Book pairings for some of the VMA nominees

While we may not be as young and hip as we used to be, we still keep up with some of the VMA nominations, and we thought of some great books to pair with them!

Flowers, Miley Cyrus/Girls Burn Brighter by Shobha Rao

Poornima and Savitha have three strikes against them: they are poor, they are ambitious, and they are girls. After her mother’s death, Poornima has very little kindness in her life. She is left to care for her siblings until her father can find her a suitable match. So when Savitha enters their household, Poornima is intrigued by the joyful, independent-minded girl. Suddenly their Indian village doesn’t feel quite so claustrophobic, and Poornima begins to imagine a life beyond arranged marriage. But when a devastating act of cruelty drives Savitha away, Poornima leaves behind everything she has ever known to find her friend.

Kill Bill, SZA/My Sister the Serial Killer by Oyinkan Braithwaite

Korede’s sister Ayoola is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead, stabbed through the heart with Ayoola’s knife.

Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood (bleach, bleach, and more bleach), the best way to move a body (wrap it in sheets like a mummy), and she keeps Ayoola from posting pictures to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit.

Korede has long been in love with a kind, handsome doctor at the hospital where she works. She dreams of the day when he will realize that she’s exactly what he needs. But when he asks Korede for Ayoola’s phone number, she must reckon with what her sister has become and how far she’s willing to go to protect her.

Anti-Hero, Taylor Swift/Yolk by Mary H.K. Choi

Jayne and June Baek are nothing alike. June’s three years older, a classic first-born, know-it-all narc with a problematic finance job and an equally soulless apartment (according to Jayne). Jayne is an emotionally stunted, self-obsessed basket case who lives in squalor, has egregious taste in men, and needs to get to class and stop wasting Mom and Dad’s money (if you ask June). Once thick as thieves, these sisters who moved from Seoul to San Antonio to New York together now don’t want anything to do with each other.

That is, until June gets cancer. And Jayne becomes the only one who can help her.

Flung together by circumstance, housing woes, and family secrets, will the sisters learn more about each other than they’re willing to confront? And what if while helping June, Jayne has to confront the fact that maybe she’s sick, too?

Bad Habit, Steve Lacy/People We Meet On Vacation by Emily Henry

Poppy and Alex. Alex and Poppy. They have nothing in common. She’s a wild child; he wears khakis. She has insatiable wanderlust; he prefers to stay home with a book. And somehow, ever since a fateful car share home from college many years ago, they are the very best of friends. For most of the year they live far apart–she’s in New York City, and he’s in their small hometown–but every summer, for a decade, they have taken one glorious week of vacation together.

Until two years ago, when they ruined everything. They haven’t spoken since.

Poppy has everything she should want, but she’s stuck in a rut. When someone asks when she was last truly happy, she knows, without a doubt, it was on that ill-fated, final trip with Alex. And so, she decides to convince her best friend to take one more vacation together–lay everything on the table, make it all right. Miraculously, he agrees.

Now she has a week to fix everything. If only she can get around the one big truth that has always stood quietly in the middle of their seemingly perfect relationship. What could possibly go wrong?

Attention, Doja Cat/Night Film by Marisha Pessl

On a damp October night, beautiful young Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley’s life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror-film director Stanislas Cordova–a man who hasn’t been seen in public for more than thirty years.

For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova’s dark and unsettling films, very little is known about the man himself.

Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova’s eerie, hypnotic world.

The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more.

Stay, Alicia Keys ft. Lucky Daye/Seven Days In June by Tia Williams

Eva Mercy is a single mom and bestselling erotica writer who is feeling pressed from all sides. Shane Hall is a reclusive, enigmatic, award-winning novelist, who, to everyone’s surprise, shows up in New York.

When Shane and Eva meet unexpectedly at a literary event, sparks fly, raising not only their buried traumas, but the eyebrows of the Black literati. What no one knows is that fifteen years earlier, teenage Eva and Shane spent one crazy, torrid week madly in love. While they may be pretending not to know each other, they can’t deny their chemistry–or the fact that they’ve been secretly writing to each other in their books through the years.

Over the next seven days, amidst a steamy Brooklyn summer, Eva and Shane reconnect–but Eva’s wary of the man who broke her heart, and wants him out of the city so her life can return to normal. Before Shane disappears though, she needs a few questions answered…

Unholy, Sam Smith/Scorched Grace by Margot Douaihy

When Saint Sebastian’s School becomes the target of a shocking arson spree, the Sisters of the Sublime Blood and their surrounding New Orleans community are thrust into chaos.

Patience is a virtue, but punk rocker turned nun Sister Holiday isn’t satisfied to just wait around for officials to return her home and sanctuary to its former peace, instead deciding to unveil the mysterious attacker herself. Her investigation leads her down a twisty path of suspicion and secrets, turning her against colleagues, students, and even fellow Sisters along the way. And to piece together the clues of this high-stakes mystery, she must at last reckon with the sins of her own past.

I Like You (A Happier Song), Post Malone and Doja Cat/American Royalty by Tracey Livesay

Sexy, driven rapper Danielle “Duchess” Nelson is on the verge of signing a deal that’ll make her one of the richest women in hip hop. More importantly, it’ll grant her control over her life, something she’s craved for years. But an incident with a rising pop star has gone viral, unfairly putting her deal in jeopardy. Concerned about her image, she’s instructed to work on generating some positive publicity… or else.

A brilliant professor and reclusive royal, Prince Jameson prefers life out of the spotlight, only leaving his ivory tower to attend weddings or funerals. But with the Queen’s children involved in one scandal after another, and Parliament questioning the viability of the monarchy, the Queen is desperate. In a quest for good press, she puts Jameson in charge of a tribute concert in her late husband’s honor. Out of his depth, and resentful of being called to service, he takes the advice of a student. After all, what’s more appropriate for a royal concert than a performer named “Duchess”?

Too late, Jameson discovers the American rapper is popular, sexy, raunchy and not what the Queen wanted, although he’s having an entirely different reaction. Dani knows this is the good exposure she needs to cement her deal and it doesn’t hurt that the royal running things is fine as hell. Thrown together, they give in to the explosive attraction flaring between them. But as the glare of the limelight intensifies and outside forces try to interfere, will the Prince and Duchess be a fairy tale romance for the ages or a disaster of palatial proportions?

Eyes Closed, Ed Sheeran/Really Good, Actually by Monica Heisey

Maggie is fine. She’s doing really good, actually. Sure, she’s broke, her graduate thesis on something obscure is going nowhere, and her marriage only lasted 608 days, but at the ripe old age of twenty-nine, Maggie is determined to embrace her new life as a Surprisingly Young Divorcée(TM).

Now she has time to take up nine hobbies, eat hamburgers at 4 am, and “get back out there” sex-wise. With the support of her tough-loving academic advisor, Merris; her newly divorced friend, Amy; and her group chat (naturally), Maggie barrels through her first year of single life, intermittently dating, occasionally waking up on the floor and asking herself tough questions along the way.

All About Agents: What You Need to Know as an Indie Author

There’s a wonderful history of indie authors creating a great platform, getting noticed by traditional publishers and landing a publishing deal. 

The best tactic is to query an agent on the strength of your work and current accolades. It’s very rare to go directly to a publisher these days as they mostly work with agents. After you query an agent and secure their services, they will approach prospective publishers for you.

Finding an agent can be a long and tedious process, as they each have their own submission requirements and it can be months before you hear back from each with answers. 

