Welcome to a world of æther and rust

Los Angeles, CA – Noah Lemelson harmoniously merges unique genres in his new steampunk/apocalyptic/fantasy noir novel. “The Sightless City,” (July 20, 2021, Tiny Fox Press) is the debut novel of an upcoming trilogy, and has already received a First Place Award in the 2019 OZMA Book Awards for Fantasy Fiction. Lemelson places realistic and flawed characters in a world both strange and familiar. Strange in its unique creatures, machines, and magics, familiar in the corruption and cruelty that comes with industry and war.

Kidnapping. Enslavement. Murder. Those are only the tip of the iceberg when it comes to actions some will take to protect their interests in æther-oil, the coveted substance that fuels the war-torn city of Huile.

As both veteran and private investigator, Marcel Talwar knows this firsthand, and he likes to think he’d never participate in such things. However, that naïve idea comes to a crashing end when he takes on a new case that quickly shatters his world view. A trail of evidence points to someone in Marcel’s inner circle who’s using him as a pawn to conduct grisly experiments—experiments that could lead to genocide.

Now, Marcel is more determined than ever to discover who’s pulling the strings to this sinister plot. But the further he gets, the larger the target on his back becomes, and it’s not long before Marcel has to ask himself how much and how many he’s willing to sacrifice to get to the truth.

“The Sightless City”
Noah Lemelson | July 20, 2021 | Tiny Fox Press | Steampunk/Dieselpunk Fantasy
Hardcover | 978-1-946501-33-2 | $28.95
Paperback | 978-1-946501-33-2 | $16.95
Ebook | 978-1-946501-33-2 | $8.99

“Stellar worldbuilding and quick pacing. This is sure to entertain any fan of gritty speculative fiction.” – Publishers Weekly


Noah Lemelson is a short story writer and novelist who lives in LA with his wife and cat. Lover of Science Fiction, Fantasy, New Weird, and Punk. He received his BA in Biology from the University of Chicago in 2014 and received his MFA in Creative Writing from the California Institute of the Arts in 2020. He has had several of his short stories published in both print and online magazines, such as Allegory, Space Squid and the Outsider’s Within Horror Anthology.

Follow Noah Lemelson on social media:
Facebook: @Noah Lemelson | Instagram: @EruditeGoblin


In an interview, Noah Lemelson can discuss:

  • How one’s own flaws allows for deception and control
  • The nature of evil, ideological evil vs. pure selfishness
  • His unique approach to fantasy with realistic and flawed characters
  • How and why he merged the genres he chose
  • What’s to come in the world of Huile for the last two installments of his trilogy

An Interview with Noah Lemelson

1. How can fiction alter one’s own self narrative?

I think fiction allows us to look at the world through someone else’s eyes, and that’s a skill that can be turned inward. Different perspectives let us realize that the way we think about anything, including ourselves, is just one possibility, not the be-all-end-all truth. We all live in our own stories, partially written by us, partially written by others, while we can’t always control the way we fit into other peoples’ narratives, I think we do have some control on how we tell our own story. Fiction lets us practice that skill.

2. How did you decide to set your story in a steampunk fantasy world against the tumultuous backdrop of a partial apocalypse?

For whatever reason, I find industrial decay to be utterly fascinating, and even beautiful in its own way. I think that’s one reason why places like Chernobyl are so fascinating, places marked by civilization but no longer controlled by it. Traditional fantasy loves its ruined temples and forgotten cities, I think it’s interesting to take those same tropes and bump them up a couple centuries.

3. Could you explain your “realistic” approach to writing magical characters?

Though the term magic is never used in the book (besides once in a derisive aside), several characters have abilities or powers that are… basically magic with a fancy name. It’s a fun fantasy to imagine problems that magic could solve, but I think it’s often more interesting to look at what magic can’t solve. Self-doubt, moral quandaries, societal inequalities, relationship difficulties, magic has its limit. Its like anything else, skills or powers in one part of life don’t necessarily translate to others, and I think many of the most interesting stories about magic characters, be they literal wizards, super-heroes, or realty-defying inventors, is to look at where their magic is no longer enough.

4. What exactly is the Calamity, and how did that event influence the ongoing wars and discrimination throughout the book?

The details of the Calamity aren’t discussed much in the book, but in short it was a massive disaster caused by the misuse of ætheric weaponry that turned a big chunk of the continent into desolate Wastes. It’s one of those events that is so big that it paradoxically just kind of blends into the background. For most people it’s just a fact of history, an explanation for a reality that is their mundanity. Yet, like most facts of history, it can be trotted out to win political debate, or to excuse terrible acts. The Calamity is always someone else’s fault, an everlasting causa belli, a parable to support whatever argument is currently being made.

5. What inspired you to create this world?

Honestly I always loved the expanded universes for other novels, games, movies, and a not small part of my motivation came from a desire to have a world of my own, where my imagination wasn’t bound by what other people already wrote. As for why it became what it became, that’s a harder question to answer. I’ll say this, it started with the Wastes, and worked its way out.

How Competing Titles Help Sell Your Book

Competition in the publishing industry is a good thing, if you use it to your advantage. You’d never launch a product without first identifying the competition and how they’re reaching their (aka, your) target audience. Likewise, you should never launch a book without a thorough understanding of your competing titles.

I actually cringe every time an author says, “My book is totally unique! There’s nothing else like it on the market!” Here’s a hard (but helpful) truth: If you think your story is wholly original, you are either not consuming enough narrative media (books, plays, films, TV shows), or you’re deliberately ignoring similarities between your ideas and every other story that exists. What’s worse, you’re actively obstructing your own book marketing and sales.

Competing titles (also called comparative titles, or “comp titles,”) are one of the most powerful sales and marketing strategies you can use for your book. Competing titles help you sell your work to readers and book industry insiders. Let me explain.

What are “comp titles?”
Comp titles are books (or other forms of media) that are similar in content and/or style to your book. Comp titles are often, but not always, in the same genre as yours. Comparative titles can occasionally encompass media like popular TV shows or films, but the term most typically refers to books that resemble yours in one or more ways (plot, characters, setting, tone, etc.).

  • Why are competing titles important?
    Competing titles are important because they help readers and publishing industry professionals instantly:
    Understand what your book is about and why it’s appealing, by identifying which popular stories your work resembles
  • Identify who the target audience is for your book (and by extension, how to reach them) by understanding the already-established market for similar, popular titles
  • Recognize your work as unique. It may sound counterintuitive, but blending two or more comp titles can both help people understand what your book is like (“Hey, I like [Comp Title 1] and [Comp Title 2]!”) while also appealing to their sense of novelty (“And this new book combines the best of both! I haven’t seen that done before!”).

How do you identify “good” comparative titles for your book?

  • Select competitive titles that have been released in the last two years. The entertainment and publishing industries are flooded with new releases each year. If the property you’re comparing yourself to is more than two years old, it’s no longer considered “current” — and if it’s not “current,” it’s no longer guaranteed to be marketable to your target audience. While there’s some leeway to the two-year rule, this is the best practice to follow to make sure your comparison is as strong as possible.
  • Choose comp titles that are recognizable — but not too popular. If you’re a debut or relatively unknown author, comparing yourself to Stephen King, Elizabeth Gilbert, or J.K. Rowling will get you nowhere: These are established “franchise” authors with countless marketing dollars, fans and fame at their disposal. Sure, they had to start somewhere — but the publishing world they started in is not the one you’re starting in. Shoot for properties that were recognizable successes without being billion-dollar blockbusters. If you’re a YA debut author, select a fellow YA debut in the same genre, with similar themes, that became a bestseller. If you’re writing your third book in your WWII thriller series, select a recent, successful (more reviews, sales, popularity, etc.) WWII / war series to compare yourself to.
  • Use comparative titles that are as similar as possible to your work. You can combine genres and titles, but there should be distinct, easy-to-identify similarities between your book and your comp titles, whether in terms of genre, themes, characters, plot, tone, style, and even author background.

