FOR IMMEDIATE RELEASE

BATON ROUGE, Louisiana – Film noir meets Southern gothic in Michael H. Rubin’s new novel, “Cashed Out,” releasing on Aug. 15, 2017, from Fiery Seas Publishing.

Holding $4 million of your dead client’s cash makes you everyone’s target. Following the success of his award-winning debut novel, “The Cottoncrest Curse,” Rubin’s “Cashed Out” combines both the allure of and the inherent danger in Louisiana’s bayous with the rush of a legal thriller in a page-turning journey that winds through sultry swamps, corrosive chemical plants, and a web of deceit involving murder, greed and redemption.

An enticing combination of Dashiell Hammett and James Lee Burke, Rubin’s writing style will blow readers away with his astute and adept handling of each and every character in this riveting story and will keep them coming back for book after book in his compelling Bayou Thriller Series.

CASHED OUT: One failed marriage. Two jobs lost. Three maxed out credit cards. “Schex” Schexnaydre was a failure as a lawyer. Until three weeks ago, he had no clients and no cash. Well, no clients except for infamous toxic waste entrepreneur G.G. Guidry, who’s just been murdered. And no cash, except for the $4,452,737 Guidry had stashed with him for safekeeping.

When Schex’s estranged ex-wife is accused of killing Guidry, she pleads with him to defend her. He refuses, but the more Schex says no to her, the more he becomes entangled in the fall-out from Guidry’s schemes and the target of those who want Guidry’s money, careening from the swamps and marshes of Louisiana’s chemical corridor to the deep water oil rigs in the Gulf of Mexico, from the industrial plants that pollute minority neighborhoods to the privileged playgrounds of New Orleans’ crime syndicate bosses, all in an attempt to clear his name and claim Guidry’s cash for himself.

Michael H. Rubin is a former professional jazz pianist who has performed in several states, as well as in clubs in the New Orleans French Quarter. He also is a former radio and television announcer, a nationally known speaker and humorist who has given over 400 presentations throughout the country, and a full-time practicing attorney who helps manage a law firm with offices from the West Coast to the Gulf Coast to the East Coast. His debut novel, “The Cottoncrest Curse,” won the IndieFab Book of the Year Gold Award as the best thriller and suspense novel published by a university or independent press. “Cashed Out” is his latest novel. He won the Burton Award for Outstanding Writing given at the Library of Congress and is a member of the Author’s Guild, the International Thriller Writers, the Mystery Writers of America, and the International Association of Crime Writers

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Book Details for Cashed Out

Michael H. Rubin
Aug. 15, 2017
Fiery Seas Publishing
ISBN: 978-1-946143-19-8 (paperback)
ISBN: 978-1-946143-18-1 (ebook)
Legal Thriller

“If you like John Grisham and Michael Connelly’s Lincoln Lawyer, you’re gonna love “Schex” Schexnaydre – a down-and-out-attorney who breaks all the rules looking for some kind of justice. Fast, funny and filled with twists and edge-of-your-seat suspense. Michael H. Rubin really nails it!” – R.G. Belsky, author of the Gil Malloy mystery series

“Michael H. Rubin catapults his main character, Schex Schexnaydre, into impossible situations, and the tension never lets up. Schex finds himself engulfed in a series of seemingly inescapable physical and mental traps. And then…neither our hero nor the reader has a way out of the growing, chilling suspense until the surprising conclusion.” – Steven W. Kohlhagen, author of “Where They Bury You” and “The Point of a Gun”

“Michael H. Rubin’s new legal thriller is filled with great local color, entertaining characters, and plenty of action. Cashed Out goes beyond the typical setting and deeper into Louisiana in a way that makes the reader feel she’s being pushed down the bayou at breakneck speed. It’s fresh, exciting, and well-paced. I’ll be watching for the next in the series for sure. Five Stars!” –Manning Wolf, author of the thriller, “Dollar Signs”

www.MRubinBooks.com

Twitter: @MichaelHRubin

About the Author

Michael H. Rubin is a former professional jazz pianist and composer who has performed in several states, as well as in clubs in the New Orleans French Quarter. He also is a television and radio host; a public speaker and humorist; and a full-time practicing trial and appellate attorney who helps manage a law firm with offices from the West Coast to the Gulf Coast to the East Coast. His unique blend of scholarship and humor has made him a sought-after, nationally-known speaker who has given over 400 presentations throughout the U.S., Canada, and England to a variety of groups ranging from Fortune 500 companies to professional organizations to community and religious groups.

Rubin has received the prestigious Burton Award at the Library of Congress for outstanding writing. His debut novel, “The Cottoncrest Curse,” won the IndieFab Book of the Year Gold Award as the best thriller and suspense novel published by a university or independent press.

Combining an informal approach with scholarship, thought-provoking commentary, and humor, Rubin has created a signature audio-visual presentation style using a computer and a projector to illustrate his substantive talks. Consisting of a constantly moving and shifting display of multiple layers of photos, illustrations, and words, nothing remains static on the screen for long, and everything is timed to reinforce Rubin’s rapid-fire, in-depth analysis. Attendees at Rubin’s programs have given him enthusiastic ratings, including “Best talk I ever heard,” “Rubin was great,” and “Fantastic.”