With this in mind, here are some of our favorite resources for finding an agent:

  • Poets & Writers has a great amount of information on agents. They have a Literary Agents Database and a helpful Agent Advice column.
  • Publishers Lunch: We recommend looking over what deals have been made for mid-list authors each day. You don’t want a blockbuster agent because they’re already set financially. Info includes: genre, author, synopsis, agent and which publisher the work sold to. You can sign up for the free daily newsletter that will give you most of this info, or you sign up for a $25/month newsletter which has all of the details.
  • QueryTracker: This free database hosts plenty of agent data. Because the info can be outdated, it’s best to use this tool to create a list of agents who represent your genre, then crosscheck with each agent’s website to confirm who they represent and which publishers they work with.
  • Guide to Literary Agents An old standby, written by Robert Lee Brewer.
  • AAR – Association of Author’s Representatives: Here’s a list of member agents, with varying amounts of information about them.
  • Children’s authors can view the Rights Reports on PW. These reports cite which agents facilitated the deal for upcoming kids books.
  • Women Writers, Women’s Books also has an Agents Corner column where authors can share their agent success stories and offer advice.
  • Writer’s Digest Guide to Literary Agents Blog: They post notices about agents and agencies. There’s not a tremendous amount of information here, but it’s worth keeping an eye out for news.
  • We also recommend finding books that are comparable to yours in genre and audience, and seeing who the author’s agent is. These agents may be a good fit for you, so we recommend keeping a list and checking their websites, querying where it makes sense to do so.
  • Manuscript Wishlist is a helpful tool designed to help agents share information about the types of books they are looking for. Scan through to see if your manuscript is on anyone’s wishlist!

I know it feels like the possibilities are endless, and it’s not unusual for an author to query upwards of 100 agents. Casting a wide net will help make sure you’re paired with the right agent for your book.

Want to get the inside scoop on what an agent really thinks? Check out our interview with Natalie Lakosil here: https://booksforward.com/ask-an-expert-a-conversation-with-natalie-lakosil-about-being-a-literary-agent/

Books that feel like Hozier songs to celebrate Unreal Unearth

A number of us on the Books Forward team are BIG Hozier fans (come on, join our cult) and we are so excited for his new album to drop after waiting for literal years. His songs have an ethereal, otherworldly feel to them, and we’ve put together a list of books you might enjoy if that’s your vibe. Check out these books to celebrate Unreal Unearth!

The Wolf and the Woodsman by Ava Reid

In her forest-veiled pagan village, Évike is the only woman without power, making her an outcast clearly abandoned by the gods. The villagers blame her corrupted bloodline — her father was a Yehuli man, one of the much-loathed servants of the fanatical king. When soldiers arrive from the Holy Order of Woodsmen to claim a pagan girl for the king’s blood sacrifice, Évike is betrayed by her fellow villagers and surrendered. But when monsters attack the Woodsmen and their captive en route, slaughtering everyone but Évike and the cold, one-eyed captain, they have no choice but to rely on each other. Except he’s no ordinary Woodsman — he’s the disgraced prince, Gáspár Bárány, whose father needs pagan magic to consolidate his power. Gáspár fears that his cruelly zealous brother plans to seize the throne and instigate a violent reign that would damn the pagans and the Yehuli alike. As the son of a reviled foreign queen, Gáspár understands what it’s like to be an outcast, and he and Évike make a tenuous pact to stop his brother. As their mission takes them from the bitter northern tundra to the smog-choked capital, their mutual loathing slowly turns to affection, bound by a shared history of alienation and oppression. However, trust can easily turn to betrayal, and as Évike reconnects with her estranged father and discovers her own hidden magic, she and Gáspár need to decide whose side they’re on, and what they’re willing to give up for a nation that never cared for them at all.

Nettle & Bone by T. Kingfisher

Marra never wanted to be a hero. As the shy, convent-raised, third-born daughter, she escaped the traditional fate of princesses, to be married away for the sake of an uncaring throne. But her sister wasn’t so fortunate — and after years of silence, Marra is done watching her suffer at the hands of a powerful and abusive prince. Seeking help for her rescue mission, Marra is offered the tools she needs, but only if she can complete three seemingly impossible tasks: Build a dog of bones; sew a cloak of nettles; capture moonlight in a jar. But, as is the way in tales of princes and witches, doing the impossible is only the beginning. Hero or not — now joined by a disgraced ex-knight, a reluctant fairy godmother, an enigmatic gravewitch and her fowl familiar — Marra might finally have the courage to save her sister, and topple a throne.

A River Enchanted by Rebecca Ross

Jack Tamerlaine hasn’t stepped foot on Cadence in 10 long years, content to study music at the mainland university. But when young girls start disappearing from the isle, Jack is summoned home to help find them. Enchantments run deep on Cadence: gossip is carried by the wind, plaid shawls can be as strong as armor, and the smallest cut of a knife can instill fathomless fear. The capricious spirits that rule the isle by fire, water, earth, and wind find mirth in the lives of the humans who call the land home. Adaira, heiress of the east and Jack’s childhood enemy, knows the spirits only answer to a bard’s music, and she hopes Jack can draw them forth by song, enticing them to return the missing girls. As Jack and Adaira reluctantly work together, they find they make better allies than rivals as their partnership turns into something more. But with each passing song, it becomes apparent the trouble with the spirits is far more sinister than they first expected, and an older, darker secret about Cadence lurks beneath the surface, threatening to undo them all.

Emily Wilde’s Encyclopaedia of Faeries by Heather Fawcett

Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world’s first encyclopaedia of faerie lore. But Emily Wilde is not good at people. She could never make small talk at a party — or even get invited to one. And she prefers the company of her books, her dog, Shadow, and the Fair Folk to other people. So when she arrives in the hardscrabble village of Hrafnsvik, Emily has no intention of befriending the gruff townsfolk. Nor does she care to spend time with another new arrival: her dashing and insufferably handsome academic rival Wendell Bambleby, who manages to charm the townsfolk, muddle Emily’s research, and utterly confound and frustrate her. But as Emily gets closer and closer to uncovering the secrets of the Hidden Ones— the most elusive of all faeries — lurking in the shadowy forest outside the town, she also finds herself on the trail of another mystery: Who is Wendell Bambleby, and what does he really want? To find the answer, she’ll have to unlock the greatest mystery of all — her own heart.

The Last Tale of the Flower Bride by Roshani Chokshi

Once upon a time, a man who believed in fairy tales married a beautiful, mysterious woman named Indigo Maxwell-Casteñada. He was a scholar of myths. She was heiress to a fortune. They exchanged gifts and stories and believed they would live happily ever after — and in exchange for her love, Indigo extracted a promise: that her bridegroom would never pry into her past. But when Indigo learns that her estranged aunt is dying and the couple is forced to return to her childhood home, the House of Dreams, the bridegroom will soon find himself unable to resist. For within the crumbling manor’s extravagant rooms and musty halls, there lurks the shadow of another girl: Azure, Indigo’s dearest childhood friend who suddenly disappeared. As the house slowly reveals his wife’s secrets, the bridegroom will be forced to choose between reality and fantasy, even if doing so threatens to destroy their marriage … or their lives.

For the Wolf by Hannah Whitten

As the only Second Daughter born in centuries, Red has one purpose — to be sacrificed to the Wolf in the Wood in the hope he’ll return the world’s captured gods. Red is almost relieved to go. Plagued by a dangerous power she can’t control, at least she knows that in the Wilderwood, she can’t hurt those she loves. Again. But the legends lie. The Wolf is a man, not a monster. Her magic is a calling, not a curse. And if she doesn’t learn how to use it, the monsters the gods have become will swallow the Wilderwood — and her world— whole.

The Secret History by Donna Tartt 

Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.

