our dysfunctional immigration system beyond slogans, Crossing the Line is an absolute must-read.”

—Scott Allen, Former Editor, Boston Globe Spotlight Investigative Team

“A beautiful book, awesomely reported. What an accomplishment and contribution to this issue. Sarah has written this with great empathy. The focus remains squarely on rehumanizing those most harmed by US immigration policies. The chronology makes the meta-story even more riveting and appalling.” 

–Heidi Ostertag, executive producer of  Oh Mercy—Searching For Hope in The Promised Land by Worldwide Documentaries

“Crossing the Line is a well-researched yet accessible exposé of border policies that harm migrants and undermine the promise of America. From the ‘family separation’ policies of the Trump administration to the massive growth of immigrant detention, Towle’s ability to weave together first-hand stories of accidental activists—including priests, attorneys, and concerned locals—with the broader policy context is on display in an ambitious book infused with a profound commitment to humanity and justice. Every concerned citizen should read this book.”

—Austin Kocher, Research Assistant Professor, Syracuse University

“A powerful work. Sweeping and majestic and a striking, flowing synthesis to tell the overall story that needs to be told.”

—Camilo Perez-Bustillo, author of Human Rights, Hegemony, and Utopia in Latin America

“With a propulsive narrative and an engaging style, Crossing the Line is an important contribution to our understanding of the borderlands, and by extension, America itself.”

Reece Jones, author of White Borders

“What grace-filled and beautiful writing. Thank you for capturing our community’s story!”

—Dylan Corbett, Executive Director, Hope Border Institute, Regional Assistant Coordinator, Vatican Migrants & Refugees Section

“Thanks for lifting up these voices and not relenting. Congratulations on a compelling read.”

—Luz Virginia Lopez, Senior Supervising Attorney Immigrant Justice Project, Southern Poverty Law Center

“Inspiring and transporting from the opening passage. A journey of historical context expertly weaved into the human experience, allows the reader to relate to the current border climate on so many levels. I did not want to stop reading. Abrazos.”

—Elizabeth “Lizee” Cavazos, Angry Tías & Abuelas of the Rio Grande Valley

“Absolutely BRILLIANT, a masterpiece! It feels so lonely at times, like no one understands. But Sarah sees us here in the borderlands, flying the tattered flag of what this country’s ideals are….It all touched me deeply.”

—Madeleine Sandefur, Angry Tías & Abuelas of the Rio Grande Valley

“Sometimes you ache for the unvarnished truth. Sarah Towle tells it in this book – the whole truth, good, bad, and ugly. She speaks for the silent hordes seeking “the lamp beside the golden door” to be opened for them, giving access to the wonder that is America.”

—Merry Hancock, Cameroon Advocacy Network

“Powerful and true. An important historical account.” 

—Juan-David Liendo-Lucio, Team Brownsville 

 “The personal stories bring the historical narrative to life.”
Anne Marie Murphy, author of A Perfect Fit (TidePool Press, 2025)

In an interview, Sarah Towle can discuss:

  • The real crisis at the U.S. southern border
  • What drew her to this issue and why she got involved in telling the stories of migration
  • Reintroducing humanity to the conversations around immigration
  • Her own journey of awakening while still focusing on sharing the narratives of the displaced as well as those attempting to offer welcome
  • The problem with the base-line policy plank of border management: prevention through deterrence
  • The importance of replacing the question “How do we stop human migration?” with “Why are so many people on the run?”
  • Legacy of Department of Homeland Security and why it stands as a model example of “U.S. systemic racism”
  • The “conscience-shocking wrong” that she uncovered while researching this book and why it turned her outrage to activism then abolitionism
  • How language fuels hate and division; how today’s media are contributing to the problem
  • The cultures of impunity inside Department of Homeland Security and why they threaten the safety of all U.S. residents today
  • Greater cultural ramifications to U.S. society if we continue not to address the many-headed hydra that is the U.S. immigration system

An Interview with

Sarah Towle

We live in a world that has a great number of issues and injustices–what made you particularly interested in investigating the injustices surrounding immigration? 

The topic of immigration–and forced displacement–has been a focus of mine throughout my adult life. In my 20s, during the Dirty War era, I worked in Central America. I spent three to six months each year for five years bearing witness to U.S. military intervention in the region, while teaching teachers of refugees and the internally displaced in El Salvador as part of a Freirean-inspired mass-literacy campaign. The rest of the year, I worked in New York, teaching English and helping to resettle newcomers from the former Soviet Union and Haiti. Then, out of graduate school, I got recruited to help develop and implement a mass English-language and literacy campaign in China, and my life as a migrant by choice and privilege began. 