Locations where Rubin has wowed audiences with his unique presentation style include: Atlanta, Austin, Beverly Hills, Boston, Bretton Woods, Buffalo, Chicago, Dallas, Denver, Des Moines, Destin, Honolulu, Hot Springs, Houston, Jackson (Mississippi), Kansas City, Las Vegas, Lexington, Lincoln (Nebraska), London (England), Los Angeles, Miami, Minneapolis, Nashville, New Orleans, New York, Orange Beach, Orlando, Palm Beach, Point Clear (Alabama), Poipu (Hawaii), Providence, Reno, Rockport, Salt Lake City, St. Louis, San Antonio, San Diego, San Francisco, Savannah, Seattle, Shreveport, Sun Valley, Toronto, Vancouver, Virginia Beach, Harvard Law School, Georgetown Law School, Hastings Law School, and the Anderson School of Management at UCLA.

Rubin’s presentations about both the history behind the mystery of “The Cottoncrest Curse” and the background of “Cashed Out” are not dry, talking-head lectures or boring readings. Each consists of a 20-minute fast-paced multimedia presentation that captivates audiences, as he ties the situations and issues in the book about which he is speaking to local concerns and events in the geographic area where he is giving his talk.

He is a member of the Authors Guild, the Mystery Writers of America, the International Thriller Writers, and the International Association of Crime Writers.

An Interview with Michael H. Rubin

Both of your books are deeply rooted in Southern culture. What makes the Deep South such a great backdrop for a mystery?

Those who know the Deep South only by its reputation often confuse stereotypes for reality. Those who have visited the area or live in it are well aware of the unique complexity created by its combination of geography, climate, war, waves of both slaves and free immigrants, and the continuous swirl of religious, racial, and regional antagonisms. It is the palpable tension between all of these factors that makes the Deep South as much of a character in my mystery/thrillers as the protagonists.

Your characters are complex, and the plotlines in your books are equally thought provoking. Can you tell us more about your writing process?

During the daily 4:30 a.m. power walks that my wife, Ayan (who is also my writing partner) and I take, we talk through the characters, their backgrounds and motivations, possible plot lines, and the arc of each story. Thus, by the time I sit down to work on the first draft, we have fleshed out the beginning, middle, and end of the novel together. However, we don’t write a detailed outline of each chapter in advance, because part of the fun of writing is to discover things we hadn’t initially considered and to let the story and characters take on a life of their own as our writing process continues.

You’ve had a variety of interesting career paths – jazz musician, attorney, professor – how have all those professions influenced your writing?

I used to play jazz piano professionally in bars, clubs and restaurants in several states, as well as in the New Orleans French Quarter. I still play piano every day. Playing jazz is like writing a novel. Both involve working creatively around a theme. In jazz, the theme is melody and chord structure. In a novel, the theme is the plot. When I play and compose music and when my wife and I conceptualize our tales, we use the theme as the jumping off point from which we create our own interpretations, freely improvising within an identifiable structure. Writing a novel is like that for us. Our goal is to creatively use words to develop a plot line into a meaningful story, flesh-out the characters, reveal things that readers might not previously know or have thought of (or that neither my wife nor I might have considered when initially formulating a story), and move the plot along to a satisfying conclusion.

As an attorney, my job is to dispassionately evaluate facts, consider legal issues where there is no “clear” answer, and devise a strategy to accomplish a goal that is just. As an author, I’m always striving to show that most of life not only consists of ambiguities, but also consists of differences in how the people evaluate the same facts but come to different conclusions. A compelling novel should draw readers in to work through the ambiguities and lead them to a conclusion that is unexpected but which neatly ties up all the loose ends.

As a law professor I use the “Socratic” method and teach by posing hypotheticals and asking my students questions rather than just lecturing to them. As a novelist my goal is to create compelling plotlines that revolve around universal ethical and moral choices within the context of a page-turning thriller.

How do you balance legal accuracy in your books with the fast pace necessary to entertain readers?

Writing a thriller involves a different process than writing a legal treatise, primarily because it is not incumbent upon the fiction writer to footnote every statement to verify its accuracy. On the other hand, without a solid grounding in the legal intricacies that underpin storylines and plot points, my novels would sacrifice credibility. No legal thriller should devolve into a law school lecture. However, if the law is glossed over or portrayed inaccurately, it is a disservice to both the reader and the tale. My goal is to incorporate just enough of a legal context to create believability without bogging the story down in minutiae.

You’re an accomplished pianist – do you listen to music while you write?

As a former professional musician, music is always “foreground” to me, not background. So, when I’m writing, music is a distraction, because I find myself concentrating on it rather than on the manuscript. Having music play while I’m writing is like trying to whisper a secret while someone else is yelling in your ear. On the other hand, I listen to music to relax and still make time to play jazz piano every day, even when traveling.

What will fans of your debut novel, “The Cottoncrest Curse,” like about “Cashed Out?”

While “Cashed Out” is a stand-alone contemporary legal thriller, many of the key characters are descendants of characters in “The Cottoncrest Curse,” which is a work of historical fiction whose storyline takes place from the Civil War era to the Civil Rights era. Though one does not have to have read “The Cottoncrest Curse” to enjoy “Cashed Out,” readers of my first novel will be able to understand why the primary characters in the second book of the Bayou Thriller Series exhibit `some of the same proclivities as their predecessors. Moreover, both novels are set in the unique environs of Louisiana, with its complex gumbo of French aristocracy, rural Cajuns, Spaniards, Italians, and Germans, of slaves and freemen of color, and of keelboaters, farmers, privateers, pirates, politicians, organized crime, and entrepreneurs.