Mexican Gothic by Silvia Moreno-Garcia

After receiving a frantic letter from her newlywed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find — her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

Our Wives Under the Sea by Julia Armfield

Leah is changed. A marine biologist, she left for a routine expedition months earlier, only this time her submarine sank to the sea floor. When she finally surfaces and returns home, her wife Miri knows that something is wrong. Barely eating and lost in her thoughts, Leah rotates between rooms in their apartment, running the taps morning and night. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded, Leah has carried part of it with her, onto dry land and into their home. As Miri searches for answers, desperate to understand what happened below the water, she must face the possibility that the woman she loves is slipping from her grasp.

The Book Eaters by Sunyi Dean

Out on the Yorkshire Moors lives a secret line of people for whom books are food, and who retain all of a book’s content after eating it. To them, spy novels are a peppery snack; romance novels are sweet and delicious. Eating a map can help them remember destinations, and children, when they misbehave, are forced to eat dry, musty pages from dictionaries. Devon is part of The Family, an old and reclusive clan of book eaters. Her brothers grow up feasting on stories of valor and adventure, and Devon — like all other book eater women — is raised on a carefully curated diet of fairy tales and cautionary stories. But real life doesn’t always come with happy endings, as Devon learns when her son is born with a rare and darker kind of hunger–not for books, but for human minds.

August Authors Forward Interview with Lynn Slaughter and Lori Robbins

Welcome to our Authors Forward series, where our innovative and talented Books Forward authors interview other great, forward-thinking voices in the industry.

August Authors Forward Interview with Lynn Slaughter and Lori Robbins

Lori Robbins is the award-winning author of the On Pointe and Master Class mystery series. A former dancer, Lori performed with a number of modern dance and classical ballet companies. After ten very lean years onstage she became an English teacher and now writes full time.

  • Tell us about the On Pointe Mysteries and the character of ballerina/amateur sleuth Leah Siderova. Is her personality similar to your own?

Leah and I share a similar sense of humor. We both love cities, and we’re equally devoted to the art of dance. Other than that, we’re quite different. Leah’s upbringing, personal relationships, and aversion toward calories, carbohydrates, and commitment are uniquely hers. I fear I’m more like Leah’s mother, Barbara. Or, even worse, her aunt Rachel.

  • Does Leah have special skills which help her solve crimes?

Leah comments, only half-jokingly, that after she takes her last bow she’ll end up on the unemployment line, with nothing more than a high school diploma and a borderline eating disorder on her resume. In spite of this disclaimer, her lifelong devotion to ballet has rendered her far more determined and resourceful than most. Because ballet prioritizes daily discipline over fleeting desires, Leah’s ability to control herself and her environment becomes her superpower. She pairs that self-restraint with an extraordinary ability to inhabit fictional roles. For example, she’s afraid of heights, so when she has to climb down a fire escape she imagines herself as the Firebird. When the threat is personal, she imagines herself as Myrtha, who condemns mortal men to death by forcing them to dance until they die.

  • What might surprise readers about a mystery set in a professional ballet company?

Like many dancers, Leah obsessively calculates every calorie she ingests. What might surprise some readers is that dance companies often include what’s colloquially known as a “fat clause.” Staying thin is literally part of her job. The precarious nature of life as a ballerina is also something not many people understand. Every dancer, no matter how successful, is one injury—or one birthday—away from irrelevance. Willpower plus uncertainty make dancers creative and innovative problem solvers. Those very high stakes are a great backdrop for a murder mystery.

  • Were any of your books inspired by real life events?

Yes! Theaters are full of drama, both onstage and off, and I’m often inspired by true stories. When the Metropolitan Opera did a new staging of one of Wagner’s operas, the elaborate set design was infamously loud, creaky, and unreliable. I transferred that idea to Murder in Third Position, in which Leah has to dance upon a platform that hovers over the stage. It ended up a metaphor for Leah’s life. She’s on top of the world, but she’s never been more vulnerable.

  • There is a lot of delightful humor in your books. Has humor always been important to you in navigating life?

When faced with adversity, dancers might say something like: “What are you going to do? Slit your ankles and cha-cha to death?” It’s ironic, silly, resigned, and sarcastic. That pretty much sums up my attitude. Humor in all its forms gets me through.

  • We are both former professional dancers, and I haven’t met a lot of us who’ve made the transition to fiction writing. Can you tell us about that journey for you?

The same skill set that fueled my career as a dancer helped me as a writer. Both professions require tremendous self-discipline, as well as the ability (and humility) to take corrections and make them work for you. It also helps if you enjoy working for very little money. When I think of it that way, the gulf between those two pursuits doesn’t seem quite so wide.

  • What’s next for you writing-wise?

My academic mystery, Lesson Plan for Murder, will be released this summer. It features an English teacher who solves crimes using clues from her favorite books. The protagonist refuses to believe her colleague’s death was a suicide, because no self-respecting English teacher would kill herself without leaving a perfectly penned note, complete with obscure literary references and suggestions for further reading.

 

6 graphic novels to read if you love Heartstopper

We all love Alice Oseman’s Heartstopper series, and we were so glad when season 1 of the Netflix series was adapted perfectly! With season 2 on the horizon, we wanted to recommend a few other graphic novels we think you’ll enjoy if you’re a fan of the books or the series!

Check, Please! by Ngozi Ukazu

Eric Bittle may be a former junior figure skating champion, vlogger extraordinaire, and very talented amateur pâtissier, but being a freshman on the Samwell University hockey team is a whole new challenge. It is nothing like co-ed club hockey back in Georgia! First of all? There’s checking (anything that hinders the player with possession of the puck, ranging from a stick check all the way to a physical sweep). And then, there is Jack — his very attractive but moody captain.

Bloom by Kevin Panetta, illustrated by Savanna Ganucheau

Now that high school is over, Ari is dying to move to the big city with his ultra-hip band — if he can just persuade his dad to let him quit his job at their struggling family bakery. Though he loved working there as a kid, Ari cannot fathom a life wasting away over rising dough and hot ovens. But while interviewing candidates for his replacement, Ari meets Hector, an easygoing guy who loves baking as much as Ari wants to escape it. As they become closer over batches of bread, love is ready to bloom . . . that is, if Ari doesn’t ruin everything.

Fence by C.S. Pacat, illustrated by Johanna the Mad

Nicholas, the illegitimate son of a retired fencing champion, is a scrappy fencing wunderkind, and dreams of getting the chance and the training to actually compete. After getting accepted to the prodigious Kings Row private school, Nicholas is thrust into a cut-throat world, and finds himself facing not only his golden-boy half-brother, but the unbeatable, mysterious Seiji Katayama…Through clashes, rivalries, and romance between teammates, Nicholas and the boys of Kings Row will discover there’s much more to fencing than just foils and lunges.

Cheer Up: Love and Pompoms by Crystal Frasier, illustrated by Val Wise

Annie is a smart, antisocial lesbian starting her senior year of high school who’s under pressure to join the cheerleader squad to make friends and round out her college applications. Her former friend Bebe is a people-pleaser — a trans girl who must keep her parents happy with her grades and social life to keep their support of her transition. Through the rigors of squad training and amped up social pressures (not to mention micro aggressions and other queer youth problems), the two girls rekindle a friendship they thought they’d lost and discover there may be other, sweeter feelings springing up between them.

Laura Dean Keeps Breaking Up With Me by Mariko Tamaki

Laura Dean, the most popular girl in high school, was Frederica Riley’s dream girl: charming, confident, and SO cute. There’s just one problem: Laura Dean is maybe not the greatest girlfriend. Reeling from her latest break up, Freddy’s best friend, Doodle, introduces her to the Seek-Her, a mysterious medium, who leaves Freddy some cryptic parting words: break up with her. But Laura Dean keeps coming back, and as their relationship spirals further out of her control, Freddy has to wonder if it’s really Laura Dean that’s the problem. Maybe it’s Freddy, who is rapidly losing her friends, including Doodle, who needs her now more than ever.