Endearing band of misfits seeks to save their spooky, supernatural town in delightful new graphic novel

TORONTO – Sometimes the most powerful magic comes from our connections to our family and friends — and we just might need to harness it to kick some major bunny butt. “ParaNorthern,” (July 13, 2021, HMH Kids/Etch) is a deliciously humorous, cozy and bewitching graphic novel from Stephanie Cooke that will delight readers of all ages.

A witch named Abby and her three friends — a wolf-girl, a ghost and a pumpkinhead — band together to try and save their town from an invasion of rabid (but adorable!) chaos bunnies in this enchanting middle grade graphic novel for fans of “Making Friends,” “The Okay Witch,” and “Lumberjanes.”

It’s fall break in the supernatural town of North Haven, and young witch Abby’s plans include pitching in at her mom’s magical coffee shop, practicing her potion making and playing board games with her best friends — a pumpkinhead, a wolf-girl and a ghost.

But when Abby finds her younger sister being picked on by some speed demons, she lets out a burst of magic so strong, it opens a portal to a realm of chaos bunnies. And while these bunnies may look cute, they’re about to bring the a-hop-ocalypse (and get Abby in a cauldronful of trouble) unless she figures out a way to reverse the powerful magic she unwittingly released. What’s a witch to do?

“ParaNorthern: And the Chaos Bunny A-hop-calypse”
Written by Stephanie Cooke | Art by Mia Costa | July 13, 2021 | HMH Kids/Etch 9780358169000 | Graphic Novel | Hardcover: $24.99 | Paperback: $12.99 | Ebook: $8.99

Follow Stephanie Cooke on social media:
Facebook | Twitter | Instagram | Goodreads | Website


STEPHANIE COOKE is an award-winning writer and editor based out of Toronto. She’s a comic book fan, avid gamer, movie watcher and lover of puns. She is a purveyor of too many projects and thrives in chaos. Her writing work is featured in Mark Millar’s “Millarworld Annual,” “Wayward Sisters,” “The Secret Loves of Geek Girls,” “Toronto Comics Anthology” and more. Her debut graphic novel, “Oh My Gods!” released in January 2021 from HMH Kids, and a sequel will follow in fall 2021.

She’s also a crazy cat lady who happens to be terribly allergic to cats. As such, she settles for having just the one cat and takes a lot of allergy medication.

In an interview, Stephanie Cooke can discuss:

  • Her experience in the comic book and graphic novel industry and how that has contributed to her writing
  • Her background editing comic books and graphic novels
  • What inspired her “ParaNorthern” characters and their spooky story
  • Her experience writing multiple characters and storylines, often at the same time!
  • What it was like to debut during a pandemic
  • What is next for her writing career and other books she plans to write

Other work by Stephanie Cooke

“Oh My Gods!”
Available Now | Paperback | 9780358299523 | $11.69

Karen is just an average thirteen-year-old from New Jersey who loves to play video games with her friends and watch movies with her mom. But when she moves to Greece to live with her eccentric, mysterious father, Zed, suddenly everything she thought about herself—about life — is up in the air. Starting a new school can be difficult, but starting school at Mt. Olympus Junior High, where students are gods and goddesses, just might take the cake. Especially when fellow classmates start getting turned to stone. Greek mythology . . . a little less myth, a little more eek! And if Karen’s classmates are immortal beings, who does that make her?

“The dialogue and characterizations are spot on and snappy” — New York Times Book Review

“[An] adorable father-daughter-bonding story with a twist. … A fun romp with minimal drama and plenty of heart makes this a refreshing read, and a teaser ending indicates more to come.” — Booklist

“A breezy tone and well-placed gags keep things moving in Cooke and Fitzpatrick’s series opener.”
— Publishers Weekly

“Sure to be a hit among readers seeking an exciting mystery with mythological flair.”
— School Library Journal

“Oh My Gods! 2: The Forgotten Maze”
Available April 5, 2022 | Paperback | $11.75

In this epic sequel to the middle-grade graphic novel “Oh My Gods!,”
Karen and her new friends descend into a forgotten maze beneath
Mt. Olympus Junior High in search of an online troll by the name of M1N0T4UR. For fans of Raina Telgemeier and Kayla Miller.

 


An interview with Stephanie Cooke

How did you get started writing graphic novels?

I have always loved to write, and the comics medium has fascinated me. I had these big books in my head that I wanted to write but as someone with ADHD, prose can be very intimidating for me. Comics offered a way for me to take the stories in my head and actually get them down on paper without fussing over too much (or too little) description because it’s a collaboration with an artist! I started with short stories to really hone my style and voice and to get a feel for the scripting process. I then graduated to full-length graphic novels! But I still love telling short stories; it’s an artform I think every creator should play around with.

How does “ParaNorthern” differ from your previous work?

All of my works have a little bit of me in them, but “ParaNorthern” was actually the first longform graphic novel that I sold and completed! Because of the way that schedules worked out, “Oh My Gods!” just happened to come out first. But “ParaNorthern” is a little spookier and plays around with supernatural lore and myths. It’s also all original characters that I created whereas in “OMGs,” we were largely reinventing gods and goddesses for modern times. Still our original creations — but based on something that came before!

Are there things you’ve done differently in the process of creating a new graphic novel? Things you’ve kept the same throughout writing?

As a creator, your voice and storytelling skills are always changing and evolving! But in terms of the process itself, it’s largely stayed the same so far. Once I have the characters and the rough idea of the story in mind, I outline very heavily. I basically do beat by beat point-form notes where I go through everything that I want to happen; I do a lot of editing and reworking of the story in this phase because it’s easier to process (looking at 3-4 pages of condensed story vs. 200-300 fully scripted pages). When I’m happy with the outline, I then start the scripting process and use the outline as my guide to keep me on track, with enough leeway to let things change as I get to know the characters more.

Why is this story important to you?

Aside from the fact that this is the first graphic novel I sold (and is very sentimental to me), I love these characters so much and the journey that each one of them is on. They’ve been in my head for years at this point and getting to see them come to life is nothing short of actual magic to me. I put little bits of myself into the characters and I also take inspiration from my loved ones too, so they’re not just these fictional characters to me — they’re bits and pieces of real people that I love, too.

What do you hope readers gain from the book?

I think I’m supposed to say that I hope they find characters that mean something to them and a story that they can relate to (despite the magical differences!) but honestly, I just want kids to read this, enjoy it and laugh at the silly jokes. We all need some joy in this world and something to let us escape from our everyday lives for a bit. I had so much fun writing “ParaNorthern” and watching it come to life; all I want in return is for at least one kid to read all my jokes and puns and laugh themselves senseless!

Kid genius battles time in quest to save the world in author’s action-packed debut middle grade sci-fi novel

Where do you go when time stands still?

CHICAGO – Most kids’ biggest worries are what cereal they’ll have for breakfast or being late to soccer practice. But not David Massie. This 12-year-old has the weight of space and time in his hands in debut author Andrew M. Nehring’s middle grade science-fiction novel, “David Massie and the Quantum Flux” (July 13, 2021).

In this ordinary world of extraordinary technology lies David, a kid genius. After the abrupt disappearance of his older brother, Morgan, David spends his days fending off the class bully and searching deep into Morgan’s past for answers. Then, one rainy day, his world implodes thanks to a mysterious dark armored figure. That fateful encounter triggers a series of alternate realities in which David, his parents, his school, and even society at large continuously morphs into different scenarios each day. But as strange as those realities were, nothing prepared David for time coming to a screeching halt. To return his world to normal, David teams up with a Time Cop named CP. And together, they look to unravel the mystery of the Quantum Flux.

