A psychologist haunted by childhood trauma must unearth all that is buried in her past

A psychologist haunted by childhood trauma must unearth all that is buried in her past in this twisting, lyrical novel of suspense by Mary Higgins Clark Award–winning author Jenny Milchman.

Psychologist Arles Shepherd treats troubled children, struggling with each case to recover from her own traumatic past, much of which she’s lost to the shadows of memory. Having just set up a new kind of treatment center in the remote Adirondack wilderness, Arles longs to heal one patient in particular: a ten-year-old boy who has never spoken a word—or so his mother, Louise, believes.

Hundreds of miles away, Cass Monroe is living a parent’s worst nightmare. His twelve-year-old daughter has vanished on her way home from school. With no clues, no witnesses, and no trail, the police are at a dead end. Fighting a heart that was already ailing, and struggling to keep both his marriage and himself alive, Cass turns to a pair of true-crime podcasters for help.

Arles, Louise, and Cass will soon find their lives entangled in ways none of them could have anticipated. And when the collision occurs, a quarter-century-old secret will be forced out of hiding. Because nothing screams louder than silence.

About the Author

Jenny Milchman is the Mary Higgins Clark Award–winning and USA Today bestselling author of the psychological thrillers Cover of Snow, Ruin Falls, As Night Falls, Wicked River, and The Second Mother. Her work has received praise from media ranging from the New York Times to the San Francisco Journal of Books; earned spots on Top 10 lists from Suspense Magazine to the Strand Magazine; made Best Of lists from PopSugar to PureWow; and garnered starred reviews from Publishers Weekly, Booklist, Library Journal, and Shelf Awareness, in addition to numerous other mentions. Before turning to fiction, Jenny earned a graduate degree in clinical psychology and practiced at a rural community mental health center for more than a decade. She lives in the Catskill Mountains with her family. For more information, visit www.jennymilchman.com.

The Usual Silence

by Jenny Milchman

Thomas & Mercer | September 17, 2024 | 369 pages Trade Paperback Original | ISBN 9781662518423

$3.99 Kindle e-Book | ASIN B0CQ35ZK15

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Steeped in Viking history and werewolf lore, new supernatural horror novel “Family Pack” leaves readers howling for more

As the powerhouse founder of Running Wild Press, Lisa Diane Kastner has been featured in Forbes and has claimed a spot on multiple “Best of” lists. In her acquisition editorial endeavors, she has identified talent like Jamie Ford (Hotel on the Corner of Bitter and Sweet) and Tori Eldridge (Dance Among the Flames) among many other acclaimed authors and titles. A celebrated author in her own right, Lisa (pen name: Kali Metis) is gearing up to release “Family Pack” (Running Wild, October 3, 2024), the hotly anticipated follow-up to her 2022 novel “Cure.” 

In “Family Pack,” readers reconnect with protagonist Luna Auber after her trip to Sweden revealed her lycanthropic ancestry, igniting her shapeshifting ability. Set against the backdrop of a fierce conflict between two primary lycanthropic organizations–The Lycanthrope Society (TLS), which believe that humans and lycanthropes should exist in harmony, and The Righteous Group (TRG), which believe that lycanthropes are intended to rule over all other species–Luna must summon the courage to fight for what she believes in and battle to prevent the decimation of the world as she knows it.

“A study of otherness, identity, and belonging in the shape of a high-stakes supernatural adventure, Metis changes up the werewolf genre in a beguiling mix of medieval and modern. With a touch of romance and a good dose of danger, ‘Cure’ eclipses expectations.”

Lee Murray, USA Today Bestselling Author and Bram Stoker Award® winner

“Family Pack”

Lisa Diane Kastner | October 3, 2024 | Running Wild Press | Magical Realism/Horror

Paperback | ISBN: 9781960018878 | $19.99 

Praise for the author and “Cure”…

“The stakes couldn’t be higher for Luna. Love, health, safety, family, identity—they’re all in play as she sets out on a journey that stretches across continents and centuries and finally into the mystical, a menacing world of secrets and myths and shapeshifters. In ‘Cure,’ Kali Metis deftly weaves storylines of past and present that hurtle toward a breathtaking climax that make it impossible to put down this spellbinding tale.” 

Curtis Smith, author of “The Magpie’s Return,” named best of 2020 by Kirkus Reviews

“Kali Metis is an exciting and unique new voice in modern fantasy and a writer you need to pay attention to.” 

Taylor Grant, Bram Stoker Award® Finalist and author of “The Many Deaths of Cole Parker”

Lisa Diane Kastner “reinvents the werewolf novel in a compelling and terrifying way, and brings a new heroine to the forefront! Very highly recommended!” 

Jonathan Maberry, NY Times bestselling author of
“The Wolfman” and “Kagen the Damned”

About “Cure”…

Stunned by her brother’s apparent suicide, Luna Auber discovers that he has not only left her the keys to his apartment but also trip to Sweden. Per his instructions, Luna is to explore their unexpected heritage of the Birke, an iconic female Viking warrior. Following her brother’s lead, Luna will soon discover that the terrible shakes he suffered from were misdiagnosed. The shaking was in fact the early stages of his transformation. Her brother was a shapeshifter. A lycanthrope. And her own shaking has just begun.

“Cure”

Lisa Diane Kastner | October 18, 2022 | Running Wild Press | Magical Realism/Horror

Paperback | ISBN: 9781955062312 | $19.99

About the Author…

LISA DIANE KASTNER (A.K.A KALI METIS): was born in one of the most dangerous cities in America. In high school, she was a dancer and co-host on Dance Party USA. At the age of 20 her house had burned down and she was suddenly homeless. She spent the next several years rebuilding and obtained her Bachelors, MBA, and MFA. While fulfilling an amazing corporate career, she began Running Wild, LLC. Lisa was named to Yahoo Finance’s Top 10 Entrepreneurs to Watch in 2021, nominated to FORBES NEXT 1000, featured in FORBES and named to New York Weekly’s Top Ten Females to Watch in 2021. Lisa has been an acclaimed writer and editor for more than twenty years. Learn more about her work at: https://lisadkastner.com 

 

Follow Lisa Diane Kastner on social media:

Twitter: @runwildbooks | TikTok: @lisakastner843 

Follow Running Wild Press on social media:

Twitter: @runwildbooks | Instagram: @runningwildpressllc

In an interview, Lisa Diane Kastner can discuss:

  • What originally inspired her to write “Cure” 
  • How she approaches writing and research, especially when Viking history is involved
  • How she tackled central themes of identity and belonging in both books
  • Her work with Running Wild Press, and how she balances her “editor persona” and her “writer persona”
  • Whether readers can expect more from Luna Auber in the future

An Interview with

Lisa Diane Kastner

1. What first inspired you to write “Cure”? 

I had been in conversation with Jonathan Maberry about writing a novel and we were tossing around ideas. When I threw out the idea to create a storyline that reveals the Birka, a female Viking warrior, was actually a werewolf, it naturally expanded from there. 

2. What does your writing process look like? Was there a lot of research involved for the tale of Freya and Ulf, and Viking lore in general?

Typically, I come up with an idea and then I start researching background on the topic. I then come up with what I think would be a great structure for the novel to give me a roadmap to start with. I typically will start writing from there. Sometimes I write what I think will be a short story and quickly realize that the storyline is too big for less than 15,000 words. 

3. How do themes of identity and belonging play into both “Cure” and “Family Pack”?

Much of the underlying story is about Luna, who was an orphan originally of undisclosed heritage, discovering why those things that previously caused others to mock her or reject her actually elevate her in the world of lycanthropes. 

4. Can you tell us a bit about your work with Running Wild Press? How do you approach your work as an editor versus as a writer?

As an editor, I’m looking for unique voices that tell great stories. At Running Wild our focus is on great stories that don’t fit neatly in a box and at RIZE our focus is on great genre stories written by people of color and those from other underrepresented groups. 