Fortunately for Freddy, there are new friends, and the insight of advice columnists like Anna Vice to help her through being a teenager in love.

Spinning by Tillie Walden 

It was the same every morning. Wake up, grab the ice skates, and head to the rink while the world was still dark. Weekends were spent in glitter and tights at competitions. Perform. Smile. And do it again. She was good. She won. And she hated it. For ten years, figure skating was Tillie Walden’s life. She woke before dawn for morning lessons, went straight to group practice after school, and spent weekends competing at ice rinks across the state. Skating was a central piece of her identity, her safe haven from the stress of school, bullies, and family. But as she switched schools, got into art, and fell in love with her first girlfriend, she began to question how the close-minded world of figure skating fit in with the rest of her life, and whether all the work was worth it given the reality: that she, and her friends on the team, were nowhere close to Olympic hopefuls. The more Tillie thought about it, the more Tillie realized she’d outgrown her passion–and she finally needed to find her own voice.

 

July Authors Forward Interview with L.S. Case and Jeannie Moon

Welcome to our Authors Forward series, where our innovative and talented Books Forward authors interview other great, forward-thinking voices in the industry.

July Authors Forward interview with L.S. Case and Jeannie Moon

Jeannie Moon is a USA Today bestselling romance author known for her Compass Cove and Forever Love Stories series. Married to her high school sweetheart, Jeannie has three kids, three lovable dogs, and resides on Long Island, NY.

1. Your Forever Love Stories and Compass Cove series have engaged readers in beautiful romances. How do you make your novels stand out from others in the genre?  

One of the most important things I’ve done is to create compelling characters that readers can connect with and root for. Whether a billionaire or a librarian, my goal is always to create characters who are relatable, flawed and easy to connect with. My other strength is creating a strong setting that keeps readers engaged in the story. Even in the Forever Love Stories when the super-rich take center stage, there’s a grounded feeling to the places they live and work. (Okay, maybe the mega-yacht in the first Forever Love Story was over the top, but it was fun.)

2. How has your approach to book promotion evolved since your debut novel? What’s your advice for young writers trying to build an author platform? 

In the beginning, I tried to do it all. Facebook, Instagram, Twitter… Don’t do that. It’s exhausting and a time suck. Find where your readers are, and use social media to connect with them on a personal level. Look for small reader events to attend, connect through local libraries. Last, I wish I’d paid more attention to my newsletter in the beginning. The popularity of social media platforms ebb and flow, but if you build your mailing list and send a message once a month, not just when you’re selling something, you’ll grow your fan base. 

3. What is the best investment you ever made in your writing? 

The best investment is the time I’ve spent with other writers as part of a local writing group or at small conferences and workshops. I learn from every class I take, but the time with other writers is priceless. Writing can be very isolating and building a community is the best thing I did for myself. 

4. What are common traps for aspiring writers?

Too much information can be a problem. Everyone has a theory about how you should write, about how to be more productive, about how to sell books, and I’m not saying advice is a bad thing, but too much can weigh you down. Find a process that works for you and let it evolve naturally. If you have reams of information, pick and choose what makes sense to you. If you attend a workshop and you come away with two or three tips that help your process, that’s fantastic. No “system” works for everyone. Trust yourself and your process. 

5. Have you ever resuscitated a shelved project? What made it more successful the second time around?

My very first book was 120,000 words long and was like a soap opera. At its core was a lovely romance, but it was buried in superfluous details and melodrama. It was rewritten several times, words were culled, and it did have interest, but it didn’t sell. In 2014, I went back to it, stripped it down, and re-envisioned the story. The Playing Field went from 120K to 45K words and became the novella, This Christmas. The reimagined version was character driven and emotional, and that’s why readers loved it. It was a reunion story, and focusing on the couple and their love story–not extra characters, jobs, or extraneous drama–made the book special. 

6. How can readers contact you and learn more about your upcoming projects?

The best place to find me is on my website, jeanniemoon.com. Readers can sign up for my newsletter, find my social media accounts, and see where they can meet me. It’s where I’ll announce new projects and book news.

June Authors Forward Interview with Sid Balman Jr. and James Wade

Welcome to our Authors Forward series, where our innovative and talented Books Forward authors interview other great, forward-thinking voices in the industry.

June Authors Forward Interview with Sid Balman Jr. and James Wade

James Wade lives and writes in the Texas Hill Country with his wife and daughter. He is the author of River, Sing Out, and Beasts of the Earth (winner of the 2023 Spur Award for Best Contemporary Novel) as well as the critically-acclaimed debut novel All Things Left Wild (winner of the MPIBA Reading the West Award for Debut Fiction, and the Spur Award for Best Historical Novel). James’s work has appeared in numerous literary magazines, and his novels have been featured by publications such as PopSugar, BookBub, Deep South Magazine, and the New York Journal of Books. 

Your novels – All Things Left Wild, River, Sing Out, and Beasts of the Earth – seem to share a common theme: the loss of innocence in characters swimming amid a pool of evil. In your view, is that the inevitable dilemma of the human condition? 

I think so. Mostly. Maybe. It’s certainly the dilemma of those humans who have been cursed with awareness and ambiguity both. I think the central characters (Caleb, Jonah and River, and most recently, Harlen) in each book are those types of people. They’re weighed down with guilt, but they’re also weighed down with this longing for inner peace. Their primary struggle is whether or not they can be okay with things not being okay. Ignorance is bliss, and none of these characters are ignorant, so they have a tough time finding solace– not just from the world, but from their own thoughts about it. It’s a great way for readers to connect with the characters and something you do a wonderful job of with the Laws and Zarkans in Seventh Flag, showing readers the tension and anxieties that exist within these families and the world they inhabit. 

Your central character(s) survive this crucible, a happy ending if you will. How do you square this in the nihilistic worlds you create in your novels?

Not to spoil things, but they don’t all survive. Some of the central characters make it. Some don’t. To your point, it speaks to what some folks would consider nihilism or randomness. I think it’s just realism. There’s a desire to create realistic outcomes, which means the main character can’t always survive dangerous situations. However, there’s also the goal of the novels, which in large part is to show how a character is changed by the circumstances they come up against. That’s tougher to do when you kill them off. But even for the ones who do make it through, there’s not always a happy ending waiting on the other side. 

God, or a divine force, is the one character that seems missing from your novels. Of course, writing a novel is an act of pure faith and folly, prima facie evidence that all novelists must have some form of faith. How does your faith, or lack thereof, impact your stories?

I’d argue that there is a God in my novels. Maybe a different God for each one, or maybe not the God most folks are used to seeing, but it’s there. The desert, the river, the Watchmaker. Wise old men and women. Innocent children. Love and grace and the hurt it takes to be human– to be alive.

The truth is I struggle with this world– with all of it, not just its religions and politics. And faith, or lack thereof, is certainly a part of that struggle.  Because I often write about the things I struggle with, it makes sense that faith and religion would make their way into my novels pretty frequently. I’m also a regional author, with all of my novels being set in Texas, and it’s only natural that the dialogue and worldview of many of my rural-Texan characters is centered around God.

I worry that I write too much about that stuff, or maybe use too much biblical allegory. That’s just part of who I am as a writer and as a person. I was raised Southern Baptist. I’ve read the Bible in its entirety several times and still reference it regularly. But because I approach it now in a literary context rather than as holy scripture, I’m able to access the storytelling techniques and beautiful prose without being beholden to a certain viewpoint. And ultimately writing a novel takes faith in yourself more than anything else. If outsourcing that faith to a deity makes you a better writer, then I’m all for it. But in the end, divine intervention or not, you still have to put your ass in the chair and get it done.

