Author: Marissa DeCuir

A neurodiverse musically gifted teen is swept up in the tumultuous world of rock and addiction, set amidst the backdrop of the early 2000s

BAINBRIDGE ISLAND, Washington – Author of “A Song For The Road”, an Eric Hoffer Book Award finalist, Rayne Lacko tackles addiction and mental health in her upcoming novel. “The Secret Song of Shelby Rey” (SparkPress, June 3, 2025) is a gritty upper YA that explores the vulnerable and confusing time in a teen’s life when they wade through the uncertainty of entering adulthood. Through a powerful main character, Lacko crafts a story of love, music, addiction, and self-discovery.

Eighteen-year-old Shelby Rey has a secret superpower: she can hear people’s deepest emotions and truths, in song form, just by touching them. But in a world where everyone guards their secrets, her gift feels more like a curse.

Life has been hard since she lost her dad, and it reaches a new low when she gets kicked out by her drug-addicted mom. Shelby’s life hits a turning point, however, when she meets Zac Wyatt, a chart-topping rock star with a hidden side only she can hear. Swept into his world of fame and music, Shelby forms an electrifying connection with Zac that she can’t resist.

But darkness lurks beneath the spotlight. Zac’s jealousy of his bandmate Stanford, a troubled musical genius, threatens to destroy everything—and when Shelby uncovers Stanford’s devastating truth, she faces an impossible choice that could shatter their world. In a whirlwind of love, betrayal, heartbreak, and injustice, Shelby must find the courage to listen to her own inner song.

“The Secret Song of Shelby Rey”

Rayne Lacko | June 3, 2025 | SparkPress | Young Adult

Paperback | 978-1-68463-312-8 | $17.99

Ebook | 978-1-68463-313-5 | $12.99

RAYNE LACKO  writes about emotions, creativity, and the healing power of music in Dream Up Now: The Teen Journal for Creative Self-Discovery, My Life Journal, and the YA novels, The Secret Song of Shelby Rey, and A Song For The Road, an Eric Hoffer Book Award finalist. A social-emotional learning specialist with a master’s in humanities, she lectures on writing and literature, advocates for social justice, and travels for inspiration. Rayne’s short stories and poetry have appeared in international publications and anthologies. 

She lives on a forested island in Washington, US, where the trees whisper story ideas.  Find out more about her at her website. 

Follow Rayne Lacko on social media:

Instagram: @raynelacko

In an interview, Rayne Lacko can discuss:

• Why the incorporation of music was such an important aspect of Shelby’s story 
• Her background working in SEL (social-emotional learning) and what parts of her professional career she brought to writing this YA novel 
• Why she felt compelled to “not shy away from” difficult subjects such as mental health, addiction, and consequences of young fame 
• How she took inspiration from real-life events that impact education such as defunding educational resources, particularly arts programs
• How the first draft of this book was used to support hospitalized youth receiving music therapy and how she hopes Shelby Rey’s completed story will impact young readers

Advanced Praise for “The Secret Song of Shelby Rey”

“This multi-layered story and its unforgettable characters will have your mind whirring long after The Secret Song of Shelby Rey claims its spot on your library shelf.”  

—Anisa Ashabi, author of Finding Chaz

“With lyrical prose and electrifying emotion, [Lacko] thrusts readers into a heartbreaking tale of love, betrayal, and addiction through the eyes of a courageous, neurodiverse young woman. Shelby Rey is unforgettable.” 

—Lisa Manterfield, author of All Our Lies Are True

An Interview with Rayne Lacko

1. You’re not a musician, but music has had a deep impact on your writing. Can you talk a little bit about why you use music in your writing, and how through music you hope to connect with readers? 

When I first conceived of the story, I played with the idea of Shelby using only song lyrics to speak. That would’ve proved a copyright nightmare, but it got me thinking about the vast tapestry of music genres throughout history, and how widely recognized lyrics often are—among wildly different people from various walks of life. Through music, people with differing worldviews, opinions, cultures, and faiths can meet in agreement and share an affinity for a song, even if it represents something different for each.

2. An early draft of this novel was used to help support hospitalized youth receiving music therapy. Tell us more about that experience; did it help propel you to finish Shelby Rey’s story? 

Take a deep dive into any area of creativity—especially as it relates to mental health—and you’ll discover a compelling, urgent need to help others and get the good word to those who are struggling. During my research on the healing power of music, I noticed how music crosses all demographics, from newborns to older adults. I contributed a few articles on music and dementia and also discovered the amazing music therapy program Children’s Music Fund, serving southern California patients and hospitals. I partnered with the organization, and later with Reading Opens Minds. While not intended to be therapeutic, Shelby’s story guided young patients to connect with their inherent appreciation of music, helping them to listen and play an instrument by allowing the beats, tones, and rhythms to express emotions that are often too painful to put into words. Music can guide self-understanding. Children’s Music Fund is a 501(c)(3) nonprofit dedicated to bringing Music Therapy into the lives of sick children to help them overcome pain, fear, and anxiety.

3. How does your background and professional work in SEL (social-emotional learning) inform your writing?

Feelings and emotions inform every moment of our lives. I’m very interested in how we nurture and cultivate our moods—even those we don’t enjoy. By listening to sad or “mood” music, we soothe and coddle our own sadness, and the bittersweetness can be comforting. Throughout history, mothers and caregivers have comforted babies with lullabies. While they may not be conscious of it, those babies continue to seek solace and comfort through music for the rest of their lives, building friendships with others who share their taste in music genres or bands, dancing to a special song at their wedding, and eventually introducing their children to the music they loved while growing up.

4. Why do you think it is important to tackle “tough” or “gritty” themes in YA books such as mental health, addiction, and sexual assault? 

For many teens, transitioning to adulthood is no small or incidental journey. According to Mental Health America, More than 20% of youth ages 12-17 suffered from at least one major depressive episode (MDE) in the past year, and 15% experienced an MDE with severe impairment, meaning it severely impacted their functioning at school or home. Sadly, more than half of youth with major depression did not receive any mental health treatment (2024). When more than one in five teens is struggling, that means the other four have friends, siblings, or classmates who are witnesses, influenced by their experience, or deeply concerned for them. As a Young Adult author, I can’t ignore their truth. I can’t help but feel compassion.

5. What do you hope readers will take away from this book? 

While the world may try to tell you who you are or what to be, it is essential to discover your authentic self, your unique voice. Staying true to yourself isn’t always easy as you go through high school and into adulthood, but music can help. Music is a part of every person. Your favorite music is part of what makes you unique. To better understand yourself, look at the songs you play on repeat: are there any recurring themes in the lyrics? Do you like dance music, aggressive rock, digital beats, or acoustic melodies? By taking a close look at your playlists, you may uncover your personal anthem. Most important is that you remain true to what resonates with your heart, values, and vision for yourself. Be careful not to attach yourself to what might be popular at the moment, or songs your bestie likes. Find the rhythms and lyrics that speak to you. You have your worldview, your own opinions, likes and dislikes. The more you love and respect yourself, the better you understand yourself. When you love, respect, and understand yourself, you make life choices and find relationships that lift you up. You begin living your best life on your terms.