As an author, I’m typically looking for ways to tell unique stories that will entice, engage, entertain, and enlighten. 

5. What’s next for you? Do you have plans to continue Luna Auber’s story?

Absolutely!  We’re publishing an anthology of stories told in the world of CURE in 2025 with titles written by fans of the tale. WEIRD TALES magazine recently published a short story called, “Laurel Caverns” in the Occult Detective edition https://www.blackstonepublishing.com/products/book-fr9f which is set in the world of CURE and features Luna as the antagonist. Plus, we’ll be publishing another book in the world of CURE, most likely in 2026 and another series set in this world of lycanthropes but leveraging the structure of DUNE. The last one I’m doing on a dare by Jonathan Maberry so I better get to work. 😉 

Download press kit and photos

Industry Interview with the creator of of story time teen, James Tilton

For our 2024 blog series, we’re highlighting industry professionals to find out more about their time in the book world. Follow along for insight on what catches a reviewer’s interest, things to avoid when pitching a media outlet, what librarians are searching for and more. 

Today, we’re chatting with James Tilton, the creator of Story Time Teen and a Creative Writing teacher at his local public high school, where he’s helped hundreds of students publish poems, vignettes, and short stories for distribution at a nearby independent bookstore. He’s hoping one day he can see his own words in print as well.

1. As someone who hears about A LOT of books, what makes one stand out to you?

I’m always a sucker for new titles from authors I already love. Nic Stone and Becky Albertalli come to mind especially. I’ll read anything they write, and I suspect their teams are well aware of that at this point!

2. What’s the worst thing an author (or publicist!) can do in telling you about book they’d like you to consider for coverage?

I know that some people say “Don’t judge a book by its cover,” but I’m a sucker for a good cover. If you’ve got a great cover, include it at the bottom of your email. I love seeing stunning covers! It’s how I first fell in love with Nicola Yoon‘s A Sun Is Also A Star.

3. What makes your job easier?

We at StoryTimeTeen have a long-running series where young adult authors write letters to their teen selves. It’s incredible! We get the most honest, heart-breaking/warming letters from the most incredible authors, and it’s truly a pleasure to publish them. BUT sometimes those same amazing authors and publicists assume that we already have their bio, headshots, and book covers or can find that information easily online. The problem is that those things change sometimes, and it can be a little tricky to know if we got the right bio or the finalized cover or the most recent bio. Authors and publicists who remember to send that information to us, whether via email or as a Google Drive link, are my favorite! That simple step saves us tons of time and can help us make sure we’re getting everything right before the post goes live.

4. What’s the most memorable (or maybe funniest) pitch that’s ever come your way?

I’m a sucker for wordplay. One of my favorite pitches recently came from Books Forward actually. You pitched Tracy Badua‘s newest book as “When A Music Festie With Your Bestie Gets Testy.” That headline grabbed me. I guess you could say I thought it was the… bestie. Too much? I’ll stop.

5. Did you always know you wanted to be involved in the book world?

I got involved in book blogging when I first started writing young adult novels myself. My agent thought it would be a good way for me to find a bookish community, and I’m so glad I listened to her. I’m a high school teacher as well, and I’ve found so many books that I can recommend to my students. We’ve even got a book club now and take regular field trips to local book festivals, including YALLWest, where I was lucky enough to be honored with a Purple Ink Award. None of that would have happened if it wasn’t for book blogging.

6. What is your most recommended book and why?

That’s such a hard question, and it’s why I created an algorithm to do it for me. It takes a reader’s bookish preferences and gives them a personalized recommendation in less than a minute. I call it the Book Rec Generator, and it’s one of the things that really sets StoryTimeTeen apart! You can try it here.

7. What is a book that surprised you recently?

I just finished TJ Klune‘s In The Lives Of Puppets this morning, and it was incredible. It’s this Pinocchio retelling set in the future that manages to be laugh-out-loud funny and still have so much heart. His writing always makes me fall in love with being human, and this book is no exception.

8. What is your favorite part about working in the book community?

The free books, for sure. I think it’s my students’ favorite part too. My classroom library is loaded at this point, and they love it!

Exploring AI Part 2: limitations and legalities

Content alert: the following was written by a human.

In this three part series exploring AI, Books Forward is chatting with Dr. Andrew Burt, author of lots of published science fiction, including his newest novel, “Termination of Species”, for those who like AI, biotech, chess and a bit of romance.

Dr. Burt was VP of the Science Fiction and Fantasy Writers Association (SFWA) for several years. He heads Critters, the first writers workshop on the web and home to other writerly resources. He runs ReAnimus Press and Hugo-winning Advent Publishers, helping award-winning and bestselling authors breathe life into great books. Outside of writing, he’s been a computer science professor (AI, networking, security, privacy and free-speech/social issues); founder of Nyx.net, the world’s first Internet Service Provider; and a technology consultant/author/speaker. For a hobby, he constructs solutions to the world’s problems. (He jokes: Fortunately, nobody listens.)

PART 1: Changes in publishing

What can AI NOT do?

There are plenty of non-writing related aspects that AI won’t help with; at least for now.

The current breed of AI is focused on creating content, not so much on finding answers to questions or planning. So ChatGPT isn’t going to be great at finding a list of places to advertise, but it can help write ads. It could regurgitate ideas for marketing plans that it’s found that others have written, but AI’s can’t yet really plan such things. Remember, it’s all based on the probability of what word could come next in an answer.

That’s just today’s AIs. Nobody foresaw ChatGPT’s capabilities just a couple years ago; it just popped up based on AI people trying things with huge amounts of data. (And, frankly, getting surprised at the result.) Tomorrow’s AIs… who knows. That’s one reason I wrote a novel about where AIs and humans might be going.

What should authors be wary about when it comes to using AI?

If a newbie wants to use AI to write their whole book/story/article, then it won’t really be “theirs”; it won’t be their own artistic creation. If the goal of a certain author is to breathe life into their own artistic creation, then the more they use AI the less they’re doing that.

If an author’s goal is to make money, by quickly creating some particular text, then AI is getting pretty close to that in a number of areas. Again, the shorter the text, the better AI will be at it. A lot of AI generated text won’t be salable, though; so don’t bother trying to get rich quick by sending in a bunch of AI stories or books to get published. (As many people are doing, clogging the slush piles of publishers. This ultimately hurts new authors, as publishers shut their doors to slush and only accept work from authors they know, or via agents or other forms of vetting.)

If an author does want to create “art,” they should minimize the use of AI. That applies to any use of it, for idea generation, editing for length, smoothing out word choices, or critiquing—any of that reduces their artistic input.

A big problem with AI content is that it often contains factually incorrect information. So, never rely on AI content to be correct. The technical term for it is “hallucination,” but the lay term for it is “lying.” I wrote a couple blog posts about this showing how insidious their lying is. Generative AI’s are structurally incapable of telling true from false information (they are literally making randomized guesses at what the next word in a sentence might sound good), so I’ll repeat this: Never rely on them for factual accuracy.

Another pitfall to be aware of with AI created text is that it tends to have a certain style about it. It can often come off as bland, corporate, uninspired or generic. AI’s are, after all, mimicking the sort of “average of everything ever written” in their approach. Even if you ask it for a certain style, the way these AIs work is by looking for the most generic output. They look for the “most likely” next word that follows the words they have so far. Then they look for the “most likely” next word after that, and the next. This inevitably produces a sort of non-unique style, or if you ask it for a specific style, like “write like a pirate”, you get a generic version of a requested style.

To further keep you up at night, there may be obvious or unknown biases in AI output. (Gender, race, ethnicity, etc.)

And some readers may react negatively if they know or think you’ve used AI. For example, people have won awards based on what turns out to be AI generated content. People ask, how deserving are they? How much of the award-winning aspect is their own, vs. software created?