What can readers look forward to in the next installment of the Bayou Thriller Series?

The next novel in the Bayou Thriller Series is “Sanction,” a contemporary legal thriller involving Mardi Gras madness, mutilated prostitutes, crooked cops, corporate corruption, courtroom chicanery, big oil, big deals, and big problems. A variety of strange coincidences cascade through the boardrooms and bedrooms of sultry New Orleans. Or, are they really coincidences? As in “Cashed Out,” the key characters in “Sanction” are descendants of some of the primary denizens of “The Cottoncrest Curse.”

Tell us about how you came up with the title to the book and about the cover design.

My wife came up with the title. We wanted a name that simultaneously conjured up both the fact that the novel revolves around more than $4 million in cash stashed in a suitcase, and the fact that the owner of the cash had been murdered.

The cover design grew out of a very rough sketch my wife and I drew to visually depict our storyline. The talented artist Fiery Seas Publishing assigned to this project did a remarkable job bringing our cover concept to life. We were aiming for a cover that telegraphed the fact that our thriller involves both millions and murder. The cash bulging out of the suitcase, the blood dripping onto it, and the dollar sign in the “S” of the title graphically bring our storyline to the fore.

What is the best advice you’ve received as an author? What is the harshest criticism? What have you learned, or can others learn, from either? What advice might you give to aspiring authors?

The best piece of advice I’ve ever received is the one many fledging writers get but find hard to put into practice—show, don’t tell. A novel isn’t a textbook. A novel isn’t a history lesson. A novel isn’t a rushed outline. A novel shouldn’t be dry and pedantic. A novel should be so compelling that readers feel as if they are completely “in” the story, and not outside merely peering in.

As you might imagine from this, the harshest criticism I received when I was starting out was that I was telling, not showing. It took quite a few rewrites to learn how to show and not tell.

In addition to the useful advice I received about showing and not telling, the other invaluable advice was “don’t give up; just keep writing and refining.” Almost no one writes a classic in one draft. Few do so in two. It has been said that mastering any skill requires 10,000 hours, whether it is playing an instrument or learning to write fiction. My wife is my best friend, my co-author, my editor, and my critic. She revises and rewrites, cutting out excess verbiage, stilted language, boring paragraphs, and any tangents I may have wandered off on, and encourages me to not be afraid to produce multiple versions of a manuscript until we both feel we have gotten it right. Every author can benefit from frank comments and constructive criticism coupled with a sincere reminder that they should rewrite and that they shouldn’t give up, because what they have to say is worthwhile.

www.JKSCommunications.com
2819 Vaulx Lane, Nashville, TN 37204
Angelle Barbazon
(615) 928-2462
angelle@jkscommunications.com

Angelle Barbazon

Angelle joined the Books Forward team in 2014, and her experience and dedication has led to her being named our lead publicist. Her distinct pitching style and effective research has secured media coverage for our authors and their books in Vanity Fair, Buzzfeed, The Associated Press, The New York Times and USA Today, as well as countless regional media outlets.

Our authors love Angelle’s meticulous attention to detail and unwavering commitment to their vision and their books. Other publicists frequently spend time learning from her — how to ask probing questions, find the right person to contact and craft a successful pitch.

She began her professional career at news outlets across the country before surrendering to her love of books. An award-winning journalist whose own work has appeared in local and national publications, including NPR, she is tenacious in finding the right angles to utilize for each campaign and connecting with the right reporter for the job.

Angelle can usually be found at a concert, working on Mardi Gras costumes or taking photos of random cats that she meets wandering around New Orleans.

FOR IMMEDIATE RELEASE

Ft. Lauderdale, Fla. – In D.E. Night’s debut novel, The Crowns of Croswald, magic sparks around every corner in a kingdom ruled by a dark queen. Ivy, a young orphan living in the Kingdom of Croswald discovers that she has powers of her own. She enrolls at the Halls of Ivy, a school where young students learn to master their magical blood and the power that Croswald’s mysterious gems can wield. Unfortunately, Ivy’s schooling – and her life – is threatened by the evil queen and her henchmen. As Ivy tries to unearth her past and save Croswald’s future, a fantastical adventure ensues.

Releasing on July 21, 2017, The Crowns of Croswald is the first book in a series for middle grade readers brimming with whimsy, adventure, and steampunk undertones. Croswald’s gutsy heroine is part Cinderella, part Harry Potter, part Percy Jackson, and all fun.

“We get to watch Ivy not only grow into her own magic but also be the very hero that Croswald needs,” Night says. “I find that sometimes girls don’t know how powerful they are, and how what makes them different can be what makes them destined for greatness. Even if she’s not always sure of herself, Ivy has a sense of adventure, determination, and courage that I hope we can all see in ourselves.”

Night’s debut novel wisks the reader to a land of enchantment, adventure and colorful characters. Reminiscent of fantasy classics, this is a world that readers won’t want to leave.

D.E. Night lives, dreams, and writes in South Florida amid her menagerie––two dogs and two cats––with her husband. “The Crowns of Croswald” is her first book. She draws inspiration from silver-screen storytellers, magical imaginings, and her younger brothers. A day spent in Croswald, or another whimsical world, is her favorite kind of day.