I’ve been moving across borders in pursuit of opportunities ever since. But even before choosing to live in the ephemeral borderlands, I viewed diversity as an exciting, prevailing good and immigration as a net positive for societies. Newcomers make communities better: They bring new tastes, new tunes, new energy, new perspectives. Some populate sectors where employees are always needed; others bring novel ideas that create employment opportunities for new and old residents alike. They pay taxes that support our schools and fire departments, the construction of our roads and maintenance of our bridges. They contribute to the social security system, thus aiding our elderly.

Then came Trump and his bans and raids and zero tolerance and family separation as a brutal consequence–a punishment–for doing what humans have done since time immemorial: move; for doing what I enjoy as a privilege of my skin tone, academic credentials, and passport: traverse the world in search of self-betterment, learning, and adventure. I was outraged by family separation. Had we learned nothing as a people? The cries of “kids in cages” compelled me to go to the U.S.-Mexico border to see for myself the evil Trump had wrought. Once there, I quickly understood that the border strategy of “cruelty for cruelty’s sake” did not start with him. He wore it out loud, like a badge of honor. But it was the continuation of a bi-partisan project that grew up all around me–all around us–hiding in plain sight, and dating back as far as the Dirty War era, if not farther.

My curiosity piqued, I could not look away again.

What compelled you to turn these new insights into a book?

When I first discovered what I now refer to as the “many-headed hydra” that is the U.S. immigration system and border management regime, I was ashamed that I had not recognized it before, especially given my professional background. I didn’t even know, back in early 2018, that the U.S. is surrounded by a 100-mile law enforcement zone, policed by the largest, most troubled, and least transparent armed force in the world–the same force that when ordered to separate families, did; the same force that disappeared Black Lives Matter protesters into unmarked vans and cleared a public park for a presidential photo op. I did not know that said force claims jurisdiction over nine of the country’s 10 largest U.S. cities and two-thirds of its total population. I did not know that in this area, the Fourteenth Amendment has not universally applied since the 1970s. And I had yet to understand the extent to which these structures sprang from the same white supremacist loins upon which the United States was founded. I resolved to peer under the lid to find out what I should have known, but didn’t. When I realized that I wasn’t alone in this lack of awareness, I further resolved to share everything that I had come to know. 

So I came to the topic of human migration from a personal place, but what makes it stand out for me is that it intersects with all other existential issues of our time: The warming planet and the violent capture of nation-states by free trade and global capital both drive forced human displacement, which is increasing year upon year. The rise in human trafficking and transnational organized crime, which I believe are the direct result of hardening borders, everywhere, that encircle the world like a second equator, creating a global apartheid. 

Is there a crisis at the American border? And how would you describe that crisis? How does it differ from prevailing narratives about the “migrant crisis?”

The only crisis at the U.S. southern border, and around the globe more generally, is the crisis of the hardening of the human heart–a world in which empathy has seemingly expired. This crisis is the result of the collective turning away, on the part of the world’s wealthiest nations, from post-WWII commitments to value and respect human rights as they’ve steered us toward a “security-first” paradigm. 

The prevailing “crisis” narratives are manufactured by profiteers and political parties that have nothing constructive to offer and everything to lose, so they resort to demagoguery and fear mongering. Their “crisis” is closer to reality-TV than to reality, disseminated by their own propaganda machines posing as news outlets through set pieces and photo ops they create to support a make-believe “invasion.” Tragically, their language, their rhetoric, their harms and horrors messaging has now so thoroughly infiltrated the mainstream media, even the so-called bastions of a liberal mindset, including the current Democratic Party, look positively Trumpian on this issue. 

The greatest danger, really, is the cruelty and violence of the Border Industrial Complex itself. Strip back the law and order “security” apparatus and you will find borderlands communities enriched by cultural diversity and exchange; you will find good people, fine people, just living their lives. I’ve crossed the entire 2000-mile line, and I’m here to tell you: There is no “invasion.” There are, however, people seeking safety from endemic hemispheric dysfunction created by more than a century of unjust economic and foreign policy choices on the part of successive U.S. governments. And there are the normalized “cruelty for cruelty’s sake” practices of shackling and imprisoning, of denying due process, and expelling people back to harm, which gets ratcheted up year upon year upon year. 