What are the legalities surrounding AI?

From a legal standpoint, it’s unclear if there are copyright infringement issues at play. The current batch of AIs were “trained” by “reading” massive amounts of (copyrighted) material. If they then spit out some text, there’s a question whether it’s either a direct copy of some of the input text (unlikely, but not impossible), or a close enough derivative of it, that some author of the original text could find out and bring legal action about it. Such lawsuits are already happening. (Whether they win or lose, defending yourself against a lawsuit is costly and time consuming.) Some authors contend that merely using their work as input without permission is illegal (thus anything it creates as output they contend is likewise illegal). It will be for the courts to decide this since it’s such unexplored legal territory. There’s no law against copying an artist’s style (freedom you have to like Yoda write); you just can’t copy others’ specific artistic creations.

It’s also unclear if AI-generated or AI-assisted text itself can be copyrighted. So far the answer has been “No” on AI generated text. So if you use AI to write a book, article, etc., it may not be something you can copyright—that is, anyone else may be able to copy it for free. Using AI for assistance? Totally unknown copyright issue.

As a final thought, Amazon has been asking authors if their KDP content was produced with assistance from AI. It’s unknown what they’ll do with this information, but it’s possible they’ll refuse to publish such works (as they now do with books that contain whatever they deem too much public domain content).

 

Worried about book industry scams? A few helpful resources

Recently Writer’s Digest ran an article I wrote to help authors avoid AI-generated Bookstagram scams.

As a former newspaper journalist, I feel so passionate about helping people discern reality from fake information.

The rise of social media has certainly played its role in causing a sincere confusion between real and fake news, though propaganda and scams are nothing new.

Many industries have their share of scammers trying to con people out of money.

Specifically in the book industry, our author clients often ask our Books Forward team if a promotional offering is worthwhile. And while it’s typically not, the real question cuts even deeper: is the opportunity even legitimate?

We’ve had the joy of representing authors and promoting their books for decades, and with that experience has come many promotional programs that make ridiculously exaggerated (sometimes flat out false) offers to our clients.

Be alert, be aware and ask questions.

Ask your author friends and industry insiders for their experiences and guidance on whether or not a promotion is credible.

And consider these helpful resources:

  1. Stay tuned to The Authors Guild Publishing Scam Alerts.
  2. Writer Beware consistently shares real scam examples and questionable trends in the industry.
  3. Author Alexa Donne released this video walk through of two real book marketing scams. 
  4. Books Forward author Dr. Seema Yasmin’s “What the Fact? Finding the Truth in All the Noise” may not be book industry focused, but there are plenty of great concrete tips and tools to lean on in considering what’s real or fake.

Happy truth hunting!

Read Queer 365: LGBTQ+ Book Influencers to Follow to Celebrate Pride Month

I love June, I always have because it carries the promise of summer, soaking up the sun, and longer days. But, as I grew up and came out, June also came with the promise of Pride month – getting the opportunity to celebrate myself and other queer folks with authenticity and well, pride

To celebrate Pride month we’ve partnered with some awesome LGBTQ+ book influencers to share a bit about themselves and their favorite queer book rec. Hopefully, you’ll find some new books to add to your shelves!

Zakiya, @zakiyanjamal

​​Zakiya (she/her) was born in Queens, raised in Long Island, and currently resides in Brooklyn. In other words, she’s a New Yorker through and through. By day she works in publishing as a marketer, and at night she writes romance novels.

If I could recommend one LGBTBQ+ book, I’d have to recommend Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar. Not only does Adiba do an incredible job with the fake dating trope, but she also addresses heavy topics like biphobia and racism, in such a genuine way that I both felt seen and learned about a culture outside of my own. 

Andrea, @andreabeatrizarango

Andrea (she/ella) is a queer public school teacher turned interpreter and writer. She ranks cities based on how good their libraries are, and currently spends many a sunny day walking to and from her closest New Orleans library branch. (Spoiler Alert: It’s the best library she’s ever had.) Andrea enjoys reading across age categories and genres, but lately has felt especially drawn to soft and sad gay horror.

Book Rec: My book recommendation would have to be Monstrilio by Gerardo Sámano Córdova, because it was the first book I read that finally made me understand the nuances of the horror genre. Sure, there is a piece of a dead eleven-year-old’s lung in a jar, and yes, there is a monster who eats people. But really the book is about the horror of grief, and is there truly anything more horrifying? Also, yes, every single character in this book is queer. I told you, I’m into the sad gays!

Casey, @caseythereader 

My name is Casey (she/her) and I live in the DC area with my spouse and three cats. I love yelling about queer books on the internet, especially books featuring sapphic and asexual characters because it never gets old to see a little piece of your own identity in a book. My favorite genres are sci-fi/fantasy and YA – honestly, this is where the best queer lit is! – but I try to read a little bit of everything and am always looking for that next new favorite book.

I’m recommending Dear Wendy by Ann Zhao. Two aromantic asexual Wellesley students are unknowingly in an Instagram feud with their advice column accounts while they’re becoming best friends IRL. I love that this book stars two aroace characters and shows their differing experiences of these identities while they build an incredible platonic relationship together.

Jupiter, @bookstagramrepresent  

Jupiter (they/them) is an Autistic queer trans nonbinary creator. They started out on bookstagram sharing reviews and now work on sharing LGBTQIA+ BIPOC lists, recs and resources for their community. Jupiter loves to connect readers with stories that resonate with their spirit and open their hearts to other lived experiences. They live in Florida with their amazing Kid and are always on their next adventure.

Beating Heart Baby by Lio Min is a book that caught me by surprise. The story follows two queer teens, one who is trans, and their relationship through high school into post graduation life. Messy, beautiful and so utterly alive, Beating Heart Baby captures a kind of queer trans life experience that gives me hope for trans kids to see themselves growing up into full lives.  

Kat, @klas_reads

My name is Kat Somers, my pronouns are she/her, and am a bi barista book girlie! I love walks through the woods, songwriting, crocheting and knitting, and of course reading. I came back to reading in 2021 after a huge work burnout – I found I needed somewhere else for my brain to be while I was healing. Soon after that I started a bookstagram to connect with more readers (and maybe also because our cat Juniper could really only provide so much support as a discussion partner). Quickly my TBR (and heart) became so full!

I really love weird books! A recent favorite queer book that I read is Patricia Wants to Cuddle by Samantha Allen. It is very The Bachelor meets Bigfoot meets Final Destination! Through the (very) wild plot we also follow the love story of two star crossed lesbians who spend so much of their lives trying to escape the intolerance of their small town. As someone who grew up in a similar small town where I felt silenced in understanding my own queerness, this book felt really healing through all of its silliness and downright weirdness!

Morelia, @strandedinbooks

My name is Morelia (she/her) and I am a queer Latina from Texas! If I’m not engrossed in the latest romance novel, I am most definitely crying into a bucket of popcorn at a movie theater somewhere. Naturally born a book worm, but only rekindled my love for reading just as I was navigating my last semester in high school and can’t believe I’ve had such luck talking books (and movies!) and generally being part of a bookish community with so many amazing people for years now.

I’d recommend Last Night at the Telegraph Club by Malinda Lo. Having read it was such a lightbulb moment for me, it was a book I wish I’d had when I was younger and had a head full of questions. Young adult books really have a certain way of hitting you right where it hurts, and Malinda Lo did such an amazing job tackling the main character’s journey of finding herself and eventually love, navigating queer spaces, complex mother/daughter relationships, while also packing in a lot of history around this time the book is set. It’s tender, it’s heartbreaking, it might fill you with a bit of anger, but it’s also beautiful and intentional and just so queer, I love it.