Download press kit and photos

Marissa DeCuir

A former award-winning journalist with national exposure, Marissa now oversees the day-to-day operation of the Books Forward author branding and book marketing firm, along with our indie publishing support sister company Books Fluent.

Born and bred in Louisiana, currently living in New Orleans, she has lived and developed a strong base for our company and authors in Chicago and Nashville. Her journalism work has appeared in USA Today, National Geographic and other major publications. She is now interviewed by media on best practices for book marketing.

booksforward.com/about-us/marissa-decuir/

“An absolute triumph of a story that’s certain to repair nearly any ache in your heart”

— Dog-Eared Books

American Booksellers Association’s “Indies Introduce” Award Winner

SAN FRANCISCO – Kyle Casey Chu, known widely as “Panda Dulce”, is the founding queen of Drag Story Hour and also a former educator and social worker. This year, Chu is expanding her talent for storytelling into publishing and film, as a debut novelist and emerging filmmaker.

In 2022, far-right extremists stormed her Drag Story Hour to silence her (see Vogue article). Refusing to be silenced, she is now leveraging her global platform to tell even gayer stories. 

Chu is releasing a middle grade novel described as “Better Nate Than Ever” meets “Dumplin”, “The Queen Bees of Tybee County” (Quill Tree Books, April 15, 2025), an uplifting coming-of-age story that celebrates authenticity, queer identity and Chu’s personal upbringing as a queer fourth-generation Chinese American.

She is also expanding her storytelling into film. She is a SFFILM FilmHouse Resident for emerging filmmakers (2024-2025), Sundance Institute Trans Possibilities Fellow (2024), Lambda Literary Emerging LGBTQ Voices Fellow (2024) and Sundance Institute Uprise Fellow (2022).

Her short screenplay based on her 2022 experience, “After What Happened at the Library”, won SF Indie Fest’s Best Short Screenplay and TITAN Awards’ Best Short Screenplay competitions. And she has co-written, produced and starred in a new short film shot on-location at San Lorenzo Public Library, the site of the actual incident, premiering at 2025’s Florida Film Fest and SFFILM. embargo until estimated date of April 23, 2025: A 2025 Rainin Arts Fellow in Film, Chu has also secured $100,000 funding to turn this short film into her debut feature film.

Whether on page, stage or screen, Chu’s message is: “We must imagine the futures we want, and dance toward them, with a conclusive exclamation point. Art: drag, literature, film and music, is what saved me from life’s rough patches. Consuming art reminded me of how not alone I was. It showed me that my pain wasn’t a point of isolation, but something I shared with many others. It brought me closer to the people I care about.”

ABOUT KYLE CASEY CHU

KYLE CASEY CHU (AKA Panda Dulce) is a San Franciscan Author, Filmmaker and one of the founding queens of Drag Story Hour. In 2022, far-right extremists stormed her Drag Story Hour to silence her. She is now leveraging her global platform to tell even gayer stories. Chu’s writing has received awards and recognition from Sundance, SFFILM, the San Francisco Arts Commission, the California Arts Council, Lambda Literary and more. In 2023, she served alongside Drag Story Hour as Grand Marshall of San Francisco’s Pride festivities. Her debut two-novel middle grade series, “The Queen Bees of Tybee County” (HarperCollins, 2025) was optioned by Lambur Productions into a UK episodic. She is currently a FilmHouse resident at SFFILM, in script development for her debut surrealist drama feature film, “After What Happened at the Library.”

Her work has been featured on Vogue, NPR, HuffPost, VICE, at SXSW, Harvard & MIT’s Broad Institute and more. She created, produced and starred in the all-QTPOC web series “Chosen Fam.”

Find out more about her at www.kylecaseychu.com, or follow on Instagram at @pandadulce

“The Queen Bees of Tybee County”

Kyle Casey Chu | April 15, 2025 | Quill Tree Books | Middle Grade Coming of Age

Hardcover | 9780063326958 | $19.99 

Ebook | 9780063326972 | $9.99 

PRAISE

“In this emotionally grounded tale about becoming one’s true self, Chu carefully balances an affirming coming-out narrative with honest, approachable accounts of familial secrets, intergenerational trauma, and systemic racism and homophobia.”

— Publishers Weekly

“An important book for middle school shelves, and for any reader seeking a positive role model demonstrating courage and strength in the face of challenging situations—even when it’s family who might pose the biggest ­obstacle.” 

— School Library Journal

“The Queen Bees of Tybee County is a heartfelt celebration of authenticity that asks us all to follow our joy.”

— Kacen Callender, bestselling and award-winning author of “King and the Dragonflies and Hurricane Child”

An Interview with Kyle Casey Chu

1. You have made quite the impact in the book industry with your work as a founding queen of Drag Story Hour. Have you always wanted to be a writer yourself?

Short answer: Yes! One day, as a 7-year-old in summer school, we were tasked with writing a children’s book. That afternoon, I ended up writing and illustrating five books. Come seventh grade, I wrote a hundred-something-page book: “Brother’s Ethnicity,” a vaguely plotless fantasy adventure novel about four best friends who embark on a cross-country road trip together. Looking back, I realize writing this helped me process the crushy-crush feelings I was developing toward one of my closest friends. I came out to my friend group shortly after completing the book.

2. Your protagonist’s journey is inspired in part by your own personal journey. When did you know you wanted to be a drag queen?

Often as a kid, when adults asked me, “What do I want to be when I grow up?” I had at least 17 answers. At certain points, I wanted to be a detective, a figure skater, a writer, a teacher, an actor, a musician or a “face painter,” which I now know, of course, interpret as a pull toward drag.

Much like writing, drag encourages you to be and experience all of these things — to imagine expansively. As a drag queen, you are at once expected to be a makeup artist, a dancer, a comedian, an actress, a hostess. You can be a figure skater for the night, or a noir detective, until you whirl off a trench coat at the exact right moment to reveal a stunning sequined gown.

3. Why did you decide to pick Georgia as the setting?

I’m a nerd who wanted to learn more about Southern pageant culture!

I chose Georgia because Atlanta is commonly regarded as one of the South’s largest queer metropolises. Doing research for this book helped me better appreciate pageant culture, a tradition that focuses more on jaw-dropping regalia — high-stacked wigs, dripping drop-earrings and resplendent gowns — as opposed to the more edgy experimentation and genre-bending performances I was used to, coming from San Francisco.  

4. What inspired you to share this story, particularly now?

The media’s blueprint to approach LGBTQ+ stories is through the lens of trauma, a real impossible-struggle-to-triumph arc. There’s good reason for this, for there’s a lot that we’re up against. It is not enough to live like this, set on our back foot, always responding to the latest terror. We must also imagine the futures we want and dance toward them.

This is what I hope to put forth in “The Queen Bees of Tybee County.” It is a joyous story about a fish-out-of-water who boldly proclaims who he is, and is met with support that overwhelms any discouragement. Not only is this story, and the world it introduces true, and quite possible, but I think it’s the type of tale we all need right now.