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Book Details for When the Future Comes Too Soon

D.E. Night • July 21, 2017
ISBN: 978-0-9969486-5-4 (paperback) • 978-0-9969486-1-6 (ebook)
$10.99 (paperback) • $8.99 (ebook)
Middle Grade Fantasy

An Interview with D.E. Night

What inspired you to write The Crowns of Croswald?
I have always found joy in being creative, art projects and things like that. But more than that, I’ve always loved stories, mostly my favorite animated movies. I’m a Disney fanatic. My draw toward fantasy and my creative drive sort of forced me to start writing. For me, it’s not just about the writing, it’s about creating characters, designing scenes, and imagining everything and anything magical. Croswald is basically me in a book––fairy tale with an edge. I love fashion, fairy tales, anything that sparkles, and I especially love magic.

What was your favorite part about creating the world of Croswald?
I’m so grateful to be one of those people that really truly loves what they’re doing. My favorite part of this whole experience is seeing pieces of my world come to life, whether in the form of illustrations or being able to hold a physical book in hand. It’s like a dream. I also love the process of creating characters and naming them. I have a lot of fun with that.

Tell us more about creating a character. What sort of process do you go through?
Well, I don’t know if it’s a process exactly. It always seems sort of like random inspiration. For example, eating dinner beside my 11-year-old brother who loves butter and bread. Emphasis on the butter. Readers get to meet Woodley Butterlove and understand how my little brother inspired such a character.

Ivy is a strong, inspirational character. How do you think she grows throughout the book, and what would you like the reader to take away from that?
I think a lot of people’s natural talent is hindered by self-doubt. I think for Ivy Lovely, the first book is all about discovery and uncovering her hidden talents. It’s all about taking that first step and trusting your gut. I like to think that her first stride across the slurry fields may speak to a reader waiting to take the first step in their own adventure. Everyone should get the chance to step into something magical.

As a debut author, what surprised you most about the writing process for The Crowns of Croswald?
Probably my patience. I think people often get deterred by the time it takes to complete something. It’s taken me three and a half years to get to this point and I was surprised by how calm I was throughout the whole process. Excited, but calm.

This is the first book in a series. Without giving too much away, what do you have in store for your readers as the series evolves?
Of course, readers will get to join Ivy on her adventures of discovery through Croswald, full of weird and whacky character. Also a lot of magic and new inventions. The final show down with the dark Queen is going to be spectacular!

Your love of magic and fantasy is apparent in your writing. How did your love of magic develop?
I spent every birthday visiting theme parks with my best friends. My mom would pick us up early from school and we’d spend a day in a place of total imagination. That world of fantasy seemed so vibrant and I always dreamed of creating a place one day where people can visit. When I wrote, I always wrote keeping that in mind. Where can people visit? What can they see when they go there? Like I said, I love being creative and writing a book seemed the perfect fit. Besides being a Disney fanatic, I love that, with magic, anything is possible.

The Crowns of Croswald follows the adventures of Ivy Lovely, a strong heroine who is full of spirit and unwavering courage. Can you tell us more about her and how her character came about?
The reader meets Ivy when she’s unsure, held back, and lonely. Through the course of The Crowns of Croswald, we get to see Ivy become who she is meant to be: impulsive but smart, studious but adventurous. She doesn’t know it yet, but those are the very traits that will save her kingdom. She trusts her gut and that gets her pretty far in life, but she learns to ask for help along the way. Most importantly, she’s compassionate and funny: two must-haves in any friend, in my opinion.

If you could give readers one message to inspire them from your book, what would it be?
Believe in the magic of your dreams.

Angelle Barbazon

Angelle joined the Books Forward team in 2014, and her experience and dedication has led to her being named our lead publicist. Her distinct pitching style and effective research has secured media coverage for our authors and their books in Vanity Fair, Buzzfeed, The Associated Press, The New York Times and USA Today, as well as countless regional media outlets.

Our authors love Angelle’s meticulous attention to detail and unwavering commitment to their vision and their books. Other publicists frequently spend time learning from her — how to ask probing questions, find the right person to contact and craft a successful pitch.

She began her professional career at news outlets across the country before surrendering to her love of books. An award-winning journalist whose own work has appeared in local and national publications, including NPR, she is tenacious in finding the right angles to utilize for each campaign and connecting with the right reporter for the job.

Angelle can usually be found at a concert, working on Mardi Gras costumes or taking photos of random cats that she meets wandering around New Orleans.

FOR IMMEDIATE RELEASE

Hauntingly beautiful family saga transports readers to WWII Malaya in new novel, ‘When the Future Comes Too Soon’

LONDON – Deeply inspired by her great grandmother’s life and the often-overlooked history of South East Asia during World War II, author Selina Siak Chin Yoke is releasing “When the Future Comes Too Soon” published by Amazon Crossing on July 18, 2017.

“When the Future Comes Too Soon” follows the story of Wong Mei Foong, a woman struggling to thrive during a time of war, increasing racial tension, and a husband who has been beaten down by life and consumed by bitterness. Uniquely immersing readers into another world and time, the novel embarks on a journey through Malaya and the forces that shaped its culture.