You grew up during the Civil Rights, Women’s Rights, Labor Rights and Anti-War movements. How did this shape your approach to researching and writing “Crossing the Line?”

These influences likely shaped who I am and why I was drawn to this topic in the first place, with the research and writing approach coming as a natural second. There were many social justice conversations that impacted my worldview from my earliest days. Perhaps the two most formative moments were listening to Dr. King’s “I Have a Dream” speech, which gave everyone in my world great hope; and witnessing, on the nightly news, a Vietnamese girl about my age streaking naked down a dirt lane, fleeing a village in flames, her face streaked with agony as her back burned from the fire of a U.S. napalm bomb. I responded as a child would: with pure empathy, unadulterated by the politics that justified terrorizing civilian populations. It was an injustice and outrage that would mark me forever. 

At that time, my family and I lived in one of two deliberately integrated U.S. communities, Columbia, Maryland. We worshiped in a multi-denominational church. My father was, even then, a proponent of universal health care, a lone voice for the cause of health care as a right, not a privilege. In my high school years, I was not in the majority as a white Christian. These experiences turned me into a pacifist and provided me an awareness of systemic, racialized inequities in U.S. culture and institutions at a very young age, while simultaneously surrounding me in an embrace of racial, socio-economic, and cultural diversity. 

I suspect they propelled my interest in cultural history and anthropology as well as my determination, from the age of 12, to become a polyglot. This was not an easy task in English-dominant U.S. society with an English-only movement ascendent. So I left. Working across cultures and languages as an adult found me, ultimately, in the esteemed role of training whole school communities in the creative and peaceful resolution of conflict, what is now called Social & Emotional Learning. I plied these skills in post-9/11 New York City with such positive results that even amid the destruction of the worst terrorist attack in U.S. history, I never imagined the world would swing so quickly and dramatically away from the promise of inclusion to wide scale division; from a human-rights to security-first paradigm that now locks people up in ideological prisons, afraid to engage with others who do not think like them, much less look like them. 

As a storyteller, I try to reach back to the empathic response that fueled my youthful outrage toward first the Vietnam War then Cold and Dirty Wars; I try to embody my former students’ willingness to confront conflict and disagreement with words, not fists. I strive to center the lived experience of my story subjects as a way to celebrate the humanity we share. And I try to steer clear of using dehumanizing labels that rob us of empathy, which is hard to do when such language has for so long been normalized. Like the use of “America” to mean the United States. The arrogance embedded in that one word is, I believe, a big part of the problem.

Did you take your own bias and privilege as a white person and voluntary migrant into consideration when approaching the subject of marginalized groups seeking refuge? 

Absolutely. And in two critical ways. But let me first clarify that this book is as much about the folks providing welcome as about those seeking safety and a dignified life. As a twist, though they share privileges, like me, simply by virtue of their birthright, they are also marginalized in this context. They are the folks flying the tattered flag of U.S. values, putting out fires and saving lives every day, with little thanks and less respite. They get no funding from the government while it spends billions of taxpayer dollars each year on enforcement officers, surveillance systems, prisons, guns, and planes. So, just as those displaced and in search of safe haven are victimized by our current immigration laws and systems, so are their helpers. Now Texas Senate Bill 4 threatens, among other things, to make humanitarianism illegal. It isn’t the first attempt.

To return to your question, I proposed this project to participating story subjects as a collaboration, written as much through me as by me. I requested their permission to center their voices in the context of my own awakening to the issue–to show, rather than tell, their stories. Their experiences informed and drove my excavation of the book’s key historical themes. I also invited all story collaborators in fact- and quote-checking and final verification of their passages–a practice unheard of in journalism, for example. It was a monumental undertaking that roughly 75 of the over 100 people in the book embraced–from the U.S. borderlands to D.C. to the U.K. to Cameroon. With this methodology, my intent was to place their stories beside or above my own in a gesture of respect for their role as my teachers, mentors, and guides. But also to illustrate to our readers that behind the tropes and slogans and dehumanizing labels, there are real people facing real challenges that have the power to instruct us, if we’d only listen.

At base, however, this is a book about the harms and horrors, the harvest if you will, of white supremacy and empire. And what better person to write that tale than a white person who’s spent her adult life trying to confront her own unconscious biases? My intention from the outset was to use my privilege as an ally, to harness my positionality to speak to those, like me, who are educated and compassionate, who place a value on human rights, but who have not had the opportunity to see what I have seen; who have not themselves laid eyes on and recognized the human cost of their privilege; who are not fully conscious of the prevailing power of the white supremacy project and our potential complicity within it. But who, I believe, would be outraged too, if they only knew. And will act when they do.