Mari, @marithebookmaven

Mari (they/them) is a lifelong reader and late-blooming queer, and they will never shut up about either of those things. They live in a not-so-trans-friendly state with their dog, Hattie, and cat, Loki. While they hold down a totally normie office job, they spend the rest of their time in advocacy and definitely avoiding all the unread books on their shelves.

I’d recommend Iris Kelly Doesn’t Date by Ashley Herring Blake. I spend plenty of my time reading emotionally heavy books on a lot of different topics, so when it comes to LGBTQIA+ books, I like to keep it light! Like the other books in the Bright Falls series, Iris Kelly Doesn’t Date brought me so much queer joy. It’s light without being totally vapid, has a full cast of wonderfully queer characters, and OF COURSE has the perfect happily ever after.

Andy, @foreverinastory

Hi, I’m Dr. Andy (they/xe). I recently finished my PhD in pathobiology and am now a research scientist by day. In my “free time” (read: work time), I am a group fitness instructor, election judge/support staff and staff/social media manager for Rainbow Crate book box. I am a passionate queer bookstagrammer who loves taking book photos and compiling lists of my favorites, especially trans/nonbinary, ace, aro and sapphic books! I also created and run a reading challenge called “Be Intentional” which is designed to educate and uplift marginalized voices in publishing.

One of my all time favorite books is Man O’War by Cory McCarthy. I’ve read this one four times now and every time, I fall more in love with all these characters, but especially River. So much of River’s story resonated with me. Their journey from intensely closeted and queerphobic to finding love and freedom as yourself: I don’t have enough words to explain what it meant to me. This book has my whole heart.

Semi-autobiographical writing exercise turned series celebrating LGBTQ+ youth

YA novel mirrors struggles of trans teens in conservative America– showcasing resilience against injustice

Seattle, WA – Award-winning author Kelly Vincent re-imagines their teenage years in their empowering series “The Art of Being Ugly” — a compelling story of a teen grappling with their gender identity. The anticipated finale, “Ugliest,” (KV Books LLC, August 13, 2024) is a necessary and impactful commentary on the struggles LGBTQ+ teens face amidst a hyper-conservative landscape threatening the rights of queer people. 

Life, academics, and activism. Facing hate and bigotry, can this agender teen make a difference in LGBTQ+ rights?

About the novel: Determined to excel, seventeen-year-old Nic Summers strives to find time to survive physics, build confidence, and enter a competitive art mentorship at the local university in Oklahoma City. However, Nic’s stress skyrockets when a protest video results in them and a trans friend being forced by the school to move to the girls’ dorm. Burning with a strong sense of justice, the normally shy teenager summons the courage to speak out against damaging state legislation. But when the vision goes viral, they’re shocked when the authorities hand down an ultimatum: stop or be expelled.

Can Nic dig deep and prevail against institutional bullies ready to erase their identity?

Sharing the plight of those too often silenced, author Kelly Vincent opens the door to understanding and empathy. Through the eyes of a big-hearted main character, Vincent leads the way toward accepting and appreciating each other’s differences.

“Ugliest”

Kelly Vincent | August 13th, 2024| KV Books LLC

Young Adult | LGBTQ+ | Fiction

Paperback | 9781958342169 | $10.99

Ebook | 9781958342152 | $2.99

KELLY VINCENT (they/ them) wrangles data weekdays and spends the rest of their time playing with words. They grew up in Oklahoma but have moved around quite a bit, with Glasgow, Scotland being their favorite stop. They now live near Seattle with several cats who help them write their stories by strategically walking across the keyboard, with their first novel, “Finding Frances,” a fine example of this technique. 

Their four subsequent books, “Ugly,” “Always the New Girl,” “Binding Off,” and “Uglier,” were released in 2022 and 2023. “Finding Frances” and “Always the New Girl” won several indie awards and “Ugly” was selected as the Honor book for SCBWI’s Spark Award in the Books for Older Readers category for 2022. 

Kelly has a Master of Fine Arts in creative writing from Oklahoma City University’s Red Earth program. Learn more about Kelly on their website. 

Follow Kelly Vincent on social media:

Instagram: @kvbooks

TikTok: @kv_books

Facebook: Kelly Vincent, Young Adult Author

In an interview, Kelly Vincent can discuss:

  • How current legislation, such as the “don’t say gay” bill and attacks on gender affirming care inspired parts of the plot for “The Art of Being Ugly” series 
  • Why trans and nonbinary stories need to be showcased in the young adult genre 
  • How writing Nic’s story helped Vincent navigate their own journey with their gender identity 
  • The writing exercise that inspired the series: Vincent imagining themselves as a teenager now instead of in the 80’s and 90’s 
  • How the safety of trans and nonbinary people cannot be separated from politics
  • The importance of protecting the rights of trans and nonbinary people and how rolling back rights for LGBTQ+ folks negatively impacts everyone
  • How Vincent’s horror over the Oklahoma trans teen Nex Benedict’s real-life tragedy motivated them to expedite the release of this story well before the November US elections

Praise for “The Art of Being Ugly” Series

Honor book in SCBWI’s 2022 Spark Award in the Books for Older Readers category

Semifinalist in 2019 BookLife Prize for Fiction, Children’s and Young Adult category

“the compelling story will resonate with young adults going on their own difficult journeys and should help them feel less alone” —Kirkus Reviews

“Readers will rally behind fifteen-year-old Nic Summers as she navigates the pitfalls of adolescence in this moving and timely YA novel.” –BookLife Prize

“An impressively honest and intimate first person POV powers this story of a young person struggling with gender and trying to find their place in a world that is seemingly determined to ‘erase’ them” –Kirkus Reviews (starred review)

Listed in Kirkus Reviews Top 100 Indie Picks for 2023 (December 15, 2023)

Kirkus Reviews Editor’s Indie Pick (October 15th 2023)

 

An Interview with Kelly Vincent

1. Tell us about the thought experiment that inspired “The Art of Being Ugly” series. 

I struggled with my gender growing up in Oklahoma in the 80s and 90s, and after I learned about the concept of gender not being a binary, I really felt like mine was a story worth sharing. That concept wasn’t in my mind when I was growing up, so I constantly felt like a girl utterly failing at being a girl and just being generally wrong. I wondered what it would be like to grow up now when those ideas are out there. I put Nic through the experiences I had been through—most of the incidents in the book Ugly really happened, although some are exaggerations and things were shifted time-wise—but also gave them Google, which made everything different. The books Uglier and Ugliest are almost all fiction, but I was still imagining myself going through those experiences, constantly asking myself, what would you have done in this situation?

2. Why did you feel passionately about writing Nic’s story and how have these stories personally impacted you as a non-binary author? 

I know that people who have never experienced uncertainty about their gender struggle to understand what that feels like. Gender is considered so fundamental to identity that people don’t question it, but I wanted to share what it’s like to have those doubts, or even the certainty that being what everyone thinks you are is actually wrong. Writing Ugly was difficult because I was reliving painful experiences, but writing Uglier and Ugliest made me feel good because I almost felt like I was having the experiences Nic was, even though it took me a lot longer to be comfortable with and proud of myself than it took Nic. 

3. What do you think are the biggest challenges facing trans, non-binary, and agender teens today?

I think it is fundamentally difficult to understand your gender when it feels different from what everyone else thinks it is, especially as a teenager (or an even younger kid) because you don’t have much life experience to build on. Most kids—especially those in red states—also don’t have exposure to ideas around what’s possible in terms of gender identity in a way that’s safe and fair. They often absorb the idea that deviating from the binary or what other people think makes them a “freak,” and in states where hateful politicians are creating legislation that takes away their ability to identify accurately (and giving permission to everyone else to mistreat anyone not conforming), it’s especially dangerous. People in positions of authority parrot anti-bullying talk when people are looking, and then turn around and back the bullies because the “freaks” deserve it for not conforming. This was my experience growing up and I honestly don’t think it’s changed much in school settings. 