Only a ‘real’ Texan like you, as opposed to a Houston transplant from New York or LA gallivanting around Marfa in a shiny new pair of cowboy boots and a crisp Low Crown, could write about their state with such authenticity and gravitas. What is the ‘it’ about Texas that infuses your life and writing?

Texas is the perfect character. It has a little bit of everything, from a terrain or cultural or culinary standpoint. I grew up in East Texas where we’re more culturally aligned with the southeast than we are with the southwest. To think El Paso and Beaumont are in the same state seems ridiculous. Or Marfa and Gun Barrel City. Or Dallas and Fort Davis. So many places in Texas are unlike anywhere else, including the other places in Texas. I’ve worked at newspapers in rural Texas, worked at the State Capitol during the legislative session. I’ve driven across the state to cover high school football, to lobby for water conservation, and even to deliver beauty supply products to rural salons while I was in college (there’s a book in there somewhere). We’re as diverse a state as exists in this union, and no matter how much Texas is talked about, there’s still always more to say. I’ve been asked if I’ll ever write anything set outside of Texas and the answer is always, “why would I?”

Tell us a little about the book you’re incubating, and why your editor wanted a rewrite. An inevitable part of our process, but how does that make you feel. Do you push back, or simply go back to the drawing board? 

I’m working on a prohibition/great depression era novel set in a fictional East Texas town. The basic theme explores what folks will do to survive when put in precarious situations, and how our psyches are shaped by tragedy.

My biggest weakness as a writer is plotting. I like characters and landscape and conversation. If I could sell a novel where two characters sit in the woods and talk to each other about pain and anger and beauty and loss for three hundred pages, I’d do it. But my publisher, rightfully, wants action, pacing, plot, etc. so I tried to give that to them with the first draft. Get all the elements out there and let them decide which ones to develop more and which ones to cut or revise. That’s basically where we’re at now.

As for how edits and revisions make me feel, it’s twofold. First, I have incredibly thick skin. I’m lucky and grateful to be a writer, and I accept criticism as a reality of my very fortunate position. Second, I have to look at it as a business decision. My publisher is paying me. They have to sell the books in order to make any money back. I have to put them in the best position I can for them to succeed, and they let me know when I haven’t done that. That’s the business.

If I feel incredibly strongly about something, I’ll definitely push back, and they’re great about being receptive. But I have such severe imposter syndrome, that I usually don’t feel that strong about my work to begin with. That’s a confidence that I believe will come with time and experience. In my opinion, I’m still learning how to write. There’s no critique I can’t benefit from. Even if I don’t agree with something, it helps to see it through another person’s eyes. 

Ego can be a difficult thing to manage. You have to have a certain amount of ego to write anything in the first place, but then you have to immediately discard it when it comes to feedback and reception. 

 

Retellings to examine for Sherlock Holmes day

I’m a big fan of all things Sherlock Holmes (the stories, the movies, the shows, the list goes on…), and I’ve recently jumped into reading some retellings of the famous detective’s tales. Which made me wonder just how many are out there? We put together a list of people’s favorites that have us intrigued:

The Lady Sherlock series by Sherry Thomas is my personal favorite and starts with A Study In Scarlet Women

With her inquisitive mind, Charlotte Holmes has never felt comfortable with the demureness expected of the fairer sex in upper class society. But even she never thought that she would become a social pariah, an outcast fending for herself on the mean streets of London. When the city is struck by a trio of unexpected deaths and suspicion falls on her sister and her father, Charlotte is desperate to find the true culprits and clear the family name. She’ll have help from friends new and old — a kind-hearted widow, a police inspector, and a man who has long loved her. But in the end, it will be up to Charlotte, under the assumed name Sherlock Holmes, to challenge society’s expectations and match wits against an unseen mastermind.

The Charlotte Holmes series is a YA take by Brittany Cavallaro and starts with A Study In Charlotte

Jamie Watson has always been intrigued by Charlotte Holmes; after all, their great-great-great-grandfathers are one of the most infamous pairs in history. But the Holmes family has always been odd, and Charlotte is no exception. She’s inherited Sherlock’s volatility and some of his vices — and when Jamie and Charlotte end up at the same Connecticut boarding school, Charlotte makes it clear she’s not looking for friends.But when a student they both have a history with dies under suspicious circumstances, ripped straight from the most terrifying of the Sherlock Holmes stories, Jamie can no longer afford to keep his distance. Danger is mounting and nowhere is safe — and the only people they can trust are each other.

The Mary Russell series by Laurie R. King starts with The Beekeeper’s Apprentice: Or, on the Segregation of the Queen 

In 1915, Sherlock Holmes is retired and quietly engaged in the study of honeybees in Sussex when a young woman literally stumbles onto him on the Sussex Downs. Fifteen years old, gawky, egotistical, and recently orphaned, the young Mary Russell displays an intellect to impress even Sherlock Holmes. Under his reluctant tutelage, this very modern, 20th-century woman proves a deft protégée and a fitting partner for the Victorian detective. They are soon called to Wales to help Scotland Yard find the kidnapped daughter of an American senator, a case of international significance with clues that dip deep into Holmes’s past.

J. Lawrence Matthews adds to Holmes’ tales with One Must Tell the Bees: Abraham Lincoln and the Final Education of Sherlock Holmes

When those harrowing words ring out during a children’s entertainment in Washington on the evening of April 14, 1865, a quick-thinking young chemist from England named Johnnie Holmes grabs the 12-year-old son of the dying President, races the boy to safety, and soon finds himself enlisted in the most infamous manhunt in history.

One Must Tell the Bees is the untold story of Sherlock Holmes’ journey from the streets of London to the White House of Abraham Lincoln and, in company with a freed slave named after the dead President, their breathtaking pursuit and capture of John Wilkes Booth. It is the very first case of the man who would become known to the world as Sherlock Holmes, and as readers will discover, it will haunt him until his very last.

Lyndsay Faye combines Sherlock with one of history’s most famous killers in Dust and Shadow: An Account of the Ripper Killings 

From the gritty streets of 19th-century London, the loyal and courageous Dr. Watson offers a tale unearthed after generations of lore: the harrowing story of Sherlock Holmes’s attempt to hunt down Jack the Ripper. As England’s greatest specialist in criminal detection, Sherlock Holmes is unwavering in his quest to capture the killer responsible for terrifying London’s East End. He hires an “unfortunate” known as Mary Ann Monk, the friend of a fellow streetwalker who was one of the Ripper’s earliest victims; and he relies heavily on the steadfast and devoted Dr. John H. Watson. When Holmes himself is wounded in Whitechapel during an attempt to catch the savage monster, the popular press launches an investigation of its own, questioning the great detective’s role in the very crimes he is so fervently struggling to prevent. Stripped of his credibility, Holmes is left with no choice but to break every rule in the desperate race to find the madman known as “the Knife” before it is too late. 

Lock & Mori by Heather W. Petty

Someone has been murdered in London’s Regent’s Park, and sixteen-year-old Lock has challenged his classmate Mori to solve the crime before he does. His only rule: they must share every clue with each other. Mori reluctantly agrees, but what begins as fun and games quickly becomes sinister. As she gets closer to solving the case — and more and more drawn to Lock — she discovers that the murder is connected to her own past. Now she’s keeping secrets from Lock, her family, and her best friend, secrets with dire consequences. To save herself and loved ones, Mori is prepared to take matters into her own hands. Will Lock be standing by her side when it’s all over? That’s one mystery Mori cannot solve.

The Invisible Library by Genevieve Cogman

Irene is a professional spy for the mysterious Library, a shadowy organization that collects important works of fiction from all of the different realities. Most recently, she and her enigmatic assistant Kai have been sent to an alternative London. Their mission: Retrieve a particularly dangerous book. The problem: By the time they arrive, it’s already been stolen.