They are the target audience for me and my collaborators. We aim to speak directly to them in hopes of growing our ensemble into a mass choir capable of singing in harmony and with volume, to spread the message that we can, that we must, do better. 

Your lifestyle and life experiences are considerably different from the people you’ve written about in this book. What advice do you have for writers potentially in the same position? How can writers and historians ensure they approach subjects with respect, caution and care?

Go. Be with them. Roll up your sleeves and work beside them. Bear witness. See for yourself. Ask those forced into homelessness in cartel-controlled Mexican border tales what they need, then provide the basic human dignities denied them: water, medicines, clean underwear, a nap. Carry life-saving water into the Sonoran Desert, even if it means breaking laws. Chances are, the laws are not just, like the Chinese Exclusion Act, which didn’t even try to hide congressional racism and which birthed the precursor to the US Border Patrol. Volunteer in a borderlands shelter, like Annunciation House in El Paso, which is currently under threat as humanitarianism is vilified. Provide welcome to the new arrivals to your town or city. Visit the tens of thousands of non-criminal offenders currently disappeared into the 200+ prisons of the U.S. immigration gulag: there is, no doubt, at least one within an hour’s drive of you. Meet the imprisoned asylum seekers, engage with them, find out what drove them to flee. It’s the only way to appreciate that being born north of the line doesn’t make you better; it only makes you lucky. 

I’ve been called an “immersive researcher,” which is a less-jargony way of saying that my methodological practice is based on ethnographic research, or going “into the field.” Yes, as a writer I must spend lots of time in my office devouring books and staring at a computer screen. But that time is balanced with putting myself as close as possible to the lived experiences of my story collaborators and meeting their humanity with my own. It’s about walking, to the extent possible, in others’ shoes. Literally.

Why do you think conversations around immigration became less about the humans involved and more about the politics? 

It’s a political mis-direction as old as time–the playbook of demagogues and opportunists for millennia. We are living in an age when the worst human impulses are again gaining strength, causing history to tilt toward evil once more. In our case in the U.S., one political party has nothing to offer. They have no solutions to the real issues we face as a people so they fearmonger, appealing to base human prejudices to blind us in order to distract us.

Demagoguery is convenient. But the reality is that one in every one hundred people on the planet right now has been forced from their own home. Human displacement is inextricably linked to global poverty and climate breakdown. Climate breakdown and global poverty are inexplicably linked to centuries of land and water theft and resource extraction of less developed nations by those with means and power and wealth, not to mention war. 

When the destructive harvest of these practices was distant and local, it was harder to see the toll to both human and climate wrought by the long arm of privilege for the goal of corporate and personal profit. But now, the empire’s destruction has grown so vast it can no longer be hidden. Likewise, thanks to the digital interconnectivity of people and things, folks in the Global South can see what they are missing. 

So whether fleeing harm or seeking better, mass human migration is a protest against structures of injustice and inequality. The powers-that-be are reacting by vilifying and victimizing their own victims. They strip them of their humanity and stereotype them as “diseased” and “criminal” as a means of maintaining a status quo that so obviously needs changing. They keep us divided so that we don’t see how dangerous their systems have become; so that we don’t question whether or not these systems actually work. From what I’ve seen, they don’t. Indeed, they’ve turned us all into the true barbarians at the gate.

How do you reintroduce humanity into these conversations? What effect do you think humanizing migrants will have on opinions about the migrant crisis?

It’s true that rational arguments such as those above don’t move people. Say these things at a cocktail party and you’ll see your friends running to the bar for a double. Touch them on the empathic level, however, and they listen. 

Only individual human stories–not slogans or talking points–can transform irrational fear into awareness and rational action. Only storytelling holds the power to touch hearts and change minds because it taps the human capacity to empathize. In “Crossing the Line,” I strove to place the experience of real people at the center of all other things–historical and policy analysis; statistics and data–to prioritize humanity even within tales of tragedy, horror, and harm. Through huma experience, I aim to show what’s going on, rather than tell it. I can only hope at this point that my collaborators and I were successful.

Can you discuss the importance of replacing the question “how do we stop human migration?” with “why are so many people on the run?” 