4. What advice would you give to people (of any age) who are redefining their gender identity?

I think the most important thing is that you are free to explore your identity and know who you are by learning about other people’s experiences through social media and other sources. But it’s also important to think of your safety, because there are places where expressing your true gender identity is safe, and places where it’s not. I know it can be painful to have people treating you as something you’re not and making assumptions about you because of the gender they think you are, but knowing who you are in your own heart can make a huge difference if you’re not safe enough to come out. It’s hard for young people to remember that they won’t be young forever—it really does get better when you get older.

5. How have current events impacted your writing? 

Every piece of anti-LGBTQ legislation that hate pushes through red state legislatures is distressing. So many people who don’t actually support these laws have been sitting by, electing these politicians filled with hate and thinking it doesn’t matter since it doesn’t affect them. But there have been some signs that people are waking up and it’s just so important that people are made to understand how important it is to stop letting politicians strip everyone of their basic human rights. 

6. What do you hope that young readers will take away from this series? 

I want cis people to have an understanding of how much of a struggle identifying differently can be, and for LGBTQ+ kids to remember that while you can’t change everything in your world, you aren’t powerless. 

7. What is next for you in your writing career? 

I have a nonfiction project that I’m focusing on for a time, but I am revisiting an old YA LGBTQ suspense manuscript that I wrote a few years ago with a tentative plan to release it in 2025, also set at the school Nic goes to in Uglier and Ugliest, and I have a YA LGBTQ paranormal romantic suspense in the works. And although I do consider Ugliest to be the final book in the core series, I’m going to be in Glasgow this summer and I am planning to visit the Glasgow School of Art, which is where Nic is going to go to college. I may write a novella about their time there, but no promises.

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Exploring AI Part 1: changes in publishing

Content alert: the following was written by a human.

In this three part series exploring AI, Books Forward is chatting with Dr. Andrew Burt, author of lots of published science fiction, including his newest novel, “Termination of Species,” for those who like AI, biotech, chess and a bit of romance.

Dr. Burt was vice president of the Science Fiction and Fantasy Writers Association for several years. He heads Critters, the first writers workshop on the web and home to other writerly resources. He runs ReAnimus Press and Hugo-winning Advent Publishers, helping award-winning and bestselling authors breathe life into great books. Outside of writing, he’s been a computer science professor (AI, networking, security, privacy and free-speech/social issues); founder of Nyx.net, the world’s first Internet Service Provider; and a technology consultant/author/speaker. For a hobby, he constructs solutions to the world’s problems. (He jokes: Fortunately, nobody listens.)

PART 1

When ebooks emerged, experts predicted “the end” of traditional book publishing. Is text generative AI “the end” of traditional book writing and promotion?

I was a fan of ebooks since the late 90s, when the very first ebook devices were coming out, and I largely only read only ebooks. As such—plus being a computer science professor and science fiction writer, inevitably peering into the future—I was indeed one of those predicting significant changes to how people read, and thus, to publishing.

However, my predictions came with a caveat, one which has not (yet) materialized: I said that when ebooks could mimic the most relevant aspects of a paper book, they would likely replace paper books. The tipping point I proposed was that when there a device that looked like a book, i.e. several hundred sheets of pages with words and images on them, bound at a spine, the “codex” format, but digital—basically a bound set of hundreds of sheets of thin digital paper, that can each act as a screen displaying whatever pixels we want—and super cheap—then there would be no real need for print books. There is something that people inherently like about these objects we call books: the shape, the multiple pages that you can riffle, that you can stick a finger in to hold a place, that you can quickly flip forward and back in, that can be dropped in a bathtub without causing (too much) emotional damage, etc. (and, as is almost invariably pointed out, “the smell”). But make the pages digital instead of static text, and wow, that would be a game changer.

Ebook devices don’t mimic that today. They display one page at a time and navigation within is cumbersome. The bound, multiple page aspect of a book is critical to its success. This “codex” format pretty much replaced “scrolls” of old. It’s a better format for humans to use. So, the market for print books still thrives.

On the publishing side, it’s not ebooks per se that have altered publishing, but the inexpensive cost of anyone being able to publish a book—both as an ebook and as a print-on-demand (POD) physical book. The one competitive advantage that traditional publishers still have that small or self publishers don’t, is the massive marketing dollars. This creates not just the ability to run ads and do all kinds of promotion to lots of eyeballs, but also the ability to print thousands or millions of copies in advance and get them on store shelves across the country and world. Thus, new authors with a traditional publisher still don’t get access to those huge advantages, and this is where publishing has changed. Now if you submit to the major publishers and get rejected, you now publish it yourself for a lower cost. It may not sell many copies, but it might. Lightning strikes. And the sheer volume of such books does, in aggregate, take readers away from books from the major publishers. A small number of readers each of millions of self-published books represents millions of readers who aren’t reading books from the majors. Readers have vastly more choice.

So—and I’m really working my way back to AI!—the new technology of ebooks, POD and free platforms like Amazon’s Kindle Direct Publishing (KDP) did change publishing, but only when they meet the needs of the consumers. Likewise with AI.

So how do you anticipate AI will affect the industry exactly?

AI is really taking off recently in terms of capabilities, mostly because the computing power has reached the point it allows the massive amounts of calculations necessary.

It’s worth briefly mentioning how these “Generative” AIs work (also called “Large Language Models”, or LLMs; because they were trained on massive amounts of text). They look at a huge amount of text (and images, etc.), mush it up into hundreds of billions of numbers, and spit out the most likely next words based on the clues it finds in a question you ask it. It’s all based on the probability of what word could come next in an answer.

What we see today is the tip of the iceberg in what these AI systems can do. But, looking at what they can already do today, we can (at last!) get to some kind of answer to the question:

When AI can do what consumers-of-writing want, and do it better than humans can do it (notably in the realm of cheaper and faster, of acceptable quality writing), then, yes, AI will be “the end” of that kind of traditional writing.

But note I put some weasel words in there: “that kind” of writing.

There are all kinds of written material out there. Science fiction novels, fantasy short stories, scripts for rom-com movies, self-help web pages, historical scholarly journal articles about the crusades, scientific papers describing experimental results in quantum physics, holiday greeting cards, ad copy for TV commercials about cat food, headline news articles, business proposals, answering support questions in a chat session, getting ideas where to visit for a road trip, job descriptions, condolence emails, instructions for assembling a bookcase… the variety of “writing” is just massive.

Generative AIs like ChatGPT, Gemini, etc., can do some of these things already to the point where paying humans isn’t needed. This of course applies beyond words, to any kind of content, images, videos, audio, etc. These are human “creative” endeavors, even if Ikea pictorial assembly instructions aren’t exactly heartwarming art. 🙂

And that’s a big divide: Content created for art’s sake vs. content for commercial purposes.

I can say with near certainty that AIs will be “the end” of many of these human content-creating endeavors as career type jobs. Chatbots are already replacing human jobs for tech support. (Maybe not well, but they’re so much cheaper that businesses can’t help themselves.) AI created artwork can already replace costly human artists. There won’t be any aspect of “writing” (or other content creation) that won’t be touched by AI in some way. It’s simple economics: When a free/cheap method of producing something is discovered that mostly gets the same job done, it mostly replaces the old more expensive method. Cars replaced horses. How often do people mail hand-written letters to each other? Or send faxes? etc.

If/when this will happen to writing (and promotion) will depend on the kind of writing and promotion we’re talking about. But there are so many kinds of content creation that people are paid for now that simply will be cheaper to replace with AI generated content.

In terms of book writing specifically, how does AI come into play?