5. How has your background as an educator and in social work informed your storytelling?

My book draws on a lot of concepts I learned in social work school that wish I’d learned earlier on. Ironically, many queer stories out there still operate on binary terms — having to be one or the other, to choose this identity or that. Queer imaginations are more creative and expansive than that. This tale shows us that we don’t always have to choose between our differing parts. That we can integrate our masculine, feminine and androgynous qualities, or our interests in sports and drag, as equal and essential parts that make us whole and unique.

Download press kit and photos

Marissa DeCuir

A former award-winning journalist with national exposure, Marissa now oversees the day-to-day operation of the Books Forward author branding and book marketing firm, along with our indie publishing support sister company Books Fluent.

Born and bred in Louisiana, currently living in New Orleans, she has lived and developed a strong base for our company and authors in Chicago and Nashville. Her journalism work has appeared in USA Today, National Geographic and other major publications. She is now interviewed by media on best practices for book marketing.

booksforward.com/about-us/marissa-decuir/

Frenemies-to-lovers battle against literal and figurative demons

Chester, England, UK – Exorcise some demons (or pretend to) with Colton and Lucian in this frenemies-to-lovers paranormal romantasy from acclaimed author, E.L. Deards. “The Lavender Blade” (She Writes Press, July 8, 2025) follows two con artists that pair up as exorcists pretending to exorcise demonic possessions for handsome rewards. But when one of them is possessed by a real demon, the other must choose if he can save his friend and save his relationship.

In this dark romantic fantasy, E.L. Deards raises the stakes creating a steampunk world where villains desire world domination, pitting both Colton and Lucian against personal demons  both literal and figurative. A witty exploration into  themes of acceptance, identity, and resilience, fans of Gideon the Ninth and A Marvellous LIght will be asking: Will this pair be able to save each other from themselves?

More about the book: Colton and Lucian, a young pair of exorcist con artists, use sleight of hand and their natural charm to scam the nation’s wealthiest…until one of them becomes possessed for real. Colton has to act quickly to learn the real tricks of his trade and exorcise the demon before Lucian’s soul is snuffed out completely.  As the creature becomes more and more powerful, Colton resorts to increasingly drastic measures to save the man he loves from annihilation.

“The Lavender Blade”

E.L. Deards | July 8, 2025 | She Writes Press 

Fiction/LGBTQ+/Paranormal Romance

Paperback | 9781647424879 | $17.95 

E.L. Deards grew up in New York City and earned her undergraduate degree at Barnard College at Columbia University, where she studied Japanese literature and biology. She was then accepted to The University of Edinburgh, where she completed her veterinary degree. She remained in the UK afterward, and since then has split her time between her day job as a vet and her secret passion: writing. Emma has authored a number of humor articles for In Practice, a veterinary magazine, and was the recipient in college of two writing awards: the Oscar Lee Award and the Harumatsuri Award. Her first book, Wild with All Regrets, came out in 2023. 

Follow E.L. Deards on social media: 

Twitter: @emmadeards | Instagram: @emmadeards | TikTok: @emma.deards 

In an interview, E.L. Deards can discuss:

• How she explores the ideas of self-identity and acceptance through her two main characters
• How she plays with the metaphor of “inner demons” as her main character is possessed by one
• How she uses humor to bring levity to the heavier themes of the book
• How the main themes of the book emphasize the emotional complexity of love, relationships, and loyalty
• Why she decided to write a high fantasy novel after publishing a historical fiction story

An Interview with E.L. Deards

1. How do you think the journey of facing personal demons mirrors the external battles the characters face in the story? 

The external conflicts in The Lavender Blade—the power struggles, the betrayals, the fight to stay alive—aren’t just obstacles; they’re reflections of the internal wars the characters are already fighting. Colton, especially, is dealing with more than just political danger—he’s haunted by his past, by his own self-doubt, by the question of whether he’s anything more than the persona he’s created to survive. The magic, the deception, the looming threats—they all serve as amplifications of that central struggle. The real fight isn’t just about who wins or loses; it’s about whether Colton and Lucian can make it through without becoming the worst versions of themselves.

2. What do you hope readers take away from Colton’s journey to save Lucian, both in terms of their relationship and the themes of loyalty?

Colton and Lucian’s relationship is built on sharp edges—mutual dependence wrapped in danger, trust tested at every turn. Loyalty, in their world, isn’t simple; it’s a risk, a weapon, a thing that can be used against you just as easily as it can save you. But what makes their dynamic compelling is that, despite everything, they still reach for each other. Colton saving Lucian isn’t just about keeping him alive—it’s about proving, maybe for the first time, that loyalty doesn’t have to be transactional. That sometimes, it’s real, even when it shouldn’t be.

3. What role does setting play in creating the mood for this story, and how do you ensure it enhances the emotional stakes that Colton and Lucian face?

The setting doesn’t just frame the story—it sets the mood, builds tension, and reinforces everything Colton and Lucian are up against. Silvermoor is a city of contrasts: opulence and grit, wealth and violence, the polished elegance of the Ivory District pressed up against the raw survival of the Iron District. Colton knows the smoke-filled taverns, the back-alley deals, the weight of a blade hidden in his sleeve, while Lucian understands the cold calculation of power wielded in whispers and signatures. As their worlds collide, they begin to see what the other has survived, expanding each other’s understanding of how to navigate a city that gives nothing freely. I want the reader to feel that—to smell the smoke in the air, feel the sea breeze on their faces, and feel the slick squelch of blood beneath their boots.

4. What was your writing process for The Lavender Blade? How do you approach a story with such intricate world-building and character development?

I always start with a vague idea—something like con artist exorcists, but then one actually gets possessed—and from there, everything builds outward. The world, the plot, the magic system—all of that grows naturally, but what really shapes the story is the characters. I focus on their voices first, letting them develop into fully realized people, because once I know who they are, I know how they’ll move through the world. Their decisions drive the plot, their personalities dictate the tone, and the setting becomes an extension of their struggles. I don’t try to force them into a strict outline; I let them breathe, and in doing so, the story takes on a life of its own.

5. What do you hope readers will take away from the story, both in terms of the emotional journey of the characters and the broader themes explored in the novel? 

I want The Lavender Blade to be the kind of book that pulls readers in and doesn’t let go—the kind that makes you lose track of time because you’re too caught up in the characters, the twists, and the world. There’s depth to it, sure—questions about trust, self-acceptance, and the weight of the past—but first and foremost, it’s meant to be an exciting, fun read. Colton and Lucian are sharp, complicated, and sometimes their own worst enemies, but they’re also impossible not to root for. I hope readers come away from the story feeling like they’ve lived in it for a while, that they’ve laughed, held their breath, maybe even yelled at the pages, and that when it’s over, they already miss it.

Download press kit and photos

Marissa DeCuir

A former award-winning journalist with national exposure, Marissa now oversees the day-to-day operation of the Books Forward author branding and book marketing firm, along with our indie publishing support sister company Books Fluent.