A quick read full of action and adventure — and an ending you won’t see coming — readers will be eager to see just where David’s journey takes him next.

“David Massie and the Quantum Flux”
Andrew M. Nehring | July 13, 2021 | Middle Grade Science-Fiction
Paperback | 9781733384926 | $8.99 | Ebook | 9781733384933 | $5.99


Andrew M. Nehring is the author of David Massie as well as The Corrupted Light Chronicles. Growing up, he was always a very imaginative child who would tend to get lost in these worlds he created for himself. That passion for creativity never stopped. The concept of David Massie came to him after years of being an avid fan of science-fiction. This world that he created draws from both old and new sci-fi concepts.

Andrew has recently graduated from Northeastern Illinois University in the beautiful city of Chicago. Now that he has graduated, he is focused on expanding the worlds of David Massie and also The Corrupted Light Chronicles. For more info, visit andrewmnehring.com.


In an interview, Andrew M. Nehring can discuss:

  • His personal journey of overcoming dyslexia and the importance of authoring accessible books to middle schoolers
  • The intersection of Netflix and classic literature like Beowulf inspiring the series
  • How science-fiction leads children to imagine a better future and the importance of exposing children to reading early in life
  • The research involved in crafting a sci-fi novel, as well as interpreting themes and concepts for young readers
  • His plans for the next installment of the series

An interview with Andrew M. Nehring

1. What inspired you to begin writing the book?

The inspiration to write “David Massie and the Quantum Flux” came from my love of the sci-fi genre with media like Star Wars as well as action-adventure like Indiana Jones, all of which I was obsessed with as a kid. That being said, the idea itself came to me one night, when I suddenly thought of a kid stuck in different realities, having to overcome impossible odds. Over time, I expanded that idea into what it is today.

2. Why did you choose to target the book toward middle grade readers?

I feel middle grade to YA is the perfect audience for my books. First, the books themselves aren’t too long, but more importantly, I want them to be a fun adventure that inspires the youth to read. Because I remember when I was a kid, I’d look at these thick novels and feel so overwhelmed.

3. Why is this story so important to you personally?

Like with most authors, my books are like my babies, I want them to grow and succeed. But David Massie holds a special place in my heart because it’s sci-fi, and I love the characters as well as the universe I built.

4. Did you do any kind of special research to help write some of the more scientific parts of the book?

Around the time that I started thinking of “David Massie and the Quantum Flux,” I read about different dimensions or realities, as well as listened to podcasts explaining it. As for other research I did, I pulled from a variety of sources, whether in the sci-fi genre or different genres like action-adventure or even anime.

5. What do you hope readers take away from reading the book?

I want readers to take away a few things. First after they read, I want them to be excited for the next book and curious as to what happens. Second, I want my readers to think back about the fun experience they had reading the book. Finally, with all my books, I want my readers to know that if you lose or make a mistake, like David Massie, you can get through it and find victory through perseverance.

6. So, what’s next for David Massie?

There will be a sequel where the group of CP, David and Rory will travel back in time to ancient Greece, and the plot will thicken as the universe expands. As for the David Massie series itself, I plan for at least five books total.

Endearing band of misfits seeks to save their spooky, supernatural town in delightful new graphic novel

TORONTO – Sometimes the most powerful magic comes from our connections to our family and friends — and we just might need to harness it to kick some major bunny butt. “ParaNorthern,” (July 13, 2021, HMH Kids/Etch) is a deliciously humorous, cozy and bewitching graphic novel from Stephanie Cooke that will delight readers of all ages.

A witch named Abby and her three friends — a wolf-girl, a ghost and a pumpkinhead — band together to try and save their town from an invasion of rabid (but adorable!) chaos bunnies in this enchanting middle grade graphic novel for fans of “Making Friends,” “The Okay Witch,” and “Lumberjanes.”

It’s fall break in the supernatural town of North Haven, and young witch Abby’s plans include pitching in at her mom’s magical coffee shop, practicing her potion making and playing board games with her best friends — a pumpkinhead, a wolf-girl and a ghost.

But when Abby finds her younger sister being picked on by some speed demons, she lets out a burst of magic so strong, it opens a portal to a realm of chaos bunnies. And while these bunnies may look cute, they’re about to bring the a-hop-ocalypse (and get Abby in a cauldronful of trouble) unless she figures out a way to reverse the powerful magic she unwittingly released. What’s a witch to do?

“ParaNorthern: And the Chaos Bunny A-hop-calypse”
Written by Stephanie Cooke | Art by Mia Costa | July 13, 2021 | HMH Kids/Etch 9780358169000 | Graphic Novel | Hardcover: $24.99 | Paperback: $12.99 | Ebook: $8.99


STEPHANIE COOKE is an award-winning writer and editor based out of Toronto. he’s a comic book fan, avid gamer, movie watcher and lover of puns. She is a purveyor of too many projects and thrives in chaos. Her writing work is featured in Mark Millar’s “Millarworld Annual,” “Wayward Sisters,” “The Secret Loves of Geek Girls,” “Toronto Comics Anthology” and more. Her debut graphic novel, “Oh My Gods!” released in January 2021 from HMH Kids, and a sequel will follow in fall 2021.

She’s also a crazy cat lady who happens to be terribly allergic to cats. As such, she settles for having just the one cat and takes a lot of allergy medication.

Follow Stephanie Cooke on social media:
Facebook | Twitter | Instagram | Goodreads | Website


In an interview, Stephanie Cooke can discuss:

  • Her experience in the comic book and graphic novel industry and how that has contributed to her writing
  • Her background editing comic books and graphic novels
  • What inspired her “ParaNorthern” characters and their spooky story
  • Her experience writing multiple characters and storylines, often at the same time!
  • What it was like to debut during a pandemic
  • What is next for her writing career and other books she plans to write

Other work by Stephanie Cooke

“Oh My Gods!”
Available Now | Paperback | 9780358299523 | $11.69

Karen is just an average thirteen-year-old from New Jersey who loves to play video games with her friends and watch movies with her mom. But when she moves to Greece to live with her eccentric, mysterious father, Zed, suddenly everything she thought about herself—about life — is up in the air. Starting a new school can be difficult, but starting school at Mt. Olympus Junior High, where students are gods and goddesses, just might take the cake. Especially when fellow classmates start getting turned to stone. Greek mythology . . . a little less myth, a little more eek! And if Karen’s classmates are immortal beings, who does that make her?

“The dialogue and characterizations are spot on and snappy” — New York Times Book Review

“[An] adorable father-daughter-bonding story with a twist. … A fun romp with minimal drama and plenty of heart makes this a refreshing read, and a teaser ending indicates more to come.” — Booklist

“A breezy tone and well-placed gags keep things moving in Cooke and Fitzpatrick’s series opener.”
— Publishers Weekly

“Sure to be a hit among readers seeking an exciting mystery with mythological flair.”
— School Library Journal

“Oh My Gods! 2: The Forgotten Maze”
Available April 5, 2022 | Paperback | $11.75

In this epic sequel to the middle-grade graphic novel “Oh My Gods!,”
Karen and her new friends descend into a forgotten maze beneath
Mt. Olympus Junior High in search of an online troll by the name of M1N0T4UR. For fans of Raina Telgemeier and Kayla Miller.