At book length, it will take longer. AI can’t quite today write a horror novel better than Stephen King—most AI generated novels are pretty horrible—today—so Stephen King’s job is safe for a few years. Maybe 5-10? If we’re talking non-fiction, since generative AI’s are untrustworthy for factual correctness, they could maybe produce readable prose, but you’d have to carefully check every single fact. AI might be able to scrounge up some actual facts (that you verify) that you didn’t know about, since they’ve been trained on massive amounts of data, although there are a lot of older books and articles that aren’t scanned yet, thus not available to AIs and only to humans. So, I don’t foresee AI replacing book length non-fiction for some time (although it may help make it much easier/faster to write).

At short length, AIs can already create poetry that humans can read and think has deep meaning, even when the AI creating it had no such intention. For that matter, I wrote a really simple AI back in the 90s that created a particular kind of gibberish writing derived from some input text. [It’s at critters.org/bonsai.] It was only a few lines of computer code, but it produced some random, intriguing sounding output that was so odd it often seemed “deep”—simply because humans are good at finding meaning in randomness. Think of how we find animal shapes in clouds.

When we add in the concept of collaboration, where a human author uses AI as a tool to help them write a “better” book than they could have alone, that opens up even more options for AI to replace human effort. Just like spreadsheets made it possible for non-techies to do some complex tasks, people who are less capable at writing can use AI to create books or other length content, especially (non-factual) non-fiction, like a book of jokes (to the extent facts don’t play a role). An AI is suited to taking stilted, grammatically incorrect, typo-ridden prose and making it sound much better. There’s a large market for that. But this could be a double edged sword: In this case, more newbie human “authors” benefit from being able to write “better”; but flooding the market with magnitudes more competent texts means even fewer sales for authors who have the native talent for writing and don’t need AI help. This isn’t to say anyone can ask ChatGPT to “write a 300 page book on the evolution of dinosaurs” and presto! out pops a bestseller, but AI might cut down their effort by a factor of, say, ten. (And who knows, in 5-10 years…)

People write a lot of short- and mid-length reports on things, like news articles, progress reports, job descriptions, etc., where beautiful prose isn’t a goal. If factually verified, AI’s can probably take over a lot of this work. Then the human becomes mostly the creator of the prompts, provider of the data to describe (both of which can be somewhat automated as well), and (very importantly!) the fact checker for the output.

On the promotional side, AI tools will also make writing book blurbs, ad copy, etc. easier for novices. It will allow for creating more variations that can be tested, to see which of several ads sells the most.

Stay tuned for more information!

Intimate memoir recalls journey with abuse, addiction, and disordered eating

An inspiring story perfect for fans of “Drinking: A Love Story” by Caroline Knapp

BOSTON, MA – In a raw and poignant coming-of-age memoir, “Make a Home Out of You” (She Writes Press, September 3, 2024), Ginelle Testa spends her adolescence searching for a home in one destructive place after another. Grappling with addiction after addiction – to sex, love, weight loss, drugs, and alcohol – she must find a way to claw herself up from rock bottom in order to find a joyful home within herself. 

Born to an abusive mother and a drug-dealer father, Ginelle Testa is not exactly set up for success. By the end of her thirteenth year, she’s started experimenting with alcohol and drugs, has fallen prey to anorexia, and has been sexually assaulted. And that’s only the beginning of her spiral down into addiction and disordered eating.

As Ginelle progresses into young adulthood, she plunges deeper into substance-related lows. In her senior year of college, after blacking out and ending up naked in her dorm’s community shower, she goes to Alcoholics Anonymous and gets sober. But steering clear of drugs and alcohol, she discovers, is not a cure-all—she still has a long way to go before she can truly heal.

Powerful and relatable, “Make a Home out of You”, is a riveting tale of making the slow, confusing, and surprisingly funny slog back from the brink—and learning to make a home in oneself instead of in substances and other people.

“A raw and honest portrait of unhealed trauma and its ripple effect on a young life. With an intense yearning for things, people, and vices, the author earned a heap of battle scars on the journey to self love and acceptance. This story reminds us that love starts at home, and that home resides within.”

–Suzanne Simonetti, USA TODAY bestselling author

“Make a Home Out of You: A Memoir”

Ginelle Testa | September 3, 2024 | She Writes Press | Memoir

Paperback| 9781647427443 | $17.95

GINELLE TESTA (she/they) is a writer originally from Hudson, NH. She has an MS in digital marketing and design from Brandeis University and a BA in sociology from Rivier University, and has been featured in Insider, Byrdie, Tiny Buddha, and other places. She’s a queer person in recovery. When she isn’t writing, she enjoys doing restorative yoga, playing video games, and thrifting eclectic clothes. Ginelle lives in Boston, MA. Find out more about them at their website.

Follow Ginelle Testa on social media:

Instagram: @ginelletesta

TikTok: @ginelletesta 

Facebook: @GinelleTestaWriter

In an interview, Ginelle Testa can discuss:

  • Ginelle’s experiences in both Alcoholics Anonymous (AA) and Sex and Love Addicts Anonymous (SLAA)
  • How Ginelle’s experience with AA and SLAA has changed since writing their memoir
  • How pursuing sobriety empowered Ginelle to boldly embrace her authentic, queer identity and become an advocate for body positivity 
  • How Ginelle’s profound drive to share their story stems from a deep-seated conviction to inspire and uplift others
  • The process of writing this memoir and how it healed trauma from her childhood

Advance Praise for “Make a Home Out of You: A Memoir”

“Raw and uncompromisingly honest, Ginelle Testa’s memoir takes readers on a whirlwind journey through her teens and early twenties in her search for love and self-acceptance. Set in rural New Hampshire and Boston, Make a Home Out of You is Ginelle’s story of addiction, recovery, and the search for her soul. Like me, you’ll cry at her failures and rejoice in her triumphs. I guarantee you won’t be able to put down this beautifully crafted memoir.”

–Susen Edwards, author of What a Trip: A Novel

“Testa’s intimate memoir is a harrowing and ultimately triumphant tale of her decades-long odyssey of self-destructive addiction… With superhuman courage and conviction, Testa transcends a life of setbacks and despair to emerge as a powerful, purposeful woman. So many will be inspired by her brave story.”      

Shary Hauer, author of Insatiable: A Memoir of Love Addiction

“Make a Home Out of You shines with honesty and introspection. Reading it feels like taking in the intimate diary of a friend as she grapples with body-shame, sexuality, and longings to feel safe and loved. At times heartbreaking, Testa’s memoir is more a story about perseverance, resiliency, and transforming trauma’s aftermath into something meaningful and brimming with hope.”

–August McLaughlin, Girl Boner podcast host and author

An Interview with

Ginelle Testa

1. Thank you for sharing this inspiring and vulnerable memoir! Why did you feel compelled to write this memoir? Has writing helped your healing journey? 

Writing this memoir healed me in a way I never could have predicted. I have found forgiveness for the broken parts of me that I have slowly put back together over the years, for the mistakes I made, and the person I was. I felt the need to share because many of us suffer in silence, and I’d like people to feel less alone. 

2. How did you stay sober during recovery? And do you have any advice you’d like to share with others who are experiencing similar struggles? 

At first, AA was immensely helpful. Now, support structures like therapy and meds, communities like writing groups and a cornhole league, and strong friends, are what keep me afloat. I recommend finding a community of some sort of sober people, hang in there, and talk about your struggles and triumphs. 

3. After writing this memoir and having reflected on your experiences, how has your relationship with 12 step programs (like Alcoholics Anonymous and Sex and Love Addicts Anonymous) changed? 

I needed these programs for almost a decade; they provided structure, healing, and support. Now, without them, I lean much more heavily on my intuition and my own experiences to inform the decisions I make and the way that I live. I still have a lot of love for SLAA & AA, but no longer feel I need them. 