The release of “When the Future Comes Too Soon” follows the amazing debut success of “The Woman who Breathed Two Worlds” which, in addition to garnering almost 1,000 Amazon reviews from readers around the globe, has earned accolades from best-selling authors, as has Siak’s upcoming release.

Perfect for readers who loved “The Joy Luck Club” by Amy Tan and “Memoirs of a Geisha” by Arthur Golden, “When the Future Comes Too Soon” blends an exotic setting with eternal questions that cross cultures and time.

The tales Siak writes are inspired by the women in her family, her great grandmother foremost, and stories she grew up listening to as a child. After being diagnosed with cancer, Siak found a sense of comfort and solace in writing, especially while reaching out to family members to learn more about the old days to create a truly compelling and personal narrative filled with dynamic, relatable characters.

Written through the lens of a lifetime of family lore and extensive research, “When the Future Comes Too Soon” shines a light on the little-known world of war-torn Malaya and the struggles of a people under culturally divisive rule. Filled with twists and turns, this emotional story will keep readers enthralled until the last page.

Of Malaysian-Chinese heritage, Selina Siak Chin Yoke grew up listening to family stories and ancient legends. She always knew that one day, she would write. After an eclectic life as a physicist, banker and trader in London, the heavens intervened. In 2009 Chin Yoke was diagnosed with cancer. While recovering, she decided not to delay her dream of writing any longer. Her first novel, “The Woman who Breathed Two Worlds” (The Malayan Series, #1), was published in 2016 and made an immediate emotional connection with readers. It debuted as an Amazon bestseller in historical fiction, was named by Goodreads as one of the six best books in the month of its release and has been favorably compared to the work of Pearl S. Buck and Amy Tan. “When the Future Comes Too Soon” is her latest novel.

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Book Details for When the Future Comes Too Soon

Selina Siak Chin Yoke • July 18, 2017 • Amazon Crossing
ISBN: 1542045754 (paperback) • ASIN: B01N5P78JM (ebook)
Price: $10.99 (paperback) • $4.97 (ebook)
Historical Fiction

Praise For “When the Future Comes Too Soon”

“…an intensely visceral evocation of life in Malaya during World War II…” —María Dueñas, author of New York Times bestselling The Time in Between

“…an intricately drawn network of human relationships.” —Musharraf Ali Farooqi, author of Man Asian Literary Prize shortlisted Between Clay and Dust

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Praise For “The Woman Who Breathed Two Worlds”

“…vividly drawn, deeply affecting first novel…” —Laura Esquivel, author of Pierced by the Sun and the New York Times bestselling Like Water for Chocolate

An Interview with Selina Siak Chin Yoke

It may surprise your readers to know that you weren’t always a writer. Before becoming an author, you led successful careers as a research physicist and an investment banker, and even today, you work as a trader. What turned you on to writing?
I began writing out of desperation and a cherished dream. In 2009, I was diagnosed with breast cancer. After finishing chemo, when I should have been feeling better, I felt worse, even after many months. I was listless, out-of-sorts and far from being myself. Nothing seemed right. I saw a counselor; I stayed with friends outside London; I continued exercising. I was in a depression, except that I did not know it. And I certainly had no idea what to do – until I started writing. It was like a miracle: the act of searching for words and putting them into sentences transformed me. And then I remembered the dream I had of writing a novel loosely based on my great grandmother’s life. With every page I wrote, I could feel my strength returning. Writing saved my life. And now I can’t stop – I love it.

Why do you think readers develop such strong emotional connections to your characters?
I believe there are several reasons. First of all, my books are an easy read. The stories may be set in unfamiliar cultures and countries, but they are very accessible; I write from my heart and I think this shows. Secondly, my characters are rich and complex, and readers are able to glean their life histories – to get a sense of why they are the way they are. Finally, people across cultures and time have been more alike than we think. My characters reflect this. They face situations readers themselves have either faced or have heard about and can relate to in a very palpable way.

Fans have described being totally immersed in the world you built. How do you go about developing your narrative world?
Many readers say that they feel as if they were there in British Malaya with my characters. It must be because while I’m writing, I myself am there in the house or the jungle or wherever with my characters! I live and breathe every sentence while writing it. Not only do I visualize each scene – seeing what my characters see, hearing what they hear, and feeling what they feel – I even try to do what they do. In “The Woman who Breathed Two Worlds,” the protagonist eats with her hands, as is the Malay custom. I had a tutorial from a friend on how to eat with one’s hands, and then tried eating with my hands for a couple of meals. The protagonist also has many children – I drew the line there (!), though I did interview a range of women about their childbirth experiences. It’s the only way I know to transmit my characters’ experiences viscerally to readers.

On the one hand you work as a trader, which involves numbers, but at the same time your other job, writing, involves words. How do you combine the two?
With some difficulty! When I trade, I try to shut off my emotions, whereas while I write I need to tap into as many feelings and memories as possible. This can be schizophrenic, but fortunately they have something in common: they both require discipline. Some people think that authors only write when inspired. If this were true, there would be very few books! To be any good at writing you have to practice it every day, like any craft, regardless of whether you feel inspired. This takes a huge amount of discipline. I’m thankful to have both discipline and tremendous powers of concentration.