Essentially, it’s about whether you believe people are being pulled to the Global North, or pushed. The powers-that-be maintain that people are pulled to the U.S., for example, as they long for a shot at the elusive “American Dream”–another trope. Of course, there is some truth in that argument: If you can make in one day or week what you would make in a year back home, doing the same job, then obviously you will desire to move toward a better paycheck. It is the rare person, however, who elects to pull up stakes and leave behind family and friends, culture and a language, in short everything they’ve ever known, and set out on a journey across borders and into a life of perpetual exile. Especially when they must do so on foot; especially when they must pass through places where they are bound to meet danger at every turn, where they may face mortal peril. No. People don’t leave home unless they must. Unless they are pushed. Unless it is more dangerous to stay.

Asking only “how do we stop human migration?” blinds us from looking into what is driving northward migration. Neoliberal economics provide incentives for transnational corporations, such as no taxes, no environmental controls, and a race to the bottom in wages, that have led to land theft, environmental degradation, and the inability for people across vast swaths of the Global South to earn enough money to support a family. Even basic survival through subsistence farming is becoming rare. Decades of U.S. money, weaponry, and military training to fund first the Dirty Wars and then the so-called Drug War now the so-called War on Terror have corrupted state structures such that the lines between cops and cartels are now completely blurred. Then, there’s the fact that the effects of greenhouse gas emissions pumped into the atmosphere by Global North societies are felt most drastically in the drought and flood zones closest to the equator. Added up, all these factors have thrust onto folks south of the line multiple volatile contexts from which the only escape is flight. But while goods and money as well as ideas, good and bad, are able to move instantly across borders today, people cannot.

Your research for this book led to a legal action against ICE. Can you tell us what that’s about? And where does it stand now?

Trump & Co did much to drive a knife into the heart of an already beleaguered immigration and asylum system in the U.S. I refer to their efforts in my book as “death by 1,000 cuts,” which were really more like 400 cuts, some of which were visible to the general public. But most of which were not. One was to lock asylum seeking individuals from majority-Black nations away in Deep South prisons and refuse to let them out even with the coronavirus pandemic turned prisons into death traps exacerbated by prison guards and ICE deportation officers denying their captives masks and hand sanitizer and taking no precautions, themselves, when then moved in and out of and through facilities. When people got sick, they were denied medical care. Many died or were forced to ride out the illness in solitary confinement. Basically, it was a shit show; and in the waning months of Trump’s one-term administration, perhaps seeing the writing on the wall, they attempted to get rid of any evidence of these human rights abuses by emptying ICE prisons of African asylum seekers. 

From August 2020 through January 2021, there were one to two flights per month aboard Omni Air International Boeing 767 wide-bodies. Omni Air is a Department of Defense contractor that moonlights for ICE and whose parent company, Air Transport Services Group, boasts Amazon.com as its majority shareholder. Thousands of people were flown back across the Middle Passage in a mass deportation effort, always in chains, in a dress rehearsal for what’s to come if Trump & Co takeover the White House again.

You wouldn’t have known any of this, however, unless you were willing to pay into the extortionist phone calling system owned and operated by GEO Group in order to be a lifeline for those locked up. I was. And that’s how I came to collect hours and hours of testimony about the conditions of ICE detention and deportation. All individuals imprisoned under ICE, even asylum seekers who pose no threat to U.S. society, are bound in five-point restraints while being transported, and more: if someone expresses fear of removal or transfer to another facility, as many did during the pandemic, they get tackled to the ground by ICE’s sixteen to eighteen-member Special Response Teams, a knee put on their neck by one officer as the others immobilize their bodies in an additional  restraint called The WRAP. 

The WRAP is only supposed to be used, “when cuffs just aren’t enough.” It was intended for use in law enforcement contexts when a person has become a danger to him or herself and needs medical attention, stat. But I tracked down and interviewed dozens of people returned to harm in Cameroon. What I learned is that ICE has transformed The WRAP into an instrument of coercion of the many through the torture of a few. I took my findings first to a contact at the Southern Poverty Law Center, who connected me with Fatma E. Marouf, director of the Immigrant Rights Clinic at Texas A&M University. She and her students applied case law to my research, resulting in our filing a complaint against ICE in October 2021. 

The WRAP complaint was then joined to four other complaints filed on behalf of the Cameroon community for civil rights abuses during their prolonged incarceration, resulting in an internal Department of Homeland Security investigation. For a while there, we thought we’d convinced Biden’s ICE to bring everyone back–the crimes committed by agents of the US federal government being so obviously illegal and egregious. Our interlocutor at ICE promised a sped up process of return under humanitarian parole as long as Prof Marouf, her colleague, and students did the painstaking, time-intensive job of preparing applications for each individual. These were submitted in summer 2023. So far, no word. 