London’s underground factions are prepared to fight to the death to find the tome before Irene and Kai do, a problem compounded by the fact that this world is chaos-infested — the laws of nature bent to allow supernatural creatures and unpredictable magic to run rampant. To make matters worse, Kai is hiding something — secrets that could be just as volatile as the chaos-filled world itself.

A series focusing on Sherlock’s brother by Kareem Abdul-Jabbar (yes, that Kareem Abdul-Jabbar) and Anna Waterhouse starts with Mycroft Holmes

Fresh out of Cambridge University, the young Mycroft Holmes is already making a name for himself in government, working for the Secretary of State for War. Yet this most British of civil servants has strong ties to the faraway island of Trinidad, the birthplace of his best friend, Cyrus Douglas, a man of African descent, and where his fiancée Georgiana Sutton was raised.

Mycroft’s comfortable existence is overturned when Douglas receives troubling reports from home. There are rumors of mysterious disappearances, strange footprints in the sand, and spirits enticing children to their deaths, their bodies found drained of blood. Upon hearing the news, Georgiana abruptly departs for Trinidad. Near panic, Mycroft convinces Douglas that they should follow her, drawing the two men into a web of dark secrets that grows more treacherous with each step they take…

May Authors Forward interview with Charles Salzberg and writers group

Welcome to our Authors Forward series, where our innovative and talented Books Forward authors interview other great, forward-thinking voices in the industry.

May Authors Forward interview with Charles Salzberg: The Birth and Extra-Long Life of the Monday Night Zoom Boys

Allow me to begin by outing myself: I actually enjoyed parts of the pandemic lockdown. Not all of it, of course, but enough to make me a little nostalgic for those halcyon days of never leaving my apartment for days at a time. As a freelance writer most of my adult life, I’d been rehearsing for this catastrophe for most but a gift for me. 

For a while, at least, it was “welcome to my world,” for all those non-essential workers who had to stay home. But it didn’t take long for me to change my tune to “Get the hell out of my world,” because suddenly, with everyone else in New York working from home, it wasn’t so special anymore.

But for me the one long-lasting, positive effect of the pandemic lockdown was stumbling into a regular Monday Night Zoom with four other writers: Reed Farrel Coleman (Long Island), Michael Wiley (Jacksonville, Florida), Matt Goldman (Minneapolis, Minnesota and Tom Straw (Connecticut). All are very successful crime writers, but Matt and Tom have also carved out a very impressive career writing for TV, mostly sitcoms like Seinfeld, Night Court, Nurse Jackie, and The New Adventures of Old Christine.

The pandemic is pretty much over now (not that anyone’s giving it the last rites, since I’m sure we’ll be living with it in one form or another for the rest of our lives), but the Monday Night Zoom Boys is still thriving. The only difference is now instead of every Monday night, it’s every other Monday night.

The Zoom has certainly changed my life for the better, but what about the other participants? And what’s behind this staying power? 

To get the Zoom in perspective, I quizzed my fellow Monday Nighters, in an attempt to answer these and other questions. 

How about we begin with general feelings about the Zoom from Reed Farrel Coleman and Matt Goldman, and I think what they have to say pretty much sums up the experience for all of us.

Reed Farrel Coleman: Our Monday night Zoom calls during the pandemic, bring two things immediately to mind: team sports, and family. If you ever listen to retired athletes talk about what they miss most, it’s usually the camaraderie, the sense that no one will ever understand you the way your teammates did because you shared a set of goals and values. Daniel Woodrell is a favorite author of mine and one of his driving themes is the creation of family out of circumstance. Those kinds of families have little to do with blood, but a sense of shared purpose and need. Enter Covid-19. While I was happy to be with my wife and son for the duration, I was deprived of my contact with my peers. Writing is a life full of aloneness if not loneliness. And while my family understands me, they can’t understand the life the way other writers do. Suddenly, no Bouchercon, no LCC, no Thriller Fest, no Sleuthfest … There was no hope for the occasional dinner or drinks with colleagues. Our calls gave me an anchor, something to look forward to besides a weekly masked and gloved trip to Costco. Though I doubt Charles, Mike, Matt, Tom, and I gave it much thought at the time, we were creating a team and a family. It was both a refuge and a forum, a place to understand and to be understood. If and when the calls do end, I will be like one of those retired athletes who understands the experience can never be replicated.  

Matt Goldman: I’ve been a professional writer since I was 24 years old. I wrote television for over thirty years. I made some great friends in that world. Life-long friends. But there is no television writing community on a large scale. I was blown away to discover the mystery writing community. It’s friendly and supportive from top to bottom.  When I attended my first Bouchercon (at age 54) I thought, “I’ve finally found my people.” But I only got to see them once or twice a year. And then after a few conferences, I found my diamond core of friends within the community. Mike, Charles, and Reed. (And soon Tom.) This happened just before the pandemic. Zoom turned that once or twice a year into once a week, and for that I’m so grateful. I think everyone should have a group of friends that is independent of their regular day-to-day life, whether it’s through a writing group or religious organization or sport or hobby or whatever. It adds a beautiful facet to life.

How did the Zoom start and how did you get involved?

Reed: You know, I’m not quite sure how it started, but Mike is the man who facilitated and for that we owe him.

Michael Wiley: Early in the pandemic Reed, Matt and I were Zooming and you (Charles) and Tom were Zooming separately. Reed suggested experimenting with a full-group Zoom, and we never turned back. Now, I like to think of us as a blended family.

Tom Straw: This iteration came as a sort of hand-off. You, Reed, and I had started a twice-monthly Zoom shortly after the pandemic lockdown. Prior to that, we gathered around Mystery Writers of America events, which led to Reed-led French Connection tours of Brooklyn that evolved into Brooklyn pizza tours then occasional steakhouse dinners. Zooming was a way to keep in touch and not go stir crazy. Reed was also cheating on us with another regular video chat with Matt Goldman and Michael Wiley. He suggested we cross streams, and we consolidated into our current party of five.

Did you take part in any other Zoom meet-ups?

Reed: I did for exactly two weeks, but I gave up after that. One of the participants was someone I didn’t much care for, and that person tended to dominate the conversation. It was also highly politicized and focused on the pandemic. The last two things I wanted to hear more about during those early days were politics and the pandemic. It’s testimony to our Zoom Boy meetings that we touched on those things, but never perseverated on them. What was great was that we never seemed to have an agenda.

Mike: Through much of the pandemic, I lived on Zoom. I Zoomed with family and friends. I did book events on Zoom. I taught Zoom workshops and classes. Zoom kept my world turning. But our Zoom group was the best of Zooms.  

Matt: The only other Zoom I participated in was for virtual book events.

Tom: I did Zooms for TV project development with my old colleague Craig Ferguson. Those were between my place in New England and his home in Scotland, so la-dee-dah, an international aspect. Even though the stated purpose of those was work, with Craig, there’s no shortage of laughter and horsing around. Let’s call those productive and fun. I also started semi-regular Zoom across another border with Canadian mystery author Linwood Barclay who was locked down at his home in Toronto. We’re no longer in isolation (at least not by decree) yet continue the rite roughly every two or three weeks because we enjoy our Zooms. As with Michael Wiley and Matt Goldman, Linwood and I have never met in person, so it’s a unique thing to spend regular time together—virtually— feeling as if we have actually met. 

Charles: I’ve been Zooming my writing classes pretty much from the start of the pandemic through the present. I also Zoomed the occasional meeting usually having to do with PrisonWrites, the New York Writers Workshop and MWA-NY (I’m on the board of the first two, and was on the local MWA board. I’ve also done a weekly lunch with my good friend Ross Klavan. For about a month or two there, in the beginning of the pandemic, we Zoomed our lunches. But as soon as the weather allowed for outside dining, we brought back in-person lunches.