An interview with Stephanie Cooke

1. How did you get started writing graphic novels?

I have always loved to write, and the comics medium has fascinated me. I had these big books in my head that I wanted to write but as someone with ADHD, prose can be very intimidating for me. Comics offered a way for me to take the stories in my head and actually get them down on paper without fussing over too much (or too little) description because it’s a collaboration with an artist! I started with short stories to really hone my style and voice and to get a feel for the scripting process. I then graduated to full-length graphic novels! But I still love telling short stories; it’s an artform I think every creator should play around with.

2. How does “ParaNorthern” differ from your previous work?

All of my works have a little bit of me in them, but “ParaNorthern” was actually the first longform graphic novel that I sold and completed! Because of the way that schedules worked out, “Oh My Gods!” just happened to come out first. But “ParaNorthern” is a little spookier and plays around with supernatural lore and myths. It’s also all original characters that I created whereas in “OMGs,” we were largely reinventing gods and goddesses for modern times. Still our original creations — but based on something that came before!

3. Are there things you’ve done differently in the process of creating a new graphic novel? Things you’ve kept the same throughout writing?

As a creator, your voice and storytelling skills are always changing and evolving! But in terms of the process itself, it’s largely stayed the same so far. Once I have the characters and the rough idea of the story in mind, I outline very heavily. I basically do beat by beat point-form notes where I go through everything that I want to happen; I do a lot of editing and reworking of the story in this phase because it’s easier to process (looking at 3-4 pages of condensed story vs. 200-300 fully scripted pages). When I’m happy with the outline, I then start the scripting process and use the outline as my guide to keep me on track, with enough leeway to let things change as I get to know the characters more.

4. Why is this story important to you?

Aside from the fact that this is the first graphic novel I sold (and is very sentimental to me), I love these characters so much and the journey that each one of them is on. They’ve been in my head for years at this point and getting to see them come to life is nothing short of actual magic to me. I put little bits of myself into the characters and I also take inspiration from my loved ones too, so they’re not just these fictional characters to me — they’re bits and pieces of real people that I love, too.

5. What do you hope readers gain from the book?

I think I’m supposed to say that I hope they find characters that mean something to them and a story that they can relate to (despite the magical differences!) but honestly, I just want kids to read this, enjoy it and laugh at the silly jokes. We all need some joy in this world and something to let us escape from our everyday lives for a bit. I had so much fun writing “ParaNorthern” and watching it come to life; all I want in return is for at least one kid to read all my jokes and puns and laugh themselves senseless!

New visionary fiction series follows musician’s spiritual journey

Author, poet and musician Seth Mullins draws on personal experiences and turns inward to craft the spiritually seeking protagonist Brandon Chane in the upcoming visionary fiction series “Edge of the Known.” The first book in the series, “The Authors of this Dream,” debuts on May 11, 2021.

Brandon Chane’s life is spinning out of control. After an altercation outside a performance venue nearly proves fatal, he’s feeling at the mercy of dark forces threatening to tear his life apart. Even as a gifted poet and musician, his efforts to channel pain, frustration, and thwarted love into his music may not be enough to save him.

Then he meets Saul Mason, a crisis counselor with the soul of a medicine man, who insists that Brandon’s life and destiny are of his own making. With Saul’s wisdom and guidance, Brandon begins a turbulent path of healing and spiritual awakening.

But as his band, Edge of the Known, looks forward to a high profile Battle of the Bands in NYC, heartbreak and a crisis of faith threaten to derail their first big break. Brandon finds that the dream he’s worked so hard to achieve is not a cure-all for his wounds. Is there another more resounding answer to be found? The truth reverberates within Brandon and in the lives of the hungry, searching souls touched by his music.

The Authors of This Dream
Edge of the Known – Book I
Seth Mullins | May 11, 2021 | Books Fluent
Visionary / Metaphysical Fiction
Paperback | ISBN: 978-1-7352689-7-2 | $12
Ebook | ISBN: 978-1-7352689-8-9 | $3.99


About the Author

Poet and musician Seth Mullins is the author of the “Edge of the Known” series, which begins with “The Authors of this Dream” releasing on May 11, 2021. His fiction vividly dramatizes journeys of self-discovery and emotional catharsis. Inspired by inner explorations, including dream-work and shamanism, Seth is unafraid to take an inward plunge and shares the fruits of his descent with his audience. He lives in Vermont.

In an interview, Seth Mullins can discuss:

  • His background as a musician and a lifelong music enthusiast, and how real-life rock musicians shaped the fictional characters in “The Authors of this Dream”
  • His visionary fiction series, “Edge of the Known”
  • How his novel investigates the relationship between violence and powerlessness
  • How his book explores the idea that reality is created from within us
  • The role of multidimensional philosophy and shamanism in his novels, and how those beliefs inform the characters he created

An Interview with SETH MULLINS

1. “The Authors of this Dream” is the first book in a series, “Edge of the Known.” Can you tell us about your protagonist, Brandon Chane? How much of yourself is in this character? How did you decide when to pull from your personal history as a musician instead of fictionalizing his experiences?

I always believed that I could never really be fulfilled in this world unless I uncovered my own voice as an artist and was able to reach people from that place. So that’s where my affinity with Brandon lies. The particulars of our respective journeys are very different – I’ve never been in a fistfight in my life, and Brandon (at least at the onset) throws his fists at the slightest provocation. But his underlying journey towards becoming a kind of spiritual messenger in a world that he always felt ostracized from is something that I’ve lived my own version of.

When I started sketching out the story in my mind, I knew I’d be reaching for some peak emotional points that, at least to some extent, reflected the epiphanies, insights and breakthroughs that I’ve reaped from my own inner journey. When it came time to fill in the details, though, I just tried to tune in and let Brandon speak for himself.

2. Saul Mason is another interesting character in this book. What can you tell us about him and his relationship with Brandon?

My conception of Saul began as a kind of wish-fulfilling fantasy. My personal spiritual odyssey has spanned some 30-odd years now, and I’ve worked with a lot of teachers along the way. I always left these relationships feeling disillusioned and unfulfilled because the framework within which these teachers worked felt too limiting and dogmatic. I wondered why no one I encountered ever worked from the perspective that we are each the creators of our experience. Now, I’ve spent my life developing as an artist and creator, not as a therapist, so Saul has become both a mouthpiece for my personal philosophy in that area and also as a model for how that kind of therapeutic approach could work – which is how he interacts with Brandon, always reminding him that his circumstances are the reflection of his thoughts, feelings and beliefs.

3. With Saul’s character, you introduce shamanism and metaphysical elements into your novel. How do these ideas impact your writing and character formation? Are these schools of thought important to you in your own life?

Leonard Cohen has a line is his song, Anthem: “There is a crack, a crack in everything; that’s how the light gets in.” That encapsulates the essence of shamanism, and it’s also an apt description of the artistic vocation in general. The wound obliges would-be healers to connect with the unseen world in order to regain spiritual equilibrium. Through his “crack,” his wound, Brandon touches upon an inner wellspring that exerts a healing effect on himself as well as the millions of people who hear him.

Saul’s worldview perhaps has to be described as “metaphysical,” but I don’t see it that way. I think his methodology is actually much more pragmatic than our culture’s prevalent belief systems, such as science and Christianity.

4. While writing this series, you read books about Jim Morrison of The Doors, guitarist Jimi Hendrix, Guns N’ Roses singer Axl Rose and Nirvana frontman Kurt Cobain. How did you incorporate this into “The Authors of this Dream?”

I’ve probably devoured 30 or 40 biographies about various musicians by this point. I wanted to make a living as a performing musician, once upon a time, and so I considered such reading to be “field research” in a sense. I was trying to learn as much as I could about my intended profession. Was there some reliable path to inspiration? How did various artists live with the hypersensitivity that so often seems to accompany vision? Is there a relationship between creativity and self-destruction?