So we’re now preparing to escalate to litigation. I am not at liberty to share anything further at present. Suffice to say, this is not what I thought I was writing about when I began the book project. But the cultures of impunity within the U.S. Department of Homeland Security are now central to the narrative.

What do you hope people take away from this book?

I want them to recognize that humans have migrated–in search of opportunity and a way out of poverty or to escape traumatic circumstances–for as long as homo sapiens have walked this earth. I want them to tap into their own family’s migration stories, whether they came by choice or were brought by force, and find empathy for those arriving at our shores today. Behind their movement are similar stories of famine, war, persecution, and zero economic opportunity. 

I want them to understand that the perennial philosophy of religions and societies the world over–to welcome the stranger, feed the hungry, clothe the naked, and give the thirsty to drink–is being daily flouted by governmentally funded structures so powerful and pernicious that they have normalized the deprivation and abuse of human rights on a grand scale; that these structures and practices are built on dehumanizing an “other;” that they commit crimes against humanity, daily; and if we don’t stop now we may, ourselves, be complicit in a silent genocide against people seeking safety.

The vilification of the world’s most vulnerable people by the migration control regime, what’s more, has become the snake devouring its own tail. We need immigration. Without it, we have children fulfilling the jobs of men, and our elderly falling into destitution as our social security system crumbles. 

We have, what’s more, some of the most evolved surveillance systems in the world. We can distinguish between a little girl arriving unaccompanied and someone intent on doing harm. We just don’t want to.

I want those, like me, with the privilege to cross borders without thinking to question why others can’t. The more we are able to see the systems of normalized cruelty and oppression, as well as who and what is commanding them, the more easily we’ll be able to figure out how to dismantle them. Because we need to dismantle them.

By introducing readers to those both trapped under the monstrous knee or on the front lines modeling, every day, that there is a better way, I hope to bring humanity to what I believe is one the most pressing issues of our time. And at the same time, I hope to provide readers with a handbook for a more humane age. The tales I’ve collected and curated for “Crossing the Line” are a manual for the movement for Just migration. From protest to direct service to congressional advocacy to writing a book, and more, there’s a part for everyone to perform in the growing chorus. I hope readers will join me in singing from the rooftops not just the need for immigration reform, but the need to abolish the system of destruction currently in place and replace it with something more in line with our values and more responsive to human needs. 

First and foremost, it’s time to eschew the crisis and threat narrative and to demand our elected officials to do the right thing: acknowledge that human rights are in direct conflict with bordering practices in a security-first paradigm; that borders are a form of state violence, reinforcing global inequalities and unequal access to a dignified life; that migration is the result of political and economic instability, climate crisis, and neoliberal economic practices gone awry; that race, class, and place biases are baked into U.S. immigration processes and laws. 

Finally, I want everyone to understand that people are not illegal and that none of this is neutral. As long as we refuse to tear the border industrial complex apart, all our rights to safety, mobility, and a dignified life become more compromised and elusive every day.

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True crime memoir of brutal La. murder a compelling tale of healing, justice and triumph of the human spirit

SAN ANTONIO, Texas On Aug. 23, 1987, 26-year-old Selonia Reed was found dead in the parking lot of a gas station in Hammond, Louisiana. Nearly 40 years after her death, on Jan. 30, 2023, her husband Reginald Reed was sentenced to life in prison for her murder.

But that’s far from the entire story.

With unyielding candor, Selonia’s son Reginald L. Reed Jr. courageously navigates the trauma of his mother’s murder and the subsequent arrest and conviction of his father in his debut memoir, “The Day My Mother Never Came Home” (May 21, 2024). Through masterful prose, Reed skillfully navigates the complexities of pain, acknowledging its elusive and intangible nature. As the narrative unfolds — with the inclusion of raw crime scene details, never-before-seen evidence and gripping trial testimony — the author embarks on a courageous exploration, peeling back the layers of decadeslong trauma to reveal the raw wounds that lie beneath the surface.

The book transcends mere true crime storytelling, offering intimate anecdotes and a glimpse inside the process of grief. Through the author’s raw honesty and vulnerability, readers are drawn into a narrative that resonates on a universal level and is a must-read for anyone seeking solace and understanding in the face of loss. Interwoven with reflections on identity and the father-son relationship, the memoir explores the enduring bond between parent and child, despite deep complexity. 