Why do you think this particular Zoom worked out so well?

Mike: We freed each other from the nasty uncertainties and ugly politics of the early pandemic, and I like to think we still give each other a place away from the rest of our worlds. We don’t so much avoid the hard stuff – we’ve spent plenty of time on it – but we mostly tell stories, laugh, and talk about what we do more hours out of the day than anything else: writing. In The Decameron, a group flees from the plague to a deserted villa where they tell each other tales. Our Monday night Zooms have sort of been that villa.  

Tom: The beauty of what I’ve nicknamed the Magical Mystery Zoom with You, Reed, Matt, and Mike is how it’s like a gathering of old friends around the dinner table where nobody has to pick up the check. They’re relaxed, unpressured, and freewheeling. Which is remarkable since I never met Mike and Matt. Wait. I’m a big fat liar. On our first Zoom I learned that Matt and I both worked at Castle Rock, back in 1988-1990, as comedy writers under contract to develop TV pilots. However, we don’t remember meeting then. Frankly, I think Matt is bullshitting to keep me in my place, so I won’t consider myself “memorable.” Whatev. 

Matt: I think it works because we all value the same components of the conversation. What are we reading? What are we watching? How is our work going? And for me, who is the least experienced novelist in the group, I’m able to ask career guidance questions. But most of all I think we like each other. We do in real life and that carries over to Zoom. One Zoom topic is when will we see each other in the real world again.

Reed: For one, as I stated above, none of us seemed to come to the meetings with an agenda. We just went with it and were genuinely happy to see one another. In the beginning, it was also an escape from the reality of being trapped in our houses with our families or by ourselves. It satisfied the need for social interaction with friends. And since we all share a profession, it gave us a platform to discuss our works and to share stories only other writers could fully appreciate. And having been on many panels, we all understood when to talk and when to listen. There’s a lot to be said for that.

How did the pandemic affect your writing or reading?

Reed: I made a concerted effort not to include anything about the pandemic in my work. What it did, though, was supply me with additional writing time. I wrote three books in a period when I would have normally done two at most.  One of the great things about our Zoom is our occasional discussions of the process. I’ve picked up some tips from all of you gentlemen and getting a chance to be an early reader on occasion has been a real perk. 

Mike: The pandemic mostly reinforced habits I already had. Before the pandemic, I spent most of my days alone at the computer. During the pandemic, I spent most of my days alone at the computer. But I wrote more and read more. I did re-read plague books early on – The Decameron, Thomas Mann’s Death in Venice, etc. But we were spending our waking and sleeping hours living out that theme, and it got old, so I went back to the reading whatever books interested me – often ones someone mentioned in our Zoom meetings. Not Zoom itself, but definitely the conversations we’ve had about writing on Zoom.

Tom: My joke when we started Zooming was how the pandemic is making us all sit alone in a room, reading and writing. Exactly like before the pandemic.

Matt: The pandemic didn’t affect my writing much. It provided more writing time. It also could be discouraging—a book launch pushed a year, events were canceled, the publishing business was affected. But my day to day didn’t change too much. 

Charles: I wish I could say the pandemic and being home all the time resulted in writing more, or at least spending more time in front of the computer. But that would be a lie. I don’t measure these things, but if I had to guess I’d say I spent exactly the same amount of time writing (or maybe even less). I’ve always been a streaky writer, in the sense that I don’t have a particular schedule and somehow all that “extra” at home time was mostly filled up with things like reading, listening to true crime podcasts, and streaming all kinds of things. And this is where the Zoom Boys came in handy in the sense of all kinds of recommendations for movies, books, and streaming TV.

What made this Zoom important for you?

Tom: Camaraderie, of course. Remember, these started in lockdown, so at first, they were kinda like prison visits, seeing friends through glass (one or two of us may have even re-enacted a memorable scene from Midnight Express). But the way we roll, there’s always great conversation to go with the good company. We talk about our weeks, we talk about the news, we talk about what we’re watching and reading, there are plenty of anecdotes about life experiences both hilarious and shocking, and just enough about our writing. That’s a key thing for me. It’s not only that I like the dudes in the other four squares, I have deep respect for their writing and sensibilities. Therefore, I learn a lot. Either about craft or the bullshit-and-victories mix we all go through. We’re not a support group, not at all. But that happens on its own, I guess.

Mike: Before we started, I was already close friends with Reed and, increasingly, Matt. I knew you from conventions, and, though I knew of Tom, I hadn’t met him. I count our whole group now as great friends – a huge and unexpected gift from the pandemic. Our Zoom talks have kept me “in touch” with much of what matters to me.  

Matt: I get friendship and colleagues. When we go to a mystery writing convention, there seem to be thousands of mystery writers. And there probably are. But I live in Minneapolis, and although some wonderful authors are here, I don’t see them regularly. And because we’ve become such good friends, I feel like I can discuss anything in our group, whether it’s a book deal, a story problem, or a personal relationship.

Why do you think this particular Zoom works so well?

Tom: A likable, affable lot, these gents. Everyone brings varied experiences and perspectives, but shared values and interests. There’s always something to talk about. And most importantly, mutual respect (unless they’re hiding something from me!). 

Reed: For one, as I stated above, none of us seemed to come to the meetings with an agenda. We just went with it and were genuinely happy to see one another. In the beginning, it was also an escape from the reality of being trapped in our houses with our families or by ourselves. It satisfied the need for social interaction with friends. And since we all share a profession, it gave us a platform to discuss our works and to share stories only other writers could fully appreciate. And having been on many panels, we all understood when to talk and when to listen. There’s a lot to be said for that.

Why are we continuing the Zoom, even though the pandemic is supposedly over?

Mike: We’ve cut back, meeting every couple of weeks instead of every week. But the short answer, for me, is that I really enjoy spending time with you guys. Before we Zoomed, most of us might see each other once or twice a year – far too seldom. Now I get to hang out regularly with people I love to spend time with.

Reed: While there are a hundred reasons, the main ones are that we all really like and respect each other.

Matt: Silver linings came out of the pandemic. One is the normalization of video conferencing. Even the three who live in the New York area live far apart from one another.  Because Zoom now feels normal, it’s as if we’re in the same neighborhood and it’s easy to get together on a regular basis. The pandemic, through zoom, has damned geography. Which is wonderful. It applies to book events, too. When appearing at a bookstore, we can now reach hundreds or even thousands of people instead of tens.

Charles: The Zoom adds a little much needed structure to my life. I’ve been a freelance writer most of my adult life and the upside of that for me was always the flexibility of my schedule. But it also meant that most of my days are spent alone, in my apartment. Teaching always offered an opportunity to actually be among people, interesting people. But that changed with the onset of the pandemic. Not only was there the battle against isolation, but every day was the same day, in the sense that I’d have to remind myself every morning when I woke up, what day it was. That weekly Zoom indicated it was a Monday, and there was no better way to start off the week.

 

Foodie memoirs to make you feel like you’re in the kitchen with the staff from The Bear

The Bear is back in June, and we couldn’t be more excited for Season 2. Apparently, it is pretty accurate when it comes to what it’s like to work in a kitchen (yikes). For more experience in the food world, check out one of these memoirs.

Tender At the Bone by Ruth Reichl

At an early age, Ruth Reichl discovered that “food could be a way of making sense of the world. If you watched people as they ate, you could find out who they were.” Her deliciously crafted memoir Tender at the Bone is the story of a life defined, determined, and enhanced in equal measure by a passion for food, by unforgettable people, and by the love of tales well told. Beginning with her mother, the notorious food-poisoner known as the Queen of Mold, Reichl introduces us to the fascinating characters who shaped her world and tastes, from the gourmand Monsieur du Croix, who served Reichl her first foie gras, to those at her politically correct table in Berkeley who championed the organic food revolution in the 1970s. Spiced with Reichl’s infectious humor and sprinkled with her favorite recipes, Tender at the Bone is a witty and compelling chronicle of a culinary sensualist’s coming-of-age. 