Born and bred in Louisiana, currently living in New Orleans, she has lived and developed a strong base for our company and authors in Chicago and Nashville. Her journalism work has appeared in USA Today, National Geographic and other major publications. She is now interviewed by media on best practices for book marketing.

booksforward.com/about-us/marissa-decuir/

Los Angeles, CA – Debut author B.R. Duray is releasing the print edition of his whimsical children’s picture book “The Mood Swing” (Moon Tree Studios, June 15, 2025) on Father’s Day. Inspired by the author’s own experience with the loss of his dad at a young age, this heartfelt tale takes young readers on a magical journey through life’s emotional highs and lows.

The story follows Peter, a young boy grappling with grief after his father’s passing. A magical swing, tethered to a Moon Tree, propels Peter into fantastical adventures that mirror his emotions. When Peter is happy, with both of his parents by his side, he blasts off into a whimsical adventure through Outer Space – a dream come true! When he returns a year later without his father, unable to find the magic he once had, the swing descends, plunging Peter into a pit of quicksand.

With the help of his mother and the comforting reminder that his father is always with him in the stars, Peter learns to find balance and rediscover the joy of the swing. Through its delightful narrative and engaging illustrations, the book aims to provide solace, hope, and joy to families, especially in difficult times. Though the story is particularly helpful for those who are struggling with grief, it can also soothe kids who experience big emotions and need help navigating them.

“The Mood Swing”

B.R. Duray | June 1, 2024 | Moon Tree Studios LLC | Children’s Picture Book

Hardcover | 979-8989710317 | $19.99

Ebook | B0D2BXD9P5 | $7.99

Early Praise for “The Mood Swing”

“The Mood Swing is the book I wish to give to all of my widowed clients and their grieving children.  It is the most beautiful story of a young boy who- with the help of his mother and a very lovable tree swing! – learns to trust life again after the death of his father. The Mood Swing is simply perfection. The author’s writing is truly captivating- all together whimsical, relatable and vulnerable. The illustrator’s artwork is simply breathtaking- colorful, enchanting, and authentic. If you are looking for a book to offer children living with profound loss, this is the book for you.”

– Susan Hannifin-MacNab, Author of A to Z Healing Toolbox: A Practical Guide for Navigating Grief and Trauma with Intention

“In a delightful way, this book brings a promising and empowering message to children who may be suffering from strong mood swings or a mood disorder. It normalizes such a condition by making it manageable and tolerable, and by casting a ray of sunlight and optimism onto the difficulties that set them apart from other children. A book of such hope should find a good place on the shelves of bookstores and libraries.”

– Michael Gellert,  Jungian Analyst and Author, Former Director of Training at the C. G. Jung Institute of Los Angeles

 “The Mood Swing is a beautiful expression of love, remembrance, and resilience. Written with a warm candor that acknowledges the pain of grief while fostering hope through a continued connection to our loved ones, The Mood Swing is a meaningful gift to young people who are navigating the world after the death of a parent.”

– Michele Neff Hernandez, CEO and Founder Soaring Spirits International

More About the Author

B.R. Duray is an author, film director, screenwriter and entrepreneur born in San Diego, California. He has written and directed feature length films for major studios, documentary features spanning 6 continents, docu-series for Oscar-Winning production companies, music videos for A-list artists, nationally televised branded content, award-winning short films, and virtual reality experiences about topics such as death and birth. Thompson is the founder of Moon Tree Studios LLC, a multi-media production company dedicated to bringing light and healing magic to children and families across the world. 

Find out more about the book at http://moodswing-media.org.

Follow B.R. Duray on social media:

Facebook: @moodswingbook | Twitter: @brduray

Instagram: @moodswingbook | TikTok: @moodswingbook 

About the Illustrator

Momo Valentini (a.k.a Momes) is a Japanese-American illustrator, animator, and engineer based in Los Angeles. Her work includes visuals for her favorite musicians, bringing concepts and albums to life through artwork, merchandise, music videos, 2D animations, and browser games. Her background in child development and love of storytelling blend together to create whimsical worlds that capture and inspire the imaginations of children and adults alike. She loves working in her home studio with her two best assistants, Diego the dog and Santiago the tortoise.

In an interview, B.R. Duray can discuss:

• How his experience of losing his father as a child inspired him to write this book Why he hopes his touching book with help kids learn to cope with their grief and big emotions
• The specific ways stories helped him navigate and heal from grief as a child
• How his filmmaking experience influenced his storytelling, and why he decided to write a children’s book 
• How this book is a love letter to his father
• Why the book can be helpful to children with big emotions, not necessarily only grief

An Interview with B.R. Duray

1. What was the inspiration behind this book? How is it a love letter to your father?

As a kid on the playground, when I’d ride the swings, I’d look up into the clouds when I reached the top of the swing, and I’d imagine I’d blast off in a rocketship through space. That imagination always stuck with me. When I was 10 years old, I lost my father. After he died, I remembered that my emotions felt as though they’d become so much more deep and extreme. They would swing from high to low, and it felt like other kids around me weren’t feeling the same thing. I didn’t know if that was ever going to end, and it scared me.  Storytelling helped to heal my heart and the stories my mom told me — stories of faith, of courage, and of love — helped me to find my balance and heal my heart, which is why I wanted to give back by creating my own story. The Mood Swing is a love letter to my dad and to children everywhere who may struggle with emotional ups and downs. At its core, is a sense of hope and comfort, and a reminder that we are never alone. When I look up at night to the stars, and I see a bright star, I think of my dad still to this day. The Blue Star in the story is inspired by him. Lastly, the pen name I used, B.R. Duray, is an homage to my dad’s name — that way his spirit is always entwined with this story. 

2. Why did you decide to write a children’s book as a professional filmmaker?

I originally imagined this story as an animated film. I storyboarded it, created the character concept art and was prepared to make a film, but the transition to a book was an organic process that felt more true to the healing nature of the story and how intimately it could be shared between families in the form of a book. A picture book was the natural extension of my passion for storytelling, where visual narrative meets emotional truth. As a filmmaker, I’m used to exploring complex human experiences through images and symbols, and I found that writing for children allowed me to simplify and illuminate these ideas in a magical, accessible way. 

3. How do you think this story provides children with coping skills for big emotions and grief in a simple, magical way?

The Mood Swing is like a kid’s Gummy Bear Vitamin. It tastes like candy, but at its core is medicine. I wanted to authentically portray concepts of emotional resilience and the natural cycle of grief, but told through the whimsy of a magical swing set. By presenting big feelings in a fantastical context, the book encourages young readers to explore and understand their emotions as fantastical journeys and thrilling rides, where balance becomes something they can not only see, but experience when they go out to a playground and ride the swings. I hope every time a child rides or sees a swingset they think of The Mood Swing, equipping them with simple coping strategies that are both accessible and memorable. 

5. How did your mom help you navigate grief at a young age?

My mom was a steadfast pillar of support, offering warmth and understanding during many moments of worry and sadness after my dad’s death. She taught me that it was okay to talk about deep things and address the emotions I was feeling, but she also stressed the importance of building resilience and strength to be able to grow and regain my balance. She never liked to think of our family as a victim, she only stayed optimistic and focused on our family living the healthiest, happiest life we could in spite of our loss. My mom had such compassion and patience with me, even though she was grieving herself. That act of selfless love is something only a mother can understand, and I could never thank her enough for, but that’s why I dedicated the book to her.