As far as the musicians you mentioned go, Jimi Hendrix informed my idea of a musician as a kind of spiritual messenger, Jim Morrison and Axl Rose influenced my image of Brandon as someone who acts on raw impulse and emotion onstage, and Kurt Cobain inspired me with an example of how an artist, speaking for his or her self, can, in the process, spell out the hopes, fears and passions of a whole generation.

5. What does the music of the band in this series, Edge of the Known, sound like?

The band’s sound is deliberately left ambiguous because I don’t want to bind them to any specific era of music history. Wherever – and whenever – you are, they’re out there on that edge, reflecting it in their songs. Generally, all the band members are drawn to extremes: aggression, sadness, playfulness and joy, surrealism, and so on. The only musical terrain they tend to avoid is anything middle of the road.

6. Do you listen to music while you write?

Before, during and after! Music is a part of my life every day. Oftentimes there may be a certain song that captures an emotional or dramatic quality that I’m reaching for in a certain scene. The scene may take an hour to write, though, and the song may only be five minutes long, so I’ve created a lot of playlists that sustain certain moods throughout. I might instead opt to put that one song on repeat, too.

7. One of the underlying themes in this book is the relationship between violence and powerlessness. Can you elaborate on this and explain the importance of these themes in your work?

Violence of any kind is an eruption of emotional force that occurs when more constructive channels of expression and communication are blocked, or seem to be. Saul helps Brandon to recognize that his violent outbursts are closely entwined with a sense of powerlessness, his belief that he lives at the mercy of a reality that is thrust upon him. Brandon’s personal conundrum also serves as a microcosm for our state of worldwide strife. This series explores the idea of revolution. Many people hear that word and immediately associate it with pitting yourself against something. I suspect that part of the shift in consciousness that’s likely to occur within a lot of people in coming years will involve shedding the whole idea of reacting against anything. If you realize that you’re the creator of your life experience then there’s no need to react to circumstances because those circumstances are just reflecting the state of your inner mind.

8. You also discuss the concept of whether reality is thrust upon us rather than being created from within us. Where do you stand? Are people the victims of circumstance?

I first began consciously pursuing my own inner quest in my late teens. I’d grown up believing that my stepfather was my real father, and learning the truth about my situation provided the impetus for my spiritual search. I never achieved much growth and healing around this issue, though, until I realized I’d created the circumstance myself, and that I’d used it as motivation for finding my own answers when my upbringing didn’t provide me with a path to follow. My sense of unreality led me to discover my own personal definition of reality. Now, that’s one of countless experiences that eventually convinced me that we are indeed the creators of our experience and that the recognition of that fact is the surest way for us to free ourselves from any kind of limitation and suffering in our lives.

9. What does your book say about peoples’ tendency to worship the messenger (in this case, the rock star) but miss the message?

There aren’t a lot of voices within our culture that encourage us to trust our own inner wisdom, to turn inward and follow our own sense of direction. People sense their spiritual nature; they sense their own divinity, but many don’t know how to really own that, and so they project it onto politicians, sports heroes, movie stars and rock stars so that they can at least experience it at one remove.

An icon is basically someone who people measure themselves against in some way. This dynamic creates a real paradox for Edge of the Known. They seek success, and yet Brandon, particularly, is strongly influenced by Saul’s philosophy that each person is the creator of their reality. And so for him to be worshipped as a rock star essentially contradicts the message that he’s trying to convey in his songs.

10. Without giving too much away, what can readers expect from the rest of this series?

I’m really intrigued by the ways in which artistic inspiration can impact the rest of society – even sparking, in rare instances, a widespread cultural shift. The greater story arc explores this idea, even venturing into areas that many people normally associate with science fiction and fantasy. I believe that our future will involve a deeper and deeper awakening into the real magic of creation.

Photography-infused biography honors the long, creative life of the author’s mentor, Jacomena Maybeck

Pamela Valois writes about a life lived exuberantly into one’s winter years

BERKELEY, California –When Pamela Valois met her in the 1970s, Jacomena (Jackie) Maybeck was a model of zestful, hands-on living and aging, still tarring roofs and splitting logs in her seventies, and Pamela was a young working mother trying to carve out time for creative projects. Jackie became her mentor, and their friendship led to a best-selling book, “Gifts of Age,” published in 1985, that features portraits of Jackie and other exemplary women in the winters of their lives.

Decades later, after she and her husband bought Jackie’s home, Valois was struck with a newfound curiosity about her mentor’s fascinating life. What had shaped and supported Jackie in living exuberantly until her death at ninety-five? “Blooming in Winter” (She Writes Press, June 29, 2021) tells this tale—one that stretches from Java to a magical Berkeley house designed by Jackie’s father-in-law, renowned architect Bernard Maybeck. Valois’ loving portrait chronicles Jacomena’s early years as a Dutch immigrant and Northern California ranch girl and later as a Bay Area bohemian, mother of twins, ceramicist, widow, and ultimately steward of the Maybeck legacy. All along the way, Jackie lived with grace and originality.

Jacomena’s uncommon approach to life encourages us to reflect on our own lives. Readers will
empathize with her many challenges and be inspired to consider how our journeys may prepare us for our own winter years.


Praise for the author…

“Valois’ careful selection of quotes from Maybeck’s contradictory, ‘Rashomon-like’ diaries are employed to great effect, furthering the vision of a charming woman anyone would love to know…. [T]he account feels like a nostalgic conversation about a deeply loved, mutual friend. An engaging and detailed portrait of a 20th-century woman and the communities she tended.”
—Kirkus Reviews

“‘Blooming in Winter’ is the biography of a fascinating woman who managed to live her long life to the fullest…. Although Jackie is not famous outside of Northern California, this biography reveals her to be a woman worth knowing. In contemporary American society, which favors youthfulness, Jackie showed that… it’s never too late to begin something new.”
—Foreword Clarion Reviews

“Navigating widowhood and grappling with the onset of old age, Maybeck embraces her
independence and freely explores all artistic inquiries…. A reverential celebration of a feisty woman with a zest for growth, art, community, and dynamic living. This careful consideration of an extraordinary life emphasizes creative expression and the strength of womanhood.”
—BookLife Reviews

“it is the courage and faith with which all these women meet their individual challenges that ennobles their talent for living.”
—Ms. Magazine (for “Gifts of Age”)

“This handsome volume is a paean to older women… their attitudes toward aging are fascinating. Their stories are tales of strong wills and minds.”
—The Washington Post (for “Gifts of Age”)

“Blooming in Winter: The Story of a Remarkable Twentieth-Century Woman”
Pamela Valois | June 29, 2021 | She Writes Press | Nonfiction, Biography/Memoir
Paperback | ISBN: 978-1647421168 | $16.95


PAMELA VALOIS: Growing up in Sierra Madre, CA, Pamela Valois moved north to attend UC Berkeley during the Free Speech Movement. After almost flunking out due to political rallies, she returned to Los Angeles to become a dental hygienist. Then, with a solid part-time job, she became a quasi-hippie, selling macramé and her photos at weekend craft fairs. Pam got married on the lawn of Jacomena Maybeck’s Berkeley cottage and studied photography with Ruth Bernhard in San Francisco. Her book “Gifts of Age: Portraits and Essays of 32 Remarkable Women,” a bestseller inspired by Jacomena, was published in 1985. After mothering two sons, Pam earned a master’s degree and started a new career in health care. Now at age seventy-five, she’s been retired for ten years. She lives in Jacomena’s “High House” with her husband—it’s like a tree house, with redwoods, deer, and skunks as neighbors. For more information, please visit: https://pamvaloisbloominginwinter.com/


In an interview, Pamela Valois can discuss:

  • How she came to tell Jacomena Maybeck’s story
  • How Jacomena inspired her previous book, “Gifts of Age”
  • How Jacomena mentored her when she was in her thirties
  • What was special about her friendship with Jacomena, and why intergenerational friendships are so important
  • What it was like for Jacomena as she took care of her architect father-in-law Bernard Maybeck’s homes
  • How her friendship with Jacomena influenced her view on aging

An Interview with Pamela Valois

1. How did you come to write this story?

Living now in Jacomena’s unusual house, I had so many questions. She’d been a mentor to me in my thirties (when she was in her seventies) and we stayed close friends until she died at age 95 in 1996. I wanted to know what had shaped her and supported her in the many challenges she’d had—first as an immigrant, and later living on Nut Hill in Berkeley with the famous bohemian Maybeck family. My research began 5 years ago—with interviews, visits, phone calls, delving into her memoirs. I realized that her story would inspire others, particularly older women facing the challenges of aging and widowhood. Jacomena’s uncommon approach to life is a story that needs to be told now.