For those hungering for a narrative that lingers long after the final chapter, “The Day My Mother Never Came Home” serves as a poignant testament to the strength found in vulnerability, offering inspiration to all who have journeyed through the depths of grief and emerged on the path to healing.

“The Day My Mother Never Came Home”

Reginald L. Reed | May 21, 2024 | Memoir / True Crime

Paperback, 9788989711116, 19.99| Hardcover, 9798989711109, 27.99

Reginald L. Reed Jr. is an author and an accomplished professional in the pharmaceutical industry. He holds a master’s degree in business and global marketing. In his first book, “The Day My Mother Never Came Home,” Reed recalls the events surrounding the unsolved murder of his 26-year-old mother when he was just 6 years old and the indictment and trial of his father 32 years later. With raw honesty and transparency, the memoir sheds much needed light on losing a parent and the childhood trauma that results. Reed’s narrative style immediately draws the reader into his story — the roller coaster of emotions is captivating and what reads like a true crime novel is Reed’s actual life. He resides in San Antonio, Texas, with his wife, Paula, their son, Lathan, and daughter, Selonia. 

Follow Reginald L. Reed on social media:

Facebook: @RLREEDII | TikTok: @rlreed0 | Instagram: @reginald_l_reed_ii

In an interview, Reginald L. Reed can discuss:

  • How writing the book allowed him to reclaim his voice and shed light on the darkest corners of his life, empowering others to do the same
  • Advice for those navigating trauma, especially young people and those in marginalized communities
  • How the book transcends traditional true crime narratives and offers a nuanced exploration of the complexities of justice
  • How the process of writing the book allowed him to process, grieve and move forward, as well as help others who are hurting 
  • The positive and negative effects of pop culture’s ever-increasing preoccupation with the true crime genre
  • Why the literary community can benefit from elevating authors such as Reed, Kiese Laymon, Michael Todd, Saeed Jones, Bryan Stevenson and more who share their stories

An interview with Reginald L. Reed

1. What has it been like reading news stories about your mother’s death and father’s arrest, and did that inspire you to share your own narrative?

Reading the news stories about my mother’s death and my father’s arrest have been a profoundly disorienting and painful experience. It feels like my private grief and turmoil are being publicly dissected, which has led to feelings of vulnerability and exposure. However, the external narration of this tragedy also serves as a catalyst for reclaiming my own story. It inspired a desire for me to share my narrative, from my perspective, while providing an opportunity to add depth, context, and personal truth to the public discourse.  By doing so, I was able to make powerful steps toward healing and empowerment.

2. In writing your memoir, how did you navigate the process of revisiting and recounting traumatic experiences, especially regarding events that occurred so early in your childhood?

Time and patience! Navigating and recounting the traumatic experiences, especially those from early childhood, often involved a delicate balance of introspection, emotional processing, and seeking support from therapists and trusted individuals within my small circle. It was essential to approach these memories with care, allowing myself the space and time needed to reflect and heal, and craft a narrative that honors my experiences while also respecting my emotional well-being. Additionally, incorporating techniques like meditation, mindfulness and self-care helped manage the emotional toll of revisiting such challenging memories.

3. How did you balance honesty and vulnerability while also respecting the privacy of those involved?

Balancing honesty and vulnerability with the privacy of others while writing, especially about sensitive personal experiences, involved carefully navigating the ethical considerations of storytelling. This process often included focusing on one’s own emotions, reactions and growth, rather than delving deeply into the private details of others’ lives without their consent. When mentioning others, it was important to consider their perspective and potential impact on them, possibly anonymizing identities or seeking their input. This approach allowed for a truthful recounting of events and feelings while maintaining respect for the privacy and dignity of all involved, whether good or bad.

4. Why was it important to you to include details like crime scene specifics and your mother’s autopsy report?

By including specific details such as the crime scene specifics and the autopsy report within the context of my memoir, it served several important purposes. First, my intention was to provide readers with a clear, unflinching look at the reality of the events, grounding the story in undeniable facts and allowing for a deeper understanding of the impact these events had on my life. Secondly, it helped in the process of confronting and processing the trauma, as writing about these details forced me to face the facts head-on, which was a crucial step in the healing process. Lastly, these specifics also contributed to the authenticity and credibility of my memoir, ensuring that the story is not dismissed as exaggerated or overlooked in its severity.