4. How has your identity as a queer, non-binary person impacted your path towards self-acceptance and recovery? 

Being in recovery has helped me to embrace myself more fully. I was self-conscious of my queerness, and felt like I wasn’t queer enough in the early days. Now, I still have those moments but I have much greater acceptance and compassion that I’m allowed to be who I am, which is bisexual and a little genderqueer. 

5. What do you hope that folks reading the book take away from learning about your experiences? 

I hope they feel a sense of enoughness. Many of us spend time seeking comfort and validation in other people and in substances or behaviors, but my journey encourages people to seek enoughness inside themselves, and to build a home there. 

Download press kit and photos

Unlock your inner spy: New book exposes real-life espionage tactics and persuasion skills

NEW YORK CITY–In “Sell Like a Spy” (Diversion Books, Aug. 27, 2024), espionage expert and corporate intelligence agent Jeremy Hurewitz dives into the clandestine world of intelligence-gathering – drawing from his extensive network of former CIA, FBI, and special forces operatives – to unveil field-tested spycraft strategies.

Hurewitz knows that spies are the world’s best salespeople. He’s built his career around former CIA case officers, FBI agents, and other intelligence officers—people like Steve Romano, former Chief Negotiator at the FBI; former Director of the Secret Service Mark Sullivan; General Stanley McChrystal (Ret.), former commander of the Joint Special Operations Command; and former member of the CIA’s Senior Intelligence Service John Sipher. 

Drawing on in-depth interviews about their skillsets, stunning anecdotes from the history of espionage, and science-backed principles of emotional intelligence, Hurewitz has created a handbook of tradecraft lessons and tactics that will strengthen readers’ ability to foster better relationships, to persuade, and to sell anything—in business and everyday life.

Though a spy’s targets may be odious — terrorists, criminals, corrupt diplomats, and more — the agent’s focus is on cultivating relationships and understanding people’s motivations to better persuade them to give something up: information, hostages, money, or simply their feelings. Elicitation, Radical Empathy, Disguise, and RPM (Rationalize, Project Blame, and Minimize Fault) are just a few of the methods in Sell Like a Spy that readers can use as sales professionals or people who simply want to connect more deeply with friends and family.  

Packed with interviews and anecdotes from intelligence officers of all stripes, and with a foreword by Robert Grenier, former Director of the CIA’s Counterterrorism Center, “Sell Like a Spy” puts James Bond in its dust, offering a secret playbook of persuasion tactics from the real world of the Secret Service, special forces, law enforcement, and international espionage.

“Sell Like a Spy: The Art of Persuasion from the World of Espionage”

Jeremy Hurewitz | Aug. 27, 2024 | Diversion Books | Nonfiction 

Hardcover | ISBN: 978-1635769937 | $28.99 

About the Author

Jeremy Hurewitz spent the first decade of his career overseas building the media association Project Syndicate while based out of Prague and Shanghai. He spearheaded a business development strategy that saw the association grow from a few dozen member newspapers in mostly Eastern Europe, to a truly global association of over 300 newspapers in over 100 countries. 

During Jeremy’s time abroad he also worked as a freelance journalist writing on a variety of topics for dozens of publications around the world. Jeremy continues to write regularly with recent articles appearing in Bloomberg, USA Today, and The Hill. 

Upon returning to the U.S. after his time overseas, Jeremy settled in New York City and worked for several well-known global consulting firms in the world of corporate security. These companies are staffed by former intelligence officers and Jeremy worked closely with these former spies. He came to notice how good these individuals were at connecting with clients, how quickly they were able to establish rapport and put people at ease and get them to open up. In addition to former spies, his colleagues included former members of the FBI and the law enforcement community, the Secret Service, the military, the State Department, and other government agencies. Jeremy learned unique and impactful skills from all these former government employees, and he began utilizing the methods he picked up. He quickly noticed the tangible difference it made in his salesmanship and his ability to connect with clients. By practicing the same methods that government officials use to develop relationships and overcome a range of challenges, Jeremy was able to achieve some of the biggest and most meaningful sales of his career.  

Jeremy has synthesized these lessons from government service into the Sell Like a Spy program and works with clients to share these strategies to help them improve their ability to connect with targets, develop creative approaches to close deals, and overcome challenges. Find out more about him and his book at www.selllikeaspy.net.

Praise for Jeremy Hurewitz and “Sell Like a Spy”

“Brilliantly illuminates two misunderstood skills: spying and sales! Jeremy Hurewitz pulls back the curtain on effective spying to reveal thoughtful, empathetic people – the same kind we trust enough to buy houses, cars, and businesses from. A great guide to mastering the intensely human side of building trust that determines success or failure.” 

Gen. Stanley McChrystal, former commander of U.S and International Security Assistance Forces (ISAF) Afghanistan and former commander of the nation’s premier military counter-terrorism force, Joint Special Operations Command (JSOC)

“Part memoir, part practical guide, Jeremy Hurewitz’s “Sell Like a Spy” brings together lessons from the world’s most elite information gatherers and people influencers, distilling the spymaster untrained readers can apply to succeed in business. Hurewitz draws on decades of experience as an investigative journalist turned jet-setting corporate security expert, as well as interviews with intelligence agents, law enforcement officials, hostage negotiators, special forces, and more, to ground his writing in real-life case studies. An essential read for anyone interested in becoming a better salesperson – or a half-decent spook!”

Ian Bremmer, President, Eurasia Group

“Popular culture portrays salesmen and spies as transactional and inauthentic. Jeremy Hurewitz knows what the best sales and intelligence professionals understand: espionage and business are about relationships, and the secret sauce of success is the ability to seek connection and develop purposeful and authentic relationships. In ‘Sell Like a Spy’ Hurewitz illustrates with stories and examples that persuasion is not the ability to find the right words, but the ability to build real relationships of trust and empathy, and even share vulnerability. ‘Sell Like a Spy’ is a fun primer on the skills, traits and professional discipline to succeed in business.” 

John Sipher, founder of Spycraft Entertainment, previously a member of the CIA’s clandestine service for 28 years

“Reading ‘Sell Like a Spy’ is time well-spent for anyone, whether you’re a salesperson or just someone who wants to get along with people in your everyday life. Jeremy Hurewitz brings his real-world experience and provides readily usable techniques that are easy to assimilate. From the streets of Pakistan to the boardrooms of New York City, ‘Sell Like a Spy’ will help you listen, connect, and influence.”

Stephen J. Romano, former FBI Chief Hostage Negotiator

“The lessons of espionage directly relate to sales – it all comes down to the art of human persuasion.  That’s why this book is so useful and fascinating – because modern sales teams can adopt practices that have been employed by governments for years.  And not in a nefarious way but in a way that actually builds trust.  This is a great read and a lot of fun!”

Sam Jacobs, CEO & Founder, Pavilion

More praise for “Sell Like a Spy” HERE

In an interview, Jeremy Hurewitz can discuss:

  • The riveting world of espionage through his unique journey from journalist to corporate intelligence operative
  • The fascinating psychology behind spycraft tactics, why they are so effective, and how they can be applied to elevate your game in business and everyday scenarios
  • Intelligence insights from his extensive network of former CIA, FBI and counterterrorism operatives (including former FBI chief hostage negotiator Gary Noesner, former head of the CIA’s Counterterrorism Center Bob Grenier, and Gen. Stanley McChrystal)
  • Cultivating relationships by having a better understanding of persuasion and human motivations
  • The role of emotional intelligence in both spycraft and everyday interactions with others, whether work or personal
  • The art of negotiation, from sealing high-stakes business deals to convincing your teenager to do their homework
  • How to detect deception and read body language to understand your counterparty better
  • How to overcome challenging situations through insights from elite law enforcement agents
  • Agent development methods that bridge the worlds of sales and everyday relationships, unlocking your full potential in both realms
  • Moving beyond the theoretical and curating a handbook-like approach to “Sell Like a Spy” – including field-tested strategies and government tactics

An Interview with

Jeremy Hurewitz

Can you share a bit about your professional background and how it led you to explore the intersection of sales and espionage in your work?