2. How did Jacomena inspire your previous book, “Gifts of Age”?

Jacomena’s friends, mostly in their seventies, seemed to be enjoying life—and perhaps even more than when they were younger and burdened with careers, children, and family responsibilities. I started doing photographic portraits and interviews with them hoping to create a book. “Gifts of Age,” co-authored with Charlotte Painter, was a bestseller at a time when many of us, though still in our thirties, were starting to think about our own aging and looking for role models of older women who were thriving in their winter years.

3. How did Jacomena mentor you when you were in your thirties?

My partner and I were considering getting married but had had ups and downs for 10 years. Something magical happened while we were living in Jacomena’s cottage across the street from her home. Life was simpler; Jackie taught us to savor a new blossom or make jam from the messy plum trees, and our worries seemed to melt in her grounded presence. We were married on her cottage lawn.

After I had my first son, I was working part-time, and I was frustrated creatively. Jackie suggested that I hire a babysitter for just 4 hours a week and during that time, I was to work only on photography—not taxes, grocery shopping, etc. And later in my fifties, she encouraged me to go back to school as she had done. We could talk about anything.

4. What do you think is valuable about intergenerational friendships?

One of the first things people ask me about “Gifts of Age” is, “How did you find those women?” I asked every woman I knew—many of us were in our thirties—do you know an older woman you admire? Most women had a special person, and talked about how their relationship had enriched their lives. The women in my book, all over age 65, were in a different season, and could add perspective to younger women’s issues as they were balancing career, family, and creative work. Jackie understood our concerns, and shared her own—such as how to add a handmade railing to her stairs so her “wobbly” friends could visit, or how to find a roommate now that she was a widow. She wanted to have friendships with men, even though she’d been a widow for decades. She reminded me of what a joy it is to write and receive a well-crafted letter.

5. What was it like for Jacomena to marry into the famous Maybeck family? And later, what was it like for her to care for the homes of her architect father-in-law, Bernard Maybeck?

Although she met her husband (Bernard Maybeck’s son) when she was only 10 years old,
and promised herself she’d marry him, when it came time to marry, she was ambivalent. She talks about this in my book. When she did marry, she found herself in a very tight-knit clan led by her mother-in-law with whom she differed on many things. Jackie was an independent soul, and often clashed with Mrs. Maybeck. The Maybecks built her family a house, then took it away. She never felt that her house was her own until the senior Maybecks were gone. And then she was suddenly widowed at age 61. Gradually, Jackie presided over the Maybeck legacy, writing books and taking care of the family houses (then rentals) on Nut Hill in Berkeley. This gave her a whole new project that brought her new relationships and a bit of fame.

6. You knew Jacomena when she was in her winter years. How did she cope with widowhood and growing older?

She said, “These years since Wallen died are like a tree that began to put out little leaves and blossoms where before, it was a bare tree.” She drew on her experience of growing up a ranch girl, and transformed the experience into an identity as a woman that included running electric cement mixers and cutting brush to keep warm. She relished roadwork and holding a grandchild at least as much as she did throwing a pot or writing a story. She changed how she thought of her ceramic work: “These days, I calibrate the work against the pleasure.” She no longer felt obligated to compete and make things that would look good in an exhibition. In her nineties, she said, “Make yourself placid and accepting. Sit in the sun with your hands folded. That’s a privilege too—a lot of people in the world never have that time.”

7. How did your friendship with Jacomena influence how you view aging?

When I was in my thirties and forties, aging looked far away, but seeing how Jackie met that season inspired me to make sure I enjoyed the work I was doing at that time in my life. Like her, I went back to school in my fifties, and I started a new career in health care. When I retired at age 65, she was gone, but I remembered things she did to structure her life. She kept a daily journal, did outside work daily, and created new friendships and new interests, like writing books. Now, at age 76, I’ve loved working on this book, “Blooming in Winter.” It’s brought me new relationships, new learning about writing and publishing, and a sense of value.

As I approach my eighties, I hope to re-start journaling, take more classes, and continue to follow Jackie’s advice about “Grandmother Gardening….A Grandmother Garden should have a couch and a chair to view the garden from….A Grandmother can weed and plant any flower bed as wide as her arm is long. Long-handled pointed hoes are great! Toy rakes! The very best pruning shears, and keep them sharp!”

 

Suspense and romance take center stage in new YA mystery from Sisters in Crime author

LOUISVILLE, Kentucky – Coming this summer from author and former dancer Lynn Slaughter is Leisha’s Song (June 22, 2021, Melange Books/Fire and Ice), a coming-of-age novel that explores the challenges of growing up when teens’ passions and dreams clash with parental expectations, as well as the role the arts play in building powerful connections that transcend racial and social class differences.

Leisha knows something’s wrong. Her beloved vocal coach at boarding school would never have resigned and disappeared like this in the midst of preparing her prize students for a major vocal competition. Leisha’s determined to find her, make sure she’s okay.

Cody, a sensitive cellist, insists on helping her. Sparks fly, clues multiply, and romance blossoms, despite the disapproval of their families.

Leisha’s desire to be with Cody and pursue music rather than medicine puts her on a direct collision course with her grandfather, the only parent she’s ever had. But an even more immediate threat looms—because as Leisha draws closer to the truth about her teacher’s disappearance, she puts her own life in grave danger.

Leisha’s Song
Lynn Slaughter | June 22, 2021 | Melange Books/Fire and Ice
Young Adult Contemporary | Paperback | 978-1-953735-34-8 | $13.99


About Lynn Slaughter

After a long career as a professional dancer and dance educator, Lynn Slaughter earned her MFA in Writing Popular Fiction from Seton Hill University in 2016. She writes coming-of-age romantic mysteries and is the author of It Should Have Been You, a Silver Falchion finalist; While I Danced, an EPIC finalist; and Leisha’s Song (June 22, 2021, Fire and Ice). Her short story, Missed Cue, appears in Malice Domestic’s 2020 anthology, Murder Most Theatrical. She lives in Kentucky where she’s at work on her next novel, Deadly Setup, and serves as the President of Derby Rotten Scoundrels, the Ohio River Valley chapter of Sisters in Crime.


In an interview, Lynn Slaughter can discuss:

  • Exploring thought-provoking themes surrounding race and class with the backdrop of a coming-of-age romantic mystery
  • Writing characters from different backgrounds and working with a sensitivity editor and beta readers for better representation
  • Her background as a professional dancer and dance educator, and how the arts can positively transform lives
  • Her involvement with the mystery-writing community as the president of the Ohio River Valley chapter of Sisters in Crime

An Interview with Lynn Slaughter

1. Tell us about the lead characters in your novel, Leisha and Cody.

Leisha is extremely intelligent, hard-working, and passionate about classical singing. She goes from being eager to please her grandfather to someone who is determined to live her own life and make her own choices. She is keenly aware of being a Black scholarship kid at a predominantly white upper class boarding school and often makes wry observations about her experiences with white folks.

