For Fans of The Outsiders, Teenage Jailbird Runs Away to Find His Way to Where He Belongs

Wife Pens the Fascinating True Story of Her Husband’s Childhood

SCITUATE, MA – Mary Ford’s debut novel follows a young boy’s journey from jailbird, to teen runaway, to the place he truly belongs, and is based on the true story of her husband’s childhood. Boy at the Crossroads: From Teenage Runaway to Class President” (Indie Publishing, Feb. 2021) is layered with nostalgia, and will hit home for fans of The Outsiders and Where the Crawdads Sing.

“It’s hard to explain how our Dad still had control over us. David and I were as big as grown men. But Dad had a way of making us feel small.”

Tennessee, 1955. Conley Ford learned quickly the world’s full of hard knocks. Seeking the wrong kind of excitement, the restless thirteen-year-old falls in with a group of older boys joyriding in stolen Mercury cars…until he is arrested and put on probation. With a harsh father waiting and too embarrassed to face his classmates as a jailbird, the impetuous youth leaves town, making it all the way to New Orleans.

Conley uses his wits and street smarts to commandeer a hot dog cart and make some cash. But when a turf war and a near-fatal accident sends him back home, the resourceful teen faces a choice between staying in misery or once more striking out into a dangerous world. Mary Ford depicts an adolescent who grew up impoverished and with minimal affection, but still found the strength to follow his gut toward something more.

“Boy at the Crossroads”
Mary Ford | February 2021 | Mary Ford
Young Adult | Coming of Age | Historical Fiction
Hardcover | 978-1736316412 | $21.05
Paperback | 978-1736316412 | $13.51


Praise for “The Boy at the Crossroads”

“Rip-roaring escapades and nostalgic musings in an American coming-of-age adventure.” – Booklife review

“Boy at the Crossroads,” written and listed as fiction, was very factual to me being a classmate of Conley at Halls High School in the late 50’s and early 60’s. When his family moved to the Halls community from Happy Holler in Knoxville, none of the students were aware of his family dynamics. I knew Conley was a survivor, and now I know why. Anyone who grew up during this time period will be reminded of the blunders of their youth. I wish every adolescent would read “Boy at the Crossroads.: There are lessons to be learned from Conley Ford.” – David Wayland

“For any youngster who has made some bad choices leading to a life of crime or destruction, Conley’s story could possibly be life-changing.” – Amazon Review

“Coming of age books, especially those that are true, are probably my favorite genre and this one is terrific. It is a well-written story that will appeal to readers of all ages. I found “Boy at the Crossroads” inspiring. The fast-moving pace takes us from the restlessness of a boy born in the early 1940s in eastern Tennessee to a young man in his early twenties. This book demonstrates the value of a strong work ethic better than anything else I have ever read (and I’ve read a lot). It is not an easy book to put down so get comfortable and enjoy. The journey is well worth the read.” – Zelly


MARY FORD is an award-winning journalist who spent twenty-eight years as the editor of two small-town community newspapers in Massachusetts: the Cohasset Mariner and the Hingham Journal. She met her future husband, Conley, in 1971 in California where she was teaching English and has always been fascinated by his story. Conley and Mary were married in Los Angeles and were featured on the Newlywed Game with Bob Eubanks. After their first appearance, the popular couple was asked back for the Alumni Game. They came in last both times. Their incompatibility has lasted for nearly fifty years. With Conley’s job transfers, the couple lived in California, Japan, France, Missouri, Minnesota, England, Illinois, and Massachusetts. They reside in Scituate, Mass., with their dog, George. “Boy at the Crossroads” is Mary’s first novel.

Follow Mary on social media:
Facebook: @mary.t.ford LinkedIn: @maryfordedit
https://maryfordedit.com/


In an interview, Mary Ford can discuss:

  • How much of her book is nonfiction
  • How she collected and used years’ worth of memories on tapes as research
  • Her husband’s resilience and how he fought his way to a better life
  • Father-son relationships and how they affect childhood memories
  • How she and her husband have maintained their marriage for nearly fifty years
  • Why she decided to write a coming-of-age story about her husband’s youth
  • The experience of writing a fictionalized story based on true events about a family member.
  • The challenging transition from journalist to author
  • Why this is an important story for teens who may have made bad decisions
  • Why especially young adults and folks in their 60s, 70s, and 80s love the book

An Interview with Mary Ford

How did your career as a journalist prepare you to write this novel?

After 35 years in journalism with the requisite deadlines, I had the discipline to accomplish the task of writing. My particular “gift” as a reporter/editor was “news judgment.” In other words, I can recognize what a good story is. My husband’s story about running away at thirteen and being part of a humungous family fascinated me. I wanted to write his story one day. When I retired from my newspaper career, I had the time to focus. I have also mastered the short, declarative sentence!

How much research did you do to tell your husband’s story? What was it like listening through old tapes?

Over the years on our trips to Knoxville, Conley and I would walk the old neighborhood and he would share his recollections. On many trips, I didn’t accompany him due to my work schedule. I had him bring a mini-cassette recorder and talk into it while he was driving from Massachusetts to East Tennessee. Transcribing the tapes was a form of pure drudgery but I did it! I didn’t want to miss any of the colloquialisms and unique memories. The next task was to craft all the information into a coherent story with a beginning, middle, and end. A lot of great stuff was left on the cutting-room floor because it did not move the story forward. Too many vignettes can kill a good story.

How do you think the experience of writing a book is different when you are writing the story of someone you love?

Actually, my relationship with Conley had little influence on my decision or my writing. The gift that I was presented with was a great story. One of my instructors at Grub Street Boston remarked that we should all be so lucky. I did not have to invent a plot or make the whole thing up. My biggest challenge was leaving the newswoman behind. My early drafts read more like newspaper reports than a novel.

When and how did you decide you were going to write a novel from this true story?

Like millions of others, I always wanted to write a novel. Conley’s story gave me the perfect opportunity once I had the time. Throughout the process, he has been completely supportive. He loves the book and is really happy to share his story about a bygone era. Even though times have changed, the universal father-son conflict is a theme that is relevant today.

What was the hardest part about telling such a personal story?

By far the most difficult part was getting Conley to open up about how he felt. Was he scared? What was it like not to shower or have a change of clothes, etc.? He was great on details and his memory is amazing but getting into the head of what was a thirteen-year-old boy was a real challenge since the book’s point of view is his alone.

What are some of the main differences between your husband’s true story, and the novel you wrote?

I actually thought I was writing a memoir. One of my instructors at Grub Street (a creative writing center in Boston) set me straight and told me I was writing a novel. Once I realized that, it freed my writing up. Most of the dialog is invented and some scenes are enhanced somewhat. But the details of the story, including the chronology is all true.

Download press kit and photos

An interview with Anna Galachyan of Children’s Book World

What’s your favorite area of your bookstore?

My favorite favorite thing inside the store is our PoetTree! It’s been a really cool way to give our community a physical presence in the store, and I love reading the poems that customers write.

What’s the coolest book cover that you like to have facing out on the shelves?

I’m a sucker for lush, detailed covers. Some favorites are All Our Hidden Gifts by Caroline O’Donoghue, The Last Cuentista by Donna Barba Higuera, and Mina by Matthew Forsythe.

If you had a staff pick for a recent new release, what would it be? Backlist pick?

Dog and Hat and the Lost Polka Dots is a delightfully unhinged new graphic novel about an anthropomorphic dog who loses the polka dots on his sweater and goes on an underground adventure to find them with his sentient hat friend. On the other end of the spectrum, I also love Moonwalking by Lynn Miller-Lachmann and Zetta Elliott. It’s a dual-perspective verse novel set in ’80s Brooklyn, and follows a pair of boys who become very unlikely friends. Super lovely.

A backlist favorite is The Prince and the Dressmaker by Jen Wang, an adorable graphic novel about a prince who moonlights as a fashion icon and the young seamstress he contracts to secretly design his outfits.

What author have you been starstruck to meet, or have you gotten to host a fun virtual event?

I got to meet E. Lockhart/Emily Jenkins when she came to sign some books for us recently, and 12-year old me was freaking out. I even had some ancient editions of her books that I asked her to sign. That was pretty cool!

What are some misconceptions people have about working in a bookstore?

The main misconception is that reading is a big part of our daily responsibilities — in reality, we don’t often have a chance to read at work. We do love getting to talk about books with customers, though!

What is your least favorite bookstore task? Favorite part about working in a bookstore?