Download press kit and photos

Marissa DeCuir

A former award-winning journalist with national exposure, Marissa now oversees the day-to-day operation of the Books Forward author branding and book marketing firm, along with our indie publishing support sister company Books Fluent.

Born and bred in Louisiana, currently living in New Orleans, she has lived and developed a strong base for our company and authors in Chicago and Nashville. Her journalism work has appeared in USA Today, National Geographic and other major publications. She is now interviewed by media on best practices for book marketing.

booksforward.com/about-us/marissa-decuir/

New York City, NY–In “Cyborg Fever,” acclaimed writer Laurie Sheck brings us a probing and lyrical philosophical fiction in the spirit of Umberto Eco, Italo Calvino and Donna Haraway’s “Cyborg Manifesto,” that enacts an incisive and moving exploration into what it means to be human in the age of AI and increasing transhumanism. 

Throughout, many strange, surprising facts appear: an artist clones a flower from his DNA and the DNA of a petunia, an astronaut plays golf on the moon, a mathematician on a rest cure re-thinks the life of Shakespeare, and particles and antiparticles collide at lightning speed beneath the green hills of Switzerland and France. 

Amidst everything, one question lingers: in this age of AI and genetic engineering, how can we come to know more fully what it means to love and be human among the wonders and destructions we have wrought on Earth?

“Cyborg Fever”

Laurie Sheck | June 1, 2025 | Tupelo Press | Literary Fiction 

Paperback | ISBN: 978-1-961209-26-8 | $19.95 

About the Author…

Laurie Sheck is the author of “A Monster’s Notes,” a re-imagining of Mary Shelley’s “Frankenstein,” which was chosen by Entertainment Weekly as one of the 10 Best Fictions of the year, and long-listed for the Dublin Impac International Fiction Prize. She is also the author of the novel “Island of the Mad,” and five books of poems including “The Willow Grove,” which was a finalist for the Pulitzer Prize. A recipient of awards from the Guggenheim Foundation and the Creative Capital Foundation, among others, she has also been a Fellow at the Radcliffe Institute for Advanced Study at Harvard, and the Cullman Center for Scholars and Writers at the New York Public Library. Her work has appeared widely in such publications as The New Yorker and The Paris Review. She lives in New York City. Learn more at: www.lauriesheck.com 

In an interview, Laurie Sheck can discuss:

• The job of the writer as a “curator” in the information age when readers consume enormous amounts of facts (and misinformation) each day
• What this glut of information is doing to us as a species, and what reaction (if any) is appropriate for us to take
• How she incorporates AI and bioengineering in “Cyborg Fever” and whether or not scientific advancements can remain morally neutral
• Some of the artistic works that inspired this book, including RW Fassbinder’s film “In A Year of 13 Moons”
• How “Cyborg Fever” is connected to her previous books, “A Monster’s Notes” and “Island of the Mad,” forming a loose trilogy

Praise for Laurie Sheck…

On “A Monster’s Notes”

“An electrifying literary triumph” 

—Entertainment Weekly

“A remarkable creation, a baroque opera of grief, laced with lines of haunting beauty and profundity”

—The Washington Post

“An intellectual phantasmagoria… a magnificent book”

—NBC’s Weekend Today

“Utterly astonishing and not to be missed”

—Kirkus Reviews

On “Island of the Mad”

“There is no better evidence for art’s capacity to foster connections than Sheck’s own warm and lyrical narrative.” 

—Los Angeles Review of Books

“Sheck returns with a gorgeously written work that layers together strands of history in one bravura act…A dizzyingly inventive work”

—Library Journal

“Poetic novelist Sheck draws on classic works… to create an exquisitely intricate and moving literary pastiche…In concise, haunting, inquisitive, and incantatory passages, Sheck imaginatively and compassionately explores the mysteries of the body and mind, of brokenness and aloneness, while celebrating language as a lifeline across pain, time, and space.”

—Booklist

An Interview with Laurie Sheck

1. You have suggested that in the information age, a writer must also be a curator. What do you mean by that?

I don’t think a writer has to be a curator, but I think it’s one interesting option. We are all googling these days—the web is full of information but there is so much of it that to find the gold among the dross can feel like looking for a needle in a haystack. Part of what I have tried to do as a writer is to gather facts, anecdotes, quotes, etc. that seem to me deeply resonant, illuminating, often beautiful, surprising, and create a meaningful vessel for them, a way to gift them to the reader.

2. “Cyborg Fever” touches on AI and bioengineering, and even reproduces a speech from Elon Musk on traveling to Mars. Why incorporate scientific material into this book?

We live in an age where what’s happening in science and technology is affecting us at every level of our being. In this highly technological age of smart phones, AI, space exploration, computers, bioengineering, how can we think about empathy, human loneliness and connection, and other basic aspects of what it means to be human and to live on this threatened earth, without considering these changes? At this point, they are as embedded in our reality as the air we breathe.

3. Do technological advances require moral and philosophical inquiry? How do the topics above relate to your understanding of what makes us human?

Yes, technological advances require and benefit from moral and philosophical inquiry. Look at Mary Shelley’s monster in “Frankenstein.” He was a technological miracle created by a scientist who gave no significant thought to what his relationship to the monster or the monster’s relationship to the world would be after the monster came to life. He did not think about his moral obligation to the being he created. The consequences were devastating. At each step of technological advancement, there are all sorts of questions to be considered—questions of human dignity, privacy, autonomy, wealth and power and the abuse of power. Even questions of loneliness, empathy, the rights and needs of other species and the natural world.

4. You took some inspiration from RW Fassbinder’s film “In A Year of 13 Moons.” How did that film inspire you? What other artistic works do you reference in “Cyborg Fever”?

All of my novels have interacted in some way with other works of art— “A Monster’s Notes” interacted with Mary Shelley’s “Frankenstein,” “Island of the Mad” interacted with Dostoevsky’s “The Idiot,” and “Cyborg Fever” interacts both with Fassbinder’s film and Jorge Luis Borges’ wonderful story “Funes the Memorias.” When I first started writing “Cyborg Fever” I thought Fassbinder’s film would take a more prominent role, but as the book progressed I found that although I retained the names of two characters from the film, it was the film’s essential feeling of loneliness and the quest to build an identity that did not feel deeply at war with itself and at odds with the larger world, that stayed with me most deeply. In Fassbinder’s film there is a character who feels in a sense trapped in the wrong body after a sex change operation; this feeling is also true in many ways of the Cyborg I created in “Cyborg Fever” who in this case was changed against his will.

5. “A Monster’s Notes,” “Island of the Mad” and “Cyborg Fever” can be read as a loose trilogy. How does your latest novel connect to your previous ones?