Cody, her romantic interest, is a sensitive cellist who shares Leisha’s passion for music. Whereas Leisha feels like an outsider at her boarding school, Cody feels like an outsider in his ultra-wealthy, conservative white family. He doesn’t share their worldview or their prejudices. He’s also incredibly perseverant. No matter how many times Leisha rejects his invitations to date him, he doesn’t give up. He’s playful and enjoys teasing Leisha. He’s brave and willing to give up everything to have music and Leisha in his life.

2. It certainly sounds like there’s a Romeo and Juliet story here (only with a much happier ending)! Can you tell us more about why you incorporated the dynamic of interracial romance into your novel and chose to tell your story from Leisha’s point of view?

In my own work life in the arts, I’ve found that close friendships and romantic relationships often develop between folks who differ in social class, race/ethnicity, and sexual orientation. Leisha and Cody come from vastly different backgrounds, but their passion for music connects them in a fundamental way.

3. As for why Leisha is the central character in the novel, I want my grandchildren and children everywhere to enjoy books featuring folks who look like them. As one of my teen beta readers said, “We’re so sick of being the sidekick!”

You spent many years as a dancer and dance educator. Through your personal experiences counseling students who were passionate about the arts, like Leisha, did you come across parents who disapproved of them pursuing artistic careers? How does your novel celebrate the liberating value of art and music?

While some parents are very supportive, others actively try to dissuade their children from pursuing careers in the arts. Often, they fear their children will never make a living in the arts and/or they view the arts as “a frill.” Leisha and Cody share the problem of lack of parental support for their desire to pursue music. Yet they feel most alive, joyful, and fulfilled when they are making music.

4. What other societal pressures does Leisha face in school as she forges her own path into adulthood?

Leisha puts a lot of pressure on herself to excel. Much of that comes from her grandfather drumming into her from an early age that to compete in a white-dominated world, she has to be twice as good. Some of her drive to succeed academically comes from wanting to prove that she’s not there on scholarship just because she’s Black and the institution wants to up their diversity numbers, but because she’s extremely smart and deserves the spot.

5. You’ve spent most of your life as a dancer, and now you’re a writer. Obviously, there are differences in levels of physical activity, but what are the similarities?

Both are rewarding and meaningful forms of expressive communication. I loved being “in the zone” as a dancer, and I love being there as a writer. Both fields require self-discipline, constant practice, perseverance, and attention to craft as well as artistry. Both call for a commitment to constant growth and improvement. There is also a lot of vulnerability involved. When you put yourself and/or your work onstage or share your writing with others, you are revealing so much about who you are. I consider both dance and writing to be risk-taking behaviors! And of course, dancers and writers are very familiar with rejection.

6. Tell us about your involvement with Sisters in Crime.

Sisters in Crime is a wonderful organization dedicated to the advancement, recognition, and professional development of women mystery writers. I’ve been an active member of my local chapter since 2016 and this year, became President. We offer constructive feedback and encouragement to one another on our current works-in-progress and host a variety of guest speakers on mystery writing-related topics. The national organization also offers a host of resources and classes for members.

7. What attracted you to writing young adult fiction rather than books for adult readers?

Teens have always been my favorite age group to work with. I formerly chaired the dance department at a performing arts high school and spent several summers counseling students at a residential program for high schoolers gifted in the arts. In addition, I’ve been a lifelong lover of young adult fiction and have been inspired by such luminaries in the field as Judy Blume, Chris Crutcher, Sarah Dessen, and Angie Thomas.

Adolescence is such a formative time of life. Teens are trying to sort out issues of identity — who they are and who they dream of being. It’s an emotionally intense time, full of angst and conflict, as well as humor. They are coming of age in an increasingly diverse society where they are grappling with the fallout from systemic racism, homophobia, and xenophobia. As author Gayle Forman points out, YA novels are wonderful “empathy-delivery devices,” and in our polarized world, I think cultivating empathy and understanding of one another is crucial.

8. What are your favorite writing rituals?

I’m a morning writer. After breakfast and a ride on my exercise bike, I head into my office. My sweet husband makes sure I have water and coffee, strands of Christmas lights over my desk, and a scented candle nearby. And then he closes the door! After booting up my computer and putting some music on, I start by reading and doing some light edits on my previous day’s pages and then push forward into new material.

9. What is something about you that’s not in your bio and might surprise your readers?

In my 60s, I sang vocals for a local rock band! My husband and I still love making music together. I sing, and he plays the guitar. We enjoy composing our own original music.

10. What’s next for you?

I’m currently working on another coming-of-age romantic mystery, Deadly Setup, in which the 17-year-old daughter of a New England heiress fights to prove her innocence when she goes on trial for the murder of her mother’s fiancée.

 

Red white and blue book covers to read for Flag Day

The Wolf and the Woodsman by Ava Reid

In the vein of Naomi Novik’s New York Times bestseller Spinning Silver and Katherine Arden’s national bestseller The Bear and the Nightingale, this unforgettable debut— inspired by Hungarian history and Jewish mythology—follows a young pagan woman with hidden powers and a one-eyed captain of the Woodsmen as they form an unlikely alliance to thwart a tyrant.

Other People’s Children by R.J. Hoffmann

In Other People’s Children, three mothers make excruciating choices to protect their families and their dreams—choices that put them at decided odds against one another. You will root for each one of them and wonder just how far you’d go in the same situation. This riveting debut is a thoughtful exploration of love and family, and a heart-pounding page-turner you’ll find impossible to put down. 

We Are the Brennans by Tracey Lange

In the vein of Mary Beth Keane’s Ask Again, Yes and Cynthia D’Aprix Sweeney’s The Nest, Tracey Lange’s We Are the Brennans explores the staying power of shame—and the redemptive power of love—in an Irish Catholic family torn apart by secrets.

Libertie by Kaitlyn Greenidge

Inspired by the life of one of the first Black female doctors in the United States and rich with historical detail, Kaitlyn Greenidge’s new novel resonates in our times and is perfect for readers of Brit Bennett, Min Jin Lee, and Yaa Gyasi. 

The Final Revival of Opal and Nev by Dawnie Walton

An electrifying novel about the meteoric rise of an iconic interracial rock duo in the 1970s, their sensational breakup, and the dark secrets unearthed when they try to reunite decades later for one last tour.

Mrs. Everything by Jennifer Weiner

Jo and Bethie Kaufman were born into a world full of promise. Growing up in 1950s Detroit, they live in a perfect “Dick and Jane” house, where their roles in the family are clearly defined. Jo is the tomboy, the bookish rebel with a passion to make the world more fair; Bethie is the pretty, feminine good girl, a would-be star who enjoys the power her beauty confers and dreams of a traditional life. But the truth ends up looking different from what the girls imagined. Jo and Bethie survive traumas and tragedies. As their lives unfold against the background of free love and Vietnam, Woodstock and women’s lib, Bethie becomes an adventure-loving wild child who dives headlong into the counterculture and is up for anything (except settling down). Meanwhile, Jo becomes a proper young mother in Connecticut, a witness to the changing world instead of a participant. Neither woman inhabits the world she dreams of, nor has a life that feels authentic or brings her joy. Is it too late for the women to finally stake a claim on happily ever after?

Blood Orange by Harriet Tyce

A disturbing, toxic and compelling novel that explores the power of fear and desire, jealousy and betrayal, love and hate, BLOOD ORANGE introduces a stunning new voice in psychological suspense.