Moderating mask etiquette has quickly become my least favorite bookstore task. Before that, wrestling with packing tape was a big one. Packing tape is my enemy. My favorite thing to do at work is readers’ advisory — I love helping kids (and adults) find new reads they feel excited about!

Can you recommend an underrated readalike book for one of the store’s top titles?

Our most popular title of 2022 so far is New From Here by Kelly YangShooting Kabul by N.H. Senzai, is a really lovely underrated book, and a good readalike. Shooting Kabul follows a boy named Fadi whose family moved to a small California town from Afghanistan shortly before 9/11. In addition to adjusting to life in his new town and fielding a lot of anti-Islamic sentiment, he decides to join a photography competition with a cash prize to try and fund a trip back to Kabul to search for his little sister who was separated from their family while they fled. This one doesn’t get as much love as I wish it did!

Anna Galachyan is a floor manager at Children’s Book World in LA.

Ask an Expert: A Conversation with Natalie Lakosil about being a literary agent

So many authors ask us: Are literary agents necessary, and how do they actually land a contract with a good one? Today on the blog we’re sitting down with Natalie Lakosil, who began her career as a literary agent at the Sandra Dijkstra Literary Agency and Bradford Literary Agency before joining the Irene Goodman Agency in 2021.

For over a dozen years she has championed and helped to build the careers of numerous award-winning, critically acclaimed and bestselling authors. Natalie represents adult nonfiction, adult cozy mystery/crime, female-driven thrillers, upmarket women’s/general fiction, illustrators, and all ages (picture book, chapter book, MG, YA) of children’s literature, both fiction and nonfiction.

Natalie shares how she got started in her career, what she’s looking for as a literary agent in the books she represents, and her advice to authors seeking representation.

In your words, how would you describe the role of a literary agent, in terms of your relationship with both the author and the publisher?

I would say that I am the industry professional with a birds’ eye view who is there to advocate for the author (the editor works for the publisher, at the end of the day). I’m a translator and problem-solver, and I’m there to think of everything in the context of career and industry for the author. I’m a connection-maker, a bridge between all the other ancillary publishing professionals (such as book-to-film agents, merchandise agents, publicity, ghostwriting, etc). And a project manager.

How did you become a literary agent?

When I was twelve, I was writing, and my mom bought me Jeff Herman’s Guide to Editors, Publishers, and Literary Agents. I decided then I’d be a literary agent. In college, there was a local agency hiring for an internship, and I applied and got it; after I graduated I reached back out to see if they had any job openings, and they did!

Do you specialize in any particular genres?

I do a little bit of everything, really! However, my list is at this point about 70% children’s (0-18). I’m actively building up my adult nonfiction list, however, and I hope to be 50/50 children’s and adult.

What criteria do you use when selecting authors to represent?

I have very commercial taste, so I’m looking for a great hook with amazing execution. I think voice is most important – I can fix plot. If the hook is there (it’s marketable and going to stand out) and the writing is there, and I have a vision for the plot, I’m in.

What advice would you give to authors who are seeking a literary agent?

A lot of agents cite voice as most important, so I would recommend diving into as many resources as possible to strengthen that area of your craft. What I typically see needs development are interiority and detail. Read as many books as possible in the area you’re writing, and when you query, remember that you’re looking for a business partner – so sell them on why your book will stand out in the market. You’re not inventing a market, you know there is one, but how is your book filling a need?

And, of course: perseverance! It’s the hardest thing, but truly, never give up.

 

An interview with Kim Bissell of Broadway Books

What’s your favorite area of your bookstore?

I love the picture book section! We are primarily a store for adults and so our children’s section isn’t very large, but we try to be well curated. We have a side slatted wall of some of the best well-loved picture books available. There are so many richly illustrated stories filled with the sadness and grace of humanity and some that are just for FUN! It’s my favorite spot to stop and have a good read or chuckle.

What’s the coolest book cover that you like to have facing out on the shelves?

I love the cover of debut novelist Juhea Kim’s fabulous new book Beasts of a Little Land. It’s an incredible mélange of two paintings. One a historical landscape of the mountains of Korea and the other a fanciful depiction of a wild tiger. The spectacular design is by Allison Saltzman, senior designer of Harper’s Ecco Books with art created by Jasmijn Solange Evans. I also love Tarana Burke’s recent memoir of starting the Me, Too movement – Unbound, published by Flatiron books. The cover is an image of a quilt of Burke done by artist Bisa Butler, who is one of the finest artists in America today.

If you had a staff pick for a recent new release, what would it be? Backlist pick?

My favorite new title is Chelsea Bieker’s collection of short stories, Heartbroke. The candy-filled image on the cover is just the beginning, a sweet intro to the crafted stories inside that are full of innocence lost. Described as “refreshingly unsentimental and relentlessly compassionate”, Bieker rips out your heart and hands it back to you smarter and thicker. It’s really, really good.

As for an older pick, I’m still a lover of anything by Elizabeth Strout. She had me at Olive Kitteredge and has kept my attention with every further story from Lucy Barton’s home town of Amgash, Ill. Strout’s ability to gently lead you to a character, show you their worst qualities and still allow you to appreciate them is a mark of her true talent.

Do you have a strange customer story?

It’s always such a kick when a famous author or local literati drop in for shopping and either surprises us or blushes when we gush over them. Kevin Kwan came by to sign books when he was in town and is a huge fan of Cheryl Strayed (we’re her local bookstore and offer personalized copies) and we had a fan fest on both sides of the counter. He’s a really lovely guy and his books are so fun.

What author have you been starstruck to meet?

We were lucky enough to host a book club meeting with Michelle Obama when she was on tour for Becoming. The conversation went on for over an hour and she made a point to really listen to how the book had touched all the club member’s lives. She is such a warm and intelligent person and we were ALL starstruck.

What are some misconceptions people have about working in a bookstore?

I know you’ve heard this before, but that all we do is READ! Running a small business is challenging under normal circumstances and has been complicated so much more by the pandemic. We are thankful for our lovely customers and their commitment to buying local. And while we all love reading we sometimes need more hours in the day to tackle our bedside stacks.

What is your least favorite bookstore task? Favorite part about working in a bookstore?

Perhaps they are the same! It’s always such a disappointment to have to tell a customer that we are unable to get a book they are interested in reading. Although, when we can solve the puzzle and make someone’s day, it’s sheer joy!

Can you recommend an underrated readalike book for one of the store’s top titles?

Anne Lamott has been an elixir for so many folks during the pandemic and her books are treasured by our customers. I think if you like Lamott, you’ll LOVE Brian Doyle. His good friend, David James Duncan help craft some of his best essays in a posthumous collection entitled A Long River of Song and it’s just wonderful to read and re-read. It’s a perfect collection to help understand all of life’s blessings and challenges

We also sell a lot of the amazing Margaret Atwood and particularly A Handmaid’s Tale. Similar in topic and also masterfully written is Leni Zumas’ Red Clocks.

Kim Bissell is the Co-Owner of Broadway Books in Portland, OR.

Take a journey from the mountains into New Orleans in new occult fantasy, complete with magical beings and witches

Author draws inspiration from the mystical with modern witchcraft in debut story

KNOXVILLE, TN – Straight out of the Appalachian mountains, Mercy’s Quest (June 21, 2022, Auguries and Alchemy) by East. S.M. is inspired by an author’s own encounters with the mystical. As a generational divination artist, East drew inspiration from her small coal mining town to create this rich novel. A perfect blend of fantasy and adventure, Mercy’s Quest will entertain readers who love a supernatural twist.

“Humans. We are all conditioned to think we come to earth to learn to be better, only to return to some origins rooted to a belief system that never stopped evolving. You cannot chase the meaning of a story that never ends.”

Mercy Stone comes from a long line of Blood Moon witches and, as such, is no stranger to coexisting alongside life’s great mysteries. Haunted by visions of a past life and the discovery of a gruesome family talisman, Mercy is led away from the hollows of Appalachia to New Orleans in search of answers. Along her path, Mercy re-encounters the magical beings she has known across her many lifetimes since time immemorial, including King Solomon, the Battle Crows of Carpathia and the Devil himself.