Your first novel was partly inspired by the life of your great grandmother. What can you tell us about her?
My great grandmother was a feisty matriarch of mixed Chinese-Malay descent who had many kids. She had to feed them, so it was just as well that she was apparently a great cook! In the town where she lived, she was also famous for her sharp tongue and shrewdness as an entrepreneur. No one is sure where or when she was born and what her name was. In those days, we had a tradition of addressing older people strictly by their familial titles. For example, you would call your father’s second brother Second Paternal Uncle. The result? Everyone knew exactly how they were related to each other, but they did not always know the names of older relatives. I dedicated “The Woman who Breathed Two Worlds” to my great grandmother, but had to scramble to find out her name! (We believe she was called Chua Paik Choo.)

You raise an interesting point here – you have an intriguing name: Selina Siak Chin Yoke. What can you tell us about your name?
Believe it or not, all of those names are actually on my birth certificate! Westerners will be forgiven for thinking that my family name is Yoke; in fact, it is Siak. Here’s a brief explanation: I was given both a Western name, Selina, and a Chinese name – Chin Yoke. “Selina” is of Greek origin, I believe, and has something to do with the moon, while Chin Yoke means “Pure Jade.” My name is easy to decompose, if you know how. In the West, a person’s name comes before the surname, hence you have “Selina Siak” on the left hand side. In Chinese names, however, the surname comes before the name. Therefore, the Chinese part of my name is “Siak Chin Yoke.” Putting the two parts together, you get Selina Siak Chin Yoke. Now here’s what’s interesting: in Chinese families, we like to be able to identify the generation to which a child belongs. Therefore, children have names which may sound very similar, but aren’t. For example, if I had a sister, she could be called Chin Fah. The first parts of our names would then be Chin, so that everyone would know we were related and of the same generation. This is the reason why the Chinese siblings in my books have similar sounding names. It’s definitely not because I’m out to confuse readers! For anyone interested, I’ve written a blog post about Chinese names (https://chinyoke.wordpress.com/2012/04/21/whats-in-a-chinese-name/).

How much of your work is fictional?
My stories weave invented characters and situations with real historical events, and all are underpinned by thorough research. In other words the people are made up, but their behavior is sometimes drawn from a hodge-podge of people I’ve known. The exact situations that my characters find themselves in are also invented, though they do take place within a real historical framework. I research the historical events carefully, using a mix of archived news articles, books, road maps and interviews. I think it is this mix (plus my trying to do what the characters do, as described above) that provides the authenticity readers have picked up on.

What themes should readers keep an eye out for while reading “When the Future Comes Too Soon?”
“When the Future Comes Too Soon” follows an ordinary Malayan family through the Second World War. For many Asians, this invariably meant a time when their country was occupied by Japanese forces. The circumstances described in the novel are harrowing, and challenging times tend to bring out the best and the worst in people. Readers will see instances of betrayal in its many forms, but also instances of unexpected strength. The protagonist, for example, discovers that she is more capable than she thinks.

“When the Future Comes Too Soon” is the second book in The Malayan Series. What can you tell us about the series?
All of the books in The Malayan Series can be read independently and in any order. Each book will follow a different generation of the same family – the Wong family – and will tell not only their human story but also the story of the country they live in – British Malaya. Readers don’t need to know anything about Malaya beforehand! My books can be read on many levels, including as pure entertainment. “The Woman who Breathed Two Worlds” (Book 1) sees Malaya under British colonization and the rapid cultural changes this brings. “When the Future Comes Too Soon” (Book 2) takes place during WWII, with the Japanese occupation and all the consequences thereof. The third book will bring us closer to modernity. The closer we get to modern times, the more controversial the books may seem, especially in Asia, where we prefer to avoid inconvenient truths, striving instead for harmony over conflict.

Does this mean that there are messages in your novels?
My writing is not political in that way. I want first and foremost to touch emotions and to entertain, and to do both in an intelligent manner. However, because British Malaya was historically such a melting-pot of cultures and peoples, questions about identity, culture and how we live with one another emerge naturally in The Malayan Series. What happened in the past can shine a light on the present, and in this way provide lessons for modern Malaysia and any other multicultural country that is willing to learn from mistakes.

What do you think readers of “The Woman who Breathed Two Worlds” will like about “When the Future Comes Too Soon?”
They will be transported to British Malaya in the same way that they were in the first novel. They will find out what happens to characters who were briefly introduced there. They will laugh and cry – probably cry more than laugh, as Malaya is at war – and hopefully, they’ll wait anxiously for the third book!

Angelle Barbazon

Angelle joined the Books Forward team in 2014, and her experience and dedication has led to her being named our lead publicist. Her distinct pitching style and effective research has secured media coverage for our authors and their books in Vanity Fair, Buzzfeed, The Associated Press, The New York Times and USA Today, as well as countless regional media outlets.

Our authors love Angelle’s meticulous attention to detail and unwavering commitment to their vision and their books. Other publicists frequently spend time learning from her — how to ask probing questions, find the right person to contact and craft a successful pitch.

She began her professional career at news outlets across the country before surrendering to her love of books. An award-winning journalist whose own work has appeared in local and national publications, including NPR, she is tenacious in finding the right angles to utilize for each campaign and connecting with the right reporter for the job.

Angelle can usually be found at a concert, working on Mardi Gras costumes or taking photos of random cats that she meets wandering around New Orleans.