5. How has the process of writing this book impacted your own journey of healing and personal growth?

Writing this memoir about my personal trauma and the journey of healing has profoundly impacted my process of healing and personal growth. This process served as a form of therapeutic expression, allowing me to examine and articulate my deepest feelings and experiences in a structured way, which also led to new insights and provided a deeper understanding of my life and the experiences I was challenged with. It has also been empowering, allowing me to control the narrative, transforming my personal history of pain into a story of resilience and survival. Additionally, my purpose for sharing my story is to foster a sense of connection and support from readers who may have faced similar challenges, further reinforcing that there is life after trauma.

6. In what ways do you hope your memoir will resonate with readers who have experienced trauma or loss?

I hope my memoir will resonate with readers who have experienced trauma or loss by providing them with a sense of companionship and understanding, making them feel less alone in their struggles. By sharing such a deep personal journey of facing and navigating through trauma and loss, the aim is to offer insights into the complexities of healing, showcasing both the vulnerability and resilience inherent in the human spirit. My story seeks to inspire hope and provide practical reflections on coping mechanisms and the nonlinear path of healing, ultimately encouraging readers to find their own strength and pathways to recovery in the face of adversity.

7. What do you think keeps men from writing memoirs and sharing their stories?

Several factors can deter men from writing memoirs and sharing their personal stories, often rooted in societal expectations and norms around masculinity. I believe there’s a fear of judgment, weakness or not living up to these societal standards that prevent men from exploring and sharing their emotional experiences in a public format like a memoir. Additionally, there may be concerns about how their personal revelations will affect their relationships and professional lives. I work in corporate america, therefore; I understand. However, there’s a growing recognition of the value in diverse stories and expressions of masculinity, encouraging more men to share their journeys and contribute to changing narratives around vulnerability and strength. I hope my memoir serves as a reminder to men, especially marginalized men, that sharing one’s story is far from weak, but the most powerful act one can undertake. 

8. Can you share a favorite memory of your mother — something you’d like readers to remember her for?

One of my favorite memories of my mother that I’d like readers to remember her for is her incredible warmth and ability to make anyone feel at home. One of the ways she welcomed others was through her baking skills. Although our time together on this earth was short lived, I constantly hear from others that I was her pride and joy. There were very few times, if any, that I was not with her when seen out in public. I miss my mother and father; I wish so much that they were here to cheer me on in life and be grandparents for our son and daughter. Unfortunately, my cards were dealt from a different deck, but I am determined to use those cards and continue to go through life playing my best hand.

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Books Forward Authors in the Media: March 2024

What can we say, Books Forward authors are always going, going, going! We’re excited to feature some of our authors and their recent media wins.

  • The New York Times Modern Love section featured an excerpt from Anna Monardo’s new book.
  • Yecenia Currie was featured on the podcast It’s All About Food.
  • Bookshop at the End of the Internet had Marschall Runge on to discuss his book Coded to Kill.
  • Mark Ukra’s and Tara Mesalik MacMahon’s book “Closet of Dreams” was called “a home run and a solid start to what promises to be a good series” by Readers’ Favorite.
  • Joan Cohen talks five things you need to know to be a successful writer for Authority Magazine.
  • Houston Public Media interviewed Suzette Mullen about her new memoir.
  • Glen Hileman’s new book was described as “a story of family, love, and a couple learning to face obstacles together” Girl Who Reads’ review.
  • The podcast Women Beyond a Certain Age interviewed author Rossi about her upcoming memoir.
  • Thomas R. Weaver hopped on Any Given Runway to talk about his techno-thriller Artificial Wisdom.
  • Shaan Patel talked about the Digital SAT Playbook and the SAT going digital on Big Blend Radio.
  • Kirkus called Courtney Deane’s When Happily Ever After Fails “a strong debut romance for fans of true happy endings.”
  • Dr. Chuck Wallington joined the Money Making Conversations Master Class for an interview.
  • Pine Reads Review recommends Fatima Al-Fihri from Our Story Media Group “to all educators and young readers.”
  • Gail Schwartz talks creating your chosen family in a guest article for Spiritual Media Blog.
  • Meghan Kallman and Josephine Ferorelli talked with YES! Magazine about family planning in a climate change.
  • Readers’ Favorite called Lauren Martin’s poetry collection a “masterclass” and “a beautiful, thoughtful, and thought-provoking body of work.”

Want to stay up to date on what Books Forward authors are doing? Follow us on Facebook, X, Instagram, TikTok and Threads!