I crossed paths with spies when I was a journalist overseas and I reported on intelligence matters, all of which increased my interest in this world. Returning to the U.S. I jumped at the chance to work directly with them in the corporate security world, and I soaked up lessons from these individuals. At the same time, I was in a new position of cultivating relationships with clients, so I was immediately putting these lessons to work and seeing results. As I continued in this industry I came to learn from other former government officials – FBI agents, military negotiators, secret service agents, members of the special forces and others – and I applied lessons from these amazing individuals as well. 

“Sell Like a Spy” draws heavily from your network of former CIA, FBI, and counterterrorism agents. What inspired you to tap into these connections, and what unique insights did they bring to the table?

Even though I never served in the military or government, I’ve always admired those who have, and that admiration drew me to these people, and I’ve wanted to learn more about them and how they do their often dangerous work. Because the work they were involved in was so high stakes, they had unique experience and skill-sets that they applied to these situations. Applying radical empathy, for instance, in order to really find a way to connect with and recruit a potential agent who might be a terrible person that they would otherwise someone they would want nothing to do with is an example, and one with an application to the world of sales, where salespeople often have to sell to people who they don’t like. Or negotiating like an FBI agent needing to understand whether the hostage-taker is motivated by an instrumental or expressive need, where there is also a direct application to the business world. 

Why are spies the best salespeople?

Spies are often recruited into the intelligence world because of their unique personality gifts and emotional IQ. They cultivate these instincts and refine them to become masters of connecting deeply with their targets, no matter how sketchy those individuals may be. I believe that convincing someone to commit treason against their country or organization is the hardest sale to make, and one that spies are experts at. They apply battle-tested methods of emotional engagement, an understanding of body language and the role it plays in rapport building, along with cultural smarts to become masters of the art of sales. 

Your book emphasizes the application of spycraft tactics in both business and everyday life. How can these strategies be implemented in different contexts?

Anyone in business should first start practicing the techniques in the book in their everyday life, which offers low-stakes chances to try new rapport-building methods with friends and family. Skills like mirroring (both physical and verbal) can be tricky to get used to and can be easily seen if done poorly, so practicing is a good idea. But that practice in everyday life is a good example of the universal aspect of these techniques. Practicing empathy, being a good active listener and paying attention to body language are not just skills that can help someone make a sale or recruit a foreign agent to conduct espionage – they are methods that can bring us closer to people in any circumstance. 

What do you hope readers will take away from “Sell Like a Spy?”

I hope it will bring more fun and intellectual satisfaction to their work and help make people more successful. I write about people leaning in their passions, cultivating those passions, and how doing so can open up hidden doors to success – I also hope that by doing that people will lead richer lives. I hope readers will have better conversations, learn the value of listening, and that in doing so we might foster a bit more societal amity than what we have in the divisive age we’re living through. 

What roles do empathy, vulnerability, intellectual curiosity and cultural awareness play in forging meaningful connections in espionage and the business world alike?

These are essential traits in the most successful spies and salespeople. The idea of vulnerability is personal to me, and I share how I lost half my hearing and how that misfortune has had the silver lining of helping to draw people close to me when I share what I went through. Not all of us experience tragedy, but we all experience misfortune and commune together when we share these experiences – people almost automatically respond in-kind when you do so and it will draw you closer. Cultural awareness – whether it’s at the level of different countries or just different subgroups within an organization – can give you an advantage when seeking to cultivate someone. 

In “Sell Like a Spy,” you discuss the importance of cultivating relationships and understanding people’s motivations. Could you elaborate on how these principles from the world of espionage translate into effective sales strategies?

Spies and the support groups around them invest tremendous efforts in ascertaining what might motivate a potential agent to spy for their government. For instance, if they find out a diplomat has a child that can’t get the medical care they need in their impoverished autocratic country, they might consider the right overtures from a spy to work for them. In the sales world, not enough is done to understand a prospects’ motivation – salespeople think they are charming and their product or service is compelling and that’s enough. But if you know a bit more about what is going on with that company (is it struggling or thriving?) or more about your target’s career and life you might be able to subtly push different buttons in your pitch to connect with them. This is just one example. 

Salespeople, despite their charisma and expertise, often struggle with active listening, missing out on crucial client engagement. Why is this such a challenge? What successful techniques do spies use to be better listeners?

The answer resides in our evolution. When archaic man was wandering the plains language developed in short, clipped phrases so they could keep an eye out for opportunities and dangers. The mind still works in this way, processing small bits of information and then retreating internally to assess how this fits into our world. Our minds then work to think of a similar anecdote, or a contradictory opinion, rather than really taking in what the other side is saying. But if you can steady your mind to really focus on the individual you’re speaking with and what they are saying, and if you ask clarifying questions, your conversational counterpart will feel seen and respected and think highly of you. 

What is it like to be a spy? Is it anything like we see in the movies?

I’ve only been a corporate spy, not working for any government. When I do the work I do I need to get people to open up to me quickly and share their point of view, and that’s part of what’s in the book. But I do know a good bit about government-sponsored espionage and I write in the book about how it is quite far from what you see in the movies. I think a better analogy would be making friends with someone and then being there for them during some difficult times. Most spies agree that their job is closer to that of a therapist than Jason Bourne. 

What are defusion skills, and how do spies use them? How can we use them in a business setting?

It’s more about how FBI and other law enforcement use them, that’s what I write about in the book. FBI hostage negotiators, for instance, are experts at maintaining a slow, calm speaking voice because people tend to revert to the social mean that someone is insisting upon. So a quick lesson from that is if you’re in a meeting and someone gets angry and raises their voice, don’t raise your voice as well, continue to speak calmly and somewhat slowly and hopefully they calm down. Also, remain seated if you can, invite that person to sit, because if you stand up it will raise the temperature of the encounter. 

What is mirroring?

Mirroring is a short-cut to rapport building using human psychology. We are programmed to mirror – it’s one of the first things we do as infants looking up at people around us to mirror their behavior and observe how to act like a human being. It has been shown to have a physiological explanation rooted in the neurons of the human brain. When you combine physical mirroring with verbal mirroring – which is a key tool in the tool-kit of FBI hostage negotiators – you can powerfully augment your process of connecting with someone. 

What can we learn from how spies navigate cultural differences and build trust in high-stakes situations?

You need to get outside yourself and your particular cultural experiences and how you view the world and allow yourself to not pass judgment. Spies are deeply mindful of being sensitive to who they are talking to and where they might be coming from, and we can all do that to foster great connections. Whether you’re a New Yorker dealing with someone from the midwest or you’re from Texas and talking to someone from China, being empathetic and sensitive to cultural differences, and trying to understand them, can distinguish you from others. 

How does your book address detecting deception, particularly in corporate environments?

It references how the FBI and other law enforcement agencies use verbal and nonverbal clues to try to understand whether someone is not fully telling the truth. I don’t believe that anyone can be “a human lie detector” despite what some claim; humans are simply too complex. But there are some very strong methods you can utilize to see a red flag in someone’s behavior – whether it’s their failure to answer a question directly or being cold in a room where the temperature is comfortable – to make better decisions about whether someone is being deceptive. 

What’s next for you?

I’m focused on this book reaching as wide an audience as possible. While the methods in this book are great for corporate sales, I highlight whenever I can that there are “skills for everyday life,” and I have a strong desire to promote that because I want people to have better conversations, to connect more deeply, especially because of how highly polarized society is at the moment. I want to help people to lean into their passions and interests, to develop new ones, because it can open hidden doors to success and lead to a more enriching life. And I want to highlight the world intelligence professionals, the real work, not the Hollywood version, because I deeply admire their skills, experience, and public service.

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