Before I wrote “A Monster’s Notes” I had never written a prose book and had no inkling that I ever would. It came as a surprise. After I wrote it, I realized the methodology and form I had developed was something I very much wanted to continue exploring. Each of the first two books takes place in the present but echoes back to an earlier era—in “A Monster’s Notes” to the time of Mary Shelley’s life, the early to mid-1800’s, in “Island of the Mad,” to Dostoevsky’s lifetime (1821-1881) which is just a little closer to the present, and now in “Cyborg Fever” the book does not look back but engages the present moment with an eye toward the future. So the books have been moving through time while at the same time dealing with similar themes—issues of loneliness and connection, tenderness and alienation, and the self in an ever-changing, technological world.

Download press kit and photos

Marissa DeCuir

A former award-winning journalist with national exposure, Marissa now oversees the day-to-day operation of the Books Forward author branding and book marketing firm, along with our indie publishing support sister company Books Fluent.

Born and bred in Louisiana, currently living in New Orleans, she has lived and developed a strong base for our company and authors in Chicago and Nashville. Her journalism work has appeared in USA Today, National Geographic and other major publications. She is now interviewed by media on best practices for book marketing.

booksforward.com/about-us/marissa-decuir/

Palm Beach, FL –For fans of “The Glass Castle” and “Educated,” an abuse survivor-turned-advocate examines the full circle of generational trauma, resilience, and healing in “Facing the Jaguar” (She Writes Press, June 17, 2025).

The average person can keep a secret for forty-seven hours. Babs Walters held onto the worst kind of secret for nearly 70 years. 

Since age 11, Babs suffered sexual abuse at the hands of her father. His edict–children should be seen and not heard–defined her childhood. Desperate to be loved and seeking approval, Babs absorbed both the responsibility and the shame that was not hers to begin with.

Now, decades later, Babs Walters shows us how uncovering the truth is a critical step to healing. “Facing the Jaguar” is an inspirational story of resilience and courage—a story that proves anything is possible when we claim our truth and shine a light in even the darkest of places. As Babs says, “We are not what happens to us. We are the meaning and purpose we give to what happens to us.”

“Facing the Jaguar: A Memoir of Courage and Confrontation”

Babs Walters | June 17, 2025 | She Writes Press | Nonfiction, Memoir 

Paperback | ISBN: 9781647429201 | $17.99

Ebook | ASIN: B0DKFPPDD8 | $12.99

Praise for “Facing the Jaguar”…

“In this honest and raw memoir, Walters exposes a secret that burdens the souls of countless children–because most don’t tell. Her story is a plea to all adults to believe and help the courageous children who do tell. An important and brave journey from a frightened child to an empowered woman.”

–Feather Berkower, M.S.W., Child Sexual Abuse Prevention Educator and author of “Off Limits: A Parent’s Guide to Keeping Kids Safe from Sexual Abuse”

“‘Facing the Jaguar’ is one of the few books that will hold you spellbound from the very first page to the last. Walters is a beautiful writer and I look forward to reading more of her work. I also applaud her bravery, courage, and strength in sharing her story.

–Readers’ Favorite

“‘Facing the Jaguar’ is a powerful story of reclamation. Without offering advice or excuses, Walters’ reveals what it takes to heal. This is a must-read for anyone seeking to understand a survivor’s journey or for survivors looking for healing and hope.”

–Jane Epstein, author of “I Feel Real Guilty: A Memoir of Sibling Sexual Abuse”

“‘Facing the Jaguar’ is a chilling, honest account of parental abuse, but it is also a story of hope, tenacity and the belief that with hard work and a determination to understand, the cycle of generational trauma can be terminated.”

–Patti Eddington, author of “The Girl with Three Birthdays: An Adopted Daughter’s Memoir of Tiaras, Tough Truths and Tall Tales”

About the author…

Babs Walters: is a speaker, advocate, and author as well as a survivor of domestic violence and childhood sexual abuse. She brings difficult subjects to the surface through the power of storytelling.

With a Masters’ in Counseling Human Relations, Walters developed creative, healing, journal-writing workshops for women in alcohol and drug recovery. During her corporate career, she led workshops on Preventing Sexual Harassment and continues to teach women to raise their voices today. 

Babs lives in Florida where she teaches Jazzercize and enjoys time with family. Learn more about her life and work at www.babswalters.com and on Instagram @walters.babs

In an interview, Babs Walters can discuss:

• How holding onto secrets causes us harm, and why it’s important to share stories of abuse as a path toward healing
• How we should talk about generational trauma and ways to put a stop to cycles of abuse
• What she wants people to know about child safety
• How to forgive without compromising on boundaries
• Steps we can all take to find healing after life-changing pain

An Interview with Babs Walters

1. How does keeping secrets harm us? How did telling your story help you?

Keeping secrets can create a heavy emotional and physical toll for individuals, resulting in a negative self-image fueled by self-criticism, shame and guilt. Fear of the secret being discovered produces ongoing anxiety. This adds to difficulty in trusting other people, or even the ability to form healthy relationships. Breaking the silence around my story has not only given me a sense of relief but also enabled me to find the support of a community of other survivors and memoirists. Through fostering those connections, I no longer feel isolated and want to use what I learned to help other secret keepers.

2. What is generational trauma, and what role does it play in your story?

Generational trauma occurs when one generation transmits trauma from a deeply distressing situation they may have experienced to the next generation, passing down behaviors often unconsciously. These patterns can be systemic or familial, like discrimination and oppression or neglect, violence and abuse.

3. What is your advice to readers who are trying to heal from their own adverse childhood experiences (ACEs)?

What helped me heal from my ACE initially was finding connection. Talk therapy began the process. Journal writing allowed disassociated memories to resurface and acted as a witness. Most recently what has made a difference is giving meaning and purpose to what happened to me through sharing my voice to help others.

4. What do you hope readers take away from your story? How do you hope they approach child safety moving forward?

I would love for my story to encourage and inspire other family secret keepers to find their voices and bring awareness to the world of areas where more attention, advocacy and action is needed. We teach children to keep innocent secrets. But this can subtly teach them that some things should be kept hidden to avoid trouble. Encourage children to know the difference between surprise parties and harmful secrets. Help foster an open, honest environment where they are free to express themselves or seek support.

5. Is there anything else you want readers to know?

Telling my story has taken an act of courage. I am still facing disapproval from family members. I have learned to respect myself, flaws and all, and honor my promise to make sense out of the confusion and shame of my young life. It’s not easy or comfortable. There can be no far-reaching change without awareness first. We can no longer hide from the truth. As we repair ourselves, we are also repairing other dark corners of the world.

Download press kit and photos

Marissa DeCuir

A former award-winning journalist with national exposure, Marissa now oversees the day-to-day operation of the Books Forward author branding and book marketing firm, along with our indie publishing support sister company Books Fluent.