“Mercy’s Quest”
East S. M. | June 21, 2022
Auguries and Alchemy | Fantasy / Occult
Hardcover | 979-8-9852589-0-5 | $17.99
Paperback | 979-8-9852589-1-2 | $13.99
E-Book | 979-8-9852589-2-9 | $3.99

Early Praise for Mercy’s Quest

“Being of Appalachian lineage myself, I could not wait to step into the pages of Mercy’s Quest. Author and story weaver, East S.M., leads us on a shapeshifting journey between Mercy’s past and present lifetimes, Mercy’s Quest is a deeply magical story about a young woman coming into her personal power. Being raised by magical women in Appalachia, Mercy discovers that the magic she holds within is much stronger and more mysterious than she ever could have imagined. Following the path that now calls to her, Mercy is lead on a journey into the unknown as she discovers who she truly is and who she must now become in this present lifetime. This is a great read for all witches and magic makers who may be stepping into their own personal power”. — Ailynn Halvorson, author of The Tarot Apothecary: Shifting Personal Energies Using Tarot, Aromatherapy and Simple Everyday Rituals

“A Blood Moon Witch is in the room. Move over Mayfairs. East S. M.’s debut novel, Mercy’s Quest is a solid debut in the occult fiction genre. This first of the series takes us from Appalachia to New Orleans to magical landscapes where we engage her allies and enemies in a pursuit of knowledge and power. Told with the proficiency of metaphysics and the heart of a storyteller, East S. M. draws the reader through a young woman’s journey of claiming her magical inheritance as she is forced to make heartbreaking decisions to right a path gone wrong.” — Tess Collins, author of Notown and Shadow Mountain

Mercy’s Quest is a fun, adventure story about family, power, and place. Based on realistic magical systems, this book paints witchcraft as a tool to help personal growth. The first entry into this magical world ends on a quest leaving the reader for more.” Jaymi Elford, author of Tarot Inspired Life and
the award-winning Heaven and Earth Tarot

“This rich portrayal and exploration of people and places Magickal souls yearn for will tug at each and every human sense you possess. Strange and evocative at times, yet still fully concreted in sacred order, the artful layers of this book are thick with meaning and wisdom. The author’s enchanting and exotic players, archetypes of energies that speak to the core of your being, somehow still feel relatable and vividly intimate, rekindling cosmic memories preserved deep within. The threads of their connections, these chimeras of time and space, are artfully woven in and out of realities, ancient histories and otherworldly dimensions. With deep powers of immersion, East’s conjurations will pull you through portals of familiarity, long lost remembrances of the soul and expansive universal understanding.” — Meleah McCammon, Intuitive, Teacher and Proprietor of (inner) Perfect

“As the story unfolds, Mercy’s past, present, and future intertwine beautifully and pulled me into the depths of her soul. With each chapter, new layers of this fascinating world unfurl. Pages filled with adventure, supernatural intrigue, and divination ensure this story is a delight for every type of reader imaginable. I am so excited this is the first book in a series because I can’t wait to be reunited with these memorable characters. East S.M’s debut novel has proved to be an engrossing, mystic journey that I can’t wait to continue!” — A.P. Watson, Author of Jaded, Seeds of Eden, and A Fallen Son

Follow East S. M. on social media:
Facebook: @East S. M. | Facebook
Twitter: @EastSMAuthor
Instagram: @East_s.m._author
Tiktok: @east_sm_author


More about East S.M.

East S.M.: East S. M. is an Appalachian Occultist, Diviner, educator, artist, performer, and now author. A cosmic being in her own right, she was born in a small Kentucky town that sits inside a meteorite crater. She spent her childhood studying under a strong matriarchal family that imparted its intuitive gifts and Appalachian Spirit practices from prior generations. East is continuously inspired by music and the power of myth. She enjoys reading paranormal, adventure, and occult fantasy fiction works. One of her highest callings and greatest gifts in life is to share her divinity and intuition through teaching and facilitating sacred ritual spaces. A wild past of wonderful and sometimes unspeakable experiences, and decades of empowering others to seek their own quests, has called East to share Mercy’s story in the esoteric genre of Occult fiction. Her debut novel is the first in an anthology that reimagines the Spirit world, the human condition, and the necessity of both evolution and devolution within our lifetimes. https://theartisteast.com/.


In an interview, East S. M.can discuss:

  • The meaning of Appalachian divination
  • Writing in a niche genre like occult fiction
  • Traveling the world and writing a book
  • The book’s journey from dream to full-length story
  • What it really means to be an occultist
  • Comparisons of the Hero’s journey vs the Fool’s journey from tarot and its importance in storytelling.

An Interview with East S. M.

Why did you decide to have the book released on the Summer Solstice?

My artistry, relationships, essentially every aspect of my life, is led by my desire to connect with any experience in the most sacred way. Nature’s cycles, as they’re displayed through seasons, beautifully mirror our own cycles as human beings. Summer solstice finds the seeds in the ground, they’re growing, and it took hard work to get it there. As an occultist I could say many things regarding the sacred symbolism of summer but valuing the action of showing up and celebrating hard work seemed like appropriate energy for launching my story into the world. I needed to know this journey would begin from a space of celebration no matter where it goes.

How has writing poetry influenced your writing of occult fantasy?

Poetry forced me to see the ordinary in an extraordinary way. I’ve always been drawn to darker artistic content, and the influence of both pushed me to accept more nontraditional ways of expressing myself. My own growth of creative self-acceptance seemed more rapid in spaces where I shared poetry vs writing groups. If it wasn’t for reading forlorn poetry in late 90’s coffee houses I would’ve never started believing in the possibility of pursuing artistry full time.

How do you feel divination is represented in works of fiction, and how has divination influenced your creative process?

Not always, but often divination in media is presented as dramatic fortune telling and often the cards or symbols referenced are either untrue or so watered down it takes the sacredness away from such a beautiful resource. I would love to see a variety of how it’s presented on both the giving and receiving end of readings in art. In my own writing my character’s readings make sense to their journey. I try to steer away from exact predictors as fate always has its freedom to shift depending on the choices we make.

I utilize Divination as a tool for writer’s block or initial inspiration. Tarot, also known as the fool’s journey, mirrors every experience a human will go through on the path of life. It displays the soul’s reaction to becoming the best versions of ourselves through triumphs and challenges. I often execute readings to establish background for characters or world building. I’ll be offering a creative writing with tarot workshop over the next year where I’ll share in detail some of those techniques.

What do you hope readers will take away from Mercy’s Quest?

Mercy is on a quest to uncover a family mystery but finds herself quickly on the path to discovering a deeper truth regarding her purpose in this world. Variables in our lives are always in motion affecting outcomes every second. Our reaction to the challenges we face on that search are character defining opportunities that equip us to grow into better versions of ourselves. My desire is for people to understand there’s no need to rush their evolutionary process in this world. There’s no perfect plan that will see you through to the end. Mercy makes the decision time and time again to show up and trust the process. My desire is to inspire folks to trust that the grace in which we handle the road is far more powerful than reaching the end of that road.

How did traveling the world for work while writing this story influence your writing?

It was a beautiful May morning in England, and I had just purchased a private pass to tour inside the Stonehenge round. Tourists typically only view it roadside, but I had an in and was going to honor my inner Arthurian nerd, living fully in this moment. As luck would have it the bus that brought us to the stones broke down in the parking lot. I spent hours, sunset through midnight, lounging in this mystical ritual space. I always seem to find myself in similar magical misadventures everywhere I go. My travel journals are full of adventures from underneath the streets of Budapest, to the shores of Ireland, to a middle of nowhere berry forest in Finland, and then there was one time I swore I met the devil himself in an airport in Amsterdam! My writing reflects my experiences in this world, and I pull the energy from real travel moments in hopes of providing more environmental authenticity.

You mentioned this story came to you in a dream. That sounds so fun! Can you tell us about that, and describe its vividness?

This is a long story, but I will do my best to be concise. A god of old came to me in a dream and in this dream, we were burning down houses. I asked him why we were doing this to which he replied preparing a new path. He kept showing up in dreams in spaces where he wasn’t a major player in the theme of the dream, just a background eye of observation. The dream often centered around a tree on my actual property.

Around this same time, I made a social media post regarding the importance of respecting the workspace of street buskers. My dad reached out to me after reading it encouraging me to lean into writing more. I am a performance artist but never considered the possibility of writing an actual novel. The combination of his belief in me brought all the interesting dreams to the front of my mind and just like magic I saw the entire story in my head along with the voice of my muse.

My great grandmother had a box on her mantle that contained something we were told was dark and sacred. Do not touch! I took the story I’d been holding in my heart since childhood regarding what I imagined it was, and that became the foundation of this grand world that was gifted to me by my dream muse.