Kitchen Confidential by Anthony Bourdain

Almost two decades ago, the New Yorker published a now infamous article, “Don’t Eat Before You Read This,” by then little-known chef Anthony Bourdain. Bourdain spared no one’s appetite as he revealed what happens behind the kitchen door. The article was a sensation, and the book it spawned, the now classic Kitchen Confidential, became an even bigger sensation, a mega bestseller with over one million copies in print. Frankly confessional, addictively acerbic, and utterly unsparing, Bourdain pulls no punches in this memoir of his years in the restaurant business. Fans will love to return to this deliciously funny, delectably shocking banquet of wild-but-true tales of life in the culinary trade from Chef Anthony Bourdain, laying out his more than a quarter-century of drugs, sex, and haute cuisine.

Notes From A Young Black Chef by Kwame Onwuachi

By the time he was 27 years old, Kwame Onwuachi had opened — and closed — one of the most talked about restaurants in America. He had sold drugs in New York and been shipped off to rural Nigeria to “learn respect.” He had launched his own catering company with twenty thousand dollars made from selling candy on the subway and starred on Top Chef. Through it all, Onwuachi’s love of food and cooking remained a constant, even when, as a young chef, he was forced to grapple with just how unwelcoming the food world can be for people of color. In this inspirational memoir about the intersection of race, fame, and food, he shares the remarkable story of his culinary coming-of-age; a powerful, heartfelt, and shockingly honest account of chasing your dreams—even when they don’t turn out as you expected.

Blood Bones and Butter: The Inadvertent Education of a Reluctant Chef by Gabrielle Hamilton

Before Gabrielle Hamilton opened her acclaimed New York restaurant Prune, she spent 20 hard-living years trying to find purpose and meaning in her life. Blood, Bones & Butter follows an unconventional journey through the many kitchens Hamilton has inhabited through the years: the rural kitchen of her childhood, where her adored mother stood over the six-burner with an oily wooden spoon in hand; the kitchens of France, Greece, and Turkey, where she was often fed by complete strangers and learned the essence of hospitality; Hamilton’s own kitchen at Prune, with its many unexpected challenges; and the kitchen of her Italian mother-in-law, who serves as the link between Hamilton’s idyllic past and her own future family — the result of a prickly marriage that nonetheless yields lasting dividends. By turns epic and intimate, Gabrielle Hamilton’s story is told with uncommon honesty, grit, humor, and passion.

Yes, Chef by Marcus Samuelsson with Veronica Chambers

It begins with a simple ritual: Every Saturday afternoon, a boy who loves to cook walks to his grandmother’s house and helps her prepare a roast chicken for dinner. The grandmother is Swedish, a retired domestic. The boy is Ethiopian and adopted, and he will grow up to become the world-renowned chef Marcus Samuelsson. This book is his love letter to food and family in all its manifestations. Yes, Chef chronicles Samuelsson’s journey, from his grandmother’s kitchen to his arrival in New York City, where his outsize talent and ambition finally come together at Aquavit, earning him a New York Times three-star rating at the age of twenty-four. But Samuelsson’s career of chasing flavors had only just begun — in the intervening years, there have been White House state dinners, career crises, reality show triumphs, and, most important, the opening of Red Rooster in Harlem. At Red Rooster, Samuelsson has fulfilled his dream of creating a truly diverse, multiracial dining room — a place where presidents rub elbows with jazz musicians, aspiring artists, and bus drivers. It is a place where an orphan from Ethiopia, raised in Sweden, living in America, can feel at home.

Stir by Jessica Fechtor

At 28, Jessica Fechtor was happily immersed in graduate school and her young marriage, and thinking about starting a family. Then one day, she went for a run and an aneurysm burst in her brain. She nearly died. She lost her sense of smell, the sight in her left eye, and was forced to the sidelines of the life she loved. Jessica’s journey to recovery began in the kitchen as soon as she was able to stand at the stovetop and stir. There, she drew strength from the restorative power of cooking and baking. Written with intelligence, humor, and warmth, Stir is a heartfelt examination of what it means to nourish and be nourished.

Eat A Peach by David Chang with Gabe Ulla

In 2004, Momofuku Noodle Bar opened in a tiny, stark space in Manhattan’s East Village. Its young chef-owner, David Chang, worked the line, serving ramen and pork buns to a mix of fellow restaurant cooks and confused diners whose idea of ramen was instant noodles in Styrofoam cups. It would have been impossible to know it at the time — and certainly Chang would have bet against himself — but he, who had failed at almost every endeavor in his life, was about to become one of the most influential chefs of his generation, driven by the question, “What if the underground could become the mainstream?” Chang grew up the youngest son of a deeply religious Korean American family in Virginia. Graduating college aimless and depressed, he fled the States for Japan, hoping to find some sense of belonging. While teaching English in a backwater town, he experienced the highs of his first full-blown manic episode, and began to think that the cooking and sharing of food could give him both purpose and agency in his life.

The Making Of A Chef: Mastering Heat at the Culinary Institute of America by Michael Ruhlman

Just over a decade ago, journalist Michael Ruhlman donned a chef’s jacket and houndstooth-check pants to join the students at the Culinary Institute of America, the country’s oldest and most influential cooking school. But The Making of a Chef is not just about holding a knife or slicing an onion; it’s also about the nature and spirit of being a professional cook and the people who enter the profession. As Ruhlman — now an expert on the fundamentals of cooking — recounts his growing mastery of the skills of his adopted profession, he propels himself and his readers through a score of kitchens and classrooms in search of the elusive, unnameable elements of great food.

The Cooking Gene: A Journey Through African American Culinary History in the Old South by Michael W. Twitty

Southern food is integral to the American culinary tradition, yet the question of who “owns” it is one of the most provocative touch points in our ongoing struggles over race. In this unique memoir, culinary historian Michael W. Twitty takes readers to the white-hot center of this fight, tracing the roots of his own family and the charged politics surrounding the origins of soul food, barbecue, and all Southern cuisine. From the tobacco and rice farms of colonial times to plantation kitchens and backbreaking cotton fields, Twitty tells his family story through the foods that enabled his ancestors’ survival across three centuries. He sifts through stories, recipes, genetic tests, and historical documents, and travels from Civil War battlefields in Virginia to synagogues in Alabama to Black-owned organic farms in Georgia. As he takes us through his ancestral culinary history, Twitty suggests that healing may come from embracing the discomfort of the Southern past. Along the way, he reveals a truth that is more than skin deep — the power that food has to bring the kin of the enslaved and their former slaveholders to the table, where they can discover the real America together.

My Life In France by Julia Child with Alex Prud’homme

Although she would later singlehandedly create a new approach to American cuisine with her cookbook Mastering the Art of French Cooking and her television show The French Chef, Julia Child was not always a master chef. Indeed, when she first arrived in France in 1948 with her husband, Paul, who was to work for the USIS, she spoke no French and knew nothing about the country itself. But as she dove into French culture, buying food at local markets and taking classes at the Cordon Bleu, her life changed forever with her newfound passion for cooking and teaching. Julia’s unforgettable story — struggles with the head of the Cordon Bleu, rejections from publishers to whom she sent her now-famous cookbook, a wonderful, nearly 50-year- long marriage that took the Childs across the globe — unfolds with the spirit so key to Julia’s success as a chef and a writer, brilliantly capturing one of America’s most endearing personalities.