Inspired by a controversy that once tore families apart in the heart of Ireland, Down & Out Books is releasing The Origins of Benjamin Hackett by debut novelist Gerald M. O’Connor on Feb. 6, 2017.

The Origins of Benjamin Hackett is a unique adventure tale set in County Cork, Ireland. The story introduces readers to a young man on the cusp of adulthood whose parents reveal that he is adopted on his 18th birthday. This revelation sends Benjamin on an unforgettable journey with a friend to find his birth mother – and himself – before the people determined to keep his origins a secret destroy his records forever.

O’Connor’s book draws on a time when the Catholic Church in Ireland would quietly take children from mothers in convents and Magdalene Laundries and deposit them into new homes, making it nearly impossible for these kids to find their real parents. Attempts by children to find their birth parents were often blocked by a dark web of secrecy and bureaucracy that, in many ways, still continues to haunt the country today.

Brimming with unfathomable escapades, a motley crew of characters and a healthy serving of Irish humor, O’Connor’s book is steeped in Irish culture told in the inimitable Corkman’s brogue. Set in a time before the chaos of modern digital culture, The Origins of Benjamin Hackett takes a step back, allowing space for readers to escape and think about the realities of growing up in a family founded on a lie. In his stylish debut, O’Connor shows an amazing ability to paint heartbreak and longing that will keep readers thinking about The Origins of Benjamin Hackett long after they finish the story.

GERALD M. O’CONNOR is a native Corkonian, currently living in Dublin with his long-term partner, Rosemarie, along with their three children. He writes character-driven novels of various genres by night and is a dentist by day. When he isn’t glued to the keyboard, he enjoys sci-fi films, spending time with his family and being anywhere in sight of the sea. He is currently working on his second novel, The Tanist.

An Interview with Gerald M. O’Connor

The Origins of Benjamin Hackett takes place in your hometown of Cork, Ireland. For people who are not familiar with the region, what is it like and why did it become the perfect setting for your book?

The county of Cork is no small place. It is a big unwieldy organism that is almost impossible to pin down without living it. I would need a year to decipher it properly to do it justice, but even then I fear I would fail miserably. But you did ask, and so I will try. First a few fun facts: Cork is known as the rebel county. The Irish for Cork is Corcaigh translated as “marsh” as it began life on a swampy estuary. We are best known for Murphy’s stout, All-Ireland winning teams, a glorious coastline, a rich vibrant history and our bullet-speed wit. As with all populated areas, there are the good and the bad parts. The locals can swindle or charm you on the whim of the weather, but at the heart of Cork is its inimitable character.

It has the layers and complexities of an urban area with solid rural roots. It has been the center of rebellion and republicanism for centuries. It was the only place in Ireland the English could never truly tame. It is surrounded by the Atlantic sea and has some of the sandiest beaches you will see the world over. Some say God gave us foul weather to counterbalance the beauty. And I’m fine with that, as it keeps the fair-weather types away! I firmly believe there is no better place to be than down at Barley Cove beach when the summer is at full-throttle, and the sun decides to shine. At the heart of Cork are the locals, or Corkonians as we call ourselves. We are a fiercely loyal, bitingly bright and determined people. I have never been in any other city where I have felt that same burning sense of belonging than when I lived in Cork. If you are from there, you will recognize the words I am saying as unadulterated facts. If not, the county may sound like some Fenian stronghold that still thinks the War of Independence rages.

In our hearts and minds, we are unique, abandoned by those up in Dublin, constantly fighting for our share of the pie, stuck at the bottom of an island that’s barraged by sleet and rain. We are often negated or chastised as insular or bull-headed, but we do not give a damn. Because we are proud of that community mind, the hive mentality. If you ever come across a Cork man or woman anywhere in the world, in any walk of life, I can wholeheartedly say that not a single one will talk with anything but fondness for the county at the southern tip of Ireland. I do not imagine there is a better plaudit than that as proof of our county’s effect on its natives.

I set the novel in Cork for various reasons. First, I know it better than any other part of the world, so it was natural for me to use it as a setting. And second of all, despite us having a host of fantastic writers from our city—Seán Ó Faoláin, Frank O’Connor and Joseph O’Neill to name but a few—there is a real lack of recent Cork-based Irish literature in comparison to other parts of Ireland. I hope my writing this novel may have righted those scales a bit. But predominantly I focused it on Cork because of the lilt of the locals, the characters I have met and known throughout my life, and the sheer breath-taking beauty of its landscapes and surrounds. To use the old adage, I wrote what I know, and I know Cork.

 What inspired you to write a coming-of-age novel? Did your own childhood influence your characterizations of Benjamin or JJ?

I have always been drawn to these type of tales. In many ways, that period in your life, when you are on the cusp of adulthood with all the hormones and fears of the future spinning your head into glue, can be the most traumatic of our lives. Having something that upends your sense of self is almost always a shortcut to figuring out the convoluted mess of life. If stories are all about trouble inducing change, I can think of no greater contrast in character than the growth from child to adult. Setting a story in this borderland of life always seems to be fertile ground for wild adventures. You can never get away with the same level of naivety, or ill-considered actions, in someone other than a youngster. Rip their idealized life apart and the reaction is nearly always bedlam. I wanted the freedom to write a story fueled by the white hot rage of teenagers. The coming-of-age adventure story allowed me to do so without the rigid logic of maturity stifling the madness.