Wouldn’t you know it, I started writing that story and guess what happened? The tree that kept showing up with my muse in dreams was struck by lightning. The strike caused a branch to snap, destroying my mailbox by the street. Where’s the magic? I ordered a new tarot deck only to find it landed at the foot of the tree among the storm’s chaos. The package was destroyed by water and the box holding the cards was warped and open. Guess what lay outside the box? Three tarot cards in a perfect row: Judgment, The World, and The Magician. I am on my path of destiny and the Universe is making a way for me to have the resources needed to support my manifestations. The storm gave me a reading laced with the assurance of knowing I was on the right path.

What authors inspire you?

Anne Rice for a number of reasons. The Vampire Chronicles was the first series I obsessed over as a young reader. I’ve been fascinated by vampire lore since childhood and her attention to detail painted elaborate worlds, and dramatic characters that played out like seamless cinema in my mind’s eye as I read along. “Interview with a Vampire” was the first book to film fiction I read before a film was considered. Amusingly, I was a pre teen at the time and felt so grown having accomplished such a task!

Neil Gaiman has this way with character presentation that pulls me deep into the heart of his story. I am a huge fan of Fantasy worlds overlapping with real world scenarios. Intermingling worlds have a presence in my own writing. Mr. Gaiman is a literary rockstar that does this masterfully.

What do you think about books to film/do you think your book would adapt easily to film?

My artistic background goes further than writing. I think because of that versatility I’m forgiving of how film chooses to convey a story. I believe reading a book is a magic that can’t be duplicated and presenting it through different expressions like film give it the flexibility to become something unique. However, it’s unlikely I’ll read the book if I happened to catch the film first.

I’d love to see the Mercy’s Quest trilogy, as well as the spin off novels transition to film. The story is action based in mystical settings around the world creating an opportunity for something incredibly visually appealing. The characters have such deep back stories there’s an opportunity for multiple lead story developments within the world. It would be an absolute dream if that were to happen.

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Choose Your Path format levels up with launch of new mystery series and adaptations of classic literature

MORA, Minn. – Who says a book can only have one ending? Authors Deb Mercier and Ryan Jacobson, of Lake 7 Creative, are flipping the Choose Your Path concept on its head, challenging readers to “survive” new interactive middle grade novels that will entice even the most reluctant of readers. With the debut of the Detective: You series (Oct 11. 2022), Lake 7 imaginatively introduces the mystery genre to new generations of young readers who are charged with solving their own mysteries. It’s up to readers to identify suspects and gather clues, making choices that affect what happens next.

“The Empty Cabin”
978-1940647739 | Paperback, $9.95 | Hardcover, $22.95 | Ebook, $8.99

The cabin resort your parents own is the perfect place to spend a summer. There’s swimming, fishing, birding — and a steady stream of visitors who, from week to week, pass in and out of your life. Except for Loretta, a regular guest of Cabin #4. So when you find her cabin empty one morning, you know something’s wrong. Build your case and use deductive reasoning to determine what the crime was, how it happened — and whodunit.

“The Ghost of Old Central School”
978-1940647753 | Paperback, $9.95 | Hardcover, $22.95 | Ebook, $8.99
Old Central School is closing for good because it’s reportedly haunted! The incidents have gotten so freaky that parents refuse to send their kids to school. Yet Irene Gorter, a student there, doesn’t believe it’s true — and she’s hiring you to prove it. Choose your supplies, and let the investigation begin. But be careful; one wrong choice could lead to your doom!

“Can You Survive the Wonderful Wizard of Oz?”
978-1940647715 | Paperback, $9.95 | Hardcover, $22.95 | Ebook, $8.99

You are Dorothy, the accidental adventurer. You’ve been swept away from your home in Kansas by a deadly tornado. Now, you find yourself in the Land of Oz, a fantastical world of witches, monsters and talking animals. You must use your knowledge and courage — and plenty of help from your strange collection of friends — to survive. Do you have what it takes to traverse the road of yellow brick?

 

Relaunching Oct. 11, 2022, from Lake 7 Creative

“Can You Survive the Call of the Wild?”
Paperback, ​​978-1940647654, $9.95 ​​| Hardcover, 978-1940647791, $22.95

You are Buck, the famous sled dog. You have been stolen from your comfortable life in California and forced into servitude. Now, you find yourself in Alaska, a dangerous world of greedy men and savage dogs. Every moment, your life is at risk. You must use your strength, your cunning wit and your animal instincts to survive such perils as bear attacks, wolf encounters, starvation and the frigid temperatures of Canada’s Yukon. Do you have what it takes to make it out alive?

 

“Can You Survive the Adventures of Sherlock Holmes?”
Paperback, 978-1940647678, $9.95 | Hardcover, 978-1940647807, $22.95

You are Sherlock Holmes, consulting detective. You have been approached by three desperate clients, each of whom presents a compelling case for you to solve. Now, you must choose which mysteries are worth investigating and which might be too dangerous. Every moment, your life is at risk. Use your cunning to search for evidence, follow the clues and survive such perils as vile criminals, clever traps and even wild animals. Do you have what it takes to solve three of Sherlock Holmes’ most puzzling cases?

“Can You Survive Dracula?”
Paperback, ​​978-1940647692, $9.95 | Hardcover, 978-1940647814, $22.95

You are Jonathan Harker, an ordinary man thrust into an extraordinary situation. You have been tricked and imprisoned. You’ve come face to face with a monster and left behind to suffer a terrible fate. Now, you must put an end to Count Dracula’s evil reign. Assemble your team of vampire hunters, and prepare for battle. Every moment, your life is at risk. Use your courage and wisdom to survive such perils as wolf encounters, mysterious strangers and deadly fires. Do you have what it takes to defeat the deadly villain?


About Ryan Jacobson

Ryan Jacobson is an award-winning author. He has written more than 60 books, with topics ranging from silly to scary. Ryan prides himself on writing high-interest books for children and adults alike, so he can talk about picture books in kindergarten, ghost stories in high school and other fun stuff in between. Some of his most popular works include the “Constellations Activity Book,” “Eagle in the Sky” and “Can You Survive the Call of the Wild?” Ryan is also the co-owner and president of Lake 7 Creative, LLC. His company creates activity books and sports books, and it specializes in developing interactive Choose Your Path books for young readers. When he isn’t writing, Ryan likes to build LEGO sets, play board games and try new restaurants. He lives in eastern Minnesota with his wife and two sons.

Follow Ryan Jacobson on social media:
Facebook: @AuthorRyanJacobson and @Lake7Creative Instagram: @lake7creative


In an interview, Ryan Jacobson can discuss:

  • Why Lake 7 Creative specializes in Choose Your Path books and how young readers can benefit from interactive storytelling
  • The launch of the Detective: You series and expanding the Choose Your Path format into the mystery genre
  • Choosing which classic tales to feature in the Can You Survive? series and turning scenes from children’s favorite books into Choose Your Path moments
  • How to turn classic books with more mature or graphic subject matter into ones suitable for middle grade audiences
  • Being a reluctant reader when he was a child and how that inspired him to create literature to entice young readers
  • How you can find success as an author, writing and publishing your own books
  • The relaunch of previous titles in Lake 7’s Can You Survive? series
  • The founding of Lake 7 Creative and plans for the press’s future

An interview with Ryan Jacobson

You’ve said that you were a reluctant reader as a child. How did your experience with literature at a young age inspire you to write these unique books?

Oh, I didn’t like books at all. I read comic books and Sports Illustrated, but that didn’t actually count as reading back then. So when I finally discovered interactive fiction in about fifth grade, I was like, “Yes, I’m a reader now!” Years later, when I started writing books, I wanted to create that feeling in other young readers, too, which is why I always try to create books that I would’ve devoured as a child.

What made you want to start your press and how did you get started?

This wasn’t exactly something I sought to do. Way back in 2005, I wrote a chapter book called “Santa Claus: Super Spy,” mostly as a writing exercise. But after my wife and I decided to adopt a child (and saw how much money we’d need to raise!), I self-published the book on a wing and a prayer as an adoption fundraiser. It did so well that I kept publishing books, and we’re still at it today.

What are some of the challenges you’ve found running your own press? Some of the pleasant surprises?

The biggest challenge has always been finding the time. I started and grew Lake 7 as a side project, kind of a glorified hobby. The business part of it has always been a challenge for me too — especially the accounting. But I’ve gotten to meet a lot of really talented people. That’s something that always surprises me: how very talented people are.

Why is interactive storytelling important? Is it more beneficial for readers of a certain age?