The Shape of Thunder by Jasmine Warga

Cora hasn’t spoken to her best friend, Quinn, in a year. Despite living next door to each other, they exist in separate worlds of grief. Cora is still grappling with the death of her beloved sister in a school shooting, and Quinn is carrying the guilt of what her brother did. On the day of Cora’s twelfth birthday, Quinn leaves a box on her doorstep with a note. She has decided that the only way to fix things is to go back in time to the moment before her brother changed all their lives forever—and stop him.

Behind the Red Door by Megan Collins

The author of the “suspenseful, atmospheric, and completely riveting” (Megan Miranda, New York Times bestselling author) debut The Winter Sister returns with a darkly thrilling novel about a woman who comes to believe that she has a connection to a decades old kidnapping and now that the victim has gone missing again, begins a frantic search to learn what happened in the past.

Concrete Rose by Angie Thomas

International phenomenon Angie Thomas revisits Garden Heights seventeen years before the events of The Hate U Give in this searing and poignant exploration of Black boyhood and manhood.

Americanah by Chimamanda Ngozi Adichie

Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria for the West. Beautiful, self-assured Ifemelu heads for America, where despite her academic success, she is forced to grapple with what it means to be black for the first time. Quiet, thoughtful Obinze had hoped to join her, but with post-9/11 America closed to him, he instead plunges into a dangerous, undocumented life in London. Fifteen years later, they reunite in a newly democratic Nigeria, and reignite their passion—for each other and for their homeland.

Sure, I’ll Be Your Black Friend by Ben Philippe

In the biting, hilarious vein of What Doesn’t Kill You Makes You Blacker and We Are Never Meeting in Real Life—comes Ben Philippe’s candid memoir-in-essays, chronicling a lifetime of being the Black friend (see also: foreign kid, boyfriend, coworker, student, teacher, roommate, enemy) in predominantly white spaces.

Miss Benson’s Beetle by Rachel Joyce

It is 1950. London is still reeling from World War II, and Margery Benson, a schoolteacher and spinster, is trying to get through life, surviving on scraps. One day, she reaches her breaking point, abandoning her job and small existence to set out on an expedition to the other side of the world in search of her childhood obsession: an insect that may or may not exist–the golden beetle of New Caledonia. When she advertises for an assistant to accompany her, the woman she ends up with is the last person she had in mind.

The Wedding Date by Jasmine Guillory

A groomsman and his last-minute guest are about to discover if a fake date can go the distance in a fun and flirty debut novel.

Tokyo Ever After by Emiko Jean

Izumi Tanaka has never really felt like she fit in—it isn’t easy being Japanese American in her small, mostly white, northern California town. Raised by a single mother, it’s always been Izumi—or Izzy, because “It’s easier this way”—and her mom against the world. But then Izzy discovers a clue to her previously unknown father’s identity… and he’s none other than the Crown Prince of Japan. Which means outspoken, irreverent Izzy is literally a princess.

Big Girl, Small Town by Michelle Gallen

Meet Majella O’Neill, a heroine like no other, in this captivating Irish debut that has been called Milkman meets Derry Girls.

A Woman is No Man by Etaf Rum

This debut novel by an Arab-American voice,takes us inside the lives of conservative Arab women living in America.

The Break Up Book Club by Wendy Wax

Breakups, like book clubs, come in many shapes and sizes and can take us on unexpected journeys as four women discover in this funny and heartwarming exploration of friendship from the USA Today bestselling author of Ten Beach Road and My Ex-Best Friend’s Wedding.

A Lowcountry Bride by Preslaysa Williams

When Derek begins to fall for the lovely Maya, he knows there’s no future. But destiny has its own plans, and these two lonely people with big hearts discover that coming home to love is the best gift life can give. 

The Chosen and the Beautiful by Nghi Vo

Nghi Vo’s debut novel The Chosen and the Beautiful reinvents this classic of the American canon as a coming-of-age story full of magic, mystery, and glittering excess, and introduces a major new literary voice.

Meet Me in Another Life by Catriona Silvey

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Executive coach pens practical and accessible guide to making the right choices for your career and your life

NASHVILLE, Tennessee – “The Art of Choice: Making Changes that Count in Work and Life” (Books Fluent, June 15, 2021) is an informative and inspirational look at how we can make decisions that make a difference. Drawing on interviews with successful businesspeople and his own professional experience, executive coach Terry Warren shows us how using intentionality, commitment, and accountability can empower us to make positive and lasting life-changing choices.

Terry Warren is passionate about helping people employ intention and commitment to achieve what they may not have believed was possible. Using a collaborative and compassionate approach, “The Art of Choice” offers lessons from business leaders, along with keys for gaining perspective, experiencing clarity, and achieving results whether you are starting out in your career, facing a major life decision, or nearing retirement.

Central to Terry’s work and life are his confidence in human potential, his strong Christian faith, his commitment to family and community, and his appreciation of art. As an accomplished landscape painter, Terry has learned to see every situation from a variety of angles. Such broadening of perspective is just one of the skills you’ll acquire in “The Art of Choice.”

“This book meets you wherever you are on your journey… within the pages of ‘The Art of Choice’ each one of us learns how to access our God-given power for whatever we need on this adventure we call life.”
—PAT WHITE, Master Certified Coach

“The Art of Choice: Making Changes That Count In Work and Life”
Terry Warren | June 15, 2021 | Books Fluent | Nonfiction, Business | 978-1-953865-29-8


TERRY WARREN is an International Coaching Federation Associate Certified Coach with more than forty years of leadership experience in the financial services and healthcare industries.

He has coached clients across a variety of industries, from sole proprietors to global company CEOs. In addition, Terry has served as the chair of several nonprofit boards, and is past president of the International Coaching Federation–Tennessee. Terry can be reached through his website, https://warrenexecutivecoach.com.


In an interview, Terry Warren can discuss:

  • What led him to write this book
  • What his career as an executive coach has taught him about decision-making
  • How one’s thinking affects an outcome
  • What often holds us back from making life-altering changes
  • The best advice he can give for anyone looking to approach decision-making differently

An Interview with Terry Warren

1. How has your career as an executive coach influenced the way you view life choices?

After coaching high-level achievers for a few years, I saw a pattern among my clients. Every
client who made an intentional choice, along with a personal commitment to change,
succeeded. One hundred percent success. In short, they made a choice with intention and
commitment, and they were successful.

2. What often holds us back from making important decisions in life?

Of course, this is different for each individual, but most often it comes down to fear of failure,
lack of confidence, lack of self-awareness or a long-held belief that may not actually be true.

3. How has your background in landscape painting influenced your understanding of perspective? Can perspective help us make the right choices?

Landscape painters are typically limited to work on a two-dimensional surface (i.e., a canvas,
panel, etc.) while painting three dimensional subjects. Understanding linear and atmospheric
perspective is critical to making believable pieces of art.

4. How does our thinking affect an outcome?

Once, during a conversation with my own executive coach, he asked, “Is the problem the
problem or is how you think about the problem the problem?” At first, I was taken aback by this question but as I thought about it more, I realized that indeed it was how I was thinking about the problem that was creating the real problem. I changed my thinking and found a solution.

5. How can “The Art of Choice” help readers who are just starting out in their career as well as those who may be approaching retirement?

Regardless of where the reader is on the career/life journey, the underlying principles of being
intentional, committed and willing to be held accountable are useful. The book really is
intended to be a “keep in handy” kind of book where one chapter may be useful to a particular
time or situation and another may be more useful at a different time. For example, the chapter
“Grow Where You Are Planted” may be very useful to people early in their career, while the
ideas in “Move from Here and Now to There and Then” may have special meaning for people
changing jobs or approaching retirement.