As to whether or not my own childhood influenced the characterization of Benjamin and JJ… in truth, I am not too sure. I know I did not consciously draw the characters from my life growing up in Blarney. I was not adopted, nor did I know anyone who was. I had a large group of friends from the estate and village where I lived, but none bear any true resemblance to these characters. But we are the sum of our experiences, and my childhood clearly influenced me in my life, so there must be some subconscious part of me that comes out in those two lads. If it is not in their stories then it is most likely in their camaraderie and kinship and general outlook on life. I had a fantastic close-knit crew, still do to this day in fact, and it would not surprise me if they saw threads of themselves in the characters on the page. But rest assured, if they do, it is by pure happenstance rather than design. 

Your book tackles some serious topics, including the main character’s quest to find his birth mother, but you eloquently infuse the story with a bit of humor. How would you describe your sense of humor, and how does it play a role in your novel?

As with most of my fellow countrymen, my sense of humor is severely grounded in self-deprecation first and foremost. I do not think anyone could survive growing up in any parish in Cork without having that quality ingrained into you. We use humor as a shield in Ireland, hiding our fears and insecurities behind it, and as a weapon to bludgeon anyone with notions (people with an inflated opinion of themselves). It is like a code in its own right, nuanced, secretive and governed by rules only understood by those who grew up there. Cork is a county dripping in good-humored mockery. And nothing is sacred. Everyone and everything is a potential target.

Sometimes we go too far, of course, and the line between genuine comedy and thinly-veiled insults becomes this shady, intangible thing defined by the mood of the person on the receiving end. But on the whole, we manage to strike the balance just right. The general rule is this—if you ever find yourself on the sharper end of our tongues, then you probably deserve it.

For the uninitiated arriving in Cork, though, be warned. You had better do so fully-armed for banter. We slag and hop the ball, mock and deride, and there is nothing in the entire world that can savage your ego faster than a quick one-liner from a Cork-born native who is in the mood for badness. And God help you if they know you, because they will have total knowledge of all your weak spots and will package their goading up into perfect bullet-shaped assassins and riddle you senseless. If I ever get too big for my boots, all I have to do is pop down to my local, and I’ll be righted within the hour.

So as you can probably imagine, comedy is not a construct or a style choice used for any particular reason in my novel. It is there simply because that is how we behave in Cork. I could never have written a story set in my homeland without infusing that quality into it. It would have been dishonest to my roots.

Over the course of their road trip, how do Benjamin and JJ develop as characters?

To answer this truthfully would force me to spoil a lot of the surprises. So I am reluctant to go into too much detail. Suffice it to say, at the start they are at sea in life, unsure of what they want to do, as is the fate of many teenagers the world over. JJ is the straight-man in many ways, loyal to a fault and a lot more emotionally balanced than Benjamin. There is not too much in the way of change for him from beginning to end. Benjamin, though, goes through a large evolution in character. He does not cure himself completely, as he is still naïve and reckless by the end. But his reaction to the adoption and his ultimate decision at the close of the book shows how he has matured from a boy to a man and begins to see the world through adult eyes. It is the natural arc for a tale like this, really.

How does the history of adoption in Ireland play a role in this story?

Adoption plays a massive part. Benjamin’s story solely exists because of him being secretly deposited into a new family without the knowledge of his birth mother. The history of adoption in Ireland is a sore point and still very current. In the mid-20^th century having a baby out of wedlock in Ireland was culturally unacceptable and would result in rejection by family, friends and society in general. The stigma was so bad that many unmarried women would be sent away to convents and Mother and Home facilities run by the church and funded by the government. For example, in 1967 over 97% of all children born out of wedlock were adopted and the vast majority were done without the full knowledge and consent of the mother. I did an almighty amount of research into it while writing this novel. It is funny in a way, because there’s barely the thread of the facts I uncovered in the book. I think you could have a lifetime of material if you researched the stories hidden behind the doors of those convents and Mother and Baby homes.

What can you tell us about your next book, The Tanist?

My new book is a world apart from this one. It is a thriller set in a turbulent Celtic world, drawing on the folklore and myths of the early 14^th century in Ireland. I cannot divulge too much as I am in the midst of finishing the first draft, and a lot may change by the time I have a polished product ready for publication. But The Tanist is a far darker novel, devoid of humor and set in a violent and unforgiving time. The tag line goes something like this: “Unjustly banished for murder, an innocent boy must survive three impossible tests in a foreign land, before his city is destroyed, his people enslaved and his freedom lost forever.

Angelle Barbazon

Angelle joined the Books Forward team in 2014, and her experience and dedication has led to her being named our lead publicist. Her distinct pitching style and effective research has secured media coverage for our authors and their books in Vanity Fair, Buzzfeed, The Associated Press, The New York Times and USA Today, as well as countless regional media outlets.

Our authors love Angelle’s meticulous attention to detail and unwavering commitment to their vision and their books. Other publicists frequently spend time learning from her — how to ask probing questions, find the right person to contact and craft a successful pitch.

She began her professional career at news outlets across the country before surrendering to her love of books. An award-winning journalist whose own work has appeared in local and national publications, including NPR, she is tenacious in finding the right angles to utilize for each campaign and connecting with the right reporter for the job.

Angelle can usually be found at a concert, working on Mardi Gras costumes or taking photos of random cats that she meets wandering around New Orleans.