This is a big question, and my brain is going 100 different directions with it. Let’s see … the format appeals to kids who may or may not otherwise be interested in books; it introduces choices and consequences; there’s a problem-solving element to it; it’s reading and it’s fun, like playing a game. With that said, I think the books are most beneficial for readers who haven’t quite found their “in” to the joys of reading yet, regardless of their age.

What is coming down the line for you and Lake 7?

We’ve had recent success with some activity books and sports books, and that’s allowed us an opportunity to grow and to refocus our efforts on the Choose Your Path format. We have some big plans for taking the format into new and different directions. Our ultimate goal is to become the “go-to” publisher for Choose Your Path books.


About Deb Mercier

Deb Mercier lives in greater Minnesota with her husband, dogs and outdoor critter friends. She is an award-winning journalist, author of 11 books for young readers, a former newspaper editor and a technical writer.

When Deb’s not dreaming up new stories, you can find her wandering the trails on bike and on foot, saving turtles from roadways and playing flute in the Central Lakes Symphony Orchestra.

An interview with Deb Mercier

How did you get started as a writer?

I’ve always been surrounded by stories. Every week growing up, my mom took my brother and me to the library; it seemed natural to start writing my own adventures. My first publication was actually when I was a senior in high school. I wrote a poem after my mom passed away, and my English teacher submitted it to a national competition — I don’t even remember her doing it — and it won first place.

Where do you get your ideas for your books?

Like I tell my students at young author conferences, inspiration is everywhere! I may hear a snippet of conversation or see an old building that makes me wonder who used to live there.
Or maybe the way a squirrel studies the birdfeeder and chatters back at the dogs will lead to a scene … you just never know, so it’s best to pay attention.

What’s alluring about the Choose Your Path format?

As far as reading, the Choose Your Path format is a blast! Sure, it’s reading, but it’s also playing a game — one that doesn’t always turn out well if you make the wrong choice. Being in the driver’s seat as the main character of an adventure gives you control that you don’t normally have while reading, and that’s a ton of fun! As far as writing, the Choose Your Path format is a huge challenge, and I love a good challenge! It takes an incredible attention to detail and an ability to imagine different scenarios branching from a single scene (or maybe an object you forgot to pack). It’s not an easy format to tackle, but seeing kids (and adults) having so much fun navigating through the books makes every word worth it!

How did you begin working with Ryan and Lake 7 Creative?

I met Ryan forever ago at a young author conference held in Thief River Falls, Minnesota. He contacted me about possibly helping him finish a book he’d started: “Wrestling with a Werewolf.” Knowing nothing about wrestling or werewolves, I naturally took on the project. We’ve been working together since then.

What projects are you working on now?

Next up is another Detective: You title … to be determined. We’re pretty sure it’s going to be set at the same resort as “The Empty Cabin,” starring Sam (a.k.a. You). Stay tuned!

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Who set Sam up for the murder of her mother’s fiancé?

Award-winning author returns with dark, coming-of-age YA thriller

LOUISVILLE, KY – Discover who set up Sam in the death of her mother’s fiancé in the new novel by award-winning author, Lynn Slaughter. Deadly Setup (Fire and Ice/Melange, Jul 5, 2022) introduces Sam, a young teen whose life changes when her mother’s fiancé is found shot to death and she’s the main suspect.

When her impulsive, romance-writing mom announces her engagement to a man whose last heiress wife died under suspicious circumstances, Sam tries to dissuade her mother. But her mom is convinced she’ll finally have the “Happily Ever After” she writes about.

And then Sam’s life implodes. Her mom’s fiancé turns up dead, and a mountain of circumstantial evidence points to Sam as the killer. On trial for murder, she fights to prove her innocence with the help of her boyfriend’s dad, an ex-homicide cop.

Moonbeam Children’s Book Award bronze medalist and Agatha Christie award nominee, Lynn Slaughter returns with a new YA thriller pushing the envelope on coming-of-age stories. Dark yet hopeful, Deadly Setup shows that wealth truly doesn’t buy happiness.

“Deadly Setup”
Lynn Slaughter | July 5, 2022
Fire and Ice/Melange Books | YA Thriller
Paperback | 978-8-88653-008-7 | $14.99
Ebook | 979-8-88653-009-4 | $4.99


LYNN SLAUGHTER: Lynn Slaughter is addicted to chocolate, the arts, and her husband’s cooking. Like Sam, her family tree is peppered with musicians, and she’s a huge fan of the American Songbook. Music has always made her want to move, and she ended up becoming a professional dancer and dance educator. When injury meant it was time to find a new dream, she earned her MFA in Writing Popular Fiction from Seton Hill University. Her previous young adult novels include: Leisha’s Song, also published by Fire and Ice, which received a bronze medal from the Moonbeam Children’s Book Awards and was nominated for an Agatha for best MG/YA mystery novel; It Should Have Been You, a Silver Falchion finalist; and While I Danced, an Epic finalist. The ridiculously proud mother of two sons and grandmother of five, she lives in Louisville, Kentucky where she is at work on her next novel and serves as president of Derby Rotten Scoundrels, her local Sisters in Crime chapter. She loves hearing from readers and hopes you’ll visit her website, http://lynnslaughter.com

Follow Lynn Slaughter on social media:
Facebook: @LynnSlaughterWriter | Twitter: @LSlaughter2


Praise for Leisha’s Song

Nominated for 2021 Agatha Award for Best Children’s/YA Mystery Novel, Moonbeam Children’s Award Bronze Medalist, and Imadjinn Finalist for Best YA Novel

“Lynn Slaughter’s knowledge, love, and passion for music are evident in Leisha’s Song. Adept at striking the right balance between tough social issues and young love, Slaughter orchestrates a tale that harmonizes issues of racism, abandonment, and abuse with the power of love and beauty of music in this young adult romantic suspense novel where two young lovers must dig through generations of hatred and intolerance to uncover the truth and solve a mystery with life and death consequences.”
– V.M. Burns, Agatha Award-nominated author of The Plot is Murder

“Suspense, tender romance, and a thoughtful exploration of racism make this page-turning coming-of-age novel a winner. An academy setting and focus on the creative arts add appeal, and Leisha’s growth from people-pleaser to independent woman will resonate with girls and women everywhere.”
– Lee Tobin McClain, U.S.A. Today Bestselling Author of Home to the Harbor

“Heartfelt, wise and relevant, Leisha’s Song is a compelling murder mystery wrapped around a romance that propels the reader along a ‘must keep reading’ journey. Leisha is a protagonist we come to care for and cheer on as she faces a mystery that must be solved. A romance that must be navigated, and a world that must be grown into. It is a testament to Lynn Slaughter’s immense skills as a writer that she has produced another wonderful adventure story.”
– T. Lynne Singleton, contributing author, African American Alphabet, A Celebration of African-American and West Indian Culture, Custom, Myth, and Symbol


In an interview, Lynn Slaughter can discuss:

  • The inspiration behind Sam
  • Changing her career from dancer/dance instructor to author
  • Choosing to write YA stories
  • Her previous works, Leisha’s Song, It Should have Been You and While I Danced
  • The influence of art, music, and dancing throughout her novels
  • The relationship between parent and child especially during the teen years
  • Writing a teen protagonist dealing with loss/grief
  • Creating a subplot including discussion on LGBTQIA+ teens
  • Why elevating a child to a parental role is harmful
  • Why young people seek to create intentional families when their families of origin cannot meet their emotional needs

An Interview with Lynn Slaughter

You went from being a dancer to a writer. What are the similarities and differences between the two?

I think the role of “choreographer” (the creator of dances) is most akin to the role of a writer (composer of stories). Both engage in acts of expressive communication—nonverbal in the case of dance and verbal communication for stories. Both art forms take years of practice and study. Both require perseverance and resilience in the face of rejection and setbacks. In addition, for both art forms, there is always “more” to discover and work on.

Sam has a very difficult ethical decision to make when she uncovers evidence about who set her up. Why does her decision matter so much?

When Sam uncovers evidence about who set her up, she must make a decision. She can keep quiet and not reveal what she’s learned, or she can turn in the evidence she has and permanently rupture a relationship and perhaps get this person in serious trouble.

These decisions follow us through life. Think about the kid in elementary school who witnesses wrongdoing by another child. If he turns the culprit in, is he a snitch? Or a whistle-blowing hero? And what if the culprit is one of his best friends?

Sam’s closest male friend is openly gay and wants to pursue a career in fashion design. Are you playing into stereotypes about gay people by presenting him as a character interested in fashion and design?