Born and bred in Louisiana, currently living in New Orleans, she has lived and developed a strong base for our company and authors in Chicago and Nashville. Her journalism work has appeared in USA Today, National Geographic and other major publications. She is now interviewed by media on best practices for book marketing.

booksforward.com/about-us/marissa-decuir/

“a beautifully unsparing, rollickingly funny, tender story about fact and fiction” 

–Philip Bennett, former managing editor, The Washington Post

BOSTON, MA – In Diane Wald’s sharp and tender novella, “The Bayrose Files” (May 27, 2025), ambitious young journalist Violet Maris goes undercover at a prestigious writers’ colony in 1980s Provincetown. Determined to secure a coveted residency, she fakes her talent, using her friend’s stories to gain admission. Her intention: to write a captivating exposé based on her experiences. However, Violet’s promising start at the colony takes a dark turn when tragedy strikes—her friend, the true author of the stories, succumbs to AIDS. This loss plunges Violet into turmoil, compounded by the weight of the terrible secret she carries. Compelled to confess, she confides in a member of the colony’s board with whom she has become romantically involved. The revelation of her deception leaves Violet grappling with disgrace and searching for a path toward redemption and reconciliation—with herself and those she has inadvertently hurt.

A short but powerful and provocative read, “The Bayrose Files” explores art, morality and identity with humor and a gentle heart.

“The Bayrose Files”

Diane Wald | May 27, 2025 | Regal House | Literary Fiction

Paperback | ISBN: 9781646035953 | $18.95 

Praise for the book…

“Young journalist Violet Maris tells a daring lie that launches her on a collision course with the truth about herself. ‘You just can’t trust a writer,’ Violet says. Trust Diane Wald to write a beautifully unsparing, rollickingly funny, tender story about fact and fiction, love and art, set in the creative hub of 1980s Provincetown. A great read you won’t want to put down.”

—Philip Bennett, former managing editor, “The Washington Post”

“‘The Bayrose Files’ is a gem of a book, taking us into the creative and complex world of an art colony, seen through the eyes of an impostor. The characters, story, structure, language, setting, and pacing are brilliant. The moral lessons are gentle, human foibles forgivable. I devoured it in a single sitting and remain in awe of Diane Wald’s imagination.”

—Romalyn Tilghman, author of “To the Stars Through Difficulties”

“I gulped down ‘The Bayrose Files’ in one sitting. What starts as a simple story of deception unspools into a tale of grief, love, and complicated regret. In prose that crackles, Diane Wald crafts a marvelous storyteller in Violet Maris. Violet is sharp, endearing, and deeply human. It was a pleasure to follow her every bad decision. Violet—and Wald—kept me guessing until the last page.”

—Miriam Gershow, author of “Closer” and “Survival Tips: Stories”

“For Violet Maris, the temperature varies in inanimate objects. This is her guide in The Home, a prestigious artist colony in Provincetown where, as a journalist, she poses as a fiction writer in order to write an exposé. Following the relative heat of things, she navigates the death of a dear friend, a love affair with a board member, and her own deceit. Of course, there is a reckoning, but it is not what she expects, in this metaphysical and gripping story where the pages seem to turn by themselves. What will touch her now?”

   —William C. Dell, author of “Home Alone in the Multiverse”

About the author…

DIANE WALD is a poet and novelist who grew up in New Jersey, but lived most of her life in Massachusetts. She has an MFA from the University of Massachusetts, Amherst. She has worked as a library assistant, periodical circulation manager, English professor, academic dean, and in-house writer for a national animal welfare organization. Her novella “Gillyflower” was published in 2019 and won first place awards from the Next Generation Indie Book Awards and American Book Fest, among other accolades. “My Famous Brain,” her second novel, won first place in Visionary Fiction from the New York City Big Books Awards, first place in Visionary Fiction, New Adult Fiction, and Speculative Fiction from the Firebird Book Awards, and was a bronze winner in the Foreword INDIES Awards. Diane has also published more than 250 poems in literary magazines. She is the recipient of a two-year fellowship in poetry from the Fine Arts Work Center in Provincetown and has been awarded the Grolier Poetry Prize, The Denny Award, The Open Voice Award, and the Anne Halley Award. She also received a state grant from the Massachusetts Council on the Arts. She has published four print chapbooks and won the Green Lake Chapbook Award. Her new novel, “The Bayrose Files,” is forthcoming in May 2025 from Regal House Publishing. Learn more at www.dianewald.org.

Follow Diane Wald on social media:

Facebook: @sleeperina | Twitter: @sleeperina | Instagram: @dianewaldwriter 

In an interview, Diane Wald can discuss:

• How her own time spent at a writers’ colony influenced this book
• The unique metaphysical aspects of the book
• Writing morally gray characters and exploring the intersection of art and ambition
• How her career as an award-winning poet influences her approach to fiction
• Her writing process, and what’s next for her

An Interview with Diane Wald

1. What inspired you to write “The Bayrose Files”? Did you spend time at a writers colony like the one Violet goes to?

I was in my twenties when I was accepted for a poetry fellowship at the Fine Arts Work Center in Provincetown (FAWC) in 1973, and that was renewed for a second year. The Bayrose Files is based on my experiences there – although it is totally fiction. The protagonist is a fiction writer, not a poet, and she cheated to obtain her residency. The story is set in the 1980s, which allowed me to explore the topic of AIDS in those days.

2. Provincetown is an interesting setting. What drew you to that place?

My parents packed up me and my younger brother and drove us almost every summer from our home in New Jersey to one of the towns on the outer Cape for a week or two, and every year one day was dedicated to visiting Provincetown. I not only got to know the place; I fell in love, and visited as often as I could when I grew up. Provincetown as a setting allowed me to explore a wide array of lifestyles, ages, careers, art forms, and beliefs in order to enhance my book’s themes of personal ethics, creativity, love, and friendship. I often think of the setting as a character in my book.

3. A unique subplot is that Violet can sense items by their varying temperatures as a “thermopath.” What does this signify for you?

I’m not sure if “thermopath” is actually a word or if one of my blurbists coined it, but it does describe this interesting talent of Violet’s. I like to include extrasensory concepts in my work, and have done so in my previous two novels. In The Bayrose Files, Violet is forced to pay attention to these temperature clues all through her various experiences and misadventures as a sort of grounding device. By the end of the book she’s paying a great deal of attention to them.

4. You are also an award-winning poet. Does your poetry influence your approach to writing fiction?

I was terrified of showing my fiction to anyone for many years, although I started writing it in my forties. I didn’t resurrect the idea of publishing it until a few years ago. I do think my poetry influences my prose writing because I always work with a piece from the word to the phrase to the sentence to the paragraph. I want all the words to be the best ones I can come up with, and that’s a lot like writing poetry. Imagery is tremendously important to me as well, and making sure the imagery repeats and transforms itself and creates a sensory whole. What I love about fiction is adding dialogue to the mix.

5. Since retirement, you’ve been writing more than ever. Do you find you have more inspiration, more time to focus, or both? What is your writing process like?

Since I retired four years ago, I’ve published four books:  a volume of poetry, two novels, and now this book. Plus, I’ve placed quite a few poems, stories, and memoir pieces in the last few years as well. Some of that is just luck; some of it is having more time. I have a lovely room to write in and the calmness that develops over time when you don’t have to worry about all the vicissitudes of your day job. My last day job, as an in-house writer for a large organization, was especially stressful, although I don’t regret it because my duties included writing every day. That keeps your writing muscles strong.