I hope not! The character of Paul is based on my husband’s closest friend from college and dance company days in Detroit. His friend was not only a beautiful dancer but a costume designer and wonderful seamstress. The year they lived together, he taught my husband how to sew, and for many years, my husband made most of my outfits.

I think it’s important to note also that Paul is an athlete, the star of his high school diving team, and his lover is a football player. We all have many identities.

You went back to school to earn your MFA late in life. What was that experience like, and do you recommend that writers pursue MFA programs?

I had a very positive experience in grad school, and I think our shared interest in growing as writers transcended our age differences. I certainly know tons of wonderful writers who did not earn their MFAs. But for me, I found a wonderful learning community. Our teachers were all multi-published professional writers committed to mentoring aspiring writers.

I do think it’s important to find a good match. Not all MFA programs are alike. Seton Hill’s is geared toward novel writing and popular fiction, which was a great fit for me and my interests.

What drew you to writing YA, and why do you think YA literature is such an important resource for teens?

Long into adulthood, I continued to love reading YA fiction. In addition, teenagers have always been my favorite age group to work with. While I was still dancing, I moonlighted as a freelance writer and my specialty was writing about teens and the challenges of parenting them.

In our increasingly diverse and polarized world, books can offer teens a look into the interior lives of characters in ways that television and video can’t. We can not only see ourselves in books but also see others who may appear to be very different from ourselves, but with whom we have much in common. Books can also offer comfort to those who are suffering from struggles with depression, anxiety, or other issues. A hallmark of YA fiction is that there is an element of hope for a better future.

What’s next for you writing-wise?

I currently have two projects I’m working on—the expansion of a short story I wrote called “Missed Cue” in which a detective is investigating the suspicious death of a ballerina, while struggling with issues in her personal life. I’m also working on a middle grade novel about a young vampire who hates the taste of blood and is convinced he’s mistakenly landed in the wrong body. Then it’s back to YA again!

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New York Times bestselling author revisits inspiring beginnings of Olympic women’s basketball

On 50th Anniversary of Title IX, Andrew Maraniss tells the true story of the first U.S. women’s Olympic basketball team

NASHVILLE, Tennessee – From the New York Times bestselling author of “Strong Inside” comes the inspirational true story of the birth of women’s Olympic basketball at the 1976 Summer Games and the ragtag team that put U.S. women’s basketball on the map. “Inaugural Ballers” (Sept. 13, 2022, Viking Books for Young Readers) by Andrew Maraniss is an eye-opening story timed with the 50th anniversary of Title IX in 2022.

“A League of Their Own” meets “Miracle” in the inspirational true story of the first U.S. women’s Olympic basketball team and their unlikely rise to the top. Twenty years before women’s soccer became an Olympic sport and two decades before the formation of the WNBA, the ’76 U.S. women’s basketball team laid the foundation for the incredible rise of women’s sports in America at the youth, collegiate, Olympic, and professional levels.

Though they were unknowns at the time of the ‘76 Games, hailing from small schools such as Delta State, Tennessee-Martin and John F. Kennedy College of Wahoo, Nebraska,, the American team included a roster of players who would go on to become some of the most legendary figures in the history of basketball. Pat Head (Summitt), Nancy Lieberman, Ann Meyers, Lusia Harris (subject of an Oscar-winning short documentary in 2022), and coach Billie Moore took on the world and proved everyone wrong.

Told in the context of the women’s rights movement of the 1970s and packed with black-and-white photos and thoroughly researched details about the beginnings of U.S. women’s basketball, “Inaugural Ballers” is the fascinating story of the women who paved the way for girls everywhere.

“Inaugural Ballers:
The True Story of the First U.S. Women’s Olympic Basketball Team”
Andrew Maraniss | Sept. 13, 2022
Viking Books for Young Readers | Young Adult Nonfiction
Hardcover | ISBN 9780525514657 | $18.99
Ebook | $11.99


About the Author

New York Times bestselling author Andrew Maraniss writes sports and history-related nonfiction, telling stories with a larger social message. His first book, “Strong Inside,” received the Lillian Smith Book Award for civil rights and the RFK Book Awards’ Special Recognition Prize for social justice, becoming the first sports-related book ever to win either award. His young readers adaptation of “Strong Inside” was named one of the Top Biographies for Youth by the American Library Association and was named a Notable Social Studies Book by the Children’s Book Council. His acclaimed second book for teens, “Games of Deception,” was a Sydney Taylor Book Award Middle Grade Honor Recipient and a Junior Library Guild selection. His third book, “Singled Out: The True Story of Glenn Burke,” was named to the 2022 Rainbow Book List and was named one of the “Top 100 Baseball Books Ever Written” by Esquire. Andrew lives in Nashville and is special projects director at the Vanderbilt University Athletic Department. Find out more about him at www.andrewmaraniss.com.

Follow Andrew Maraniss on social media:
Facebook: @andrewmaranissauthor | Twitter: @trublu24 | Instagram: @amaraniss


An Interview with Andrew Maraniss

You write books that explore deeper social justice themes — what is it about sports stories, specifically, that can help facilitate conversations about social justice?

Sports books offer a profound opportunity to discuss issues related to social justice. First, sports are accessible. It’s not intimidating to pick up a book with a basketball player or a baseball player on the cover. And most people, whether they are sports fans or not, have some frame of reference for athletes or teams. Sports remain one of the few aspects of our divided society that literally bring us together around a shared experience. So all those factors combine to create a solid foundation: at the very least, sports brings a lot of different people to the table. Then once you have a reader’s attention, they realize there’s so much more to a good sports book than scores and statistics. Sports stories are human interest stories; they capture a moment in time in history; they offer inherent tension and drama. And within the world of sports reside all the social themes that matter: race, gender, sexuality, inequity, democracy, politics. My hope is that my books bring readers, young and old, to these important issues in a way that feels natural and inspires empathy and action.

You stand apart from many YA authors by focusing on nonfiction. Do you think these nonfiction stories offer something to young readers that fiction can’t?

Absolutely. For one, these stories are true! We live in a time where discovering the truth and fighting against lies and liars is more urgent than ever. True stories elevate the names, experiences, and lasting lessons of remarkable people, many of whom have been written out of history. The people I write about deserve to be known, and we can all learn so much from their example. There’s a substantial portion of adults who prefer nonfiction. I know it’s pretty much all I read. And yet nonfiction tends to be underemphasized for kids – at the same time kids aren’t reading. So my hope is that my books appeal to avid readers but also to young people who don’t realize there are books that they’d really enjoy if only they knew they existed. At the other end of the spectrum, many of my readers are adults who fall into two categories. There are the sports fans who enjoy nonfiction and then also the men and women who aren’t into sports, and are typically fiction readers, but are pleasantly surprised by how much they enjoy my books. It’s rewarding for me to help these kinds of readers understand how powerful sports nonfiction can be.

In your previous book, “Games of Deception,” you write about another groundbreaking group of athletes: the Olympic men’s basketball team that competed in Nazi Germany. Did you find commonalities between that story and the story of the first women’s U.S. Olympic basketball team? How were the stories similar or different? What unique challenges did the women’s team face?

Both teams had very little support. In 1936, the players on the men’s team had to raise their own money to pay for travel across the country to board the ship that would take them to Germany for the Olympics. When they made it to Germany, conditions were terrible – the games were played outside on clay tennis courts, which became muddy slogs during the gold medal game. Forty years later, the U.S. women also had little support. USA Basketball officials were so certain they wouldn’t qualify for the Olympics they had made no plans to house the team between the final qualifying tournament and the Olympics. The coaches had to scrounge around for a place for the players to live during that period, with no budget. But where the men’s team in 1936 was expected to dominate international competition – and did – the women’s team in ‘76 wasn’t even expected to qualify for the Olympics. When they won a silver medal, not even a gold, it was cause for celebration. In ‘36, the rest of the world had a lot to learn from the U.S. In ‘76, U.S. women’s basketball still had a long way to go to catch up to the Soviets. Where male athletes of the 1930s (and beyond) were lifted up as heroes, in basketball and other sports, women athletes of the 1970s were typically either disparaged or ignored. They didn’t play for adulation or with hopes of making money. Still, there was a lot of pressure on the U.S. women’s team in ‘76. They understood that by playing well, they could change the course of women’s sports in America by inspiring younger generations of girls to play sports and to push for equal opportunities in their schools and communities.

“Inaugural Ballers” set squarely in the heart of the women’s rights movement of the 1970s, with women athletes coming up in a pre-Title IX era. How did the cultural issues of that time impact the athletes and women’s basketball in general?

Nine of the players on the ‘76 team (and both coaches) have since been inducted into the Women’s Basketball Hall of Fame. These were outstanding players. They all overcame social pressures and stereotypes – the idea that it wasn’t “ladylike” for girls and women to sweat or play sports. They grew up with very few female role models. There was no dream of playing professional basketball. They all made it to the top thanks to singular determination and hard work with no real promise of reward. Some would say they played for a pure love of the game, as if there was something wholly admirable about that. I think it’s important not to romanticize the era. These women deserved so much more. They succeeded despite all the obstacles thrown their way. Obstacles that were born in sexism, misogyny, and the insecurity of men. What was interesting to me was how little connection there was between these strong, pioneering athletes and the women’s movement. Here you had women athletes who were determined to do what they loved and not be confined by traditional gender roles, yet they weren’t held up as icons of the movement. Many of them didn’t consider themselves feminists, even as they destroyed stereotypes and artificial limitations. Today, we see women athletes held up as icons for equity, such as when the U.S. women’s national soccer team protested for pay equity. Times have changed, and as female athletes’ platforms have become larger, they have come to be seen as some of the strongest and most visible advocates for social change. The athletes of the early Title IX era, including members of the ‘76 Olympic team, paved the way.

2022 marks the 50th anniversary of Title IX — but inequities between men’s and women’s sports are still an issue and a point of conversation. What lessons from these early players, many of whom became some of the most legendary figures in the history of basketball, can we borrow to tackle modern issues faced by women athletes?

Every generation has its struggle. When it comes to inequities between men’s and women’s sports, many of the same issues persist: less financial support, less media coverage, disparagement of female athletes by insecure men, an assumption that the public is less interested in women’s sports – even when that is proven untrue at every opportunity. Women athletes of the 1960s and 1970s were political beings in their very existence, challenging the status quo. Today, of course, women earn scholarships to play college basketball and they have an opportunity to play professionally in the WNBA or overseas. Their platforms are large and powerful enough that their collective voice helped turn a Senate election in Georgia. Female athletes are no longer “grateful” for whatever small benefits are thrown their way. So even as inequities remain, we’re hearing about them more from the people who are directly affected and much of the public seems more sympathetic. And just as athletes of the ‘60s and ‘70s laid a foundation for the athletes of today, it’s notable that you often hear today’s women stars speak about their interest in improving conditions for women in the future. There’s always been an acknowledgement of the connection between generations.

Did anything surprise you when you were researching this book? Any stories you hadn’t heard that changed your perspective on the sport?

There were many things that surprised me: the degree to which the NCAA fought against Title IX in the 1970s; the ebbs and flows of women’s basketball in the U.S. from the 1800s through the 1970s – the cyclical way in which cultural forces would restrict the game as it became popular, and how it would re-emerge and grow stronger; and the ‘underdog’ position of the U.S. team in ‘76 – the U.S. national team has been so dominant for decades, it was hard to believe they weren’t expected to even qualify for the 1976 Olympics. I was also happily surprised to see the documentary The Queen of Basketball, on team member Lusia Harris, win an Oscar earlier this year. I interviewed Ms. Harris for the book before she passed away. I’m not sure this counts as a ‘surprise,’ but I was also struck by the similarities between the politics of the ‘70s and the politics of today when it comes to women’s rights. Certainly there has been notable progress, but the gains of the last 50 years are in jeopardy today.

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An interview with Emilie Sommer of East City Bookshop

What’s your favorite area of your bookstore?

It’s hard to pick, but my first true love is always fiction. In all sections of our store, but especially in fiction, we try to make sure that we have the books that people walk in looking for, but also lesser known titles that they didn’t know they wanted. We always want people to find what they need as well as discover something new. I feel like that happens routinely in Fiction. My other favorite section is Biography and Memoir. I gravitate toward personal stories about dealing with trauma and grief, and I also love celebrity memoirs!

What’s the coolest book cover that you like to have facing out on the shelves?

Right now it’s Shit Cassandra Saw by Gwen Kirby. It’s a wild, bold cover that has definitely sold some copies.

If you had a staff pick for a recent new release, what would it be? Backlist pick?

For a recent release, I’d pick The Swimmers by Julie Otsuka. It’s a tiny book, but it packs a huge punch. I love its structure — it begins in the first person plural with a group of swimmers at a community pool, then moves in closer and closer to become an intimate story about one of them — and I love Otsuka’s writing.
For backlist, I’ll pick a book that has been a favorite ever since I first read it in the late 90s: Who Will Run the Frog Hospital? by Lorrie Moore. My favorite micro-genre might be “an adult looks back at a formative adolescent friendship” and Who Will Run the Frog Hospital? is just a masterpiece. More recent examples of that form are The Girls from Corona Del Mar by Rufi Thorpe, Another Brooklyn by Jacqueline Woodson, We Run the Tides by Vendela Vida, Marlena by Julie Buntin, and Bewilderness by Karen Tucker. Anytime someone mentions that they loved one of those, I press Who Will the Run the Frog Hospital? into their hands.

Do you have a strange customer story?

I only have a couple of strange ones and I’m not sure I’ll put them in writing… but I have so, so many wonderful ones! There are a million great things about being a bookseller but becoming friends with customers is high on the list. I’ve made some true, treasured friends out of customers and I’m so grateful.

What author have you been starstruck to meet, or have you gotten to host a fun virtual event?

We hosted a wonderful virtual event with Jessica Anya Blau for her novel Mary Jane (a delight, now out in paperback) and she was in conversation with Nick Hornby. The first night I met my husband, we discussed how much we loved High Fidelity, and Nick Hornby’s Fever Pitch is the sole reason my husband and son are ardent Arsenal supporters. I almost got choked up telling him that his books have been central to the creation of my family.

What are some misconceptions people have about working in a bookstore?

I bet every bookseller says something similar: people think we get to sit around and read all day. Sadly, that is just not true. If it were true, it would mean our store was not very busy, and that would be sad. I’m actually glad that we are too busy to read during work because it means the shop is doing well.

What is your least favorite bookstore task? Favorite part about working in a bookstore?

Least favorite part: boxes of books are VERY heavy! Favorite: The sheer magic of putting the right book in the right person’s hands at the right time. There are lots of other favorites, too — getting advanced copies of highly anticipated books, getting to meet authors, getting to know editors, and — as I mentioned before — our super customers.

Can you recommend an underrated readalike book for one of the store’s top titles?

This is more of a companion recommendation than a readalike, but hear me out! Patrick Radden Keefe’s Empire of Pain continues to sell well for us, and for every person who purchases that (or Dopesick by Beth Macy, or Dreamland by Sam Quinones), I want to recommend Liz Moore’s Long Bright River. I love to pair a novel alongside non-fiction, and there’s no better book about the devastation of addiction. Long Bright River is a mystery, but it’s also, I believe, the great American novel about our opiate/opioid epidemic — an unforgettable, staggering achievement that I can’t ever recommend enough.

Emilie Sommer is a book buyer at East City Bookshop in Washington, D.C.

Psychologist’s four-letter-word-filled breakup survival guide a valuable resource for those looking to get past the bullsh*t

Fenton, MI – Like death and taxes, some things are inevitable — including breakups. Psychologist Dr. Jodie Eckleberry-Hunt is helping readers get over heartbreak and move on with their lives in her new book, “Getting to Good Riddance: A No-Bullsh*t Breakup Survival Guide,” (Turner Publishing, July 26, 2022).

Eckleberry-Hunt, author of “Move on Motherf*cker: Live, Laugh, and Let Sh*t Go,” provides the tools to survive and thrive after a breakup in this empowering, BS-free guide. Packed with a science-based mix of simple exercises and a healthy dose of tough love, this book will help you:

  • Kick pain, shame and fear to the curb,
  • Become an expert in yourself and what you want
  • Progress past just “feeling better” and get to saying “Good riddance, asshole!”

Through professional experiences and examples, along with psychological research and vignettes to explain her points, Eckleberry-Hunt uses her expertise as a relationship therapist to create the ultimate guide to surviving a breakup. This seriously motivational resource utilizes salty straight talk, humor, cognitive behavioral therapy, mindfulness and positivity to get you to growth and recovery.

With topics ranging from grief, to toxic relationships, to finding love, happiness and purpose again, this is an educational and purposeful resource to help anyone in a romantic relationship become healthier overall. Overcome self-defeat, smash the sh*t out of heartbreak and get ready to move on, motherf*cker!