Download press kit and photos

Marissa DeCuir

A former award-winning journalist with national exposure, Marissa now oversees the day-to-day operation of the Books Forward author branding and book marketing firm, along with our indie publishing support sister company Books Fluent.

Born and bred in Louisiana, currently living in New Orleans, she has lived and developed a strong base for our company and authors in Chicago and Nashville. Her journalism work has appeared in USA Today, National Geographic and other major publications. She is now interviewed by media on best practices for book marketing.

booksforward.com/about-us/marissa-decuir/

Aruba – Debut author Claudia Daher’s science fiction novel follows a diverse group of teenagers who are secretly training in an alternate reality video game, R.A.T.S, to prepare for water-stealing aliens attempting to infiltrate Earth. Spanning timelines from ancient Atlantis to a near-future world, “R.A.T.S: Revolutionary Army of Teens: We Are One” (Pegasus Publishing, June 5, 2025) explores climate catastrophe activism and the power of unity, love and respect in the face of global challenges.

In 2040, 15-year-old David discovers that he and his friends are Earth’s final defense against extraterrestrial forces determined to steal Earth’s water. Through an alternate reality game, R.A.T.S, created by his grandfather HB, David and his allies undergo training and unite across the globe. As they prepare for an apocalyptic battle, they unravel hidden truths about the universe and their own destinies—while battling environmental collapse and a relentless alien invasion.

“R.A.T.S” explores themes of artificial intelligence, climate change, alien life, and global cultures as the characters quickly become part of a revolutionary movement to combat environmental disasters and uncover hidden truths about the world and beyond. Through their journey, they must navigate friendships, challenges, and the pursuit of knowledge while striving to make a difference.

“I wrote this book because I believe that, at its core, we are all very similar. We all have families, with their complexities and differences, but at the end of the day, we are all human, seeking love, understanding and belonging. Together we are stronger. We Are One!”

 – Claudia Daher, author of “R.A.T.S: Revolutionary Army of Teens”

“R.A.T.S: Revolutionary Army of Teens: We Are One”

Claudia Daher | June 5, 2025| Pegasus Publishing

YA Science Fiction | Physical | 978-1-83794-375-3

About the Author

CLAUDIA DAHER is a Brazilian-born author who has made Aruba her home for the past 34 years. A devoted wife, mother, grandmother and businesswoman, Claudia is deeply connected to her family and community. She is an entrepreneur and philanthropist, with a heart dedicated to giving back and making a positive impact on those around her.

Claudia’s unique life journey, filled with adventure, self-discovery, and resilience, has shaped both her writing and her perspective on life. She is a passionate advocate for love, unity, and the transformative power of faith. Her story is a powerful reminder that through faith, perseverance, and a commitment to love and family, we can overcome any challenge.

In addition to her writing, Claudia is an accomplished artist, with her paintings displayed worldwide, including at the Chabad Synagogue in Aruba. She is also actively involved in community volunteer work, making significant contributions to various local organizations to help those in need.

Claudia’s life is a testament to perseverance, and her journey serves as an inspiration to others. Her story is not just about overcoming challenges but about embracing the beauty of life, the importance of family, and the deep connections we share with one another. Find out more about her at claudiadaherauthor.com.

Follow Claudia Daher on social media:

Facebook: @ClaudiaDaher.Author | Instagram: @claudiadaher_author

In an interview, Claudia Daher can discuss:

• The importance of young adults disconnecting from their electronics and connecting with nature and themselves
• How her religious background contributed to the writing of her YA sci-fi novel, intended to empower the next generation
• How she, coming from a diverse background and raising her family in one, uniquely explores multiple cultures in the book
• How her son inspired David, the main character; family inspired most of the story
• The book’s setting of Aruba, where the author has lived most of her life
• Why she chose to make the book a clean read free of negative influences
• How her faith and personal experiences have influenced her to write a book about unity, love and respect

An Interview with Claudia Daher 

1. When starting your creative process, why was it important to you that your novel featured characters from different religions and backgrounds? 

From the very beginning, I wanted R.A.T.S: Revolutionary Army of Teens, We Are One to reflect the world we live in—a world filled with diverse cultures, beliefs, and experiences. By bringing together teenagers from different religions and backgrounds, I aimed to show that unity is possible despite our differences. The slogan We Are One is at the heart of the story, emphasizing that respect, understanding, and shared values can bridge divides. In a time when division is so prevalent, I believe young people have the power to create a movement that fosters true connection and change.

2. What do you believe young adult readers can learn from the book, and your tagline “We Are One”?

Young adult readers can learn that despite differences in culture, religion, and background, we share a common humanity and the ability to stand together for a better world. We Are One is more than just a tagline—it’s a call to embrace unity, respect, and empathy, showing that collaboration and understanding can overcome division. The book encourages young people to see strength in diversity and to work together toward positive change. In a time when society often highlights what separates us, this message is a reminder that true power lies in coming together.

3. For young adults, how does your book inspire a generational shift to disconnect from screens?

My book inspires young adults to disconnect from screens by showing the power of real-life connections, teamwork, and hands-on action. The characters in R.A.T.S: Revolutionary Army of Teens, We Are One don’t rely on technology to make a difference—they build relationships, solve problems, and take meaningful action in the real world. This encourages readers to step away from digital distractions and engage more with their surroundings, their families, and their communities. The story serves as a reminder that true change happens not behind a screen, but through personal effort and genuine human connection.

4. How does your clean book, free of negative influences, offer a fresh perspective on unity, love and respect?

I wrote R.A.T.S: Revolutionary Army of Teens, We Are One with a deep conviction that young people deserve stories that uplift, inspire, and empower them. In a world where so much media normalizes division, disrespect, and negativity, I wanted to create something different—something that reminds readers of the beauty of unity, love, and respect. My book proves that a powerful story doesn’t need violence, drugs, or harmful influences to be exciting and meaningful. Instead, it focuses on the strength found in friendship, the courage to stand up for what is right, and the belief that even the smallest act of kindness can change the world. I truly believe that if we nurture these values in the next generation, we can build a better future—together.

5. How does your book emphasize mankind’s deep connection with nature?

My book emphasizes humanity’s deep connection with nature by reminding readers that we are not separate from the world around us—we are part of it. The air we breathe, the water we drink and share with plants and animals, the earth that nourishes our food, and the vast sea that sustains life all connect us in an unbreakable cycle. Even our own bodies, made up of about 75% water, reflect this profound relationship with nature. Through the story, I encourage young readers to respect and protect our planet, recognizing that harming it is ultimately harming ourselves. Now, more than ever, we must take action to care for nature before it is too late—because our future depends on it.

Download press kit and photos

Marissa DeCuir

A former award-winning journalist with national exposure, Marissa now oversees the day-to-day operation of the Books Forward author branding and book marketing firm, along with our indie publishing support sister company Books Fluent.

Born and bred in Louisiana, currently living in New Orleans, she has lived and developed a strong base for our company and authors in Chicago and Nashville. Her journalism work has appeared in USA Today, National Geographic and other major publications. She is now interviewed by media on best practices for book marketing.

booksforward.com/about-us/marissa-decuir/