“Getting to Good Riddance: A No Bullsh*t Breakup Survival Guide”
Jodie Eckleberry-Hunt | July 26, 2022 | Turner | Self-Help |
Paperback, 9781684428489, $15.99 | Ebook, 9781684428502 $11.99
Hardcover, 9781684428496, $23.99


Early praise for “Getting to Good Riddance” and Jodie Eckleberry-Hunt

“After a break-up, you probably need a motivational coach, a foul-mouthed best friend, and a wise sage who can guide you in the right direction. In ‘Getting to Good Riddance,’ Jodie Eckleberry-Hunt gives you all three. … This book is perfect for someone who wants to dig deeper and to figure out how to heal while moving forward with courage and clarity. Filled with practical strategies, wisdom from psychological research and questions to prompt deep personal growth, this book is exactly what you need to create more satisfying relationships.” — Lisa Williams LCSW Self Help Bookshelf Podcast

“I have been waiting for a book on getting through a breakup for a long time, and it is worth the wait! … You won’t regret picking up this book for yourself or someone you care about who is struggling with a relationship’s end.” — Heather Kirkpatrick, Ph.D., Licensed Psychologist

“A perfect balance of humor, case studies, science and profanity! … Dr. Eckleberry-Hunt designed this book really well by giving case studies to make each topic relevant and follows up with real life strategies for moving on. … This book is relevant to so many situations other than romantic break up — leaving unhealthy friendships, setting family boundaries, work relationships and, most importantly, how to be more self-aware to take good self-care. Dr. Eckleberry-Hunt gives you the skills to own your own sh*tshow and create the life you want!” — Jenny Williams, OT, owner of Innovative Occupational Therapy Solutions

“Real from cover to cover. A rarity to find a resource to provide clients that is rooted in the science of behavior, provides intentional self-compassion and a bonus a spoon full of profanity needed to take the edge off and get to the business of healing. This is a gem, funny to the bone.”
Nicole R. Najar, PsyD, ABPP, Clinical Health Psychologist

“It transcends romantic relationships and is applicable for friendships, family and work relationships. As an introvert who historically struggles with assertive communication, I developed some badass new skills. … This book gave me the good feels, and by the end, I felt the author was my personal positive self-talk coach (foul-mouthed, yet uplifting). For anyone, regardless of current Facebook relationship status, I couldn’t provide a stronger recommendation!” — Kelley Williams, MD

“Dr. Eckleberry-Hunt delivers again with a book full of practical and impactful ways to navigate the breakup process. … Striking a good balance between a strong clinical foundation and relatable examples, ‘Getting to Good Riddance should be required reading for anyone facing the end of a relationship.”
Darren Jones, Ph.D., L.P., Chief of Behavioral Health, Beaumont Health System

Also by Jodie Eckleberry-Hunt

“Move on Motherf*cker”
Jodie Eckleberry-Hunt | Nov. 3, 2020 | New Harbinger
Self-Help | Paperback | 978-1-68403-486-4 | $16.95

“This is an excellent wake-up call for those wracked by self-criticism.” — Publisher’s Weekly

When we’re anxious, stressed, or fearful, the negative voice in our heads can be extremely powerful. It tells us we’re not smart or attractive enough. It berates us for our mistakes. And it keeps us feeling stuck in an endless loop of worry, shame, and hopelessness. But there is a way to shut it down. Blending evidence-based cognitive behavioral therapy, mindfulness, and profanity, this unexpected guide will show you how to respond to your negative inner voice with one very important phrase: Move on, mother*cker!

You’ll learn to manage worry and anxiety, put a stop to unhelpful internal dialogue, and approach new situations with humor, levity, and perspective.

You’ll also find real tools to help you:

  • Set personal and professional boundaries
  • Identify toxic or codependent relationships
  • Become assertive without being aggressive
  • Stop seeking perfection

The book also includes journaling and other self-awareness exercises to help you put MOMF to work every day. So, stop letting your inner voice tear you down! With this fun and effective guide, you’ll learn how to take control of your negative thoughts and get back to living your best life.

“This is an honest-to-goodness self-help book, packed with useful tools and psychological wisdom that will generate results, inside and out.” — Foreword Reviews

“Honest, salty self-talk can be a true balm for anxiety, shame, sadness and despair. So take it from one motherf*cker to another: Move on, and read this book!” Sarah Knight, New York Times bestselling author of “Calm the F*ck Down”


About the Author

Jodie Eckleberry-Hunt is a recovering people pleaser, control freak, worrier and motherf*cker. One thing she knows is that life sometimes hurts, and we can’t run from that. We have a choice of whether or not to deny it or go with it. She’s learned that going with it is a better investment, but we need to laugh while doing it. After more than 20 years of providing counseling services, Eckleberry-Hunt developed the idea of combining cognitive-behavioral techniques, mindfulness techniques and profanity to help people get over themselves with a good belly laugh. She has a Ph.D. in Counseling Psychology and is board-certified in health psychology. She has a psychology practice in Michigan where she lives with her husband, two teenage sons and the dog prince, Bacon. She is a human being and a work in progress — just like you. For more info, visit jodieeckleberryhunt.com.

Follow Jodie Eckleberry-Hunt on social media:
Facebook, Twitter and Instagram @jeckleberryhunt


In an interview, Jodie Eckleberry-Hunt can discuss:

  • Her background and expertise in psychology and counseling and executive coaching
  • The science behind cognitive behavioral therapy and how to utilize CBT, positive psychology and even cursing to work through whatever life throws at you
  • The myths of love stories and how most breakups stem from an unhealthy understanding of love and what it looks like
  • Finding peace after a breakup and practical steps people can take to move on and find happiness
  • How to set boundaries in a relationship, overcome infidelity, and identify and end things with a toxic partner
  • How to embrace and work through the feeling of grief at the end of a relationship
  • How the advice offered in her books differs from typical self-help books

An interview with Jodie Eckleberry-Hunt

You’ve written other self-help books before. What made you want to write a book focusing on relationships and breakups?

Breakups are a very common presenting complaint of folks I see in my office. I’m always looking for something they can work on at home, but when people are drowning in hurt, it is hard to focus. I wrote this book for folks who want to feel better fast with simple techniques.

How do you use your own personal experiences as a tool throughout the book?

While I do not share many personal relationship stories, I have many that color my perspective. Some stories may or may not be members of my family. I do share a lot of professional experiences, and there are so many similarities in the stories I hear. Most people just want to escape the pain, and they go back to reviewing the good times, but sadly, this just prolongs the pain.

Can you explain what cognitive behavioral therapy is and how it’s used in the book?

Cognitive-behavioral therapy is a highly effective and researched method of identifying and counteracting ways we’ve been programmed to see ourselves, the world, and others. That programming shapes the things we say to ourselves on a moment-to-moment basis — that inner voice that shapes our feelings. It is incredibly important to recognize and work to alter self-defeating patterns and self-talk so we can avoid making the same miscalculations over and over. In order to be our best selves, we have to be in our own corner with brutal honesty but also compassion.

Your writing provides self-help with more colorful language. How does cursing and profanity help people psychologically when dealing with pain

Swear words are associated with emotional release in the brain, and using them in a targeted way, especially to induce a little levity, can be so healing. I use swearing to counter guilt, shame and embarrassment. There is a lot of research out there demonstrating how swearing is an effective method of coping with pain. I make it practical and funny even when we don’t feel like we’ll ever laugh again.

What do you hope readers gain from reading the book?

My hope is that folks who read the book will take a deep dive into understanding themselves, especially biases or self-defeating patterns so that they can find the healthy relationships they seek. I also want to share the idea that the experiences folks have with breakups are common. We are not alone in our struggles. What feels like the end of the world may actually be the beginning of a whole new world.

Are you working on any other projects?

As a matter of fact, I have another book, “Badass Stories: Grit, Growth, Hope, and Healing in the Sh*tshow” that will be released in February 2022. It is probably my favorite book of all because I share badass, inspirational stories of overcoming in everyday life. I hope to convey a sense of humanity and authenticity that the average person can relate to, and I hope it is healing for many readers

Last question (because we all want to know): What’s your No. 1 tip for getting over a breakup?

This is such a hard question, but I am going to stick with the challenge. The number one tip is to block all contact and purge the environment so there are no reminders. I don’t know how a person can truly heal in an environment where the hurt triggers are always right there. Friends are essential to this process. (See how I slipped two tips in there?)

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